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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57ABF8 it is the complementary color #A85407. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57ABF8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57ABF8 shade: #5CABF3, #6DBDFF, #7ECFFF, #8FE1FF and #A0F3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57ABF8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57ABF8 shade: #57ABF8, #4699E5, #3587D2, #2475BF and #1363AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57ABF8 shade: #59ACF8, #5981F8, #5B59F8, #8659F8 and #B159F8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57ABF8 shade: #59ACF8, #5981F8 and #5959F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57ABF8 shade matches the following richer shades: #59ACF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57ABF8 shade: #59ACF8, #67ABEA, #75ABDC, #83AACE and #91A9C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57ABF8 shade: #59F8ED, #59D8F8, #59AEF8, #5983F8 and #5959F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57ABF8 shade: #0A84F4, #3198F6, #59ACF8, #80C0FA and #A8D3FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57ABF8 shade: #57ABF8, #C359F8 and #EDF859

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57ABF8 shade: #57ABF8, #F859AE and #AEF859

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57ABF8 shade: #57ABF8, #C359F8, #F8A359 and #8EF859

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57ABF8 shade: #57ABF8, #F359F8, #F8A359 and #5EF859

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 31 / 0 / 3

HEX #57ABF8

RGB 87 171 248

HSL 208.7, 0.92%, 0.66%

LAB 67.97, -2.07, -45.84

 

Complementary color

CMYK 0 / 50 / 96 / 34

HEX #A85407

RGB 168 84 7

HSL 28.7, 0.92%, 0.34%

LAB 45.19, 30.41, 52.61

 

CMYK 62 / 30 / 0 / 5

HEX #5CABF3

RGB 92 171 243

HSL 208.61, 0.86%, 0.66%

LAB 67.93, -2.84, -43.17

 

CMYK 57 / 26 / 0 / 0

HEX #6DBDFF

RGB 109 189 255

HSL 207.12, 1%, 0.71%

LAB 74.1, -5.87, -39.96

 

CMYK 51 / 19 / 0 / 0

HEX #7ECFFF

RGB 126 207 255

HSL 202.33, 1%, 0.75%

LAB 79.77, -11.99, -31.13

 

CMYK 44 / 12 / 0 / 0

HEX #8FE1FF

RGB 143 225 255

HSL 196.07, 1%, 0.78%

LAB 85.46, -17.4, -22.39

 

CMYK 37 / 5 / 0 / 0

HEX #A0F3FF

RGB 160 243 255

HSL 187.58, 1%, 0.81%

LAB 91.14, -22.21, -13.75

 

CMYK 65 / 31 / 0 / 3

HEX #57ABF8

RGB 87 171 248

HSL 208.7, 0.92%, 0.66%

LAB 67.97, -2.07, -45.84

 

CMYK 69 / 33 / 0 / 10

HEX #4699E5

RGB 70 153 229

HSL 208.68, 0.75%, 0.59%

LAB 61.43, -0.82, -45.75

 

CMYK 75 / 36 / 0 / 18

HEX #3587D2

RGB 53 135 210

HSL 208.66, 0.64%, 0.52%

LAB 54.8, 0.72, -45.65

 

CMYK 81 / 39 / 0 / 25

HEX #2475BF

RGB 36 117 191

HSL 208.65, 0.68%, 0.45%

LAB 48.08, 2.67, -45.52

 

CMYK 89 / 42 / 0 / 33

HEX #1363AC

RGB 19 99 172

HSL 208.63, 0.8%, 0.37%

LAB 41.28, 5.16, -45.32

 

CMYK 64 / 31 / 0 / 3

HEX #59ACF8

RGB 89 172 248

HSL 208.68, 0.92%, 0.66%

LAB 68.32, -2.3, -45.28

 

CMYK 64 / 48 / 0 / 3

HEX #5981F8

RGB 89 129 248

HSL 224.91, 0.92%, 0.66%

LAB 56.69, 22.97, -63.78

 

CMYK 63 / 64 / 0 / 3

HEX #5B59F8

RGB 91 89 248

HSL 240.75, 0.92%, 0.66%

LAB 47.17, 47.37, -79.22

 

CMYK 46 / 64 / 0 / 3

HEX #8659F8

RGB 134 89 248

HSL 256.98, 0.92%, 0.66%

LAB 50.68, 54.34, -73.34

 

CMYK 29 / 64 / 0 / 3

HEX #B159F8

RGB 177 89 248

HSL 273.21, 0.92%, 0.66%

LAB 55.35, 62.88, -65.56

 

CMYK 64 / 31 / 0 / 3

HEX #59ACF8

RGB 89 172 248

HSL 208.68, 0.92%, 0.66%

LAB 68.32, -2.3, -45.28

 

CMYK 64 / 48 / 0 / 3

HEX #5981F8

RGB 89 129 248

HSL 224.91, 0.92%, 0.66%

LAB 56.69, 22.97, -63.78

 

CMYK 64 / 64 / 0 / 3

HEX #5959F8

RGB 89 89 248

HSL 240, 0.92%, 0.66%

LAB 47.03, 47.09, -79.44

 

CMYK 64 / 31 / 0 / 3

HEX #59ACF8

RGB 89 172 248

HSL 208.68, 0.92%, 0.66%

LAB 68.32, -2.3, -45.28

 

CMYK 64 / 31 / 0 / 3

HEX #59ACF8

RGB 89 172 248

HSL 208.68, 0.92%, 0.66%

LAB 68.32, -2.3, -45.28

 

