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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57CD27 it is the complementary color #A832D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57CD27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57CD27 shade: #5CCD22, #6DDF35, #7EF148, #8FFF5B and #A0FF6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57CD27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57CD27 shade: #57CD27, #46BB14, #35A901, #249700 and #138500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57CD27 shade: #57CE27, #84CE27, #B1CE27, #CEBD27 and #CE9027

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57CD27 shade: #57CE27, #2ACE27, #27CE51, #27CE7E and #27CEAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57CD27 shade matches the following richer shades: #57CE27 and #4FE113

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57CD27 shade: #57CE27, #60BA3B, #68A64F, #709263 and #797E76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57CD27 shade: #B2CE27, #85CE27, #59CE27, #2DCE27 and #27CE4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57CD27 shade: #3A881A, #49AB21, #57CE27, #6FDB43 and #89E266

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57CD27 shade: #57CD27, #27CEBD and #CE279C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57CD27 shade: #57CD27, #2759CE and #CE2759

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57CD27 shade: #57CD27, #27CEBD, #9C27CE and #CE2738

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57CD27 shade: #57CD27, #27ACCE, #9C27CE and #CE4827

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 81 / 20

HEX #57CD27

RGB 87 205 39

HSL 102.65, 0.68%, 0.48%

LAB 73.44, -60.4, 65.84

 

Complementary color

CMYK 22 / 77 / 0 / 15

HEX #A832D8

RGB 168 50 216

HSL 282.65, 0.68%, 0.52%

LAB 46.4, 70.28, -62.03

 

CMYK 55 / 0 / 83 / 20

HEX #5CCD22

RGB 92 205 34

HSL 99.65, 0.72%, 0.47%

LAB 73.58, -59.34, 67.31

 

CMYK 51 / 0 / 76 / 13

HEX #6DDF35

RGB 109 223 53

HSL 100.24, 0.73%, 0.54%

LAB 79.77, -60.21, 67.99

 

CMYK 48 / 0 / 70 / 5

HEX #7EF148

RGB 126 241 72

HSL 100.83, 0.86%, 0.61%

LAB 85.91, -60.79, 67.92

 

CMYK 44 / 0 / 64 / 0

HEX #8FFF5B

RGB 143 255 91

HSL 100.98, 1%, 0.68%

LAB 90.83, -59.63, 66.14

 

CMYK 37 / 0 / 57 / 0

HEX #A0FF6E

RGB 160 255 110

HSL 99.31, 1%, 0.72%

LAB 91.74, -52.66, 59.46

 

CMYK 58 / 0 / 81 / 20

HEX #57CD27

RGB 87 205 39

HSL 102.65, 0.68%, 0.48%

LAB 73.44, -60.4, 65.84

 

CMYK 63 / 0 / 89 / 27

HEX #46BB14

RGB 70 187 20

HSL 102.04, 0.81%, 0.41%

LAB 67.2, -59.13, 64.46

 

CMYK 69 / 0 / 99 / 34

HEX #35A901

RGB 53 169 1

HSL 101.43, 0.99%, 0.33%

LAB 60.9, -57.35, 61.8

 

CMYK 76 / 0 / 100 / 41

HEX #249700

RGB 36 151 0

HSL 105.7, 1%, 0.3%

LAB 54.56, -54.76, 56.75

 

CMYK 86 / 0 / 100 / 48

HEX #138500

RGB 19 133 0

HSL 111.43, 1%, 0.26%

LAB 48.15, -51.56, 51.51

 

CMYK 58 / 0 / 81 / 19

HEX #57CE27

RGB 87 206 39

HSL 102.75, 0.68%, 0.48%

LAB 73.75, -60.75, 66.13

 

CMYK 36 / 0 / 81 / 19

HEX #84CE27

RGB 132 206 39

HSL 86.59, 0.68%, 0.48%

LAB 75.57, -47.04, 68.46

 

