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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57B423 it is the complementary color #A84BDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57B423. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57B423 shade: #5CB41E, #6DC631, #7ED844, #8FEA57 and #A0FC6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57B423. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57B423 shade: #57B423, #46A210, #359000, #247E00 and #136C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57B423 shade: #57B323, #7EB323, #A4B323, #B39B23 and #B37423

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57B423 shade: #57B323, #30B323, #23B33D, #23B364 and #23B38B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57B423 shade matches the following richer shades: #57B323, #52C412 and #4DD601

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57B423 shade: #57B323, #5CA235, #619046, #667F57 and #6A6E69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57B423 shade: #A5B323, #7EB323, #58B323, #32B323 and #23B33B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57B423 shade: #356E16, #46901D, #57B323, #68D52A and #80DC4D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57B423 shade: #57B423, #23B39B and #B32391

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57B423 shade: #57B423, #2358B3 and #B32358

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57B423 shade: #57B423, #23B39B, #7E23B3 and #B3233B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57B423 shade: #57B423, #23A0B3, #7E23B3 and #B33623

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 81 / 29

HEX #57B423

RGB 87 180 35

HSL 98.48, 0.67%, 0.42%

LAB 65.58, -51.54, 59.71

 

Complementary color

CMYK 24 / 66 / 0 / 14

HEX #A84BDC

RGB 168 75 220

HSL 278.48, 0.67%, 0.58%

LAB 50.13, 61.29, -58.29

 

CMYK 49 / 0 / 83 / 29

HEX #5CB41E

RGB 92 180 30

HSL 95.2, 0.71%, 0.41%

LAB 65.76, -50.28, 61.3

 

CMYK 45 / 0 / 75 / 22

HEX #6DC631

RGB 109 198 49

HSL 95.84, 0.6%, 0.48%

LAB 72.14, -50.99, 61.89

 

CMYK 42 / 0 / 69 / 15

HEX #7ED844

RGB 126 216 68

HSL 96.49, 0.65%, 0.56%

LAB 78.44, -51.43, 61.69

 

CMYK 39 / 0 / 63 / 8

HEX #8FEA57

RGB 143 234 87

HSL 97.14, 0.78%, 0.63%

LAB 84.68, -51.69, 61.04

 

CMYK 37 / 0 / 58 / 1

HEX #A0FC6A

RGB 160 252 106

HSL 97.81, 0.96%, 0.7%

LAB 90.84, -51.82, 60.16

 

CMYK 52 / 0 / 81 / 29

HEX #57B423

RGB 87 180 35

HSL 98.48, 0.67%, 0.42%

LAB 65.58, -51.54, 59.71

 

CMYK 57 / 0 / 90 / 36

HEX #46A210

RGB 70 162 16

HSL 97.81, 0.82%, 0.35%

LAB 59.14, -50.48, 58.33

 

CMYK 63 / 0 / 100 / 44

HEX #359000

RGB 53 144 0

HSL 97.92, 1%, 0.28%

LAB 52.62, -48.91, 55.38

 

CMYK 71 / 0 / 100 / 51

HEX #247E00

RGB 36 126 0

HSL 102.86, 1%, 0.25%

LAB 46.04, -46.58, 49.96

 

CMYK 82 / 0 / 100 / 58

HEX #136C00

RGB 19 108 0

HSL 109.44, 1%, 0.21%

LAB 39.35, -43.66, 44.48

 

CMYK 51 / 0 / 80 / 30

HEX #57B323

RGB 87 179 35

HSL 98.33, 0.67%, 0.42%

LAB 65.27, -51.16, 59.41

 

CMYK 30 / 0 / 80 / 30

HEX #7EB323

RGB 126 179 35

HSL 82.08, 0.67%, 0.42%

LAB 67.12, -37.82, 61.8

 

CMYK 8 / 0 / 80 / 30

HEX #A4B323

RGB 164 179 35

HSL 66.25, 0.67%, 0.42%

LAB 69.65, -22.31, 65.01

 

