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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57D256 it is the complementary color #A82DA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57D256. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57D256 shade: #5CD251, #6DE464, #7EF677, #8FFF8A and #A0FF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57D256. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57D256 shade: #57D256, #46C043, #35AE30, #249C1D and #138A0A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57D256 shade: #57D256, #78D256, #9AD256, #BBD256 and #D2C756

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57D256 shade: #57D256, #56D276, #56D298, #56D2B9 and #56C9D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57D256 shade matches the following richer shades: #57D256, #46E344 and #35F533

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57D256 shade: #57D256, #68C167, #79AF78, #8A9E8A and #9B8D9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57D256 shade: #9AD256, #79D256, #58D256, #56D275 and #56D296

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57D256 shade: #2EA82D, #37C935, #57D256, #77DB76 and #98E397

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57D256 shade: #57D256, #56BBD2 and #D2568A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57D256 shade: #57D256, #5658D2 and #D25658

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57D256 shade: #57D256, #56BBD2, #D056D2 and #D26D56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57D256 shade: #57D256, #5696D2, #D056D2 and #D29256

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 59 / 18

HEX #57D256

RGB 87 210 86

HSL 119.52, 0.58%, 0.58%

LAB 75.32, -58.35, 50.37

 

Complementary color

CMYK 1 / 73 / 0 / 34

HEX #A82DA9

RGB 168 45 169

HSL 299.52, 0.58%, 0.42%

LAB 42.86, 63.4, -40.28

 

CMYK 56 / 0 / 61 / 18

HEX #5CD251

RGB 92 210 81

HSL 114.88, 0.59%, 0.57%

LAB 75.43, -57.69, 52.74

 

CMYK 52 / 0 / 56 / 11

HEX #6DE464

RGB 109 228 100

HSL 115.78, 0.7%, 0.64%

LAB 81.65, -57.98, 51.62

 

CMYK 49 / 0 / 52 / 4

HEX #7EF677

RGB 126 246 119

HSL 116.69, 0.88%, 0.72%

LAB 87.81, -58.09, 50.43

 

CMYK 44 / 0 / 46 / 0

HEX #8FFF8A

RGB 143 255 138

HSL 117.44, 1%, 0.77%

LAB 91.32, -54.51, 45.97

 

CMYK 37 / 0 / 38 / 0

HEX #A0FF9D

RGB 160 255 157

HSL 118.16, 1%, 0.81%

LAB 92.32, -46.88, 38.18

 

CMYK 59 / 0 / 59 / 18

HEX #57D256

RGB 87 210 86

HSL 119.52, 0.58%, 0.58%

LAB 75.32, -58.35, 50.37

 

CMYK 64 / 0 / 65 / 25

HEX #46C043

RGB 70 192 67

HSL 118.56, 0.5%, 0.51%

LAB 69.04, -57.78, 51.45

 

CMYK 70 / 0 / 72 / 32

HEX #35AE30

RGB 53 174 48

HSL 117.62, 0.57%, 0.44%

LAB 62.71, -56.8, 52.21

 

CMYK 77 / 0 / 81 / 39

HEX #249C1D

RGB 36 156 29

HSL 116.69, 0.69%, 0.36%

LAB 56.33, -55.22, 52.31

 

CMYK 86 / 0 / 93 / 46

HEX #138A0A

RGB 19 138 10

HSL 115.78, 0.86%, 0.29%

LAB 49.9, -52.74, 51.08

 

CMYK 59 / 0 / 59 / 18

HEX #57D256

RGB 87 210 86

HSL 119.52, 0.58%, 0.58%

LAB 75.32, -58.35, 50.37

 

CMYK 43 / 0 / 59 / 18

HEX #78D256

RGB 120 210 86

HSL 103.55, 0.58%, 0.58%

LAB 76.53, -49.31, 52.08

 

CMYK 27 / 0 / 59 / 18

HEX #9AD256

RGB 154 210 86

HSL 87.1, 0.58%, 0.58%

LAB 78.25, -37.73, 54.48

 

