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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57C4DF4C it is the complementary color #A83B204C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57C4DF4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57C4DF4C shade: #5CC4DA4C, #6DD6ED4C, #7EE8FF4C, #8FFAFF4C and #A0FFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57C4DF4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57C4DF4C shade: #57C4DF4C, #46B2CC4C, #35A0B94C, #248EA64C and #137C934C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57C4DF4C shade: #58C4DF, #58A0DF, #587BDF, #5958DF and #7D58DF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57C4DF4C shade: #58C4DF, #58A0DF, #587BDF and #5858DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57C4DF4C shade matches the following richer shades: #58C4DF and #48CEEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57C4DF4C shade: #58C4DF, #68BBCF, #78B1BF, #88A7AF and #989E9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57C4DF4C shade: #58DFB0, #58DFD4, #58C6DF, #58A2DF and #587EDF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57C4DF4C shade: #25A1C0, #35B8D9, #58C4DF, #7BD0E6 and #9DDDEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57C4DF4C shade: #57C4DF, #8C58DF and #DFC258

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57C4DF4C shade: #57C4DF, #DF58C6 and #C6DF58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57C4DF4C shade: #57C4DF, #8C58DF, #DF7158 and #ABDF58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57C4DF4C shade: #57C4DF, #B458DF, #DF7158 and #83DF58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 4 / 0 / 4

HEX #57C4DF4C

RGBA 87 196 223 0.3

HSLA 191.91, 0.68%, 0.61%, 0.3

LABA 74.08, -23.24, -22.79, 0.3

 

Complementary color

CMYK 0 / 19 / 24 / 10

HEX #A83B204C

RGBA 168 59 32 0.3

HSLA 11.91, 0.68%, 0.39%, 0.3

LABA 40.5, 43.44, 39.46, 0.3

 

CMYK 17 / 3 / 0 / 4

HEX #5CC4DA4C

RGBA 92 196 218 0.3

HSLA 190.48, 0.63%, 0.61%, 0.3

LABA 74.07, -23.79, -20.09, 0.3

 

CMYK 16 / 3 / 0 / 2

HEX #6DD6ED4C

RGBA 109 214 237 0.3

HSLA 190.78, 0.78%, 0.68%, 0.3

LABA 80.44, -24.14, -20.59, 0.3

 

CMYK 15 / 3 / 0 / 0

HEX #7EE8FF4C

RGBA 126 232 255 0.3

HSLA 190.7, 1%, 0.75%, 0.3

LABA 86.69, -24.67, -20.59, 0.3

 

CMYK 13 / 1 / 0 / 0

HEX #8FFAFF4C

RGBA 143 250 255 0.3

HSLA 182.68, 1%, 0.78%, 0.3

LABA 92.32, -29.66, -12.06, 0.3

 

CMYK 11 / 0 / 0 / 0

HEX #A0FFFF4C

RGBA 160 255 255 0.3

HSLA 180, 1%, 0.81%, 0.3

LABA 94.4, -28.01, -8.89, 0.3

 

CMYK 18 / 4 / 0 / 4

HEX #57C4DF4C

RGBA 87 196 223 0.3

HSLA 191.91, 0.68%, 0.61%, 0.3

LABA 74.08, -23.24, -22.79, 0.3

 

CMYK 20 / 4 / 0 / 6

HEX #46B2CC4C

RGBA 70 178 204 0.3

HSLA 191.64, 0.57%, 0.54%, 0.3

LABA 67.65, -22.63, -22.27, 0.3

 

CMYK 21 / 4 / 0 / 8

HEX #35A0B94C

RGBA 53 160 185 0.3

HSLA 191.36, 0.55%, 0.47%, 0.3

LABA 61.13, -21.82, -21.69, 0.3

 

CMYK 23 / 4 / 0 / 10

HEX #248EA64C

RGBA 36 142 166 0.3

HSLA 191.08, 0.64%, 0.4%, 0.3

LABA 54.53, -20.72, -21.05, 0.3

 

