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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57ABDD it is the complementary color #A85422. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57ABDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57ABDD shade: #5CABD8, #6DBDEB, #7ECFFE, #8FE1FF and #A0F3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57ABDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57ABDD shade: #57ABDD, #4699CA, #3587B7, #2475A4 and #136391

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57ABDD shade: #56AADC, #5686DC, #5661DC, #6E56DC and #9356DC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57ABDD shade: #56AADC, #5686DC, #5661DC and #5656DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57ABDD shade matches the following richer shades: #56AADC, #45AEED and #35B2FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57ABDD shade: #56AADC, #66A6CC, #77A2BB, #879EAB and #98999A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57ABDD shade: #56DCC6, #56CFDC, #56ABDC, #5687DC and #5663DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57ABDD shade: #2682B9, #3399D5, #56AADC, #78BBE3 and #9ACCEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57ABDD shade: #57ABDD, #A256DC and #DCD856

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57ABDD shade: #57ABDD, #DC56AB and #ABDC56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57ABDD shade: #57ABDD, #A256DC, #DC8756 and #90DC56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57ABDD shade: #57ABDD, #CA56DC, #DC8756 and #68DC56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 23 / 0 / 13

HEX #57ABDD

RGB 87 171 221

HSL 202.39, 0.66%, 0.6%

LAB 66.8, -10.73, -32.89

 

Complementary color

CMYK 0 / 50 / 80 / 34

HEX #A85422

RGB 168 84 34

HSL 22.39, 0.66%, 0.4%

LAB 45.33, 31.07, 43.18

 

CMYK 57 / 21 / 0 / 15

HEX #5CABD8

RGB 92 171 216

HSL 201.77, 0.61%, 0.6%

LAB 66.79, -11.33, -30.14

 

CMYK 54 / 20 / 0 / 8

HEX #6DBDEB

RGB 109 189 235

HSL 201.9, 0.76%, 0.67%

LAB 73.31, -11.85, -30.4

 

CMYK 50 / 19 / 0 / 0

HEX #7ECFFE

RGB 126 207 254

HSL 202.03, 0.98%, 0.75%

LAB 79.74, -12.27, -30.66

 

CMYK 44 / 12 / 0 / 0

HEX #8FE1FF

RGB 143 225 255

HSL 196.07, 1%, 0.78%

LAB 85.46, -17.4, -22.39

 

CMYK 37 / 5 / 0 / 0

HEX #A0F3FF

RGB 160 243 255

HSL 187.58, 1%, 0.81%

LAB 91.14, -22.21, -13.75

 

CMYK 61 / 23 / 0 / 13

HEX #57ABDD

RGB 87 171 221

HSL 202.39, 0.66%, 0.6%

LAB 66.8, -10.73, -32.89

 

CMYK 65 / 24 / 0 / 21

HEX #4699CA

RGB 70 153 202

HSL 202.27, 0.55%, 0.53%

LAB 60.2, -9.91, -32.63

 

CMYK 71 / 26 / 0 / 28

HEX #3587B7

RGB 53 135 183

HSL 202.15, 0.55%, 0.46%

LAB 53.5, -8.85, -32.36

 

CMYK 78 / 29 / 0 / 36

HEX #2475A4

RGB 36 117 164

HSL 202.03, 0.64%, 0.39%

LAB 46.68, -7.45, -32.04

 

CMYK 87 / 32 / 0 / 43

HEX #136391

RGB 19 99 145

HSL 201.9, 0.77%, 0.32%

LAB 39.76, -5.55, -31.67

 

CMYK 61 / 23 / 0 / 14

HEX #56AADC

RGB 86 170 220

HSL 202.39, 0.66%, 0.6%

LAB 66.44, -10.69, -32.91

 

CMYK 61 / 39 / 0 / 14

HEX #5686DC

RGB 86 134 220

HSL 218.51, 0.66%, 0.6%

LAB 56.28, 9.99, -48.84

 

