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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57D85E it is the complementary color #A827A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57D85E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57D85E shade: #5CD859, #6DEA6C, #7EFC7F, #8FFF92 and #A0FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57D85E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57D85E shade: #57D85E, #46C64B, #35B438, #24A225 and #139012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57D85E shade: #56D75D, #72D756, #95D756, #B7D756 and #D7D456

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57D85E shade: #56D75D, #56D780, #56D7A3, #56D7C6 and #56C6D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57D85E shade matches the following richer shades: #56D75D, #45E84E and #34F93F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57D85E shade: #56D75D, #67C66C, #77B57B, #88A58A and #999499

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57D85E shade: #94D756, #72D756, #56D75C, #56D77F and #56D7A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57D85E shade: #29B131, #34CF3D, #56D75D, #77DF7D and #98E79D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57D85E shade: #57D85E, #56B7D7 and #D75683

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57D85E shade: #57D85E, #5C56D7 and #D75C56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57D85E shade: #57D85E, #56B7D7, #D756D1 and #D77656

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57D85E shade: #57D85E, #5690D7, #D756D1 and #D79D56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 56 / 15

HEX #57D85E

RGB 87 216 94

HSL 123.26, 0.62%, 0.59%

LAB 77.25, -59.6, 48.99

 

Complementary color

CMYK 0 / 77 / 4 / 34

HEX #A827A1

RGB 168 39 161

HSL 303.26, 0.62%, 0.41%

LAB 41.77, 63.97, -37.24

 

CMYK 57 / 0 / 59 / 15

HEX #5CD859

RGB 92 216 89

HSL 118.58, 0.62%, 0.6%

LAB 77.35, -59.02, 51.4

 

CMYK 53 / 0 / 54 / 8

HEX #6DEA6C

RGB 109 234 108

HSL 119.52, 0.75%, 0.67%

LAB 83.54, -59.29, 50.21

 

CMYK 50 / 0 / 50 / 1

HEX #7EFC7F

RGB 126 252 127

HSL 120.48, 0.95%, 0.74%

LAB 89.67, -59.39, 48.97

 

CMYK 44 / 0 / 43 / 0

HEX #8FFF92

RGB 143 255 146

HSL 121.61, 1%, 0.78%

LAB 91.43, -53.4, 42.26

 

CMYK 37 / 0 / 35 / 0

HEX #A0FFA5

RGB 160 255 165

HSL 123.16, 1%, 0.81%

LAB 92.45, -45.68, 34.38

 

CMYK 60 / 0 / 56 / 15

HEX #57D85E

RGB 87 216 94

HSL 123.26, 0.62%, 0.59%

LAB 77.25, -59.6, 48.99

 

CMYK 65 / 0 / 62 / 22

HEX #46C64B

RGB 70 198 75

HSL 122.34, 0.53%, 0.53%

LAB 71.01, -59.05, 50.19

 

CMYK 71 / 0 / 69 / 29

HEX #35B438

RGB 53 180 56

HSL 121.42, 0.55%, 0.46%

LAB 64.71, -58.11, 51.18

 

CMYK 78 / 0 / 77 / 36

HEX #24A225

RGB 36 162 37

HSL 120.48, 0.64%, 0.39%

LAB 58.37, -56.6, 51.69

 

CMYK 87 / 0 / 88 / 44

HEX #139012

RGB 19 144 18

HSL 119.52, 0.78%, 0.32%

LAB 51.98, -54.25, 51.22

 

CMYK 60 / 0 / 57 / 16

HEX #56D75D

RGB 86 215 93

HSL 123.26, 0.62%, 0.59%

LAB 76.9, -59.58, 49.04

 

CMYK 47 / 0 / 60 / 16

HEX #72D756

RGB 114 215 86

HSL 106.98, 0.62%, 0.59%

LAB 77.79, -53.12, 53.44

 

