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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57C124 it is the complementary color #A83EDB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57C124. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57C124 shade: #5CC11F, #6DD332, #7EE545, #8FF758 and #A0FF6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57C124. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57C124 shade: #57C124, #46AF11, #359D00, #248B00 and #137900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57C124 shade: #57C224, #82C224, #ACC224, #C2AD24 and #C28224

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57C124 shade: #57C224, #2CC224, #24C246, #24C270 and #24C29B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57C124 shade matches the following richer shades: #57C224 and #51D411

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57C124 shade: #57C224, #5EAF36, #649D49, #6B8A5B and #71786E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57C124 shade: #ADC224, #83C224, #58C224, #2EC224 and #24C243

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57C124 shade: #387C17, #479F1D, #57C224, #6ADA35 and #84E058

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57C124 shade: #57C124, #24C2AD and #C22498

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57C124 shade: #57C124, #2458C2 and #C22458

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57C124 shade: #57C124, #24C2AD, #8D24C2 and #C22439

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57C124 shade: #57C124, #24A8C2, #8D24C2 and #C23E24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 81 / 24

HEX #57C124

RGB 87 193 36

HSL 100.51, 0.69%, 0.45%

LAB 69.68, -56.29, 63.2

 

Complementary color

CMYK 23 / 72 / 0 / 14

HEX #A83EDB

RGB 168 62 219

HSL 280.51, 0.69%, 0.55%

LAB 48.11, 66.55, -60.96

 

CMYK 52 / 0 / 84 / 24

HEX #5CC11F

RGB 92 193 31

HSL 97.41, 0.72%, 0.44%

LAB 69.83, -55.13, 64.69

 

CMYK 48 / 0 / 76 / 17

HEX #6DD332

RGB 109 211 50

HSL 98.01, 0.65%, 0.51%

LAB 76.11, -55.94, 65.41

 

CMYK 45 / 0 / 70 / 10

HEX #7EE545

RGB 126 229 69

HSL 98.63, 0.75%, 0.58%

LAB 82.33, -56.46, 65.33

 

CMYK 42 / 0 / 64 / 3

HEX #8FF758

RGB 143 247 88

HSL 99.25, 0.91%, 0.66%

LAB 88.48, -56.78, 64.78

 

CMYK 37 / 0 / 58 / 0

HEX #A0FF6B

RGB 160 255 107

HSL 98.51, 1%, 0.71%

LAB 91.71, -52.95, 60.72

 

CMYK 55 / 0 / 81 / 24

HEX #57C124

RGB 87 193 36

HSL 100.51, 0.69%, 0.45%

LAB 69.68, -56.29, 63.2

 

CMYK 60 / 0 / 90 / 31

HEX #46AF11

RGB 70 175 17

HSL 99.87, 0.82%, 0.38%

LAB 63.34, -55.1, 61.72

 

CMYK 66 / 0 / 100 / 38

HEX #359D00

RGB 53 157 0

HSL 99.75, 1%, 0.31%

LAB 56.95, -53.4, 58.81

 

CMYK 74 / 0 / 100 / 45

HEX #248B00

RGB 36 139 0

HSL 104.46, 1%, 0.27%

LAB 50.5, -50.91, 53.51

 

CMYK 84 / 0 / 100 / 53

HEX #137900

RGB 19 121 0

HSL 110.58, 1%, 0.24%

LAB 43.96, -47.83, 48.17

 

CMYK 55 / 0 / 81 / 24

HEX #57C224

RGB 87 194 36

HSL 100.63, 0.69%, 0.45%

LAB 69.99, -56.65, 63.49

 

CMYK 33 / 0 / 81 / 24

HEX #82C224

RGB 130 194 36

HSL 84.3, 0.69%, 0.45%

LAB 71.86, -42.83, 65.88

 

CMYK 11 / 0 / 81 / 24

HEX #ACC224

RGB 172 194 36

HSL 68.35, 0.69%, 0.45%

LAB 74.5, -26.23, 69.22

 

CMYK 0 / 11 / 81 / 24

HEX #C2AD24

RGB 194 173 36

HSL 52.03, 0.69%, 0.45%

LAB 70.51, -6.15, 66.46

 

CMYK 0 / 33 / 81 / 24

HEX #C28224

RGB 194 130 36

HSL 35.7, 0.69%, 0.45%

LAB 59.49, 17.11, 56.77

 

CMYK 55 / 0 / 81 / 24

HEX #57C224

RGB 87 194 36

HSL 100.63, 0.69%, 0.45%

LAB 69.99, -56.65, 63.49

 

CMYK 77 / 0 / 81 / 24

HEX #2CC224

RGB 44 194 36

HSL 116.96, 0.69%, 0.45%

LAB 68.93, -65.5, 62.12

 

CMYK 81 / 0 / 64 / 24

HEX #24C246

RGB 36 194 70

HSL 132.91, 0.69%, 0.45%

LAB 69.04, -63.69, 49.98

 

CMYK 81 / 0 / 42 / 24

HEX #24C270

RGB 36 194 112

HSL 148.86, 0.69%, 0.45%

LAB 69.56, -57.47, 30.4

 

CMYK 81 / 0 / 20 / 24

HEX #24C29B

RGB 36 194 155

HSL 165.19, 0.69%, 0.45%

LAB 70.4, -48.12, 8.63

 

CMYK 55 / 0 / 81 / 24

HEX #57C224

RGB 87 194 36

HSL 100.63, 0.69%, 0.45%

LAB 69.99, -56.65, 63.49

 

CMYK 62 / 0 / 92 / 17

HEX #51D411

RGB 81 212 17

HSL 100.31, 0.85%, 0.45%

LAB 75.37, -65.02, 71.93

 

