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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57AEC8 it is the complementary color #A85137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57AEC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57AEC8 shade: #5CAEC3, #6DC0D6, #7ED2E9, #8FE4FC and #A0F6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57AEC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57AEC8 shade: #57AEC8, #469CB5, #358AA2, #24788F and #13667C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57AEC8 shade: #56AEC8, #568FC8, #5670C8, #5A56C8 and #7956C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57AEC8 shade: #56AEC8, #568FC8, #5670C8 and #5656C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57AEC8 shade matches the following richer shades: #56AEC8, #43B7DA, #31C1EC and #1FCBFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57AEC8 shade: #56AEC8, #68A4B6, #7A9AA4, #8C9092 and #9E867F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57AEC8 shade: #56C8A4, #56C8C2, #56AFC8, #5691C8 and #5672C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57AEC8 shade: #328199, #3C9CB8, #56AEC8, #75BDD2 and #94CCDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57AEC8 shade: #57AEC8, #8556C8 and #C8B356

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57AEC8 shade: #57AEC8, #C856AF and #AFC856

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57AEC8 shade: #57AEC8, #8556C8, #C86E56 and #98C856

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57AEC8 shade: #57AEC8, #A856C8, #C86E56 and #76C856

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 13 / 0 / 22

HEX #57AEC8

RGB 87 174 200

HSL 193.81, 0.51%, 0.56%

LAB 66.88, -18.73, -21.2

 

Complementary color

CMYK 0 / 52 / 67 / 34

HEX #A85137

RGB 168 81 55

HSL 13.81, 0.51%, 0.44%

LAB 44.92, 33.71, 31.7

 

CMYK 53 / 11 / 0 / 24

HEX #5CAEC3

RGB 92 174 195

HSL 192.23, 0.46%, 0.56%

LAB 66.89, -19.14, -18.39

 

CMYK 49 / 10 / 0 / 16

HEX #6DC0D6

RGB 109 192 214

HSL 192.57, 0.56%, 0.63%

LAB 73.42, -19.38, -18.85

 

CMYK 46 / 10 / 0 / 9

HEX #7ED2E9

RGB 126 210 233

HSL 192.9, 0.71%, 0.7%

LAB 79.85, -19.56, -19.29

 

CMYK 43 / 10 / 0 / 1

HEX #8FE4FC

RGB 143 228 252

HSL 193.21, 0.95%, 0.77%

LAB 86.18, -19.68, -19.71

 

CMYK 37 / 4 / 0 / 0

HEX #A0F6FF

RGB 160 246 255

HSL 185.68, 1%, 0.81%

LAB 91.96, -23.68, -12.53

 

CMYK 57 / 13 / 0 / 22

HEX #57AEC8

RGB 87 174 200

HSL 193.81, 0.51%, 0.56%

LAB 66.88, -18.73, -21.2

 

CMYK 61 / 14 / 0 / 29

HEX #469CB5

RGB 70 156 181

HSL 193.51, 0.44%, 0.49%

LAB 60.26, -18.25, -20.73

 

CMYK 67 / 15 / 0 / 36

HEX #358AA2

RGB 53 138 162

HSL 193.21, 0.51%, 0.42%

LAB 53.54, -17.59, -20.22

 

CMYK 75 / 16 / 0 / 44

HEX #24788F

RGB 36 120 143

HSL 192.9, 0.6%, 0.35%

LAB 46.7, -16.65, -19.65

 

CMYK 85 / 18 / 0 / 51

HEX #13667C

RGB 19 102 124

HSL 192.57, 0.73%, 0.28%

LAB 39.74, -15.3, -18.99

 

CMYK 57 / 13 / 0 / 22

HEX #56AEC8

RGB 86 174 200

HSL 193.68, 0.51%, 0.56%

LAB 66.84, -18.93, -21.25

 

CMYK 57 / 29 / 0 / 22

HEX #568FC8

RGB 86 143 200

HSL 210, 0.51%, 0.56%

LAB 57.84, -1.87, -35.14

 

