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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57C519 it is the complementary color #A83AE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57C519. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57C519 shade: #5CC514, #6DD727, #7EE93A, #8FFB4D and #A0FF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57C519. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57C519 shade: #57C519, #46B306, #35A100, #248F00 and #137D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57C519 shade: #58C71A, #87C71A, #B5C71A, #C7A91A and #C77B1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57C519 shade: #58C71A, #2AC71A, #1AC739, #1AC767 and #1AC796

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57C519 shade matches the following richer shades: #58C71A and #53D908

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57C519 shade: #58C71A, #5DB42C, #62A23E, #679050 and #6C7E62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57C519 shade: #B5C71A, #87C71A, #59C71A, #2BC71A and #1AC737

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57C519 shade: #387E10, #48A215, #58C71A, #6BE327 and #84E84B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57C519 shade: #57C519, #1AC7AA and #C71A9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57C519 shade: #57C519, #1A59C7 and #C71A59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57C519 shade: #57C519, #1AC7AA, #871AC7 and #C71A37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57C519 shade: #57C519, #1AB0C7, #871AC7 and #C7311A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 87 / 23

HEX #57C519

RGB 87 197 25

HSL 98.37, 0.77%, 0.44%

LAB 70.89, -58.18, 66.88

 

Complementary color

CMYK 27 / 75 / 0 / 10

HEX #A83AE6

RGB 168 58 230

HSL 278.37, 0.77%, 0.56%

LAB 48.34, 70.3, -66.85

 

CMYK 53 / 0 / 90 / 23

HEX #5CC514

RGB 92 197 20

HSL 95.59, 0.82%, 0.43%

LAB 71.05, -56.97, 68

 

CMYK 49 / 0 / 82 / 16

HEX #6DD727

RGB 109 215 39

HSL 96.14, 0.69%, 0.5%

LAB 77.28, -57.99, 69.63

 

CMYK 46 / 0 / 75 / 9

HEX #7EE93A

RGB 126 233 58

HSL 96.69, 0.8%, 0.57%

LAB 83.45, -58.7, 70.2

 

CMYK 43 / 0 / 69 / 2

HEX #8FFB4D

RGB 143 251 77

HSL 97.24, 0.96%, 0.64%

LAB 89.57, -59.18, 70.09

 

CMYK 37 / 0 / 62 / 0

HEX #A0FF60

RGB 160 255 96

HSL 95.85, 1%, 0.69%

LAB 91.61, -53.94, 65.2

 

CMYK 56 / 0 / 87 / 23

HEX #57C519

RGB 87 197 25

HSL 98.37, 0.77%, 0.44%

LAB 70.89, -58.18, 66.88

 

CMYK 61 / 0 / 97 / 30

HEX #46B306

RGB 70 179 6

HSL 97.8, 0.94%, 0.36%

LAB 64.61, -56.75, 64.32

 

CMYK 67 / 0 / 100 / 37

HEX #35A100

RGB 53 161 0

HSL 100.25, 1%, 0.32%

LAB 58.27, -54.74, 59.85

 

CMYK 75 / 0 / 100 / 44

HEX #248F00

RGB 36 143 0

HSL 104.9, 1%, 0.28%

LAB 51.86, -52.21, 54.59

 

CMYK 85 / 0 / 100 / 51

HEX #137D00

RGB 19 125 0

HSL 110.88, 1%, 0.25%

LAB 45.37, -49.08, 49.29

 

CMYK 56 / 0 / 87 / 22

HEX #58C71A

RGB 88 199 26

HSL 98.5, 0.77%, 0.44%

LAB 71.55, -58.59, 67.26

 

CMYK 32 / 0 / 87 / 22

HEX #87C71A

RGB 135 199 26

HSL 82.2, 0.77%, 0.44%

LAB 73.59, -43.48, 69.81

 

