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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57EC05 it is the complementary color #A813FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57EC05. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57EC05 shade: #5CEC00, #6DFE13, #7EFF26, #8FFF39 and #A0FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57EC05. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57EC05 shade: #57EC05, #46DA00, #35C800, #24B600 and #13A400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57EC05 shade: #56EB05, #95EB05, #D3EB05, #EBC505 and #EB8705

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57EC05 shade: #56EB05, #18EB05, #05EB2F, #05EB6D and #05EBAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57EC05 shade matches the following richer shades: #56EB05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57EC05 shade: #56EB05, #5CD818, #62C42C, #67B13F and #6D9D52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57EC05 shade: #D4EB05, #97EB05, #59EB05, #1CEB05 and #05EB2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57EC05 shade: #399A03, #48C204, #56EB05, #6DFA1F and #87FB47

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57EC05 shade: #57EC05, #05EBC5 and #EB05B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57EC05 shade: #57EC05, #0559EB and #EB0559

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57EC05 shade: #57EC05, #05EBC5, #9705EB and #EB052B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57EC05 shade: #57EC05, #05CCEB, #9705EB and #EB2305

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 98 / 7

HEX #57EC05

RGB 87 236 5

HSL 98.7, 0.96%, 0.47%

LAB 82.93, -71.64, 79.36

 

Complementary color

CMYK 33 / 92 / 0 / 2

HEX #A813FA

RGB 168 19 250

HSL 278.7, 0.96%, 0.53%

LAB 46.57, 83.97, -80.99

 

CMYK 61 / 0 / 100 / 7

HEX #5CEC00

RGB 92 236 0

HSL 96.61, 1%, 0.46%

LAB 83.05, -70.61, 79.94

 

CMYK 57 / 0 / 93 / 0

HEX #6DFE13

RGB 109 254 19

HSL 97.02, 0.99%, 0.54%

LAB 89.01, -72.19, 83.26

 

CMYK 51 / 0 / 85 / 0

HEX #7EFF26

RGB 126 255 38

HSL 95.67, 1%, 0.57%

LAB 89.9, -67.61, 81.25

 

CMYK 44 / 0 / 78 / 0

HEX #8FFF39

RGB 143 255 57

HSL 93.94, 1%, 0.61%

LAB 90.62, -61.89, 77.55

 

CMYK 37 / 0 / 70 / 0

HEX #A0FF4C

RGB 160 255 76

HSL 91.84, 1%, 0.65%

LAB 91.47, -55.43, 72.62

 

CMYK 63 / 0 / 98 / 7

HEX #57EC05

RGB 87 236 5

HSL 98.7, 0.96%, 0.47%

LAB 82.93, -71.64, 79.36

 

CMYK 68 / 0 / 100 / 15

HEX #46DA00

RGB 70 218 0

HSL 100.73, 1%, 0.43%

LAB 76.95, -69.55, 74.86

 

CMYK 74 / 0 / 100 / 22

HEX #35C800

RGB 53 200 0

HSL 104.1, 1%, 0.39%

LAB 70.92, -67.07, 69.91

 

CMYK 80 / 0 / 100 / 29

HEX #24B600

RGB 36 182 0

HSL 108.13, 1%, 0.36%

LAB 64.83, -64.19, 64.94

 

CMYK 88 / 0 / 100 / 36

HEX #13A400

RGB 19 164 0

HSL 113.05, 1%, 0.32%

LAB 58.69, -60.76, 59.94

 

CMYK 63 / 0 / 98 / 8

HEX #56EB05

RGB 86 235 5

HSL 98.87, 0.96%, 0.47%

LAB 82.6, -71.54, 79.08

 

CMYK 37 / 0 / 98 / 8

HEX #95EB05

RGB 149 235 5

HSL 82.43, 0.96%, 0.47%

LAB 84.9, -53.7, 81.89

 

CMYK 10 / 0 / 98 / 8

HEX #D3EB05

RGB 211 235 5

HSL 66.26, 0.96%, 0.47%

LAB 88.58, -30.12, 86.31

 

CMYK 0 / 16 / 98 / 8

HEX #EBC505

RGB 235 197 5

HSL 50.09, 0.96%, 0.47%

LAB 80.52, -1.26, 81.26

 

CMYK 0 / 43 / 98 / 8

HEX #EB8705

RGB 235 135 5

HSL 33.91, 0.96%, 0.47%

LAB 65.75, 31.33, 71.11

 

CMYK 63 / 0 / 98 / 8

HEX #56EB05

RGB 86 235 5

HSL 98.87, 0.96%, 0.47%

LAB 82.6, -71.54, 79.08

 

CMYK 90 / 0 / 98 / 8

HEX #18EB05

RGB 24 235 5

HSL 115.04, 0.96%, 0.47%

LAB 81.63, -79.97, 77.9

 

CMYK 98 / 0 / 80 / 8

HEX #05EB2F

RGB 5 235 47

HSL 130.96, 0.96%, 0.47%

LAB 81.65, -79.4, 70.88

 

CMYK 98 / 0 / 54 / 8

HEX #05EB6D

RGB 5 235 109

HSL 147.13, 0.96%, 0.47%

LAB 82.14, -73.26, 47.65

 

CMYK 98 / 0 / 27 / 8

HEX #05EBAB

RGB 5 235 171

HSL 163.3, 0.96%, 0.47%

LAB 83.12, -61.76, 18.04

 

CMYK 63 / 0 / 98 / 8

HEX #56EB05

RGB 86 235 5

HSL 98.87, 0.96%, 0.47%

LAB 82.6, -71.54, 79.08

 

CMYK 63 / 0 / 98 / 8

HEX #56EB05

RGB 86 235 5

HSL 98.87, 0.96%, 0.47%

LAB 82.6, -71.54, 79.08

 