CMYK 57 / 44 / 0 / 22

HEX #5670C8

RGB 86 112 200

HSL 226.32, 0.51%, 0.56%

LAB 49.18, 16.75, -48.83

 

CMYK 55 / 57 / 0 / 22

HEX #5A56C8

RGB 90 86 200

HSL 242.11, 0.51%, 0.56%

LAB 42.76, 33.68, -59.12

 

CMYK 40 / 57 / 0 / 22

HEX #7956C8

RGB 121 86 200

HSL 258.42, 0.51%, 0.56%

LAB 45.48, 40.29, -54.59

 

CMYK 57 / 13 / 0 / 22

HEX #56AEC8

RGB 86 174 200

HSL 193.68, 0.51%, 0.56%

LAB 66.84, -18.93, -21.25

 

CMYK 57 / 29 / 0 / 22

HEX #568FC8

RGB 86 143 200

HSL 210, 0.51%, 0.56%

LAB 57.84, -1.87, -35.14

 

CMYK 57 / 44 / 0 / 22

HEX #5670C8

RGB 86 112 200

HSL 226.32, 0.51%, 0.56%

LAB 49.18, 16.75, -48.83

 

CMYK 57 / 57 / 0 / 22

HEX #5656C8

RGB 86 86 200

HSL 240, 0.51%, 0.56%

LAB 42.47, 32.93, -59.62

 

CMYK 57 / 13 / 0 / 22

HEX #56AEC8

RGB 86 174 200

HSL 193.68, 0.51%, 0.56%

LAB 66.84, -18.93, -21.25

 

CMYK 69 / 16 / 0 / 15

HEX #43B7DA

RGB 67 183 218

HSL 193.91, 0.67%, 0.56%

LAB 69.56, -21.29, -27.05

 

CMYK 79 / 18 / 0 / 7

HEX #31C1EC

RGB 49 193 236

HSL 193.8, 0.83%, 0.56%

LAB 72.79, -22.72, -31.89

 

CMYK 88 / 20 / 0 / 0

HEX #1FCBFE

RGB 31 203 254

HSL 193.72, 0.99%, 0.56%

LAB 76.17, -23.17, -36.37

 

CMYK 57 / 13 / 0 / 22

HEX #56AEC8

RGB 86 174 200

HSL 193.68, 0.51%, 0.56%

LAB 66.84, -18.93, -21.25

 

CMYK 43 / 10 / 0 / 29

HEX #68A4B6

RGB 104 164 182

HSL 193.85, 0.35%, 0.56%

LAB 64.06, -14.66, -15.4

 

CMYK 26 / 6 / 0 / 36

HEX #7A9AA4

RGB 122 154 164

HSL 194.29, 0.19%, 0.56%

LAB 61.59, -8.71, -8.88

 

CMYK 4 / 1 / 0 / 43

HEX #8C9092

RGB 140 144 146

HSL 200, 0.03%, 0.56%

LAB 59.52, -1.05, -1.57

 

CMYK 0 / 15 / 20 / 38

HEX #9E867F

RGB 158 134 127

HSL 13.55, 0.14%, 0.56%

LAB 57.9, 7.95, 7.14

 

CMYK 57 / 0 / 18 / 22

HEX #56C8A4

RGB 86 200 164

HSL 161.05, 0.51%, 0.56%

LAB 73.52, -40.99, 8.36

 

CMYK 57 / 0 / 3 / 22

HEX #56C8C2

RGB 86 200 194

HSL 176.84, 0.51%, 0.56%

LAB 74.31, -33.52, -6.74

 

CMYK 57 / 13 / 0 / 22

HEX #56AFC8

RGB 86 175 200

HSL 193.16, 0.51%, 0.56%

LAB 67.13, -19.45, -20.81

 

CMYK 57 / 28 / 0 / 22

HEX #5691C8

RGB 86 145 200

HSL 208.95, 0.51%, 0.56%

LAB 58.41, -3.03, -34.25

 

CMYK 57 / 43 / 0 / 22

HEX #5672C8

RGB 86 114 200

HSL 225.26, 0.51%, 0.56%

LAB 49.72, 15.51, -47.96

 

