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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57CC3E it is the complementary color #A833C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57CC3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57CC3E shade: #5CCC39, #6DDE4C, #7EF05F, #8FFF72 and #A0FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57CC3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57CC3E shade: #57CC3E, #46BA2B, #35A818, #249605 and #138400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57CC3E shade: #57CC3E, #7DCC3E, #A3CC3E, #C9CC3E and #CCA73E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57CC3E shade: #57CC3E, #3ECC4B, #3ECC71, #3ECC97 and #3ECCBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57CC3E shade matches the following richer shades: #57CC3E, #4ADF2A and #3DF316

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57CC3E shade: #57CC3E, #63B851, #70A465, #7D9079 and #8A7C8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57CC3E shade: #A3CC3E, #7ECC3E, #58CC3E, #3ECC49 and #3ECC6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57CC3E shade: #399026, #46B12F, #57CC3E, #73D45E and #8FDD7F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57CC3E shade: #57CC3E, #3EC9CC and #CC3E90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57CC3E shade: #57CC3E, #3E58CC and #CC3E58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57CC3E shade: #57CC3E, #3EC9CC, #B23ECC and #CC403E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57CC3E shade: #57CC3E, #3E9FCC, #B23ECC and #CC6B3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 70 / 20

HEX #57CC3E

RGB 87 204 62

HSL 109.44, 0.58%, 0.52%

LAB 73.26, -58.54, 58.11

 

Complementary color

CMYK 13 / 74 / 0 / 24

HEX #A833C1

RGB 168 51 193

HSL 289.44, 0.58%, 0.48%

LAB 45, 65.58, -50.99

 

CMYK 55 / 0 / 72 / 20

HEX #5CCC39

RGB 92 204 57

HSL 105.71, 0.59%, 0.51%

LAB 73.39, -57.64, 60.15

 

CMYK 51 / 0 / 66 / 13

HEX #6DDE4C

RGB 109 222 76

HSL 106.44, 0.69%, 0.58%

LAB 79.62, -58.16, 59.61

 

CMYK 48 / 0 / 60 / 6

HEX #7EF05F

RGB 126 240 95

HSL 107.17, 0.83%, 0.66%

LAB 85.8, -58.46, 58.75

 

CMYK 44 / 0 / 55 / 0

HEX #8FFF72

RGB 143 255 114

HSL 107.66, 1%, 0.72%

LAB 91.04, -57.42, 56.7

 

CMYK 37 / 0 / 48 / 0

HEX #A0FF85

RGB 160 255 133

HSL 106.72, 1%, 0.76%

LAB 91.99, -50.12, 49.33

 

CMYK 57 / 0 / 70 / 20

HEX #57CC3E

RGB 87 204 62

HSL 109.44, 0.58%, 0.52%

LAB 73.26, -58.54, 58.11

 

CMYK 62 / 0 / 77 / 27

HEX #46BA2B

RGB 70 186 43

HSL 108.67, 0.62%, 0.45%

LAB 66.97, -57.68, 58.36

 

CMYK 68 / 0 / 86 / 34

HEX #35A818

RGB 53 168 24

HSL 107.92, 0.75%, 0.38%

LAB 60.63, -56.33, 57.72

 

CMYK 76 / 0 / 97 / 41

HEX #249605

RGB 36 150 5

HSL 107.17, 0.94%, 0.3%

LAB 54.24, -54.3, 55.66

 

CMYK 86 / 0 / 100 / 48

HEX #138400

RGB 19 132 0

HSL 111.36, 1%, 0.26%

LAB 47.8, -51.25, 51.24

 

CMYK 57 / 0 / 70 / 20

HEX #57CC3E

RGB 87 204 62

HSL 109.44, 0.58%, 0.52%

LAB 73.26, -58.54, 58.11

 

CMYK 39 / 0 / 70 / 20

HEX #7DCC3E

RGB 125 204 62

HSL 93.38, 0.58%, 0.52%

LAB 74.76, -47.32, 60.13

 