CMYK 11 / 0 / 59 / 18

HEX #BBD256

RGB 187 210 86

HSL 71.13, 0.58%, 0.58%

LAB 80.36, -25.03, 57.43

 

CMYK 0 / 5 / 59 / 18

HEX #D2C756

RGB 210 199 86

HSL 54.68, 0.58%, 0.58%

LAB 79.17, -10.16, 56.61

 

CMYK 59 / 0 / 59 / 18

HEX #57D256

RGB 87 210 86

HSL 119.52, 0.58%, 0.58%

LAB 75.32, -58.35, 50.37

 

CMYK 59 / 0 / 44 / 18

HEX #56D276

RGB 86 210 118

HSL 135.48, 0.58%, 0.58%

LAB 75.69, -54.19, 35.48

 

CMYK 59 / 0 / 28 / 18

HEX #56D298

RGB 86 210 152

HSL 151.94, 0.58%, 0.58%

LAB 76.28, -47.92, 18.65

 

CMYK 59 / 0 / 12 / 18

HEX #56D2B9

RGB 86 210 185

HSL 167.9, 0.58%, 0.58%

LAB 77.03, -40.41, 2.1

 

CMYK 59 / 4 / 0 / 18

HEX #56C9D2

RGB 86 201 210

HSL 184.35, 0.58%, 0.58%

LAB 75.08, -29.63, -14.25

 

CMYK 59 / 0 / 59 / 18

HEX #57D256

RGB 87 210 86

HSL 119.52, 0.58%, 0.58%

LAB 75.32, -58.35, 50.37

 

CMYK 69 / 0 / 70 / 11

HEX #46E344

RGB 70 227 68

HSL 119.25, 0.74%, 0.58%

LAB 79.99, -69.42, 62.73

 

CMYK 78 / 0 / 79 / 4

HEX #35F533

RGB 53 245 51

HSL 119.38, 0.91%, 0.58%

LAB 85.15, -78.57, 73.21

 

CMYK 59 / 0 / 59 / 18

HEX #57D256

RGB 87 210 86

HSL 119.52, 0.58%, 0.58%

LAB 75.32, -58.35, 50.37

 

CMYK 46 / 0 / 47 / 24

HEX #68C167

RGB 104 193 103

HSL 119.33, 0.42%, 0.58%

LAB 70.91, -45.03, 37.09

 

CMYK 31 / 0 / 31 / 31

HEX #79AF78

RGB 121 175 120

HSL 118.91, 0.26%, 0.58%

LAB 66.58, -28.88, 22.7

 

CMYK 13 / 0 / 13 / 38

HEX #8A9E8A

RGB 138 158 138

HSL 120, 0.09%, 0.58%

LAB 63.09, -11.02, 8.09

 

CMYK 0 / 9 / 0 / 39

HEX #9B8D9B

RGB 155 141 155

HSL 300, 0.07%, 0.58%

LAB 60.23, 7.85, -5.52

 

CMYK 27 / 0 / 59 / 18

HEX #9AD256

RGB 154 210 86

HSL 87.1, 0.58%, 0.58%

LAB 78.25, -37.73, 54.48

 

CMYK 42 / 0 / 59 / 18

HEX #79D256

RGB 121 210 86

HSL 103.06, 0.58%, 0.58%

LAB 76.58, -49, 52.14

 

CMYK 58 / 0 / 59 / 18

HEX #58D256

RGB 88 210 86

HSL 119.03, 0.58%, 0.58%

LAB 75.35, -58.12, 50.41

 

CMYK 59 / 0 / 44 / 18

HEX #56D275

RGB 86 210 117

HSL 135, 0.58%, 0.58%

LAB 75.67, -54.35, 35.96

 

CMYK 59 / 0 / 29 / 18

HEX #56D296

RGB 86 210 150

HSL 150.97, 0.58%, 0.58%

LAB 76.24, -48.33, 19.65

 