CMYK 31 / 0 / 60 / 16

HEX #95D756

RGB 149 215 86

HSL 90.7, 0.62%, 0.59%

LAB 79.42, -41.75, 55.73

 

CMYK 15 / 0 / 60 / 16

HEX #B7D756

RGB 183 215 86

HSL 74.88, 0.62%, 0.59%

LAB 81.48, -29, 58.59

 

CMYK 0 / 1 / 60 / 16

HEX #D7D456

RGB 215 212 86

HSL 58.6, 0.62%, 0.59%

LAB 83.02, -14.64, 60.95

 

CMYK 60 / 0 / 57 / 16

HEX #56D75D

RGB 86 215 93

HSL 123.26, 0.62%, 0.59%

LAB 76.9, -59.58, 49.04

 

CMYK 60 / 0 / 40 / 16

HEX #56D780

RGB 86 215 128

HSL 139.53, 0.62%, 0.59%

LAB 77.36, -54.47, 32.59

 

CMYK 60 / 0 / 24 / 16

HEX #56D7A3

RGB 86 215 163

HSL 155.81, 0.62%, 0.59%

LAB 78.01, -47.68, 15.24

 

CMYK 60 / 0 / 8 / 16

HEX #56D7C6

RGB 86 215 198

HSL 172.09, 0.62%, 0.59%

LAB 78.84, -39.4, -2.21

 

CMYK 60 / 8 / 0 / 16

HEX #56C6D7

RGB 86 198 215

HSL 187.91, 0.62%, 0.59%

LAB 74.36, -26.74, -18.04

 

CMYK 60 / 0 / 57 / 16

HEX #56D75D

RGB 86 215 93

HSL 123.26, 0.62%, 0.59%

LAB 76.9, -59.58, 49.04

 

CMYK 70 / 0 / 66 / 9

HEX #45E84E

RGB 69 232 78

HSL 123.31, 0.78%, 0.59%

LAB 81.58, -70.31, 60.6

 

CMYK 79 / 0 / 75 / 2

HEX #34F93F

RGB 52 249 63

HSL 123.35, 0.94%, 0.59%

LAB 86.42, -79.09, 70.87

 

CMYK 60 / 0 / 57 / 16

HEX #56D75D

RGB 86 215 93

HSL 123.26, 0.62%, 0.59%

LAB 76.9, -59.58, 49.04

 

CMYK 48 / 0 / 45 / 22

HEX #67C66C

RGB 103 198 108

HSL 123.16, 0.45%, 0.59%

LAB 72.46, -46.67, 36.52

 

CMYK 34 / 0 / 32 / 29

HEX #77B57B

RGB 119 181 123

HSL 123.87, 0.3%, 0.59%

LAB 68.31, -31.9, 23.41

 

CMYK 18 / 0 / 16 / 35

HEX #88A58A

RGB 136 165 138

HSL 124.14, 0.14%, 0.59%

LAB 64.95, -15.44, 10.71

 

CMYK 0 / 3 / 0 / 40

HEX #999499

RGB 153 148 153

HSL 300, 0.02%, 0.59%

LAB 61.87, 2.79, -1.99

 

CMYK 31 / 0 / 60 / 16

HEX #94D756

RGB 148 215 86

HSL 91.16, 0.62%, 0.59%

LAB 79.37, -42.1, 55.65

 

CMYK 47 / 0 / 60 / 16

HEX #72D756

RGB 114 215 86

HSL 106.98, 0.62%, 0.59%

LAB 77.79, -53.12, 53.44

 

CMYK 60 / 0 / 57 / 16

HEX #56D75C

RGB 86 215 92

HSL 122.79, 0.62%, 0.59%

LAB 76.89, -59.7, 49.48

 

CMYK 60 / 0 / 41 / 16

HEX #56D77F

RGB 86 215 127

HSL 139.07, 0.62%, 0.59%

LAB 77.35, -54.64, 33.08

 

CMYK 60 / 0 / 25 / 16

HEX #56D7A1

RGB 86 215 161

HSL 154.88, 0.62%, 0.59%

LAB 77.96, -48.11, 16.24

 

