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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57ED5E it is the complementary color #A812A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57ED5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57ED5E shade: #5CED59, #6DFF6C, #7EFF7F, #8FFF92 and #A0FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57ED5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57ED5E shade: #57ED5E, #46DB4B, #35C938, #24B725 and #13A512

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57ED5E shade: #59EE60, #7AEE59, #A2EE59, #CAEE59 and #EEE959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57ED5E shade: #59EE60, #59EE88, #59EEB0, #59EED8 and #59DBEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57ED5E shade matches the following richer shades: #59EE60 and #4AFC52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57ED5E shade: #59EE60, #68DF6D, #77D07B, #85C188 and #94B296

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57ED5E shade: #A3EE59, #7CEE59, #59EE5E, #59EE85 and #59EEAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57ED5E shade: #17DD20, #34EA3C, #59EE60, #7EF184 and #A4F5A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57ED5E shade: #57ED5E, #59CBEE and #EE598F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57ED5E shade: #57ED5E, #5E59EE and #EE5E59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57ED5E shade: #57ED5E, #59CBEE, #EE59E9 and #EE7C59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57ED5E shade: #57ED5E, #599EEE, #EE59E9 and #EEA859

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 60 / 7

HEX #57ED5E

RGB 87 237 94

HSL 122.8, 0.81%, 0.64%

LAB 83.65, -66.99, 56.41

 

Complementary color

CMYK 0 / 89 / 4 / 34

HEX #A812A1

RGB 168 18 161

HSL 302.8, 0.81%, 0.36%

LAB 40.13, 68.71, -39.84

 

CMYK 61 / 0 / 62 / 7

HEX #5CED59

RGB 92 237 89

HSL 118.78, 0.8%, 0.64%

LAB 83.74, -66.47, 58.66

 

CMYK 57 / 0 / 58 / 0

HEX #6DFF6C

RGB 109 255 108

HSL 119.59, 1%, 0.71%

LAB 89.79, -66.95, 57.58

 

CMYK 51 / 0 / 50 / 0

HEX #7EFF7F

RGB 126 255 127

HSL 120.47, 1%, 0.75%

LAB 90.55, -60.54, 50.05

 

CMYK 44 / 0 / 43 / 0

HEX #8FFF92

RGB 143 255 146

HSL 121.61, 1%, 0.78%

LAB 91.43, -53.4, 42.26

 

CMYK 37 / 0 / 35 / 0

HEX #A0FFA5

RGB 160 255 165

HSL 123.16, 1%, 0.81%

LAB 92.45, -45.68, 34.38

 

CMYK 63 / 0 / 60 / 7

HEX #57ED5E

RGB 87 237 94

HSL 122.8, 0.81%, 0.64%

LAB 83.65, -66.99, 56.41

 

CMYK 68 / 0 / 66 / 14

HEX #46DB4B

RGB 70 219 75

HSL 122.01, 0.67%, 0.57%

LAB 77.56, -66.19, 57.45

 

CMYK 74 / 0 / 72 / 21

HEX #35C938

RGB 53 201 56

HSL 121.22, 0.58%, 0.5%

LAB 71.43, -64.96, 58.19

 

CMYK 80 / 0 / 80 / 28

HEX #24B725

RGB 36 183 37

HSL 120.41, 0.67%, 0.43%

LAB 65.26, -63.15, 58.35

 

CMYK 88 / 0 / 89 / 35

HEX #13A512

RGB 19 165 18

HSL 119.59, 0.8%, 0.36%

LAB 59.06, -60.53, 57.45

 

CMYK 63 / 0 / 60 / 7

HEX #59EE60

RGB 89 238 96

HSL 122.82, 0.81%, 0.64%

LAB 84.03, -66.71, 55.99

 

CMYK 49 / 0 / 63 / 7

HEX #7AEE59

RGB 122 238 89

HSL 106.71, 0.81%, 0.64%

LAB 85, -59.4, 60.33

 

