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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57B71C it is the complementary color #A848E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57B71C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57B71C shade: #5CB717, #6DC92A, #7EDB3D, #8FED50 and #A0FF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57B71C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57B71C shade: #57B71C, #46A509, #359300, #248100 and #136F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57B71C shade: #56B51C, #7FB51C, #A9B51C, #B5981C and #B56F1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57B71C shade: #56B51C, #2DB51C, #1CB534, #1CB55E and #1CB587

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57B71C shade matches the following richer shades: #56B51C and #52C60B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57B71C shade: #56B51C, #5AA42D, #5E933E, #62824F and #667160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57B71C shade: #A8B51C, #7FB51C, #57B51C, #2EB51C and #1CB533

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57B71C shade: #346D11, #459117, #56B51C, #67D922 and #7FE242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57B71C shade: #57B71C, #1CB599 and #B51C94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57B71C shade: #57B71C, #1C57B5 and #B51C57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57B71C shade: #57B71C, #1CB599, #7A1CB5 and #B51C38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57B71C shade: #57B71C, #1CA3B5, #7A1CB5 and #B52E1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 85 / 28

HEX #57B71C

RGB 87 183 28

HSL 97.16, 0.73%, 0.41%

LAB 66.5, -52.99, 62.38

 

Complementary color

CMYK 26 / 68 / 0 / 11

HEX #A848E3

RGB 168 72 227

HSL 277.16, 0.73%, 0.59%

LAB 50.1, 64.1, -62.3

 

CMYK 50 / 0 / 87 / 28

HEX #5CB717

RGB 92 183 23

HSL 94.13, 0.78%, 0.4%

LAB 66.68, -51.7, 63.72

 

CMYK 46 / 0 / 79 / 21

HEX #6DC92A

RGB 109 201 42

HSL 94.72, 0.65%, 0.48%

LAB 73.02, -52.55, 64.9

 

CMYK 42 / 0 / 72 / 14

HEX #7EDB3D

RGB 126 219 61

HSL 95.32, 0.69%, 0.55%

LAB 79.29, -53.12, 65.11

 

CMYK 40 / 0 / 66 / 7

HEX #8FED50

RGB 143 237 80

HSL 95.92, 0.81%, 0.62%

LAB 85.5, -53.47, 64.72

 

CMYK 37 / 0 / 61 / 0

HEX #A0FF63

RGB 160 255 99

HSL 96.54, 1%, 0.69%

LAB 91.64, -53.68, 64.01

 

CMYK 52 / 0 / 85 / 28

HEX #57B71C

RGB 87 183 28

HSL 97.16, 0.73%, 0.41%

LAB 66.5, -52.99, 62.38

 

CMYK 58 / 0 / 95 / 35

HEX #46A509

RGB 70 165 9

HSL 96.54, 0.9%, 0.34%

LAB 60.1, -51.76, 60.24

 

CMYK 64 / 0 / 100 / 42

HEX #359300

RGB 53 147 0

HSL 98.37, 1%, 0.29%

LAB 53.63, -49.97, 56.17

 

CMYK 72 / 0 / 100 / 49

HEX #248100

RGB 36 129 0

HSL 103.26, 1%, 0.25%

LAB 47.07, -47.59, 50.78

 

CMYK 83 / 0 / 100 / 56

HEX #136F00

RGB 19 111 0

HSL 109.73, 1%, 0.22%

LAB 40.42, -44.63, 45.34

 

CMYK 52 / 0 / 85 / 29

HEX #56B51C

RGB 86 181 28

HSL 97.25, 0.73%, 0.41%

LAB 65.83, -52.53, 61.78

 

CMYK 30 / 0 / 85 / 29

HEX #7FB51C

RGB 127 181 28

HSL 81.18, 0.73%, 0.41%

LAB 67.76, -38.6, 64.21

 