CMYK 61 / 56 / 0 / 14

HEX #5661DC

RGB 86 97 220

HSL 235.07, 0.66%, 0.6%

LAB 46.57, 32.71, -64.43

 

CMYK 50 / 61 / 0 / 14

HEX #6E56DC

RGB 110 86 220

HSL 250.75, 0.66%, 0.6%

LAB 45.82, 43.63, -65.56

 

CMYK 33 / 61 / 0 / 14

HEX #9356DC

RGB 147 86 220

HSL 267.31, 0.66%, 0.6%

LAB 49.53, 51.35, -59.39

 

CMYK 61 / 23 / 0 / 14

HEX #56AADC

RGB 86 170 220

HSL 202.39, 0.66%, 0.6%

LAB 66.44, -10.69, -32.91

 

CMYK 61 / 39 / 0 / 14

HEX #5686DC

RGB 86 134 220

HSL 218.51, 0.66%, 0.6%

LAB 56.28, 9.99, -48.84

 

CMYK 61 / 56 / 0 / 14

HEX #5661DC

RGB 86 97 220

HSL 235.07, 0.66%, 0.6%

LAB 46.57, 32.71, -64.43

 

CMYK 61 / 61 / 0 / 14

HEX #5656DC

RGB 86 86 220

HSL 240, 0.66%, 0.6%

LAB 43.95, 39.42, -68.69

 

CMYK 61 / 23 / 0 / 14

HEX #56AADC

RGB 86 170 220

HSL 202.39, 0.66%, 0.6%

LAB 66.44, -10.69, -32.91

 

CMYK 71 / 27 / 0 / 7

HEX #45AEED

RGB 69 174 237

HSL 202.5, 0.82%, 0.6%

LAB 67.76, -10.07, -40.21

 

CMYK 79 / 30 / 0 / 1

HEX #35B2FD

RGB 53 178 253

HSL 202.5, 0.98%, 0.6%

LAB 69.25, -8.66, -46.61

 

CMYK 61 / 23 / 0 / 14

HEX #56AADC

RGB 86 170 220

HSL 202.39, 0.66%, 0.6%

LAB 66.44, -10.69, -32.91

 

CMYK 50 / 19 / 0 / 20

HEX #66A6CC

RGB 102 166 204

HSL 202.35, 0.5%, 0.6%

LAB 65.32, -10.04, -25.73

 

CMYK 36 / 13 / 0 / 27

HEX #77A2BB

RGB 119 162 187

HSL 202.06, 0.33%, 0.6%

LAB 64.44, -8.22, -17.53

 

CMYK 21 / 8 / 0 / 33

HEX #879EAB

RGB 135 158 171

HSL 201.67, 0.18%, 0.6%

LAB 63.79, -5.13, -9.45

 

CMYK 1 / 1 / 0 / 40

HEX #98999A

RGB 152 153 154

HSL 210, 0.01%, 0.6%

LAB 63.17, -0.16, -0.66

 

CMYK 61 / 0 / 10 / 14

HEX #56DCC6

RGB 86 220 198

HSL 170.15, 0.66%, 0.6%

LAB 80.32, -41.64, -0.05

 

CMYK 61 / 6 / 0 / 14

HEX #56CFDC

RGB 86 207 220

HSL 185.82, 0.66%, 0.6%

LAB 77.14, -29.72, -16.54

 

CMYK 61 / 22 / 0 / 14

HEX #56ABDC

RGB 86 171 220

HSL 201.94, 0.66%, 0.6%

LAB 66.73, -11.23, -32.46

 

CMYK 61 / 39 / 0 / 14

HEX #5687DC

RGB 86 135 220

HSL 218.06, 0.66%, 0.6%

LAB 56.56, 9.39, -48.41

 

CMYK 61 / 55 / 0 / 14

HEX #5663DC

RGB 86 99 220

HSL 234.18, 0.66%, 0.6%

LAB 47.07, 31.48, -63.63

 

