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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57ED35 it is the complementary color #A812CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57ED35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57ED35 shade: #5CED30, #6DFF43, #7EFF56, #8FFF69 and #A0FF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57ED35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57ED35 shade: #57ED35, #46DB22, #35C90F, #24B700 and #13A500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57ED35 shade: #57ED35, #89ED35, #BBED35, #ECED35 and #EDBD35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57ED35 shade: #57ED35, #35ED45, #35ED77, #35EDA8 and #35EDDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57ED35 shade matches the following richer shades: #57ED35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57ED35 shade: #57ED35, #62DC47, #6ECA59, #79B86A and #84A67C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57ED35 shade: #BCED35, #8BED35, #5AED35, #35ED42 and #35ED73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57ED35 shade: #31C011, #3BE514, #57ED35, #77F15B and #96F481

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57ED35 shade: #57ED35, #35EDED and #ED35A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57ED35 shade: #57ED35, #355AED and #ED355A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57ED35 shade: #57ED35, #35EDED, #C935ED and #ED3535

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57ED35 shade: #57ED35, #35B6ED, #C935ED and #ED6D35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 78 / 7

HEX #57ED35

RGB 87 237 53

HSL 108.91, 0.84%, 0.57%

LAB 83.36, -70.4, 71.19

 

Complementary color

CMYK 17 / 91 / 0 / 21

HEX #A812CA

RGB 168 18 202

HSL 288.91, 0.84%, 0.43%

LAB 42.8, 75.36, -59.78

 

CMYK 61 / 0 / 80 / 7

HEX #5CED30

RGB 92 237 48

HSL 106.03, 0.84%, 0.56%

LAB 83.47, -69.59, 72.74

 

CMYK 57 / 0 / 74 / 0

HEX #6DFF43

RGB 109 255 67

HSL 106.6, 1%, 0.63%

LAB 89.48, -70.56, 73.01

 

CMYK 51 / 0 / 66 / 0

HEX #7EFF56

RGB 126 255 86

HSL 105.8, 1%, 0.67%

LAB 90.15, -64.85, 67.16

 

CMYK 44 / 0 / 59 / 0

HEX #8FFF69

RGB 143 255 105

HSL 104.8, 1%, 0.71%

LAB 90.95, -58.35, 60.52

 

CMYK 37 / 0 / 51 / 0

HEX #A0FF7C

RGB 160 255 124

HSL 103.51, 1%, 0.74%

LAB 91.89, -51.18, 53.38

 

CMYK 63 / 0 / 78 / 7

HEX #57ED35

RGB 87 237 53

HSL 108.91, 0.84%, 0.57%

LAB 83.36, -70.4, 71.19

 

CMYK 68 / 0 / 84 / 14

HEX #46DB22

RGB 70 219 34

HSL 108.32, 0.73%, 0.5%

LAB 77.33, -69.01, 70.43

 

CMYK 74 / 0 / 93 / 21

HEX #35C90F

RGB 53 201 15

HSL 107.74, 0.86%, 0.42%

LAB 71.26, -67.08, 68.52

 

CMYK 80 / 0 / 100 / 28

HEX #24B700

RGB 36 183 0

HSL 108.2, 1%, 0.36%

LAB 65.15, -64.48, 65.2

 

CMYK 88 / 0 / 100 / 35

HEX #13A500

RGB 19 165 0

HSL 113.09, 1%, 0.32%

LAB 59.02, -61.05, 60.21

 

CMYK 63 / 0 / 78 / 7

HEX #57ED35

RGB 87 237 53

HSL 108.91, 0.84%, 0.57%

LAB 83.36, -70.4, 71.19

 

CMYK 42 / 0 / 78 / 7

HEX #89ED35

RGB 137 237 53

HSL 92.61, 0.84%, 0.57%

LAB 85.07, -57.11, 73.41

 

CMYK 21 / 0 / 78 / 7

HEX #BBED35

RGB 187 237 53

HSL 76.3, 0.84%, 0.57%

LAB 87.67, -39.46, 76.76

 

CMYK 0 / 0 / 78 / 7

HEX #ECED35

RGB 236 237 53

HSL 60.33, 0.84%, 0.57%

LAB 91.08, -19.86, 81.1

 

CMYK 0 / 20 / 78 / 7

HEX #EDBD35

RGB 237 189 53

HSL 44.35, 0.84%, 0.57%

LAB 78.84, 4.71, 70.14

 

CMYK 63 / 0 / 78 / 7

HEX #57ED35

RGB 87 237 53

HSL 108.91, 0.84%, 0.57%

LAB 83.36, -70.4, 71.19

 

CMYK 78 / 0 / 71 / 7

HEX #35ED45

RGB 53 237 69

HSL 125.22, 0.84%, 0.57%

LAB 82.78, -74.98, 65.17

 

CMYK 78 / 0 / 50 / 7

HEX #35ED77

RGB 53 237 119

HSL 141.52, 0.84%, 0.57%

LAB 83.26, -69.19, 44.42

 

CMYK 78 / 0 / 29 / 7

HEX #35EDA8

RGB 53 237 168

HSL 157.5, 0.84%, 0.57%

LAB 84.05, -60.25, 20.93

 

CMYK 78 / 0 / 8 / 7

HEX #35EDDA

RGB 53 237 218

HSL 173.8, 0.84%, 0.57%

LAB 85.19, -48.2, -3.56

 

CMYK 63 / 0 / 78 / 7

HEX #57ED35

RGB 87 237 53

HSL 108.91, 0.84%, 0.57%

LAB 83.36, -70.4, 71.19

 

CMYK 63 / 0 / 78 / 7

HEX #57ED35

RGB 87 237 53

HSL 108.91, 0.84%, 0.57%

LAB 83.36, -70.4, 71.19

 