CMYK 14 / 0 / 81 / 19

HEX #B1CE27

RGB 177 206 39

HSL 70.42, 0.68%, 0.48%

LAB 78.25, -29.78, 71.86

 

CMYK 0 / 8 / 81 / 19

HEX #CEBD27

RGB 206 189 39

HSL 53.89, 0.68%, 0.48%

LAB 75.86, -9.12, 70.67

 

CMYK 0 / 30 / 81 / 19

HEX #CE9027

RGB 206 144 39

HSL 37.72, 0.68%, 0.48%

LAB 64.33, 14.8, 60.57

 

CMYK 58 / 0 / 81 / 19

HEX #57CE27

RGB 87 206 39

HSL 102.75, 0.68%, 0.48%

LAB 73.75, -60.75, 66.13

 

CMYK 80 / 0 / 81 / 19

HEX #2ACE27

RGB 42 206 39

HSL 118.92, 0.68%, 0.48%

LAB 72.75, -69.19, 64.84

 

CMYK 81 / 0 / 61 / 19

HEX #27CE51

RGB 39 206 81

HSL 135.09, 0.68%, 0.48%

LAB 73, -65.88, 49.66

 

CMYK 81 / 0 / 39 / 19

HEX #27CE7E

RGB 39 206 126

HSL 151.26, 0.68%, 0.48%

LAB 73.6, -58.84, 28.48

 

CMYK 81 / 0 / 17 / 19

HEX #27CEAB

RGB 39 206 171

HSL 167.43, 0.68%, 0.48%

LAB 74.52, -48.75, 5.88

 

CMYK 58 / 0 / 81 / 19

HEX #57CE27

RGB 87 206 39

HSL 102.75, 0.68%, 0.48%

LAB 73.75, -60.75, 66.13

 

CMYK 65 / 0 / 92 / 12

HEX #4FE113

RGB 79 225 19

HSL 102.52, 0.84%, 0.48%

LAB 79.36, -69.61, 74.96

 

CMYK 58 / 0 / 81 / 19

HEX #57CE27

RGB 87 206 39

HSL 102.75, 0.68%, 0.48%

LAB 73.75, -60.75, 66.13

 

CMYK 48 / 0 / 68 / 27

HEX #60BA3B

RGB 96 186 59

HSL 102.52, 0.52%, 0.48%

LAB 67.96, -49.55, 53.82

 

CMYK 37 / 0 / 52 / 35

HEX #68A64F

RGB 104 166 79

HSL 102.76, 0.36%, 0.48%

LAB 62.32, -36.49, 38.5

 

CMYK 23 / 0 / 32 / 43

HEX #709263

RGB 112 146 99

HSL 103.4, 0.19%, 0.48%

LAB 56.98, -21.13, 21.18

 

CMYK 4 / 0 / 6 / 51

HEX #797E76

RGB 121 126 118

HSL 97.5, 0.03%, 0.48%

LAB 52.17, -3.46, 3.7

 

CMYK 14 / 0 / 81 / 19

HEX #B2CE27

RGB 178 206 39

HSL 70.06, 0.68%, 0.48%

LAB 78.32, -29.38, 71.95

 

CMYK 35 / 0 / 81 / 19

HEX #85CE27

RGB 133 206 39

HSL 86.23, 0.68%, 0.48%

LAB 75.62, -46.69, 68.53

 

CMYK 57 / 0 / 81 / 19

HEX #59CE27

RGB 89 206 39

HSL 102.04, 0.68%, 0.48%

LAB 73.81, -60.25, 66.21

 

CMYK 78 / 0 / 81 / 19

HEX #2DCE27

RGB 45 206 39

HSL 117.84, 0.68%, 0.48%

LAB 72.79, -68.81, 64.9

 

CMYK 81 / 0 / 62 / 19

HEX #27CE4E

RGB 39 206 78

HSL 134.01, 0.68%, 0.48%

LAB 72.97, -66.24, 50.95

 

