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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57EE02 it is the complementary color #A811FD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57EE02. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57EE02 shade: #5CEE00, #6DFF10, #7EFF23, #8FFF36 and #A0FF49

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57EE02. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57EE02 shade: #57EE02, #46DC00, #35CA00, #24B800 and #13A600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57EE02 shade: #57ED02, #96ED02, #D6ED02, #EDC602 and #ED8602

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57EE02 shade: #57ED02, #18ED02, #02ED2C, #02ED6C and #02EDAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57EE02 shade matches the following richer shades: #57ED02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57EE02 shade: #57ED02, #5CDA16, #62C729, #67B33D and #6DA050

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57EE02 shade: #D6ED02, #97ED02, #59ED02, #1AED02 and #02ED2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57EE02 shade: #399C02, #48C402, #57ED02, #6DFD1C and #87FD45

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57EE02 shade: #57EE02, #02EDC6 and #ED02B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57EE02 shade: #57EE02, #0259ED and #ED0259

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57EE02 shade: #57EE02, #02EDC6, #9702ED and #ED022A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57EE02 shade: #57EE02, #02CEED, #9702ED and #ED2202

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 99 / 7

HEX #57EE02

RGB 87 238 2

HSL 98.39, 0.98%, 0.47%

LAB 83.54, -72.32, 80.1

 

Complementary color

CMYK 34 / 93 / 0 / 1

HEX #A811FD

RGB 168 17 253

HSL 278.39, 0.98%, 0.53%

LAB 46.73, 84.8, -82.4

 

CMYK 61 / 0 / 100 / 7

HEX #5CEE00

RGB 92 238 0

HSL 96.81, 1%, 0.47%

LAB 83.67, -71.25, 80.42

 

CMYK 57 / 0 / 94 / 0

HEX #6DFF10

RGB 109 255 16

HSL 96.65, 1%, 0.53%

LAB 89.3, -72.57, 83.82

 

CMYK 51 / 0 / 86 / 0

HEX #7EFF23

RGB 126 255 35

HSL 95.18, 1%, 0.57%

LAB 89.9, -67.71, 81.82

 

CMYK 44 / 0 / 79 / 0

HEX #8FFF36

RGB 143 255 54

HSL 93.43, 1%, 0.61%

LAB 90.61, -62.03, 78.36

 

CMYK 37 / 0 / 71 / 0

HEX #A0FF49

RGB 160 255 73

HSL 91.32, 1%, 0.64%

LAB 91.45, -55.62, 73.63

 

CMYK 63 / 0 / 99 / 7

HEX #57EE02

RGB 87 238 2

HSL 98.39, 0.98%, 0.47%

LAB 83.54, -72.32, 80.1

 

CMYK 68 / 0 / 100 / 14

HEX #46DC00

RGB 70 220 0

HSL 100.91, 1%, 0.43%

LAB 77.57, -70.16, 75.36

 

CMYK 74 / 0 / 100 / 21

HEX #35CA00

RGB 53 202 0

HSL 104.26, 1%, 0.4%

LAB 71.55, -67.68, 70.42

 

CMYK 80 / 0 / 100 / 28

HEX #24B800

RGB 36 184 0

HSL 108.26, 1%, 0.36%

LAB 65.48, -64.78, 65.46

 

CMYK 89 / 0 / 100 / 35

HEX #13A600

RGB 19 166 0

HSL 113.13, 1%, 0.33%

LAB 59.35, -61.34, 60.47

 

CMYK 63 / 0 / 99 / 7

HEX #57ED02

RGB 87 237 2

HSL 98.3, 0.98%, 0.47%

LAB 83.23, -72, 79.85

 

CMYK 37 / 0 / 99 / 7

HEX #96ED02

RGB 150 237 2

HSL 82.21, 0.98%, 0.47%

LAB 85.53, -54.18, 82.64

 

CMYK 10 / 0 / 99 / 7

HEX #D6ED02

RGB 214 237 2

HSL 65.87, 0.98%, 0.47%

LAB 89.33, -29.85, 87.2

 

CMYK 0 / 16 / 99 / 7

HEX #EDC602

RGB 237 198 2

HSL 50.04, 0.98%, 0.47%

LAB 80.96, -0.94, 81.95

 

CMYK 0 / 43 / 99 / 7

HEX #ED8602

RGB 237 134 2

HSL 33.7, 0.98%, 0.47%

LAB 65.79, 32.64, 71.7

 

CMYK 63 / 0 / 99 / 7

HEX #57ED02

RGB 87 237 2

HSL 98.3, 0.98%, 0.47%

LAB 83.23, -72, 79.85

 

CMYK 90 / 0 / 99 / 7

HEX #18ED02

RGB 24 237 2

HSL 114.38, 0.98%, 0.47%

LAB 82.25, -80.55, 78.66

 

CMYK 99 / 0 / 81 / 7

HEX #02ED2C

RGB 2 237 44

HSL 130.72, 0.98%, 0.47%

LAB 82.25, -80.2, 72.22

 

CMYK 99 / 0 / 54 / 7

HEX #02ED6C

RGB 2 237 108

HSL 147.06, 0.98%, 0.47%

LAB 82.73, -74.1, 48.83

 

CMYK 99 / 0 / 28 / 7

HEX #02EDAB

RGB 2 237 171

HSL 163.15, 0.98%, 0.47%

LAB 83.72, -62.57, 18.86

 

CMYK 63 / 0 / 99 / 7

HEX #57ED02

RGB 87 237 2

HSL 98.3, 0.98%, 0.47%

LAB 83.23, -72, 79.85

 

CMYK 63 / 0 / 99 / 7

HEX #57ED02

RGB 87 237 2

HSL 98.3, 0.98%, 0.47%

LAB 83.23, -72, 79.85

 

