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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57C347 it is the complementary color #A83CB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57C347. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57C347 shade: #5CC342, #6DD555, #7EE768, #8FF97B and #A0FF8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57C347. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57C347 shade: #57C347, #46B134, #359F21, #248D0E and #137B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57C347 shade: #56C346, #78C346, #9AC346, #BBC346 and #C3A946

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57C347 shade: #56C346, #46C358, #46C379, #46C39B and #46C3BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57C347 shade matches the following richer shades: #56C346, #48D732, #39EB1F and #2AFE0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57C347 shade: #56C346, #65AF5A, #749B6E, #828882 and #917495

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57C347 shade: #99C346, #78C346, #57C346, #46C357 and #46C378

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57C347 shade: #398A2D, #46A937, #56C346, #73CD65 and #8FD784

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57C347 shade: #57C347, #46BBC3 and #C34689

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57C347 shade: #57C347, #4657C3 and #C34657

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57C347 shade: #57C347, #46BBC3, #B246C3 and #C34E46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57C347 shade: #57C347, #4695C3, #B246C3 and #C37446

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 64 / 24

HEX #57C347

RGB 87 195 71

HSL 112.26, 0.51%, 0.52%

LAB 70.53, -54.42, 51.53

 

Complementary color

CMYK 9 / 67 / 0 / 28

HEX #A83CB8

RGB 168 60 184

HSL 292.26, 0.51%, 0.48%

LAB 45.66, 60.53, -44.69

 

CMYK 53 / 0 / 66 / 24

HEX #5CC342

RGB 92 195 66

HSL 107.91, 0.52%, 0.51%

LAB 70.66, -53.56, 53.82

 

CMYK 49 / 0 / 60 / 16

HEX #6DD555

RGB 109 213 85

HSL 108.75, 0.6%, 0.58%

LAB 76.98, -53.88, 52.91

 

CMYK 45 / 0 / 55 / 9

HEX #7EE768

RGB 126 231 104

HSL 109.61, 0.73%, 0.66%

LAB 83.22, -54, 51.82

 

CMYK 43 / 0 / 51 / 2

HEX #8FF97B

RGB 143 249 123

HSL 110.48, 0.91%, 0.73%

LAB 89.4, -54.01, 50.66

 

CMYK 37 / 0 / 44 / 0

HEX #A0FF8E

RGB 160 255 142

HSL 110.44, 1%, 0.78%

LAB 92.11, -48.97, 45.2

 

CMYK 55 / 0 / 64 / 24

HEX #57C347

RGB 87 195 71

HSL 112.26, 0.51%, 0.52%

LAB 70.53, -54.42, 51.53

 

CMYK 60 / 0 / 71 / 31

HEX #46B134

RGB 70 177 52

HSL 111.36, 0.55%, 0.45%

LAB 64.16, -53.83, 52.31

 

CMYK 67 / 0 / 79 / 38

HEX #359F21

RGB 53 159 33

HSL 110.48, 0.66%, 0.38%

LAB 57.72, -52.8, 52.51

 

CMYK 74 / 0 / 90 / 45

HEX #248D0E

RGB 36 141 14

HSL 109.61, 0.82%, 0.3%

LAB 51.22, -51.1, 51.54

 

CMYK 85 / 0 / 100 / 52

HEX #137B00

RGB 19 123 0

HSL 110.73, 1%, 0.24%

LAB 44.67, -48.46, 48.73

 

CMYK 56 / 0 / 64 / 24

HEX #56C346

RGB 86 195 70

HSL 112.32, 0.51%, 0.52%

LAB 70.49, -54.78, 51.9

 

CMYK 38 / 0 / 64 / 24

HEX #78C346

RGB 120 195 70

HSL 96, 0.51%, 0.52%

LAB 71.87, -44.61, 53.81

 

CMYK 21 / 0 / 64 / 24

HEX #9AC346

RGB 154 195 70

HSL 79.68, 0.51%, 0.52%

LAB 73.77, -32.18, 56.41

 