CMYK 57 / 0 / 81 / 47

HEX #3A881A

RGB 58 136 26

HSL 102.55, 0.68%, 0.32%

LAB 50.2, -43.63, 47.65

 

CMYK 57 / 0 / 81 / 33

HEX #49AB21

RGB 73 171 33

HSL 102.61, 0.68%, 0.4%

LAB 62.21, -52.22, 56.97

 

CMYK 58 / 0 / 81 / 19

HEX #57CE27

RGB 87 206 39

HSL 102.75, 0.68%, 0.48%

LAB 73.75, -60.75, 66.13

 

CMYK 49 / 0 / 69 / 14

HEX #6FDB43

RGB 111 219 67

HSL 102.63, 0.68%, 0.56%

LAB 78.72, -57.22, 62.16

 

CMYK 39 / 0 / 55 / 11

HEX #89E266

RGB 137 226 102

HSL 103.06, 0.68%, 0.64%

LAB 82.2, -48.86, 51.64

 

CMYK 58 / 0 / 81 / 20

HEX #57CD27

RGB 87 205 39

HSL 102.65, 0.68%, 0.48%

LAB 73.44, -60.4, 65.84

 

CMYK 81 / 0 / 8 / 19

HEX #27CEBD

RGB 39 206 189

HSL 173.89, 0.68%, 0.48%

LAB 74.98, -43.99, -3.15

 

CMYK 0 / 81 / 24 / 19

HEX #CE279C

RGB 206 39 156

HSL 317.96, 0.68%, 0.48%

LAB 48.23, 71.65, -23.65

 

CMYK 58 / 0 / 81 / 20

HEX #57CD27

RGB 87 205 39

HSL 102.65, 0.68%, 0.48%

LAB 73.44, -60.4, 65.84

 

CMYK 81 / 57 / 0 / 19

HEX #2759CE

RGB 39 89 206

HSL 222.04, 0.68%, 0.48%

LAB 41.27, 26.62, -65.14

 

CMYK 0 / 81 / 57 / 19

HEX #CE2759

RGB 206 39 89

HSL 342.04, 0.68%, 0.48%

LAB 46.03, 65.23, 14.01

 

CMYK 58 / 0 / 81 / 20

HEX #57CD27

RGB 87 205 39

HSL 102.65, 0.68%, 0.48%

LAB 73.44, -60.4, 65.84

 

CMYK 81 / 0 / 8 / 19

HEX #27CEBD

RGB 39 206 189

HSL 173.89, 0.68%, 0.48%

LAB 74.98, -43.99, -3.15

 

CMYK 24 / 81 / 0 / 19

HEX #9C27CE

RGB 156 39 206

HSL 282.04, 0.68%, 0.48%

LAB 42.73, 69.67, -62.31

 

CMYK 0 / 81 / 73 / 19

HEX #CE2738

RGB 206 39 56

HSL 353.89, 0.68%, 0.48%

LAB 45.44, 63.42, 33.41

 

CMYK 58 / 0 / 81 / 20

HEX #57CD27

RGB 87 205 39

HSL 102.65, 0.68%, 0.48%

LAB 73.44, -60.4, 65.84

 

CMYK 81 / 17 / 0 / 19

HEX #27ACCE

RGB 39 172 206

HSL 192.22, 0.68%, 0.48%

LAB 65.27, -22.73, -27.08

 

CMYK 24 / 81 / 0 / 19

HEX #9C27CE

RGB 156 39 206

HSL 282.04, 0.68%, 0.48%

LAB 42.73, 69.67, -62.31

 

CMYK 0 / 65 / 81 / 19

HEX #CE4827

RGB 206 72 39

HSL 11.86, 0.68%, 0.48%

LAB 49.38, 51.43, 46.84

 

Description

Color code: HEX #57CD27 | qconv.com Color code: HEX #57CD27 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 205 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 205 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 81 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 81% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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