CMYK 55 / 0 / 81 / 24

HEX #57C224

RGB 87 194 36

HSL 100.63, 0.69%, 0.45%

LAB 69.99, -56.65, 63.49

 

CMYK 46 / 0 / 69 / 31

HEX #5EAF36

RGB 94 175 54

HSL 100.17, 0.53%, 0.45%

LAB 64.41, -46.19, 52.06

 

CMYK 36 / 0 / 54 / 38

HEX #649D49

RGB 100 157 73

HSL 100.71, 0.37%, 0.45%

LAB 59.25, -34.53, 37.75

 

CMYK 22 / 0 / 34 / 46

HEX #6B8A5B

RGB 107 138 91

HSL 99.57, 0.21%, 0.45%

LAB 54.09, -20.17, 21.72

 

CMYK 6 / 0 / 8 / 53

HEX #71786E

RGB 113 120 110

HSL 102, 0.04%, 0.45%

LAB 49.58, -4.65, 4.58

 

CMYK 11 / 0 / 81 / 24

HEX #ADC224

RGB 173 194 36

HSL 67.97, 0.69%, 0.45%

LAB 74.57, -25.81, 69.31

 

CMYK 32 / 0 / 81 / 24

HEX #83C224

RGB 131 194 36

HSL 83.92, 0.69%, 0.45%

LAB 71.92, -42.46, 65.95

 

CMYK 55 / 0 / 81 / 24

HEX #58C224

RGB 88 194 36

HSL 100.25, 0.69%, 0.45%

LAB 70.03, -56.38, 63.53

 

CMYK 76 / 0 / 81 / 24

HEX #2EC224

RGB 46 194 36

HSL 116.2, 0.69%, 0.45%

LAB 68.96, -65.21, 62.16

 

CMYK 81 / 0 / 65 / 24

HEX #24C243

RGB 36 194 67

HSL 131.77, 0.69%, 0.45%

LAB 69.01, -64.01, 51.22

 

CMYK 55 / 0 / 81 / 51

HEX #387C17

RGB 56 124 23

HSL 100.4, 0.69%, 0.29%

LAB 46.07, -39.69, 44.7

 

CMYK 55 / 0 / 82 / 38

HEX #479F1D

RGB 71 159 29

HSL 100.62, 0.69%, 0.37%

LAB 58.25, -48.53, 54.44

 

CMYK 55 / 0 / 81 / 24

HEX #57C224

RGB 87 194 36

HSL 100.63, 0.69%, 0.45%

LAB 69.99, -56.65, 63.49

 

CMYK 51 / 0 / 76 / 15

HEX #6ADA35

RGB 106 218 53

HSL 100.73, 0.69%, 0.53%

LAB 78.15, -59.22, 66.38

 

CMYK 41 / 0 / 61 / 12

HEX #84E058

RGB 132 224 88

HSL 100.59, 0.69%, 0.61%

LAB 81.25, -51.05, 56.69

 

CMYK 55 / 0 / 81 / 24

HEX #57C124

RGB 87 193 36

HSL 100.51, 0.69%, 0.45%

LAB 69.68, -56.29, 63.2

 

CMYK 81 / 0 / 11 / 24

HEX #24C2AD

RGB 36 194 173

HSL 172.03, 0.69%, 0.45%

LAB 70.85, -43.42, -0.52

 

CMYK 0 / 81 / 22 / 24

HEX #C22498

RGB 194 36 152

HSL 315.95, 0.69%, 0.45%

LAB 45.63, 69.19, -25.45

 

CMYK 55 / 0 / 81 / 24

HEX #57C124

RGB 87 193 36

HSL 100.51, 0.69%, 0.45%

LAB 69.68, -56.29, 63.2

 

CMYK 81 / 55 / 0 / 24

HEX #2458C2

RGB 36 88 194

HSL 220.25, 0.69%, 0.45%

LAB 40, 22.41, -60.26

 

CMYK 0 / 81 / 55 / 24

HEX #C22458

RGB 194 36 88

HSL 340.25, 0.69%, 0.45%

LAB 43.41, 62.73, 10.64

 

CMYK 55 / 0 / 81 / 24

HEX #57C124

RGB 87 193 36

HSL 100.51, 0.69%, 0.45%

LAB 69.68, -56.29, 63.2

 

CMYK 81 / 0 / 11 / 24

HEX #24C2AD

RGB 36 194 173

HSL 172.03, 0.69%, 0.45%

LAB 70.85, -43.42, -0.52

 

CMYK 27 / 81 / 0 / 24

HEX #8D24C2

RGB 141 36 194

HSL 279.87, 0.69%, 0.45%

LAB 39.27, 65.7, -61.03

 

CMYK 0 / 81 / 71 / 24

HEX #C22439

RGB 194 36 57

HSL 352.03, 0.69%, 0.45%

LAB 42.8, 60.88, 29.1

 

CMYK 55 / 0 / 81 / 24

HEX #57C124

RGB 87 193 36

HSL 100.51, 0.69%, 0.45%

LAB 69.68, -56.29, 63.2

 

CMYK 81 / 13 / 0 / 24

HEX #24A8C2

RGB 36 168 194

HSL 189.87, 0.69%, 0.45%

LAB 63.57, -24.9, -23.03

 

CMYK 27 / 81 / 0 / 24

HEX #8D24C2

RGB 141 36 194

HSL 279.87, 0.69%, 0.45%

LAB 39.27, 65.7, -61.03

 

CMYK 0 / 68 / 81 / 24

HEX #C23E24

RGB 194 62 36

HSL 9.87, 0.69%, 0.45%

LAB 45.69, 51.38, 44.06

 

Description

Color code: HEX #57C124 | qconv.com Color code: HEX #57C124 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 193 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 193 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 81 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 81% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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