CMYK 56 / 27 / 0 / 8

HEX #67ABEA

RGB 103 171 234

HSL 208.85, 0.76%, 0.66%

LAB 67.98, -3.59, -38.14

 

CMYK 47 / 22 / 0 / 14

HEX #75ABDC

RGB 117 171 220

HSL 208.54, 0.6%, 0.66%

LAB 68.08, -4.64, -30.27

 

CMYK 36 / 17 / 0 / 19

HEX #83AACE

RGB 131 170 206

HSL 208.8, 0.43%, 0.66%

LAB 68.04, -4.3, -22.54

 

CMYK 24 / 12 / 0 / 25

HEX #91A9C0

RGB 145 169 192

HSL 209.36, 0.27%, 0.66%

LAB 68.17, -3.12, -14.53

 

CMYK 64 / 0 / 4 / 3

HEX #59F8ED

RGB 89 248 237

HSL 175.85, 0.92%, 0.66%

LAB 89.57, -43.56, -6.98

 

CMYK 64 / 13 / 0 / 3

HEX #59D8F8

RGB 89 216 248

HSL 192.08, 0.92%, 0.66%

LAB 80.75, -25.53, -26.04

 

CMYK 64 / 30 / 0 / 3

HEX #59AEF8

RGB 89 174 248

HSL 207.92, 0.92%, 0.66%

LAB 68.88, -3.42, -44.41

 

CMYK 64 / 47 / 0 / 3

HEX #5983F8

RGB 89 131 248

HSL 224.15, 0.92%, 0.66%

LAB 57.21, 21.76, -62.94

 

CMYK 64 / 64 / 0 / 3

HEX #5959F8

RGB 89 89 248

HSL 240, 0.92%, 0.66%

LAB 47.03, 47.09, -79.44

 

CMYK 96 / 46 / 0 / 4

HEX #0A84F4

RGB 10 132 244

HSL 208.72, 0.92%, 0.5%

LAB 55.17, 12.31, -64.11

 

CMYK 80 / 38 / 0 / 4

HEX #3198F6

RGB 49 152 246

HSL 208.63, 0.92%, 0.58%

LAB 61.45, 3.27, -55.13

 

CMYK 64 / 31 / 0 / 3

HEX #59ACF8

RGB 89 172 248

HSL 208.68, 0.92%, 0.66%

LAB 68.32, -2.3, -45.28

 

CMYK 49 / 23 / 0 / 2

HEX #80C0FA

RGB 128 192 250

HSL 208.52, 0.92%, 0.74%

LAB 75.57, -4.98, -34.94

 

CMYK 33 / 16 / 0 / 2

HEX #A8D3FB

RGB 168 211 251

HSL 208.92, 0.91%, 0.82%

LAB 82.85, -4.78, -24.12

 

CMYK 65 / 31 / 0 / 3

HEX #57ABF8

RGB 87 171 248

HSL 208.7, 0.92%, 0.66%

LAB 67.97, -2.07, -45.84

 

CMYK 21 / 64 / 0 / 3

HEX #C359F8

RGB 195 89 248

HSL 280, 0.92%, 0.66%

LAB 57.58, 66.73, -61.84

 

CMYK 4 / 0 / 64 / 3

HEX #EDF859

RGB 237 248 89

HSL 64.15, 0.92%, 0.66%

LAB 94.25, -23.06, 72.17

 

CMYK 65 / 31 / 0 / 3

HEX #57ABF8

RGB 87 171 248

HSL 208.7, 0.92%, 0.66%

LAB 67.97, -2.07, -45.84

 

CMYK 0 / 64 / 30 / 3

HEX #F859AE

RGB 248 89 174

HSL 327.92, 0.92%, 0.66%

LAB 61.79, 68.12, -12.88

 

CMYK 30 / 0 / 64 / 3

HEX #AEF859

RGB 174 248 89

HSL 87.92, 0.92%, 0.66%

LAB 90.25, -46.9, 66.73

 

CMYK 65 / 31 / 0 / 3

HEX #57ABF8

RGB 87 171 248

HSL 208.7, 0.92%, 0.66%

LAB 67.97, -2.07, -45.84

 

CMYK 21 / 64 / 0 / 3

HEX #C359F8

RGB 195 89 248

HSL 280, 0.92%, 0.66%

LAB 57.58, 66.73, -61.84

 

CMYK 0 / 34 / 64 / 3

HEX #F8A359

RGB 248 163 89

HSL 27.92, 0.92%, 0.66%

LAB 74.11, 24.72, 50.54

 

CMYK 43 / 0 / 64 / 3

HEX #8EF859

RGB 142 248 89

HSL 100, 0.92%, 0.66%

LAB 88.74, -57.4, 64.65

 

CMYK 65 / 31 / 0 / 3

HEX #57ABF8

RGB 87 171 248

HSL 208.7, 0.92%, 0.66%

LAB 67.97, -2.07, -45.84

 

CMYK 2 / 64 / 0 / 3

HEX #F359F8

RGB 243 89 248

HSL 298.11, 0.92%, 0.66%

LAB 64.14, 77.38, -51

 

CMYK 0 / 34 / 64 / 3

HEX #F8A359

RGB 248 163 89

HSL 27.92, 0.92%, 0.66%

LAB 74.11, 24.72, 50.54

 

CMYK 62 / 0 / 64 / 3

HEX #5EF859

RGB 94 248 89

HSL 118.11, 0.92%, 0.66%

LAB 87.11, -69.8, 62.41

 

Description

Color code: HEX #57ABF8 | qconv.com Color code: HEX #57ABF8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 171 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 171 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 31 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 31% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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