CMYK 20 / 0 / 70 / 20

HEX #A3CC3E

RGB 163 204 62

HSL 77.32, 0.58%, 0.52%

LAB 76.87, -33.38, 62.97

 

CMYK 1 / 0 / 70 / 20

HEX #C9CC3E

RGB 201 204 62

HSL 61.27, 0.58%, 0.52%

LAB 79.59, -17.89, 66.57

 

CMYK 0 / 18 / 70 / 20

HEX #CCA73E

RGB 204 167 62

HSL 44.37, 0.58%, 0.52%

LAB 70.05, 2.5, 57.09

 

CMYK 57 / 0 / 70 / 20

HEX #57CC3E

RGB 87 204 62

HSL 109.44, 0.58%, 0.52%

LAB 73.26, -58.54, 58.11

 

CMYK 70 / 0 / 63 / 20

HEX #3ECC4B

RGB 62 204 75

HSL 125.49, 0.58%, 0.52%

LAB 72.71, -62.64, 52.05

 

CMYK 70 / 0 / 45 / 20

HEX #3ECC71

RGB 62 204 113

HSL 141.55, 0.58%, 0.52%

LAB 73.16, -57.4, 34.63

 

CMYK 70 / 0 / 26 / 20

HEX #3ECC97

RGB 62 204 151

HSL 157.61, 0.58%, 0.52%

LAB 73.83, -49.96, 15.69

 

CMYK 70 / 0 / 7 / 20

HEX #3ECCBE

RGB 62 204 190

HSL 174.08, 0.58%, 0.52%

LAB 74.78, -40.32, -3.95

 

CMYK 57 / 0 / 70 / 20

HEX #57CC3E

RGB 87 204 62

HSL 109.44, 0.58%, 0.52%

LAB 73.26, -58.54, 58.11

 

CMYK 67 / 0 / 81 / 13

HEX #4ADF2A

RGB 74 223 42

HSL 109.39, 0.74%, 0.52%

LAB 78.69, -69.14, 69.75

 

CMYK 75 / 0 / 91 / 5

HEX #3DF316

RGB 61 243 22

HSL 109.41, 0.9%, 0.52%

LAB 84.56, -78.1, 78.74

 

CMYK 57 / 0 / 70 / 20

HEX #57CC3E

RGB 87 204 62

HSL 109.44, 0.58%, 0.52%

LAB 73.26, -58.54, 58.11

 

CMYK 46 / 0 / 56 / 28

HEX #63B851

RGB 99 184 81

HSL 109.51, 0.42%, 0.52%

LAB 67.67, -45.63, 43.86

 

CMYK 32 / 0 / 38 / 36

HEX #70A465

RGB 112 164 101

HSL 109.52, 0.26%, 0.52%

LAB 62.45, -29.74, 27.34

 

CMYK 13 / 0 / 16 / 44

HEX #7D9079

RGB 125 144 121

HSL 109.57, 0.09%, 0.52%

LAB 57.74, -11.39, 9.97

 

CMYK 2 / 12 / 0 / 45

HEX #8A7C8D

RGB 138 124 141

HSL 289.41, 0.07%, 0.52%

LAB 53.75, 8.63, -7.24

 

CMYK 20 / 0 / 70 / 20

HEX #A3CC3E

RGB 163 204 62

HSL 77.32, 0.58%, 0.52%

LAB 76.87, -33.38, 62.97

 

CMYK 38 / 0 / 70 / 20

HEX #7ECC3E

RGB 126 204 62

HSL 92.96, 0.58%, 0.52%

LAB 74.81, -46.98, 60.2

 

CMYK 57 / 0 / 70 / 20

HEX #58CC3E

RGB 88 204 62

HSL 109.01, 0.58%, 0.52%

LAB 73.29, -58.28, 58.15

 

CMYK 70 / 0 / 64 / 20

HEX #3ECC49

RGB 62 204 73

HSL 124.65, 0.58%, 0.52%

LAB 72.69, -62.85, 52.88

 