CMYK 32 / 0 / 63 / 7

HEX #A2EE59

RGB 162 238 89

HSL 90.6, 0.81%, 0.64%

LAB 86.78, -46.84, 62.79

 

CMYK 15 / 0 / 63 / 7

HEX #CAEE59

RGB 202 238 89

HSL 74.5, 0.81%, 0.64%

LAB 89.12, -32.13, 66.01

 

CMYK 0 / 2 / 63 / 7

HEX #EEE959

RGB 238 233 89

HSL 57.99, 0.81%, 0.64%

LAB 90.4, -15.42, 68.16

 

CMYK 63 / 0 / 60 / 7

HEX #59EE60

RGB 89 238 96

HSL 122.82, 0.81%, 0.64%

LAB 84.03, -66.71, 55.99

 

CMYK 63 / 0 / 43 / 7

HEX #59EE88

RGB 89 238 136

HSL 138.93, 0.81%, 0.64%

LAB 84.51, -61.25, 37.89

 

CMYK 63 / 0 / 26 / 7

HEX #59EEB0

RGB 89 238 176

HSL 155.03, 0.81%, 0.64%

LAB 85.2, -53.79, 18.51

 

CMYK 63 / 0 / 9 / 7

HEX #59EED8

RGB 89 238 216

HSL 171.14, 0.81%, 0.64%

LAB 86.12, -44.54, -1.07

 

CMYK 63 / 8 / 0 / 7

HEX #59DBEE

RGB 89 219 238

HSL 187.65, 0.81%, 0.64%

LAB 81.27, -29.9, -19.92

 

CMYK 63 / 0 / 60 / 7

HEX #59EE60

RGB 89 238 96

HSL 122.82, 0.81%, 0.64%

LAB 84.03, -66.71, 55.99

 

CMYK 71 / 0 / 67 / 1

HEX #4AFC52

RGB 74 252 82

HSL 122.7, 0.97%, 0.64%

LAB 87.82, -75.44, 65.77

 

CMYK 63 / 0 / 60 / 7

HEX #59EE60

RGB 89 238 96

HSL 122.82, 0.81%, 0.64%

LAB 84.03, -66.71, 55.99

 

CMYK 53 / 0 / 51 / 13

HEX #68DF6D

RGB 104 223 109

HSL 122.52, 0.65%, 0.64%

LAB 80.08, -56.24, 45.52

 

CMYK 43 / 0 / 41 / 18

HEX #77D07B

RGB 119 208 123

HSL 122.7, 0.49%, 0.64%

LAB 76.35, -44.05, 34.04

 

CMYK 31 / 0 / 30 / 24

HEX #85C188

RGB 133 193 136

HSL 123, 0.33%, 0.64%

LAB 72.83, -30.8, 22.71

 

CMYK 17 / 0 / 16 / 30

HEX #94B296

RGB 148 178 150

HSL 124, 0.16%, 0.64%

LAB 69.71, -15.77, 10.95

 

CMYK 32 / 0 / 63 / 7

HEX #A3EE59

RGB 163 238 89

HSL 90.2, 0.81%, 0.64%

LAB 86.83, -46.49, 62.86

 

CMYK 48 / 0 / 63 / 7

HEX #7CEE59

RGB 124 238 89

HSL 105.91, 0.81%, 0.64%

LAB 85.08, -58.83, 60.44

 

CMYK 63 / 0 / 61 / 7

HEX #59EE5E

RGB 89 238 94

HSL 122.01, 0.81%, 0.64%

LAB 84.01, -66.93, 56.83

 

CMYK 63 / 0 / 44 / 7

HEX #59EE85

RGB 89 238 133

HSL 137.72, 0.81%, 0.64%

LAB 84.47, -61.73, 39.31

 

CMYK 63 / 0 / 27 / 7

HEX #59EEAD

RGB 89 238 173

HSL 153.83, 0.81%, 0.64%

LAB 85.14, -54.41, 19.98

 