CMYK 4 / 0 / 64 / 24

HEX #BBC346

RGB 187 195 70

HSL 63.84, 0.51%, 0.52%

LAB 76.09, -18.81, 59.58

 

CMYK 0 / 13 / 64 / 24

HEX #C3A946

RGB 195 169 70

HSL 47.52, 0.51%, 0.52%

LAB 69.77, -2, 53.05

 

CMYK 56 / 0 / 64 / 24

HEX #56C346

RGB 86 195 70

HSL 112.32, 0.51%, 0.52%

LAB 70.49, -54.78, 51.9

 

CMYK 64 / 0 / 55 / 24

HEX #46C358

RGB 70 195 88

HSL 128.64, 0.51%, 0.52%

LAB 70.2, -56.4, 43.31

 

CMYK 64 / 0 / 38 / 24

HEX #46C379

RGB 70 195 121

HSL 144.48, 0.51%, 0.52%

LAB 70.67, -51.14, 27.3

 

CMYK 64 / 0 / 21 / 24

HEX #46C39B

RGB 70 195 155

HSL 160.8, 0.51%, 0.52%

LAB 71.35, -43.99, 10.07

 

CMYK 64 / 0 / 3 / 24

HEX #46C3BD

RGB 70 195 189

HSL 177.12, 0.51%, 0.52%

LAB 72.23, -35.3, -7.15

 

CMYK 56 / 0 / 64 / 24

HEX #56C346

RGB 86 195 70

HSL 112.32, 0.51%, 0.52%

LAB 70.49, -54.78, 51.9

 

CMYK 67 / 0 / 77 / 16

HEX #48D732

RGB 72 215 50

HSL 112, 0.67%, 0.52%

LAB 76.2, -66.51, 65.09

 

CMYK 76 / 0 / 87 / 8

HEX #39EB1F

RGB 57 235 31

HSL 112.35, 0.84%, 0.52%

LAB 82.05, -76.08, 75.1

 

CMYK 83 / 0 / 96 / 0

HEX #2AFE0B

RGB 42 254 11

HSL 112.35, 0.99%, 0.52%

LAB 87.68, -83.6, 82.4

 

CMYK 56 / 0 / 64 / 24

HEX #56C346

RGB 86 195 70

HSL 112.32, 0.51%, 0.52%

LAB 70.49, -54.78, 51.9

 

CMYK 42 / 0 / 49 / 31

HEX #65AF5A

RGB 101 175 90

HSL 112.24, 0.35%, 0.52%

LAB 65.09, -40.04, 36.34

 

CMYK 25 / 0 / 29 / 39

HEX #749B6E

RGB 116 155 110

HSL 112, 0.18%, 0.52%

LAB 60.14, -22.43, 19.39

 

CMYK 4 / 0 / 4 / 47

HEX #828882

RGB 130 136 130

HSL 120, 0.02%, 0.52%

LAB 56.05, -3.4, 2.45

 

CMYK 3 / 22 / 0 / 42

HEX #917495

RGB 145 116 149

HSL 292.73, 0.13%, 0.52%

LAB 52.6, 17.46, -13.57

 

CMYK 22 / 0 / 64 / 24

HEX #99C346

RGB 153 195 70

HSL 80.16, 0.51%, 0.52%

LAB 73.7, -32.57, 56.33

 

CMYK 38 / 0 / 64 / 24

HEX #78C346

RGB 120 195 70

HSL 96, 0.51%, 0.52%

LAB 71.87, -44.61, 53.81

 

CMYK 55 / 0 / 64 / 24

HEX #57C346

RGB 87 195 70

HSL 111.84, 0.51%, 0.52%

LAB 70.52, -54.52, 51.95

 

CMYK 64 / 0 / 55 / 24

HEX #46C357

RGB 70 195 87

HSL 128.16, 0.51%, 0.52%

LAB 70.19, -56.53, 43.77

 