CMYK 9 / 0 / 87 / 22

HEX #B5C71A

RGB 181 199 26

HSL 66.24, 0.77%, 0.44%

LAB 76.52, -25.16, 73.44

 

CMYK 0 / 15 / 87 / 22

HEX #C7A91A

RGB 199 169 26

HSL 49.6, 0.77%, 0.44%

LAB 69.89, -2.11, 68.68

 

CMYK 0 / 38 / 87 / 22

HEX #C77B1A

RGB 199 123 26

HSL 33.64, 0.77%, 0.44%

LAB 58.4, 22.83, 59.41

 

CMYK 56 / 0 / 87 / 22

HEX #58C71A

RGB 88 199 26

HSL 98.5, 0.77%, 0.44%

LAB 71.55, -58.59, 67.26

 

CMYK 79 / 0 / 87 / 22

HEX #2AC71A

RGB 42 199 26

HSL 114.45, 0.77%, 0.44%

LAB 70.46, -67.74, 65.89

 

CMYK 87 / 0 / 71 / 22

HEX #1AC739

RGB 26 199 57

HSL 130.75, 0.77%, 0.44%

LAB 70.43, -67.47, 56.67

 

CMYK 87 / 0 / 48 / 22

HEX #1AC767

RGB 26 199 103

HSL 146.71, 0.77%, 0.44%

LAB 70.9, -61.66, 36.68

 

CMYK 87 / 0 / 25 / 22

HEX #1AC796

RGB 26 199 150

HSL 163.01, 0.77%, 0.44%

LAB 71.74, -52.13, 13.21

 

CMYK 56 / 0 / 87 / 22

HEX #58C71A

RGB 88 199 26

HSL 98.5, 0.77%, 0.44%

LAB 71.55, -58.59, 67.26

 

CMYK 62 / 0 / 96 / 15

HEX #53D908

RGB 83 217 8

HSL 98.47, 0.93%, 0.44%

LAB 76.97, -66.37, 74.25

 

CMYK 56 / 0 / 87 / 22

HEX #58C71A

RGB 88 199 26

HSL 98.5, 0.77%, 0.44%

LAB 71.55, -58.59, 67.26

 

CMYK 48 / 0 / 76 / 29

HEX #5DB42C

RGB 93 180 44

HSL 98.38, 0.61%, 0.44%

LAB 65.87, -49.22, 57.22

 

CMYK 40 / 0 / 62 / 36

HEX #62A23E

RGB 98 162 62

HSL 98.4, 0.45%, 0.44%

LAB 60.59, -38.67, 44.54

 

CMYK 28 / 0 / 44 / 44

HEX #679050

RGB 103 144 80

HSL 98.44, 0.29%, 0.44%

LAB 55.49, -26.36, 29.52

 

CMYK 14 / 0 / 22 / 51

HEX #6C7E62

RGB 108 126 98

HSL 98.57, 0.13%, 0.44%

LAB 50.68, -12.19, 13.1

 

CMYK 9 / 0 / 87 / 22

HEX #B5C71A

RGB 181 199 26

HSL 66.24, 0.77%, 0.44%

LAB 76.52, -25.16, 73.44

 

CMYK 32 / 0 / 87 / 22

HEX #87C71A

RGB 135 199 26

HSL 82.2, 0.77%, 0.44%

LAB 73.59, -43.48, 69.81

 

CMYK 55 / 0 / 87 / 22

HEX #59C71A

RGB 89 199 26

HSL 98.15, 0.77%, 0.44%

LAB 71.59, -58.32, 67.3

 

CMYK 78 / 0 / 87 / 22

HEX #2BC71A

RGB 43 199 26

HSL 114.1, 0.77%, 0.44%

LAB 70.48, -67.61, 65.91

 

CMYK 87 / 0 / 72 / 22

HEX #1AC737

RGB 26 199 55

HSL 130.06, 0.77%, 0.44%

LAB 70.42, -67.64, 57.4

 