CMYK 7 / 0 / 85 / 29

HEX #A9B51C

RGB 169 181 28

HSL 64.71, 0.73%, 0.41%

LAB 70.57, -21.39, 67.73

 

CMYK 0 / 16 / 85 / 29

HEX #B5981C

RGB 181 152 28

HSL 48.63, 0.73%, 0.41%

LAB 63.64, -1, 62.33

 

CMYK 0 / 39 / 85 / 29

HEX #B56F1C

RGB 181 111 28

HSL 32.55, 0.73%, 0.41%

LAB 53.25, 21.65, 53.52

 

CMYK 52 / 0 / 85 / 29

HEX #56B51C

RGB 86 181 28

HSL 97.25, 0.73%, 0.41%

LAB 65.83, -52.53, 61.78

 

CMYK 75 / 0 / 85 / 29

HEX #2DB51C

RGB 45 181 28

HSL 113.33, 0.73%, 0.41%

LAB 64.72, -61.76, 60.35

 

CMYK 85 / 0 / 71 / 29

HEX #1CB534

RGB 28 181 52

HSL 129.41, 0.73%, 0.41%

LAB 64.6, -62.29, 52.51

 

CMYK 85 / 0 / 48 / 29

HEX #1CB55E

RGB 28 181 94

HSL 145.88, 0.73%, 0.41%

LAB 65.04, -56.86, 33.82

 

CMYK 85 / 0 / 25 / 29

HEX #1CB587

RGB 28 181 135

HSL 161.96, 0.73%, 0.41%

LAB 65.78, -48.45, 12.98

 

CMYK 52 / 0 / 85 / 29

HEX #56B51C

RGB 86 181 28

HSL 97.25, 0.73%, 0.41%

LAB 65.83, -52.53, 61.78

 

CMYK 59 / 0 / 94 / 22

HEX #52C60B

RGB 82 198 11

HSL 97.22, 0.89%, 0.41%

LAB 71.01, -60.2, 69.1

 

CMYK 52 / 0 / 85 / 29

HEX #56B51C

RGB 86 181 28

HSL 97.25, 0.73%, 0.41%

LAB 65.83, -52.53, 61.78

 

CMYK 45 / 0 / 73 / 36

HEX #5AA42D

RGB 90 164 45

HSL 97.31, 0.57%, 0.41%

LAB 60.71, -43.68, 51.69

 

CMYK 36 / 0 / 58 / 42

HEX #5E933E

RGB 94 147 62

HSL 97.41, 0.41%, 0.41%

LAB 55.68, -33.35, 38.88

 

CMYK 25 / 0 / 39 / 49

HEX #62824F

RGB 98 130 79

HSL 97.65, 0.24%, 0.41%

LAB 50.83, -21.34, 24.02

 

CMYK 10 / 0 / 15 / 56

HEX #667160

RGB 102 113 96

HSL 98.82, 0.08%, 0.41%

LAB 46.28, -7.62, 8.05

 

CMYK 7 / 0 / 85 / 29

HEX #A8B51C

RGB 168 181 28

HSL 65.1, 0.73%, 0.41%

LAB 70.49, -21.82, 67.63

 

CMYK 30 / 0 / 85 / 29

HEX #7FB51C

RGB 127 181 28

HSL 81.18, 0.73%, 0.41%

LAB 67.76, -38.6, 64.21

 

CMYK 52 / 0 / 85 / 29

HEX #57B51C

RGB 87 181 28

HSL 96.86, 0.73%, 0.41%

LAB 65.87, -52.24, 61.82

 

CMYK 75 / 0 / 85 / 29

HEX #2EB51C

RGB 46 181 28

HSL 112.94, 0.73%, 0.41%

LAB 64.73, -61.6, 60.38

 

CMYK 85 / 0 / 72 / 29

HEX #1CB533

RGB 28 181 51

HSL 129.02, 0.73%, 0.41%

LAB 64.59, -62.38, 52.88

 