CMYK 77 / 0 / 72 / 31

HEX #29B131

RGB 41 177 49

HSL 123.53, 0.62%, 0.43%

LAB 63.46, -59.72, 52.52

 

CMYK 75 / 0 / 71 / 19

HEX #34CF3D

RGB 52 207 61

HSL 123.48, 0.62%, 0.51%

LAB 73.35, -66.59, 58.32

 

CMYK 60 / 0 / 57 / 16

HEX #56D75D

RGB 86 215 93

HSL 123.26, 0.62%, 0.59%

LAB 76.9, -59.58, 49.04

 

CMYK 47 / 0 / 44 / 13

HEX #77DF7D

RGB 119 223 125

HSL 123.46, 0.62%, 0.67%

LAB 80.84, -50.04, 38.81

 

CMYK 34 / 0 / 32 / 9

HEX #98E79D

RGB 152 231 157

HSL 123.8, 0.62%, 0.75%

LAB 85.13, -38.81, 28.57

 

CMYK 60 / 0 / 56 / 15

HEX #57D85E

RGB 87 216 94

HSL 123.26, 0.62%, 0.59%

LAB 77.25, -59.6, 48.99

 

CMYK 60 / 15 / 0 / 16

HEX #56B7D7

RGB 86 183 215

HSL 194.88, 0.62%, 0.59%

LAB 70, -19.14, -24.68

 

CMYK 0 / 60 / 39 / 16

HEX #D75683

RGB 215 86 131

HSL 339.07, 0.62%, 0.59%

LAB 54.8, 54.71, 1.27

 

CMYK 60 / 0 / 56 / 15

HEX #57D85E

RGB 87 216 94

HSL 123.26, 0.62%, 0.59%

LAB 77.25, -59.6, 48.99

 

CMYK 57 / 60 / 0 / 16

HEX #5C56D7

RGB 92 86 215

HSL 242.79, 0.62%, 0.59%

LAB 44, 38.82, -65.74

 

CMYK 0 / 57 / 60 / 16

HEX #D75C56

RGB 215 92 86

HSL 2.79, 0.62%, 0.59%

LAB 54.84, 47.96, 27.78

 

CMYK 60 / 0 / 56 / 15

HEX #57D85E

RGB 87 216 94

HSL 123.26, 0.62%, 0.59%

LAB 77.25, -59.6, 48.99

 

CMYK 60 / 15 / 0 / 16

HEX #56B7D7

RGB 86 183 215

HSL 194.88, 0.62%, 0.59%

LAB 70, -19.14, -24.68

 

CMYK 0 / 60 / 3 / 16

HEX #D756D1

RGB 215 86 209

HSL 302.79, 0.62%, 0.59%

LAB 57.76, 65.5, -39.51

 

CMYK 0 / 45 / 60 / 16

HEX #D77656

RGB 215 118 86

HSL 14.88, 0.62%, 0.59%

LAB 59.96, 34.97, 34.24

 

CMYK 60 / 0 / 56 / 15

HEX #57D85E

RGB 87 216 94

HSL 123.26, 0.62%, 0.59%

LAB 77.25, -59.6, 48.99

 

CMYK 60 / 33 / 0 / 16

HEX #5690D7

RGB 86 144 215

HSL 213.02, 0.62%, 0.59%

LAB 58.82, 2.4, -42.04

 

CMYK 0 / 60 / 3 / 16

HEX #D756D1

RGB 215 86 209

HSL 302.79, 0.62%, 0.59%

LAB 57.76, 65.5, -39.51

 

CMYK 0 / 27 / 60 / 16

HEX #D79D56

RGB 215 157 86

HSL 33.02, 0.62%, 0.59%

LAB 68.92, 14.08, 45.05

 

Description

Color code: HEX #57D85E | qconv.com Color code: HEX #57D85E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 216 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 216 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 56 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 56% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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