CMYK 26 / 5 / 0 / 13

HEX #137C934C

RGBA 19 124 147 0.3

HSLA 190.78, 0.77%, 0.33%, 0.3

LABA 47.83, -19.22, -20.31, 0.3

 

CMYK 61 / 12 / 0 / 13

HEX #58C4DF

RGB 88 196 223

HSL 192, 0.68%, 0.61%

LAB 74.11, -23.07, -22.74

 

CMYK 61 / 28 / 0 / 13

HEX #58A0DF

RGB 88 160 223

HSL 208, 0.68%, 0.61%

LAB 63.79, -3.81, -38.68

 

CMYK 61 / 45 / 0 / 13

HEX #587BDF

RGB 88 123 223

HSL 224.44, 0.68%, 0.61%

LAB 53.57, 18.04, -54.85

 

CMYK 60 / 61 / 0 / 13

HEX #5958DF

RGB 89 88 223

HSL 240.44, 0.68%, 0.61%

LAB 44.84, 39.67, -68.93

 

CMYK 44 / 61 / 0 / 13

HEX #7D58DF

RGB 125 88 223

HSL 256.44, 0.68%, 0.61%

LAB 47.84, 46.33, -63.93

 

CMYK 61 / 12 / 0 / 13

HEX #58C4DF

RGB 88 196 223

HSL 192, 0.68%, 0.61%

LAB 74.11, -23.07, -22.74

 

CMYK 61 / 28 / 0 / 13

HEX #58A0DF

RGB 88 160 223

HSL 208, 0.68%, 0.61%

LAB 63.79, -3.81, -38.68

 

CMYK 61 / 45 / 0 / 13

HEX #587BDF

RGB 88 123 223

HSL 224.44, 0.68%, 0.61%

LAB 53.57, 18.04, -54.85

 

CMYK 61 / 61 / 0 / 13

HEX #5858DF

RGB 88 88 223

HSL 240, 0.68%, 0.61%

LAB 44.78, 39.51, -69.04

 

CMYK 61 / 12 / 0 / 13

HEX #58C4DF

RGB 88 196 223

HSL 192, 0.68%, 0.61%

LAB 74.11, -23.07, -22.74

 

CMYK 70 / 14 / 0 / 6

HEX #48CEEF

RGB 72 206 239

HSL 191.86, 0.84%, 0.61%

LAB 77.13, -25.73, -26.79

 

CMYK 61 / 12 / 0 / 13

HEX #58C4DF

RGB 88 196 223

HSL 192, 0.68%, 0.61%

LAB 74.11, -23.07, -22.74

 

CMYK 50 / 10 / 0 / 19

HEX #68BBCF

RGB 104 187 207

HSL 191.65, 0.52%, 0.61%

LAB 71.55, -19.86, -17.89

 

CMYK 37 / 7 / 0 / 25

HEX #78B1BF

RGB 120 177 191

HSL 191.83, 0.36%, 0.61%

LAB 68.9, -14.96, -13.03

 

CMYK 22 / 5 / 0 / 31

HEX #88A7AF

RGB 136 167 175

HSL 192.31, 0.2%, 0.61%

LAB 66.49, -8.8, -7.65

 

CMYK 4 / 1 / 0 / 38

HEX #989E9F

RGB 152 158 159

HSL 188.57, 0.04%, 0.61%

LAB 64.67, -1.94, -1.27

 

CMYK 61 / 0 / 21 / 13

HEX #58DFB0

RGB 88 223 176

HSL 159.11, 0.68%, 0.61%

LAB 80.73, -47.8, 12.22

 

CMYK 61 / 0 / 5 / 13

HEX #58DFD4

RGB 88 223 212

HSL 175.11, 0.68%, 0.61%

LAB 81.62, -39.06, -5.57

 

CMYK 61 / 11 / 0 / 13

HEX #58C6DF

RGB 88 198 223

HSL 191.11, 0.68%, 0.61%

LAB 74.69, -24.07, -21.86

 

CMYK 61 / 27 / 0 / 13

HEX #58A2DF

RGB 88 162 223

HSL 207.11, 0.68%, 0.61%

LAB 64.36, -4.94, -37.79

 