CMYK 0 / 13 / 80 / 30

HEX #B39B23

RGB 179 155 35

HSL 50, 0.67%, 0.42%

LAB 64.28, -3.29, 60.75

 

CMYK 0 / 35 / 80 / 30

HEX #B37423

RGB 179 116 35

HSL 33.75, 0.67%, 0.42%

LAB 54.23, 18.22, 51.69

 

CMYK 51 / 0 / 80 / 30

HEX #57B323

RGB 87 179 35

HSL 98.33, 0.67%, 0.42%

LAB 65.27, -51.16, 59.41

 

CMYK 73 / 0 / 80 / 30

HEX #30B323

RGB 48 179 35

HSL 114.58, 0.67%, 0.42%

LAB 64.15, -60.27, 57.97

 

CMYK 80 / 0 / 66 / 30

HEX #23B33D

RGB 35 179 61

HSL 130.83, 0.67%, 0.42%

LAB 64.11, -60, 48.36

 

CMYK 80 / 0 / 44 / 30

HEX #23B364

RGB 35 179 100

HSL 147.08, 0.67%, 0.42%

LAB 64.58, -54.38, 30.15

 

CMYK 80 / 0 / 22 / 30

HEX #23B38B

RGB 35 179 139

HSL 163.33, 0.67%, 0.42%

LAB 65.33, -46.02, 10.16

 

CMYK 51 / 0 / 80 / 30

HEX #57B323

RGB 87 179 35

HSL 98.33, 0.67%, 0.42%

LAB 65.27, -51.16, 59.41

 

CMYK 58 / 0 / 91 / 23

HEX #52C412

RGB 82 196 18

HSL 98.43, 0.83%, 0.42%

LAB 70.4, -59.35, 67.65

 

CMYK 64 / 0 / 100 / 16

HEX #4DD601

RGB 77 214 1

HSL 98.59, 0.99%, 0.42%

LAB 75.87, -66.84, 73.98

 

CMYK 51 / 0 / 80 / 30

HEX #57B323

RGB 87 179 35

HSL 98.33, 0.67%, 0.42%

LAB 65.27, -51.16, 59.41

 

CMYK 43 / 0 / 67 / 36

HEX #5CA235

RGB 92 162 53

HSL 98.53, 0.51%, 0.42%

LAB 60.22, -41.55, 48.01

 

CMYK 33 / 0 / 51 / 44

HEX #619046

RGB 97 144 70

HSL 98.11, 0.35%, 0.42%

LAB 55, -29.91, 34.09

 

CMYK 20 / 0 / 31 / 50

HEX #667F57

RGB 102 127 87

HSL 97.5, 0.19%, 0.42%

LAB 50.32, -16.95, 18.88

 

CMYK 4 / 0 / 5 / 57

HEX #6A6E69

RGB 106 110 105

HSL 108, 0.02%, 0.42%

LAB 45.96, -2.56, 2.25

 

CMYK 8 / 0 / 80 / 30

HEX #A5B323

RGB 165 179 35

HSL 65.83, 0.67%, 0.42%

LAB 69.73, -21.89, 65.11

 

CMYK 30 / 0 / 80 / 30

HEX #7EB323

RGB 126 179 35

HSL 82.08, 0.67%, 0.42%

LAB 67.12, -37.82, 61.8

 

CMYK 51 / 0 / 80 / 30

HEX #58B323

RGB 88 179 35

HSL 97.92, 0.67%, 0.42%

LAB 65.31, -50.86, 59.46

 

CMYK 72 / 0 / 80 / 30

HEX #32B323

RGB 50 179 35

HSL 113.75, 0.67%, 0.42%

LAB 64.19, -59.92, 58.02

 

CMYK 80 / 0 / 67 / 30

HEX #23B33B

RGB 35 179 59

HSL 130, 0.67%, 0.42%

LAB 64.09, -60.21, 49.19

 