CMYK 58 / 0 / 90 / 15

HEX #5CDA16

RGB 92 218 22

HSL 98.57, 0.82%, 0.47%

LAB 77.56, -64.27, 73.16

 

CMYK 51 / 0 / 79 / 22

HEX #62C729

RGB 98 199 41

HSL 98.35, 0.66%, 0.47%

LAB 71.96, -55.16, 64.05

 

CMYK 42 / 0 / 66 / 30

HEX #67B33D

RGB 103 179 61

HSL 98.64, 0.49%, 0.47%

LAB 66.11, -44.34, 51.11

 

CMYK 32 / 0 / 50 / 37

HEX #6DA050

RGB 109 160 80

HSL 98.25, 0.33%, 0.47%

LAB 60.76, -31.85, 36.16

 

CMYK 10 / 0 / 99 / 7

HEX #D6ED02

RGB 214 237 2

HSL 65.87, 0.98%, 0.47%

LAB 89.33, -29.85, 87.2

 

CMYK 36 / 0 / 99 / 7

HEX #97ED02

RGB 151 237 2

HSL 81.96, 0.98%, 0.47%

LAB 85.58, -53.84, 82.7

 

CMYK 62 / 0 / 99 / 7

HEX #59ED02

RGB 89 237 2

HSL 97.79, 0.98%, 0.47%

LAB 83.28, -71.57, 79.91

 

CMYK 89 / 0 / 99 / 7

HEX #1AED02

RGB 26 237 2

HSL 113.87, 0.98%, 0.47%

LAB 82.27, -80.43, 78.68

 

CMYK 99 / 0 / 82 / 7

HEX #02ED2A

RGB 2 237 42

HSL 130.21, 0.98%, 0.47%

LAB 82.24, -80.3, 72.71

 

CMYK 63 / 0 / 99 / 39

HEX #399C02

RGB 57 156 2

HSL 98.57, 0.97%, 0.31%

LAB 56.73, -52.07, 58.37

 

CMYK 63 / 0 / 99 / 23

HEX #48C402

RGB 72 196 2

HSL 98.35, 0.98%, 0.39%

LAB 70.08, -62.08, 69.21

 

CMYK 63 / 0 / 99 / 7

HEX #57ED02

RGB 87 237 2

HSL 98.3, 0.98%, 0.47%

LAB 83.23, -72, 79.85

 

CMYK 57 / 0 / 89 / 1

HEX #6DFD1C

RGB 109 253 28

HSL 98.4, 0.98%, 0.55%

LAB 88.73, -71.65, 81.81

 

CMYK 47 / 0 / 73 / 1

HEX #87FD45

RGB 135 253 69

HSL 98.48, 0.98%, 0.63%

LAB 89.78, -62.85, 72.96

 

CMYK 63 / 0 / 99 / 7

HEX #57EE02

RGB 87 238 2

HSL 98.39, 0.98%, 0.47%

LAB 83.54, -72.32, 80.1

 

CMYK 99 / 0 / 16 / 7

HEX #02EDC6

RGB 2 237 198

HSL 170.04, 0.98%, 0.47%

LAB 84.31, -56.1, 5.61

 

CMYK 0 / 99 / 23 / 7

HEX #ED02B6

RGB 237 2 182

HSL 314.04, 0.98%, 0.47%

LAB 53.41, 85.81, -30.51

 

CMYK 63 / 0 / 99 / 7

HEX #57EE02

RGB 87 238 2

HSL 98.39, 0.98%, 0.47%

LAB 83.54, -72.32, 80.1

 

CMYK 99 / 62 / 0 / 7

HEX #0259ED

RGB 2 89 237

HSL 217.79, 0.98%, 0.47%

LAB 43.17, 36.71, -79.71

 

CMYK 0 / 99 / 62 / 7

HEX #ED0259

RGB 237 2 89

HSL 337.79, 0.98%, 0.47%

LAB 50.42, 77.98, 20.98

 

CMYK 63 / 0 / 99 / 7

HEX #57EE02

RGB 87 238 2

HSL 98.39, 0.98%, 0.47%

LAB 83.54, -72.32, 80.1

 

CMYK 99 / 0 / 16 / 7

HEX #02EDC6

RGB 2 237 198

HSL 170.04, 0.98%, 0.47%

LAB 84.31, -56.1, 5.61

 

CMYK 36 / 99 / 0 / 7

HEX #9702ED

RGB 151 2 237

HSL 278.04, 0.98%, 0.47%

LAB 42.36, 81.4, -80.67

 

CMYK 0 / 99 / 82 / 7

HEX #ED022A

RGB 237 2 42

HSL 349.79, 0.98%, 0.47%

LAB 49.76, 76.19, 47.77

 

CMYK 63 / 0 / 99 / 7

HEX #57EE02

RGB 87 238 2

HSL 98.39, 0.98%, 0.47%

LAB 83.54, -72.32, 80.1

 

CMYK 99 / 13 / 0 / 7

HEX #02CEED

RGB 2 206 237

HSL 187.91, 0.98%, 0.47%

LAB 76.23, -31.23, -27.17

 

CMYK 36 / 99 / 0 / 7

HEX #9702ED

RGB 151 2 237

HSL 278.04, 0.98%, 0.47%

LAB 42.36, 81.4, -80.67

 

CMYK 0 / 86 / 99 / 7

HEX #ED2202

RGB 237 34 2

HSL 8.17, 0.98%, 0.47%

LAB 50.87, 71.89, 63.57

 

Description

Color code: HEX #57EE02 | qconv.com Color code: HEX #57EE02 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 238 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 238 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 99 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 99% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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