CMYK 90 / 0 / 86 / 13

HEX #17DD20

RGB 23 221 32

HSL 122.73, 0.81%, 0.48%

LAB 77.28, -75.55, 70.57

 

CMYK 78 / 0 / 74 / 8

HEX #34EA3C

RGB 52 234 60

HSL 122.64, 0.81%, 0.56%

LAB 81.78, -74.91, 67.25

 

CMYK 63 / 0 / 60 / 7

HEX #59EE60

RGB 89 238 96

HSL 122.82, 0.81%, 0.64%

LAB 84.03, -66.71, 55.99

 

CMYK 48 / 0 / 45 / 5

HEX #7EF184

RGB 126 241 132

HSL 123.13, 0.8%, 0.72%

LAB 86.51, -54.41, 42.64

 

CMYK 33 / 0 / 32 / 4

HEX #A4F5A7

RGB 164 245 167

HSL 122.22, 0.8%, 0.8%

LAB 89.85, -39.77, 29.94

 

CMYK 63 / 0 / 60 / 7

HEX #57ED5E

RGB 87 237 94

HSL 122.8, 0.81%, 0.64%

LAB 83.65, -66.99, 56.41

 

CMYK 63 / 15 / 0 / 7

HEX #59CBEE

RGB 89 203 238

HSL 194.09, 0.81%, 0.64%

LAB 76.68, -21.99, -26.9

 

CMYK 0 / 63 / 40 / 7

HEX #EE598F

RGB 238 89 143

HSL 338.26, 0.81%, 0.64%

LAB 59.26, 61.8, 1.15

 

CMYK 63 / 0 / 60 / 7

HEX #57ED5E

RGB 87 237 94

HSL 122.8, 0.81%, 0.64%

LAB 83.65, -66.99, 56.41

 

CMYK 61 / 63 / 0 / 7

HEX #5E59EE

RGB 94 89 238

HSL 242.01, 0.81%, 0.64%

LAB 46.58, 44.64, -74.57

 

CMYK 0 / 61 / 63 / 7

HEX #EE5E59

RGB 238 94 89

HSL 2.01, 0.81%, 0.64%

LAB 58.89, 55.21, 31.96

 

CMYK 63 / 0 / 60 / 7

HEX #57ED5E

RGB 87 237 94

HSL 122.8, 0.81%, 0.64%

LAB 83.65, -66.99, 56.41

 

CMYK 63 / 15 / 0 / 7

HEX #59CBEE

RGB 89 203 238

HSL 194.09, 0.81%, 0.64%

LAB 76.68, -21.99, -26.9

 

CMYK 0 / 63 / 2 / 7

HEX #EE59E9

RGB 238 89 233

HSL 302.01, 0.81%, 0.64%

LAB 62.68, 73.8, -45.03

 

CMYK 0 / 48 / 63 / 7

HEX #EE7C59

RGB 238 124 89

HSL 14.09, 0.81%, 0.64%

LAB 64.41, 40.97, 38.8

 

CMYK 63 / 0 / 60 / 7

HEX #57ED5E

RGB 87 237 94

HSL 122.8, 0.81%, 0.64%

LAB 83.65, -66.99, 56.41

 

CMYK 63 / 34 / 0 / 7

HEX #599EEE

RGB 89 158 238

HSL 212.21, 0.81%, 0.64%

LAB 63.96, 2.39, -46.68

 

CMYK 0 / 63 / 2 / 7

HEX #EE59E9

RGB 238 89 233

HSL 302.01, 0.81%, 0.64%

LAB 62.68, 73.8, -45.03

 

CMYK 0 / 29 / 63 / 7

HEX #EEA859

RGB 238 168 89

HSL 31.81, 0.81%, 0.64%

LAB 74.13, 17.99, 50.27

 

Description

Color code: HEX #57ED5E | qconv.com Color code: HEX #57ED5E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 237 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 237 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 60 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 60% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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