CMYK 52 / 0 / 80 / 57

HEX #356E16

RGB 53 110 22

HSL 98.86, 0.67%, 0.26%

LAB 41.16, -34.94, 40.31

 

CMYK 51 / 0 / 80 / 44

HEX #46901D

RGB 70 144 29

HSL 98.61, 0.66%, 0.34%

LAB 53.32, -43.02, 49.8

 

CMYK 51 / 0 / 80 / 30

HEX #57B323

RGB 87 179 35

HSL 98.33, 0.67%, 0.42%

LAB 65.27, -51.16, 59.41

 

CMYK 51 / 0 / 80 / 16

HEX #68D52A

RGB 104 213 42

HSL 98.25, 0.67%, 0.5%

LAB 76.5, -58.56, 68.06

 

CMYK 42 / 0 / 65 / 14

HEX #80DC4D

RGB 128 220 77

HSL 98.6, 0.67%, 0.58%

LAB 79.79, -51.68, 59.61

 

CMYK 52 / 0 / 81 / 29

HEX #57B423

RGB 87 180 35

HSL 98.48, 0.67%, 0.42%

LAB 65.58, -51.54, 59.71

 

CMYK 80 / 0 / 13 / 30

HEX #23B39B

RGB 35 179 155

HSL 170, 0.67%, 0.42%

LAB 65.72, -41.89, 1.89

 

CMYK 0 / 80 / 19 / 30

HEX #B32391

RGB 179 35 145

HSL 314.17, 0.67%, 0.42%

LAB 42.51, 65.17, -26.29

 

CMYK 52 / 0 / 81 / 29

HEX #57B423

RGB 87 180 35

HSL 98.48, 0.67%, 0.42%

LAB 65.58, -51.54, 59.71

 

CMYK 80 / 51 / 0 / 30

HEX #2358B3

RGB 35 88 179

HSL 217.92, 0.67%, 0.42%

LAB 38.88, 16.47, -53.28

 

CMYK 0 / 80 / 51 / 30

HEX #B32358

RGB 179 35 88

HSL 337.92, 0.67%, 0.42%

LAB 40.39, 58.97, 5.97

 

CMYK 52 / 0 / 81 / 29

HEX #57B423

RGB 87 180 35

HSL 98.48, 0.67%, 0.42%

LAB 65.58, -51.54, 59.71

 

CMYK 80 / 0 / 13 / 30

HEX #23B39B

RGB 35 179 155

HSL 170, 0.67%, 0.42%

LAB 65.72, -41.89, 1.89

 

CMYK 30 / 80 / 0 / 30

HEX #7E23B3

RGB 126 35 179

HSL 277.92, 0.67%, 0.42%

LAB 35.78, 60.42, -57.98

 

CMYK 0 / 80 / 67 / 30

HEX #B3233B

RGB 179 35 59

HSL 350, 0.67%, 0.42%

LAB 39.75, 56.99, 23.43

 

CMYK 52 / 0 / 81 / 29

HEX #57B423

RGB 87 180 35

HSL 98.48, 0.67%, 0.42%

LAB 65.58, -51.54, 59.71

 

CMYK 80 / 11 / 0 / 30

HEX #23A0B3

RGB 35 160 179

HSL 187.92, 0.67%, 0.42%

LAB 60.56, -25.83, -19.22

 

CMYK 30 / 80 / 0 / 30

HEX #7E23B3

RGB 126 35 179

HSL 277.92, 0.67%, 0.42%

LAB 35.78, 60.42, -57.98

 

CMYK 0 / 70 / 80 / 30

HEX #B33623

RGB 179 54 35

HSL 7.92, 0.67%, 0.42%

LAB 41.76, 49.5, 39.8

 

Description

Color code: HEX #57B423 | qconv.com Color code: HEX #57B423 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 180 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 180 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 81 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 81% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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