CMYK 79 / 30 / 0 / 27

HEX #2682B9

RGB 38 130 185

HSL 202.45, 0.66%, 0.44%

LAB 51.7, -7.16, -36.34

 

CMYK 76 / 28 / 0 / 16

HEX #3399D5

RGB 51 153 213

HSL 202.22, 0.66%, 0.52%

LAB 60.15, -8.87, -38.91

 

CMYK 61 / 23 / 0 / 14

HEX #56AADC

RGB 86 170 220

HSL 202.39, 0.66%, 0.6%

LAB 66.44, -10.69, -32.91

 

CMYK 47 / 18 / 0 / 11

HEX #78BBE3

RGB 120 187 227

HSL 202.43, 0.66%, 0.68%

LAB 72.94, -10.63, -26.59

 

CMYK 34 / 13 / 0 / 8

HEX #9ACCEA

RGB 154 204 234

HSL 202.5, 0.66%, 0.76%

LAB 79.61, -9.11, -20.05

 

CMYK 61 / 23 / 0 / 13

HEX #57ABDD

RGB 87 171 221

HSL 202.39, 0.66%, 0.6%

LAB 66.8, -10.73, -32.89

 

CMYK 26 / 61 / 0 / 14

HEX #A256DC

RGB 162 86 220

HSL 274.03, 0.66%, 0.6%

LAB 51.27, 54.75, -56.49

 

CMYK 0 / 2 / 61 / 14

HEX #DCD856

RGB 220 216 86

HSL 58.21, 0.66%, 0.6%

LAB 84.48, -14.57, 62.65

 

CMYK 61 / 23 / 0 / 13

HEX #57ABDD

RGB 87 171 221

HSL 202.39, 0.66%, 0.6%

LAB 66.8, -10.73, -32.89

 

CMYK 0 / 61 / 22 / 14

HEX #DC56AB

RGB 220 86 171

HSL 321.94, 0.66%, 0.6%

LAB 56.89, 61.11, -18.98

 

CMYK 22 / 0 / 61 / 14

HEX #ABDC56

RGB 171 220 86

HSL 81.94, 0.66%, 0.6%

LAB 82.12, -35.94, 59.07

 

CMYK 61 / 23 / 0 / 13

HEX #57ABDD

RGB 87 171 221

HSL 202.39, 0.66%, 0.6%

LAB 66.8, -10.73, -32.89

 

CMYK 26 / 61 / 0 / 14

HEX #A256DC

RGB 162 86 220

HSL 274.03, 0.66%, 0.6%

LAB 51.27, 54.75, -56.49

 

CMYK 0 / 39 / 61 / 14

HEX #DC8756

RGB 220 135 86

HSL 21.94, 0.66%, 0.6%

LAB 64.34, 27.98, 39.74

 

CMYK 35 / 0 / 61 / 14

HEX #90DC56

RGB 144 220 86

HSL 94.03, 0.66%, 0.6%

LAB 80.62, -45.64, 57

 

CMYK 61 / 23 / 0 / 13

HEX #57ABDD

RGB 87 171 221

HSL 202.39, 0.66%, 0.6%

LAB 66.8, -10.73, -32.89

 

CMYK 8 / 61 / 0 / 14

HEX #CA56DC

RGB 202 86 220

HSL 291.94, 0.66%, 0.6%

LAB 56.47, 64.22, -47.9

 

CMYK 0 / 39 / 61 / 14

HEX #DC8756

RGB 220 135 86

HSL 21.94, 0.66%, 0.6%

LAB 64.34, 27.98, 39.74

 

CMYK 53 / 0 / 61 / 14

HEX #68DC56

RGB 104 220 86

HSL 111.94, 0.66%, 0.6%

LAB 78.93, -57.81, 54.63

 

Description

Color code: HEX #57ABDD | qconv.com Color code: HEX #57ABDD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 171 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 171 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 23 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 23% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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