CMYK 55 / 0 / 68 / 14

HEX #62DC47

RGB 98 220 71

HSL 109.13, 0.68%, 0.57%

LAB 78.6, -60.77, 60.37

 

CMYK 46 / 0 / 56 / 21

HEX #6ECA59

RGB 110 202 89

HSL 108.85, 0.52%, 0.57%

LAB 73.73, -48.77, 47.35

 

CMYK 34 / 0 / 42 / 28

HEX #79B86A

RGB 121 184 106

HSL 108.46, 0.35%, 0.57%

LAB 69.03, -35.3, 33.33

 

CMYK 20 / 0 / 25 / 35

HEX #84A67C

RGB 132 166 124

HSL 108.57, 0.19%, 0.57%

LAB 64.67, -19.89, 18.02

 

CMYK 21 / 0 / 78 / 7

HEX #BCED35

RGB 188 237 53

HSL 75.98, 0.84%, 0.57%

LAB 87.74, -39.07, 76.84

 

CMYK 41 / 0 / 78 / 7

HEX #8BED35

RGB 139 237 53

HSL 91.96, 0.84%, 0.57%

LAB 85.16, -56.47, 73.52

 

CMYK 62 / 0 / 78 / 7

HEX #5AED35

RGB 90 237 53

HSL 107.93, 0.84%, 0.57%

LAB 83.44, -69.76, 71.29

 

CMYK 78 / 0 / 72 / 7

HEX #35ED42

RGB 53 237 66

HSL 124.24, 0.84%, 0.57%

LAB 82.76, -75.22, 66.21

 

CMYK 78 / 0 / 51 / 7

HEX #35ED73

RGB 53 237 115

HSL 140.22, 0.84%, 0.57%

LAB 83.21, -69.78, 46.25

 

CMYK 74 / 0 / 91 / 25

HEX #31C011

RGB 49 192 17

HSL 109.03, 0.84%, 0.41%

LAB 68.31, -64.93, 65.72

 

CMYK 74 / 0 / 91 / 10

HEX #3BE514

RGB 59 229 20

HSL 108.8, 0.84%, 0.49%

LAB 80.19, -74.37, 75.34

 

CMYK 63 / 0 / 78 / 7

HEX #57ED35

RGB 87 237 53

HSL 108.91, 0.84%, 0.57%

LAB 83.36, -70.4, 71.19

 

CMYK 51 / 0 / 62 / 5

HEX #77F15B

RGB 119 241 91

HSL 108.8, 0.84%, 0.65%

LAB 85.8, -61.15, 60.36

 

CMYK 39 / 0 / 47 / 4

HEX #96F481

RGB 150 244 129

HSL 109.04, 0.84%, 0.73%

LAB 88.34, -49.11, 46.59

 

CMYK 63 / 0 / 78 / 7

HEX #57ED35

RGB 87 237 53

HSL 108.91, 0.84%, 0.57%

LAB 83.36, -70.4, 71.19

 

CMYK 78 / 0 / 0 / 7

HEX #35EDED

RGB 53 237 237

HSL 180, 0.84%, 0.57%

LAB 85.73, -42.98, -12.77

 

CMYK 0 / 78 / 31 / 7

HEX #ED35A4

RGB 237 53 164

HSL 323.8, 0.84%, 0.57%

LAB 55.31, 76.17, -17.05

 

CMYK 63 / 0 / 78 / 7

HEX #57ED35

RGB 87 237 53

HSL 108.91, 0.84%, 0.57%

LAB 83.36, -70.4, 71.19

 

CMYK 78 / 62 / 0 / 7

HEX #355AED

RGB 53 90 237

HSL 227.93, 0.84%, 0.57%

LAB 44.5, 38.66, -77.5

 

CMYK 0 / 78 / 62 / 7

HEX #ED355A

RGB 237 53 90

HSL 347.93, 0.84%, 0.57%

LAB 53.26, 69.93, 24.13

 

CMYK 63 / 0 / 78 / 7

HEX #57ED35

RGB 87 237 53

HSL 108.91, 0.84%, 0.57%

LAB 83.36, -70.4, 71.19

 

CMYK 78 / 0 / 0 / 7

HEX #35EDED

RGB 53 237 237

HSL 180, 0.84%, 0.57%

LAB 85.73, -42.98, -12.77

 

CMYK 15 / 78 / 0 / 7

HEX #C935ED

RGB 201 53 237

HSL 288.26, 0.84%, 0.57%

LAB 53.03, 79.14, -62.97

 

CMYK 0 / 78 / 78 / 7

HEX #ED3535

RGB 237 53 53

HSL 0, 0.84%, 0.57%

LAB 52.74, 68.27, 44.84

 

CMYK 63 / 0 / 78 / 7

HEX #57ED35

RGB 87 237 53

HSL 108.91, 0.84%, 0.57%

LAB 83.36, -70.4, 71.19

 

CMYK 78 / 23 / 0 / 7

HEX #35B6ED

RGB 53 182 237

HSL 197.93, 0.84%, 0.57%

LAB 69.7, -16.28, -37.21

 

CMYK 15 / 78 / 0 / 7

HEX #C935ED

RGB 201 53 237

HSL 288.26, 0.84%, 0.57%

LAB 53.03, 79.14, -62.97

 

CMYK 0 / 54 / 78 / 7

HEX #ED6D35

RGB 237 109 53

HSL 18.26, 0.84%, 0.57%

LAB 60.96, 46.19, 53.17

 

Description

Color code: HEX #57ED35 | qconv.com Color code: HEX #57ED35 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 237 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 237 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 78 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 78% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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