CMYK 61 / 43 / 0 / 13

HEX #587EDF

RGB 88 126 223

HSL 223.11, 0.68%, 0.61%

LAB 54.37, 16.21, -53.57

 

CMYK 81 / 16 / 0 / 25

HEX #25A1C0

RGB 37 161 192

HSL 192, 0.68%, 0.45%

LAB 61.38, -21.88, -25.26

 

CMYK 76 / 15 / 0 / 15

HEX #35B8D9

RGB 53 184 217

HSL 192.07, 0.68%, 0.53%

LAB 69.5, -23.88, -26.61

 

CMYK 61 / 12 / 0 / 13

HEX #58C4DF

RGB 88 196 223

HSL 192, 0.68%, 0.61%

LAB 74.11, -23.07, -22.74

 

CMYK 47 / 10 / 0 / 10

HEX #7BD0E6

RGB 123 208 230

HSL 192.34, 0.68%, 0.69%

LAB 79.06, -20.03, -18.88

 

CMYK 33 / 6 / 0 / 7

HEX #9DDDEC

RGB 157 221 236

HSL 191.39, 0.68%, 0.77%

LAB 84.45, -16.57, -13.81

 

CMYK 61 / 12 / 0 / 13

HEX #57C4DF

RGB 87 196 223

HSL 191.91, 0.68%, 0.61%

LAB 74.08, -23.24, -22.79

 

CMYK 37 / 61 / 0 / 13

HEX #8C58DF

RGB 140 88 223

HSL 263.11, 0.68%, 0.61%

LAB 49.35, 49.5, -61.41

 

CMYK 0 / 13 / 61 / 13

HEX #DFC258

RGB 223 194 88

HSL 47.11, 0.68%, 0.61%

LAB 79.03, -2.02, 55.87

 

CMYK 61 / 12 / 0 / 13

HEX #57C4DF

RGB 87 196 223

HSL 191.91, 0.68%, 0.61%

LAB 74.08, -23.24, -22.79

 

CMYK 0 / 61 / 11 / 13

HEX #DF58C6

RGB 223 88 198

HSL 311.11, 0.68%, 0.61%

LAB 58.74, 64.98, -31.63

 

CMYK 11 / 0 / 61 / 13

HEX #C6DF58

RGB 198 223 88

HSL 71.11, 0.68%, 0.61%

LAB 84.73, -26.74, 61.6

 

CMYK 61 / 12 / 0 / 13

HEX #57C4DF

RGB 87 196 223

HSL 191.91, 0.68%, 0.61%

LAB 74.08, -23.24, -22.79

 

CMYK 37 / 61 / 0 / 13

HEX #8C58DF

RGB 140 88 223

HSL 263.11, 0.68%, 0.61%

LAB 49.35, 49.5, -61.41

 

CMYK 0 / 49 / 61 / 13

HEX #DF7158

RGB 223 113 88

HSL 11.11, 0.68%, 0.61%

LAB 60.07, 40.76, 33.52

 

CMYK 23 / 0 / 61 / 13

HEX #ABDF58

RGB 171 223 88

HSL 83.11, 0.68%, 0.61%

LAB 82.99, -37.13, 59.18

 

CMYK 61 / 12 / 0 / 13

HEX #57C4DF

RGB 87 196 223

HSL 191.91, 0.68%, 0.61%

LAB 74.08, -23.24, -22.79

 

CMYK 19 / 61 / 0 / 13

HEX #B458DF

RGB 180 88 223

HSL 280.89, 0.68%, 0.61%

LAB 54.04, 58.64, -53.63

 

CMYK 0 / 49 / 61 / 13

HEX #DF7158

RGB 223 113 88

HSL 11.11, 0.68%, 0.61%

LAB 60.07, 40.76, 33.52

 

CMYK 41 / 0 / 61 / 13

HEX #83DF58

RGB 131 223 88

HSL 100.89, 0.68%, 0.61%

LAB 80.91, -50.96, 56.29

 

Description

Color code: HEX #57C4DF4C | qconv.com Color code: HEX #57C4DF4C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 196 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 196 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 4 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 4% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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