CMYK 73 / 0 / 73 / 34

HEX #2EA82D

RGB 46 168 45

HSL 119.51, 0.58%, 0.42%

LAB 60.58, -56.32, 51.11

 

CMYK 73 / 0 / 74 / 21

HEX #37C935

RGB 55 201 53

HSL 119.19, 0.58%, 0.5%

LAB 71.45, -64.88, 59.29

 

CMYK 59 / 0 / 59 / 18

HEX #57D256

RGB 87 210 86

HSL 119.52, 0.58%, 0.58%

LAB 75.32, -58.35, 50.37

 

CMYK 46 / 0 / 46 / 14

HEX #77DB76

RGB 119 219 118

HSL 119.41, 0.58%, 0.66%

LAB 79.55, -49.4, 40.64

 

CMYK 33 / 0 / 33 / 11

HEX #98E397

RGB 152 227 151

HSL 119.21, 0.58%, 0.74%

LAB 83.89, -37.97, 29.97

 

CMYK 59 / 0 / 59 / 18

HEX #57D256

RGB 87 210 86

HSL 119.52, 0.58%, 0.58%

LAB 75.32, -58.35, 50.37

 

CMYK 59 / 11 / 0 / 18

HEX #56BBD2

RGB 86 187 210

HSL 191.13, 0.58%, 0.58%

LAB 70.99, -22.68, -20.43

 

CMYK 0 / 59 / 34 / 18

HEX #D2568A

RGB 210 86 138

HSL 334.84, 0.58%, 0.58%

LAB 54.23, 53.93, -3.8

 

CMYK 59 / 0 / 59 / 18

HEX #57D256

RGB 87 210 86

HSL 119.52, 0.58%, 0.58%

LAB 75.32, -58.35, 50.37

 

CMYK 59 / 58 / 0 / 18

HEX #5658D2

RGB 86 88 210

HSL 239.03, 0.58%, 0.58%

LAB 43.67, 34.95, -63.43

 

CMYK 0 / 59 / 58 / 18

HEX #D25658

RGB 210 86 88

HSL 359.03, 0.58%, 0.58%

LAB 53.02, 49.14, 24.1

 

CMYK 59 / 0 / 59 / 18

HEX #57D256

RGB 87 210 86

HSL 119.52, 0.58%, 0.58%

LAB 75.32, -58.35, 50.37

 

CMYK 59 / 11 / 0 / 18

HEX #56BBD2

RGB 86 187 210

HSL 191.13, 0.58%, 0.58%

LAB 70.99, -22.68, -20.43

 

CMYK 1 / 59 / 0 / 18

HEX #D056D2

RGB 208 86 210

HSL 299.03, 0.58%, 0.58%

LAB 56.8, 63.91, -41.65

 

CMYK 0 / 48 / 59 / 18

HEX #D26D56

RGB 210 109 86

HSL 11.13, 0.58%, 0.58%

LAB 57.38, 37.7, 30.86

 

CMYK 59 / 0 / 59 / 18

HEX #57D256

RGB 87 210 86

HSL 119.52, 0.58%, 0.58%

LAB 75.32, -58.35, 50.37

 

CMYK 59 / 29 / 0 / 18

HEX #5696D2

RGB 86 150 210

HSL 209.03, 0.58%, 0.58%

LAB 60.29, -2.69, -36.93

 

CMYK 1 / 59 / 0 / 18

HEX #D056D2

RGB 208 86 210

HSL 299.03, 0.58%, 0.58%

LAB 56.8, 63.91, -41.65

 

CMYK 0 / 30 / 59 / 18

HEX #D29256

RGB 210 146 86

HSL 29.03, 0.58%, 0.58%

LAB 65.7, 17.93, 41.09

 

Description

Color code: HEX #57D256 | qconv.com Color code: HEX #57D256 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 210 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 210 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 59 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 59% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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