CMYK 52 / 0 / 84 / 57

HEX #346D11

RGB 52 109 17

HSL 97.17, 0.73%, 0.25%

LAB 40.75, -35.16, 41.59

 

CMYK 52 / 0 / 84 / 43

HEX #459117

RGB 69 145 23

HSL 97.38, 0.73%, 0.33%

LAB 53.58, -44.05, 51.83

 

CMYK 52 / 0 / 85 / 29

HEX #56B51C

RGB 86 181 28

HSL 97.25, 0.73%, 0.41%

LAB 65.83, -52.53, 61.78

 

CMYK 53 / 0 / 84 / 15

HEX #67D922

RGB 103 217 34

HSL 97.38, 0.73%, 0.49%

LAB 77.65, -60.63, 71.08

 

CMYK 44 / 0 / 71 / 11

HEX #7FE242

RGB 127 226 66

HSL 97.13, 0.73%, 0.57%

LAB 81.46, -55.21, 65.53

 

CMYK 52 / 0 / 85 / 28

HEX #57B71C

RGB 87 183 28

HSL 97.16, 0.73%, 0.41%

LAB 66.5, -52.99, 62.38

 

CMYK 85 / 0 / 15 / 29

HEX #1CB599

RGB 28 181 153

HSL 169.02, 0.73%, 0.41%

LAB 66.21, -43.89, 3.69

 

CMYK 0 / 85 / 18 / 29

HEX #B51C94

RGB 181 28 148

HSL 312.94, 0.73%, 0.41%

LAB 42.45, 67.64, -28.17

 

CMYK 52 / 0 / 85 / 28

HEX #57B71C

RGB 87 183 28

HSL 97.16, 0.73%, 0.41%

LAB 66.5, -52.99, 62.38

 

CMYK 85 / 52 / 0 / 29

HEX #1C57B5

RGB 28 87 181

HSL 216.86, 0.73%, 0.41%

LAB 38.55, 17.28, -55.01

 

CMYK 0 / 85 / 52 / 29

HEX #B51C57

RGB 181 28 87

HSL 336.86, 0.73%, 0.41%

LAB 40.15, 61.16, 6.31

 

CMYK 52 / 0 / 85 / 28

HEX #57B71C

RGB 87 183 28

HSL 97.16, 0.73%, 0.41%

LAB 66.5, -52.99, 62.38

 

CMYK 85 / 0 / 15 / 29

HEX #1CB599

RGB 28 181 153

HSL 169.02, 0.73%, 0.41%

LAB 66.21, -43.89, 3.69

 

CMYK 33 / 85 / 0 / 29

HEX #7A1CB5

RGB 122 28 181

HSL 276.86, 0.73%, 0.41%

LAB 34.61, 62.36, -61.09

 

CMYK 0 / 85 / 69 / 29

HEX #B51C38

RGB 181 28 56

HSL 349.02, 0.73%, 0.41%

LAB 39.48, 59.18, 25.05

 

CMYK 52 / 0 / 85 / 28

HEX #57B71C

RGB 87 183 28

HSL 97.16, 0.73%, 0.41%

LAB 66.5, -52.99, 62.38

 

CMYK 85 / 10 / 0 / 29

HEX #1CA3B5

RGB 28 163 181

HSL 187.06, 0.73%, 0.41%

LAB 61.46, -27.28, -18.99

 

CMYK 33 / 85 / 0 / 29

HEX #7A1CB5

RGB 122 28 181

HSL 276.86, 0.73%, 0.41%

LAB 34.61, 62.36, -61.09

 

CMYK 0 / 75 / 85 / 29

HEX #B52E1C

RGB 181 46 28

HSL 7.06, 0.73%, 0.41%

LAB 41, 52.92, 42.81

 

Description

Color code: HEX #57B71C | qconv.com Color code: HEX #57B71C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 183 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 183 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 85 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 85% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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