CMYK 56 / 0 / 87 / 51

HEX #387E10

RGB 56 126 16

HSL 98.18, 0.77%, 0.28%

LAB 46.71, -40.86, 47.34

 

CMYK 56 / 0 / 87 / 36

HEX #48A215

RGB 72 162 21

HSL 98.3, 0.77%, 0.36%

LAB 59.23, -49.74, 57.4

 

CMYK 56 / 0 / 87 / 22

HEX #58C71A

RGB 88 199 26

HSL 98.5, 0.77%, 0.44%

LAB 71.55, -58.59, 67.26

 

CMYK 53 / 0 / 83 / 11

HEX #6BE327

RGB 107 227 39

HSL 98.3, 0.77%, 0.52%

LAB 80.86, -62.9, 72.82

 

CMYK 43 / 0 / 68 / 9

HEX #84E84B

RGB 132 232 75

HSL 98.22, 0.77%, 0.6%

LAB 83.51, -55.34, 64.4

 

CMYK 56 / 0 / 87 / 23

HEX #57C519

RGB 87 197 25

HSL 98.37, 0.77%, 0.44%

LAB 70.89, -58.18, 66.88

 

CMYK 87 / 0 / 15 / 22

HEX #1AC7AA

RGB 26 199 170

HSL 169.94, 0.77%, 0.44%

LAB 72.21, -47.1, 3.07

 

CMYK 0 / 87 / 21 / 22

HEX #C71A9E

RGB 199 26 158

HSL 314.22, 0.77%, 0.44%

LAB 46.11, 73.08, -28.23

 

CMYK 56 / 0 / 87 / 23

HEX #57C519

RGB 87 197 25

HSL 98.37, 0.77%, 0.44%

LAB 70.89, -58.18, 66.88

 

CMYK 87 / 55 / 0 / 22

HEX #1A59C7

RGB 26 89 199

HSL 218.15, 0.77%, 0.44%

LAB 40.39, 22.91, -62.53

 

CMYK 0 / 87 / 55 / 22

HEX #C71A59

RGB 199 26 89

HSL 338.15, 0.77%, 0.44%

LAB 43.66, 66.29, 10.5

 

CMYK 56 / 0 / 87 / 23

HEX #57C519

RGB 87 197 25

HSL 98.37, 0.77%, 0.44%

LAB 70.89, -58.18, 66.88

 

CMYK 87 / 0 / 15 / 22

HEX #1AC7AA

RGB 26 199 170

HSL 169.94, 0.77%, 0.44%

LAB 72.21, -47.1, 3.07

 

CMYK 32 / 87 / 0 / 22

HEX #871AC7

RGB 135 26 199

HSL 277.8, 0.77%, 0.44%

LAB 37.87, 68.5, -66.29

 

CMYK 0 / 87 / 72 / 22

HEX #C71A37

RGB 199 26 55

HSL 349.94, 0.77%, 0.44%

LAB 43, 64.39, 30.79

 

CMYK 56 / 0 / 87 / 23

HEX #57C519

RGB 87 197 25

HSL 98.37, 0.77%, 0.44%

LAB 70.89, -58.18, 66.88

 

CMYK 87 / 12 / 0 / 22

HEX #1AB0C7

RGB 26 176 199

HSL 187.98, 0.77%, 0.44%

LAB 66.05, -28.03, -22.02

 

CMYK 32 / 87 / 0 / 22

HEX #871AC7

RGB 135 26 199

HSL 277.8, 0.77%, 0.44%

LAB 37.87, 68.5, -66.29

 

CMYK 0 / 75 / 87 / 22

HEX #C7311A

RGB 199 49 26

HSL 7.98, 0.77%, 0.44%

LAB 44.82, 57.51, 48.4

 

Description

Color code: HEX #57C519 | qconv.com Color code: HEX #57C519 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 197 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 197 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 87 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 87% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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