CMYK 57 / 0 / 89 / 15

HEX #5CD818

RGB 92 216 24

HSL 98.75, 0.8%, 0.47%

LAB 76.95, -63.53, 72.31

 

CMYK 50 / 0 / 78 / 23

HEX #62C42C

RGB 98 196 44

HSL 98.68, 0.63%, 0.47%

LAB 71.05, -53.86, 62.29

 

CMYK 42 / 0 / 64 / 31

HEX #67B13F

RGB 103 177 63

HSL 98.95, 0.48%, 0.47%

LAB 65.5, -43.33, 49.61

 

CMYK 31 / 0 / 48 / 38

HEX #6D9D52

RGB 109 157 82

HSL 98.4, 0.31%, 0.47%

LAB 59.87, -30.17, 34.03

 

CMYK 10 / 0 / 98 / 8

HEX #D4EB05

RGB 212 235 5

HSL 66, 0.96%, 0.47%

LAB 88.65, -29.71, 86.39

 

CMYK 36 / 0 / 98 / 8

HEX #97EB05

RGB 151 235 5

HSL 81.91, 0.96%, 0.47%

LAB 85, -53.01, 82

 

CMYK 62 / 0 / 98 / 8

HEX #59EB05

RGB 89 235 5

HSL 98.09, 0.96%, 0.47%

LAB 82.67, -70.89, 79.18

 

CMYK 88 / 0 / 98 / 8

HEX #1CEB05

RGB 28 235 5

HSL 114, 0.96%, 0.47%

LAB 81.66, -79.71, 77.94

 

CMYK 98 / 0 / 82 / 8

HEX #05EB2B

RGB 5 235 43

HSL 129.91, 0.96%, 0.47%

LAB 81.63, -79.62, 71.91

 

CMYK 63 / 0 / 98 / 40

HEX #399A03

RGB 57 154 3

HSL 98.54, 0.96%, 0.31%

LAB 56.08, -51.35, 57.69

 

CMYK 63 / 0 / 98 / 24

HEX #48C204

RGB 72 194 4

HSL 98.53, 0.96%, 0.39%

LAB 69.45, -61.38, 68.48

 

CMYK 63 / 0 / 98 / 8

HEX #56EB05

RGB 86 235 5

HSL 98.87, 0.96%, 0.47%

LAB 82.6, -71.54, 79.08

 

CMYK 56 / 0 / 88 / 2

HEX #6DFA1F

RGB 109 250 31

HSL 98.63, 0.96%, 0.55%

LAB 87.83, -70.57, 80.56

 

CMYK 46 / 0 / 72 / 2

HEX #87FB47

RGB 135 251 71

HSL 98.67, 0.96%, 0.63%

LAB 89.21, -61.97, 71.71

 

CMYK 63 / 0 / 98 / 7

HEX #57EC05

RGB 87 236 5

HSL 98.7, 0.96%, 0.47%

LAB 82.93, -71.64, 79.36

 

CMYK 98 / 0 / 16 / 8

HEX #05EBC5

RGB 5 235 197

HSL 170.09, 0.96%, 0.47%

LAB 83.69, -55.49, 5.25

 

CMYK 0 / 98 / 23 / 8

HEX #EB05B5

RGB 235 5 181

HSL 314.09, 0.96%, 0.47%

LAB 53.07, 85.11, -30.49

 

CMYK 63 / 0 / 98 / 7

HEX #57EC05

RGB 87 236 5

HSL 98.7, 0.96%, 0.47%

LAB 82.93, -71.64, 79.36

 

CMYK 98 / 62 / 0 / 8

HEX #0559EB

RGB 5 89 235

HSL 218.09, 0.96%, 0.47%

LAB 43.03, 36.02, -78.82

 

CMYK 0 / 98 / 62 / 8

HEX #EB0559

RGB 235 5 89

HSL 338.09, 0.96%, 0.47%

LAB 50.09, 77.3, 20.47

 

CMYK 63 / 0 / 98 / 7

HEX #57EC05

RGB 87 236 5

HSL 98.7, 0.96%, 0.47%

LAB 82.93, -71.64, 79.36

 

CMYK 98 / 0 / 16 / 8

HEX #05EBC5

RGB 5 235 197

HSL 170.09, 0.96%, 0.47%

LAB 83.69, -55.49, 5.25

 

CMYK 36 / 98 / 0 / 8

HEX #9705EB

RGB 151 5 235

HSL 278.09, 0.96%, 0.47%

LAB 42.29, 80.71, -79.66

 

CMYK 0 / 98 / 82 / 8

HEX #EB052B

RGB 235 5 43

HSL 350.09, 0.96%, 0.47%

LAB 49.43, 75.51, 46.78

 

CMYK 63 / 0 / 98 / 7

HEX #57EC05

RGB 87 236 5

HSL 98.7, 0.96%, 0.47%

LAB 82.93, -71.64, 79.36

 

CMYK 98 / 13 / 0 / 8

HEX #05CCEB

RGB 5 204 235

HSL 188.09, 0.96%, 0.47%

LAB 75.59, -30.83, -27.09

 

CMYK 36 / 98 / 0 / 8

HEX #9705EB

RGB 151 5 235

HSL 278.09, 0.96%, 0.47%

LAB 42.29, 80.71, -79.66

 

CMYK 0 / 85 / 98 / 8

HEX #EB2305

RGB 235 35 5

HSL 7.83, 0.96%, 0.47%

LAB 50.54, 71.19, 62.42

 

Description

Color code: HEX #57EC05 | qconv.com Color code: HEX #57EC05 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 236 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 236 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 98 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 98% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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