CMYK 64 / 0 / 38 / 24

HEX #46C378

RGB 70 195 120

HSL 144, 0.51%, 0.52%

LAB 70.66, -51.33, 27.8

 

CMYK 59 / 0 / 67 / 46

HEX #398A2D

RGB 57 138 45

HSL 112.26, 0.51%, 0.36%

LAB 50.96, -43.14, 41.06

 

CMYK 59 / 0 / 67 / 34

HEX #46A937

RGB 70 169 55

HSL 112.11, 0.51%, 0.44%

LAB 61.61, -50.62, 48.41

 

CMYK 56 / 0 / 64 / 24

HEX #56C346

RGB 86 195 70

HSL 112.32, 0.51%, 0.52%

LAB 70.49, -54.78, 51.9

 

CMYK 44 / 0 / 51 / 20

HEX #73CD65

RGB 115 205 101

HSL 111.92, 0.51%, 0.6%

LAB 74.98, -47.06, 43.22

 

CMYK 33 / 0 / 39 / 16

HEX #8FD784

RGB 143 215 132

HSL 112.05, 0.51%, 0.68%

LAB 79.67, -38.34, 34.01

 

CMYK 55 / 0 / 64 / 24

HEX #57C347

RGB 87 195 71

HSL 112.26, 0.51%, 0.52%

LAB 70.53, -54.42, 51.53

 

CMYK 64 / 4 / 0 / 24

HEX #46BBC3

RGB 70 187 195

HSL 183.84, 0.51%, 0.52%

LAB 70.02, -29.81, -13.73

 

CMYK 0 / 64 / 30 / 24

HEX #C34689

RGB 195 70 137

HSL 327.84, 0.51%, 0.52%

LAB 49.24, 56.22, -10.9

 

CMYK 55 / 0 / 64 / 24

HEX #57C347

RGB 87 195 71

HSL 112.26, 0.51%, 0.52%

LAB 70.53, -54.42, 51.53

 

CMYK 64 / 55 / 0 / 24

HEX #4657C3

RGB 70 87 195

HSL 231.84, 0.51%, 0.52%

LAB 41.31, 27.81, -58.64

 

CMYK 0 / 64 / 55 / 24

HEX #C34657

RGB 195 70 87

HSL 351.84, 0.51%, 0.52%

LAB 47.84, 51.12, 17.37

 

CMYK 55 / 0 / 64 / 24

HEX #57C347

RGB 87 195 71

HSL 112.26, 0.51%, 0.52%

LAB 70.53, -54.42, 51.53

 

CMYK 64 / 4 / 0 / 24

HEX #46BBC3

RGB 70 187 195

HSL 183.84, 0.51%, 0.52%

LAB 70.02, -29.81, -13.73

 

CMYK 9 / 64 / 0 / 24

HEX #B246C3

RGB 178 70 195

HSL 291.84, 0.51%, 0.52%

LAB 49.23, 60.76, -45.31

 

CMYK 0 / 60 / 64 / 24

HEX #C34E46

RGB 195 78 70

HSL 3.84, 0.51%, 0.52%

LAB 48.88, 46.33, 28.85

 

CMYK 55 / 0 / 64 / 24

HEX #57C347

RGB 87 195 71

HSL 112.26, 0.51%, 0.52%

LAB 70.53, -54.42, 51.53

 

CMYK 64 / 24 / 0 / 24

HEX #4695C3

RGB 70 149 195

HSL 202.08, 0.51%, 0.52%

LAB 58.73, -9.98, -30.99

 

CMYK 9 / 64 / 0 / 24

HEX #B246C3

RGB 178 70 195

HSL 291.84, 0.51%, 0.52%

LAB 49.23, 60.76, -45.31

 

CMYK 0 / 41 / 64 / 24

HEX #C37446

RGB 195 116 70

HSL 22.08, 0.51%, 0.52%

LAB 56.62, 26.87, 38.23

 

Description

Color code: HEX #57C347 | qconv.com Color code: HEX #57C347 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 195 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 195 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 64 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 64% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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