CMYK 67 / 16 / 0 / 40

HEX #328199

RGB 50 129 153

HSL 193.98, 0.51%, 0.4%

LAB 50.31, -16.12, -19.96

 

CMYK 67 / 15 / 0 / 28

HEX #3C9CB8

RGB 60 156 184

HSL 193.55, 0.51%, 0.48%

LAB 60.07, -19.02, -22.75

 

CMYK 57 / 13 / 0 / 22

HEX #56AEC8

RGB 86 174 200

HSL 193.68, 0.51%, 0.56%

LAB 66.84, -18.93, -21.25

 

CMYK 44 / 10 / 0 / 18

HEX #75BDD2

RGB 117 189 210

HSL 193.55, 0.51%, 0.64%

LAB 72.78, -17.04, -17.61

 

CMYK 33 / 7 / 0 / 14

HEX #94CCDC

RGB 148 204 220

HSL 193.33, 0.51%, 0.72%

LAB 78.84, -14.18, -13.74

 

CMYK 57 / 13 / 0 / 22

HEX #57AEC8

RGB 87 174 200

HSL 193.81, 0.51%, 0.56%

LAB 66.88, -18.73, -21.2

 

CMYK 34 / 57 / 0 / 22

HEX #8556C8

RGB 133 86 200

HSL 264.74, 0.51%, 0.56%

LAB 46.73, 43.11, -52.53

 

CMYK 0 / 11 / 57 / 22

HEX #C8B356

RGB 200 179 86

HSL 48.95, 0.51%, 0.56%

LAB 73.02, -4.01, 49.43

 

CMYK 57 / 13 / 0 / 22

HEX #57AEC8

RGB 87 174 200

HSL 193.81, 0.51%, 0.56%

LAB 66.88, -18.73, -21.2

 

CMYK 0 / 57 / 13 / 22

HEX #C856AF

RGB 200 86 175

HSL 313.16, 0.51%, 0.56%

LAB 54.06, 56.01, -25.91

 

CMYK 13 / 0 / 57 / 22

HEX #AFC856

RGB 175 200 86

HSL 73.16, 0.51%, 0.56%

LAB 76.74, -24.99, 53.14

 

CMYK 57 / 13 / 0 / 22

HEX #57AEC8

RGB 87 174 200

HSL 193.81, 0.51%, 0.56%

LAB 66.88, -18.73, -21.2

 

CMYK 34 / 57 / 0 / 22

HEX #8556C8

RGB 133 86 200

HSL 264.74, 0.51%, 0.56%

LAB 46.73, 43.11, -52.53

 

CMYK 0 / 45 / 57 / 22

HEX #C86E56

RGB 200 110 86

HSL 12.63, 0.51%, 0.56%

LAB 56.19, 33.28, 29.06

 

CMYK 24 / 0 / 57 / 22

HEX #98C856

RGB 152 200 86

HSL 85.26, 0.51%, 0.56%

LAB 75.24, -33.92, 51.03

 

CMYK 57 / 13 / 0 / 22

HEX #57AEC8

RGB 87 174 200

HSL 193.81, 0.51%, 0.56%

LAB 66.88, -18.73, -21.2

 

CMYK 16 / 57 / 0 / 22

HEX #A856C8

RGB 168 86 200

HSL 283.16, 0.51%, 0.56%

LAB 50.86, 51.86, -45.69

 

CMYK 0 / 45 / 57 / 22

HEX #C86E56

RGB 200 110 86

HSL 12.63, 0.51%, 0.56%

LAB 56.19, 33.28, 29.06

 

CMYK 41 / 0 / 57 / 22

HEX #76C856

RGB 118 200 86

HSL 103.16, 0.51%, 0.56%

LAB 73.44, -45.81, 48.49

 

Description

Color code: HEX #57AEC8 | qconv.com Color code: HEX #57AEC8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 174 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 174 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 13 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 13% 0% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

48% - Baltimore Engineerin...
Link: http://kibart.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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