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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57B5C6 it is the complementary color #A84A39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57B5C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #57B5C6: #5CB5C1, #6DC7D4, #7ED9E7, #8FEBFA and #A0FDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57B5C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #57B5C6: #57B5C6, #46A3B3, #3591A0, #247F8D and #136D7A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 9 / 0 / 22

HEX #57B5C6

RGB 87 181 198

HSL 189.19, 0.49%, 0.56%

LAB 68.86, -22.91, -17.08

 

Complementary color

CMYK 0 / 56 / 66 / 34

HEX #A84A39

RGB 168 74 57

HSL 9.19, 0.49%, 0.44%

LAB 43.53, 37.46, 28.89

 

CMYK 52 / 6 / 0 / 24

HEX #5CB5C1

RGB 92 181 193

HSL 187.13, 0.45%, 0.56%

LAB 68.88, -23.3, -14.28

 

CMYK 49 / 6 / 0 / 17

HEX #6DC7D4

RGB 109 199 212

HSL 187.57, 0.54%, 0.63%

LAB 75.36, -23.47, -14.84

 

CMYK 45 / 6 / 0 / 9

HEX #7ED9E7

RGB 126 217 231

HSL 188, 0.69%, 0.7%

LAB 81.75, -23.59, -15.36

 

CMYK 43 / 6 / 0 / 2

HEX #8FEBFA

RGB 143 235 250

HSL 188.41, 0.91%, 0.77%

LAB 88.04, -23.66, -15.86

 

CMYK 37 / 1 / 0 / 0

HEX #A0FDFF

RGB 160 253 255

HSL 181.26, 1%, 0.81%

LAB 93.86, -27.06, -9.7

 

CMYK 56 / 9 / 0 / 22

HEX #57B5C6

RGB 87 181 198

HSL 189.19, 0.49%, 0.56%

LAB 68.86, -22.91, -17.08

 

CMYK 61 / 9 / 0 / 30

HEX #46A3B3

RGB 70 163 179

HSL 188.81, 0.44%, 0.49%

LAB 62.3, -22.52, -16.51

 

CMYK 67 / 9 / 0 / 37

HEX #3591A0

RGB 53 145 160

HSL 188.41, 0.5%, 0.42%

LAB 55.63, -21.94, -15.89

 

CMYK 74 / 10 / 0 / 45

HEX #247F8D

RGB 36 127 141

HSL 188, 0.59%, 0.35%

LAB 48.86, -21.11, -15.18

 

CMYK 84 / 11 / 0 / 52

HEX #136D7A

RGB 19 109 122

HSL 187.57, 0.73%, 0.28%

LAB 41.97, -19.88, -14.37

 

CMYK 56 / 9 / 0 / 22

HEX #57B5C6

RGB 87 181 198

HSL 189.19, 0.49%, 0.56%

LAB 68.86, -22.91, -17.08

 

CMYK 56 / 18 / 0 / 23

HEX #57A2C5

RGB 87 162 197

HSL 199.09, 0.49%, 0.56%

LAB 63.26, -13.24, -25.06

 

CMYK 56 / 27 / 0 / 23

HEX #5790C5

RGB 87 144 197

HSL 208.91, 0.49%, 0.56%

LAB 58.04, -3.19, -33.13

 

CMYK 56 / 36 / 0 / 23

HEX #577EC5

RGB 87 126 197

HSL 218.73, 0.49%, 0.56%

LAB 52.93, 7.41, -41.15

 

CMYK 56 / 46 / 0 / 23

HEX #576BC5

RGB 87 107 197

HSL 229.09, 0.49%, 0.56%

LAB 47.72, 19.07, -49.43

 

CMYK 56 / 9 / 0 / 22

HEX #57B5C6

RGB 87 181 198

HSL 189.19, 0.49%, 0.56%

LAB 68.86, -22.91, -17.08

 

CMYK 56 / 8 / 0 / 2

HEX #6DE4F9

RGB 109 228 249

HSL 189, 0.92%, 0.7%

LAB 84.78, -27.7, -20.38

 

CMYK 56 / 9 / 0 / 82

HEX #14292D

RGB 20 41 45

HSL 189.6, 0.38%, 0.13%

LAB 15.08, -7.05, -5.24

 

CMYK 56 / 8 / 0 / 62

HEX #2A5860

RGB 42 88 96

HSL 188.89, 0.39%, 0.27%

LAB 34.63, -13.19, -9.45

 

CMYK 56 / 9 / 0 / 42

HEX #418693

RGB 65 134 147

HSL 189.51, 0.39%, 0.42%

LAB 52.15, -17.85, -13.61

 

CMYK 56 / 9 / 0 / 22

HEX #57B5C6

RGB 87 181 198

HSL 189.19, 0.49%, 0.56%

LAB 68.86, -22.91, -17.08

 

CMYK 36 / 56 / 0 / 23

HEX #7E57C5

RGB 126 87 197

HSL 261.27, 0.49%, 0.56%

LAB 46.02, 40.09, -51.97

 

CMYK 0 / 14 / 56 / 23

HEX #C5AA57

RGB 197 170 87

HSL 45.27, 0.49%, 0.56%

LAB 70.39, -0.45, 45.82

 

CMYK 56 / 9 / 0 / 22

HEX #57B5C6

RGB 87 181 198

HSL 189.19, 0.49%, 0.56%

LAB 68.86, -22.91, -17.08

 

CMYK 0 / 56 / 8 / 23

HEX #C557B5

RGB 197 87 181

HSL 308.73, 0.49%, 0.56%

LAB 54.05, 55.67, -29.44

 

CMYK 8 / 0 / 56 / 23

HEX #B5C557

RGB 181 197 87

HSL 68.73, 0.49%, 0.56%

LAB 76.34, -21.02, 52.35

 

CMYK 56 / 9 / 0 / 22

HEX #57B5C6

RGB 87 181 198

HSL 189.19, 0.49%, 0.56%

LAB 68.86, -22.91, -17.08

 

CMYK 36 / 56 / 0 / 23

HEX #7E57C5

RGB 126 87 197

HSL 261.27, 0.49%, 0.56%

LAB 46.02, 40.09, -51.97

 

CMYK 0 / 47 / 56 / 23

HEX #C56857

RGB 197 104 87

HSL 9.27, 0.49%, 0.56%

LAB 54.51, 35.36, 26.25

 

CMYK 19 / 0 / 56 / 23

HEX #9FC557

RGB 159 197 87

HSL 80.73, 0.49%, 0.56%

LAB 74.82, -29.75, 50.21

 

CMYK 56 / 9 / 0 / 22

HEX #57B5C6

RGB 87 181 198

HSL 189.19, 0.49%, 0.56%

LAB 68.86, -22.91, -17.08

 

CMYK 19 / 56 / 0 / 23

HEX #9F57C5

RGB 159 87 197

HSL 279.27, 0.49%, 0.56%

LAB 49.76, 48.39, -45.78

 

CMYK 0 / 47 / 56 / 23

HEX #C56857

RGB 197 104 87

HSL 9.27, 0.49%, 0.56%

LAB 54.51, 35.36, 26.25

 

CMYK 36 / 0 / 56 / 23

HEX #7EC557

RGB 126 197 87

HSL 98.73, 0.49%, 0.56%

LAB 72.93, -41.79, 47.53

 

Description

Color code: HEX #57B5C6 | qconv.com Color code: HEX #57B5C6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 181 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 181 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 9 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 9% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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