CMYK 70 / 0 / 46 / 20

HEX #3ECC6F

RGB 62 204 111

HSL 140.7, 0.58%, 0.52%

LAB 73.13, -57.74, 35.6

 

CMYK 60 / 0 / 74 / 44

HEX #399026

RGB 57 144 38

HSL 109.25, 0.58%, 0.36%

LAB 52.9, -46.08, 46.02

 

CMYK 60 / 0 / 73 / 31

HEX #46B12F

RGB 70 177 47

HSL 109.38, 0.58%, 0.44%

LAB 64.12, -54.23, 54.16

 

CMYK 57 / 0 / 70 / 20

HEX #57CC3E

RGB 87 204 62

HSL 109.44, 0.58%, 0.52%

LAB 73.26, -58.54, 58.11

 

CMYK 46 / 0 / 56 / 17

HEX #73D45E

RGB 115 212 94

HSL 109.32, 0.58%, 0.6%

LAB 77, -50.77, 48.95

 

CMYK 35 / 0 / 43 / 13

HEX #8FDD7F

RGB 143 221 127

HSL 109.79, 0.58%, 0.68%

LAB 81.34, -41.72, 38.67

 

CMYK 57 / 0 / 70 / 20

HEX #57CC3E

RGB 87 204 62

HSL 109.44, 0.58%, 0.52%

LAB 73.26, -58.54, 58.11

 

CMYK 70 / 1 / 0 / 20

HEX #3EC9CC

RGB 62 201 204

HSL 181.27, 0.58%, 0.52%

LAB 74.29, -35.04, -12.25

 

CMYK 0 / 70 / 29 / 20

HEX #CC3E90

RGB 204 62 144

HSL 325.35, 0.58%, 0.52%

LAB 49.85, 62.74, -14.02

 

CMYK 57 / 0 / 70 / 20

HEX #57CC3E

RGB 87 204 62

HSL 109.44, 0.58%, 0.52%

LAB 73.26, -58.54, 58.11

 

CMYK 70 / 57 / 0 / 20

HEX #3E58CC

RGB 62 88 204

HSL 229.01, 0.58%, 0.52%

LAB 41.79, 29.14, -63.1

 

CMYK 0 / 70 / 57 / 20

HEX #CC3E58

RGB 204 62 88

HSL 349.01, 0.58%, 0.52%

LAB 48.24, 57.3, 17.57

 

CMYK 57 / 0 / 70 / 20

HEX #57CC3E

RGB 87 204 62

HSL 109.44, 0.58%, 0.52%

LAB 73.26, -58.54, 58.11

 

CMYK 70 / 1 / 0 / 20

HEX #3EC9CC

RGB 62 201 204

HSL 181.27, 0.58%, 0.52%

LAB 74.29, -35.04, -12.25

 

CMYK 13 / 70 / 0 / 20

HEX #B23ECC

RGB 178 62 204

HSL 289.01, 0.58%, 0.52%

LAB 48.6, 65.67, -51.52

 

CMYK 0 / 69 / 70 / 20

HEX #CC403E

RGB 204 64 62

HSL 0.85, 0.58%, 0.52%

LAB 48.07, 54.94, 32.89

 

CMYK 57 / 0 / 70 / 20

HEX #57CC3E

RGB 87 204 62

HSL 109.44, 0.58%, 0.52%

LAB 73.26, -58.54, 58.11

 

CMYK 70 / 22 / 0 / 20

HEX #3E9FCC

RGB 62 159 204

HSL 199.01, 0.58%, 0.52%

LAB 61.81, -13.82, -31.28

 

CMYK 13 / 70 / 0 / 20

HEX #B23ECC

RGB 178 62 204

HSL 289.01, 0.58%, 0.52%

LAB 48.6, 65.67, -51.52

 

CMYK 0 / 48 / 70 / 20

HEX #CC6B3E

RGB 204 107 62

HSL 19.01, 0.58%, 0.52%

LAB 55.79, 34.86, 41.8

 

Description

Color code: HEX #57CC3E | qconv.com Color code: HEX #57CC3E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 204 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 204 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 70 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 70% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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