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Color name
HEX #579C16

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #579C16 it is the complementary color #A863E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #579C16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #579C16 shade: #5C9C11, #6DAE24, #7EC037, #8FD24A and #A0E45D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #579C16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #579C16 shade: #579C16, #468A03, #357800, #246600 and #135400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #579C16 shade: #579C16, #7B9C16, #9C9916, #9C7516 and #9C5116

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #579C16 shade: #579C16, #339C16, #169C1E, #169C42 and #169C66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #579C16 shade matches the following richer shades: #579C16 and #57AB08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #579C16 shade: #579C16, #588E25, #587F33, #597142 and #596250

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #579C16 shade: #9C9816, #7D9C16, #599C16, #369C16 and #169C1B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #579C16 shade: #2F540C, #437811, #579C16, #6BC01B and #80E025

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #579C16 shade: #579C16, #169C74 and #9C168F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #579C16 shade: #579C16, #16599C and #9C1659

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #579C16 shade: #579C16, #169C74, #59169C and #9C163E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #579C16 shade: #579C16, #169C9C, #59169C and #9C1616

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 86 / 39

HEX #579C16

RGB 87 156 22

HSL 90.9, 0.75%, 0.35%

LAB 57.9, -42.69, 56.24

 

Complementary color

CMYK 28 / 58 / 0 / 9

HEX #A863E9

RGB 168 99 233

HSL 270.9, 0.75%, 0.65%

LAB 55.21, 52.54, -57.47

 

CMYK 41 / 0 / 89 / 39

HEX #5C9C11

RGB 92 156 17

HSL 87.63, 0.8%, 0.34%

LAB 58.12, -41.13, 57.63

 

CMYK 37 / 0 / 79 / 32

HEX #6DAE24

RGB 109 174 36

HSL 88.26, 0.66%, 0.41%

LAB 64.68, -41.9, 58.92

 

CMYK 34 / 0 / 71 / 25

HEX #7EC037

RGB 126 192 55

HSL 88.91, 0.55%, 0.48%

LAB 71.15, -42.4, 59.08

 

CMYK 32 / 0 / 65 / 18

HEX #8FD24A

RGB 143 210 74

HSL 89.56, 0.6%, 0.56%

LAB 77.54, -42.72, 58.62

 

CMYK 30 / 0 / 59 / 11

HEX #A0E45D

RGB 160 228 93

HSL 90.22, 0.71%, 0.63%

LAB 83.84, -42.9, 57.82

 

CMYK 44 / 0 / 86 / 39

HEX #579C16

RGB 87 156 22

HSL 90.9, 0.75%, 0.35%

LAB 57.9, -42.69, 56.24

 

CMYK 49 / 0 / 98 / 46

HEX #468A03

RGB 70 138 3

HSL 90.22, 0.96%, 0.28%

LAB 51.25, -41.64, 54.01

 

CMYK 56 / 0 / 100 / 53

HEX #357800

RGB 53 120 0

HSL 93.5, 1%, 0.24%

LAB 44.5, -40, 48.97

 

CMYK 65 / 0 / 100 / 60

HEX #246600

RGB 36 102 0

HSL 98.82, 1%, 0.2%

LAB 37.62, -37.98, 43.28

 

CMYK 77 / 0 / 100 / 67

HEX #135400

RGB 19 84 0

HSL 106.43, 1%, 0.16%

LAB 30.59, -35.45, 37.5

 

CMYK 44 / 0 / 86 / 39

HEX #579C16

RGB 87 156 22

HSL 90.9, 0.75%, 0.35%

LAB 57.9, -42.69, 56.24

 

CMYK 21 / 0 / 86 / 39

HEX #7B9C16

RGB 123 156 22

HSL 74.78, 0.75%, 0.35%

LAB 59.93, -28.89, 58.78

 

CMYK 0 / 2 / 86 / 39

HEX #9C9916

RGB 156 153 22

HSL 58.66, 0.75%, 0.35%

LAB 61.58, -12.97, 61.18

 

CMYK 0 / 25 / 86 / 39

HEX #9C7516

RGB 156 117 22

HSL 42.54, 0.75%, 0.35%

LAB 51.67, 6.8, 52.92

 

CMYK 0 / 48 / 86 / 39

HEX #9C5116

RGB 156 81 22

HSL 26.42, 0.75%, 0.35%

LAB 42.78, 27.23, 45.38

 

CMYK 44 / 0 / 86 / 39

HEX #579C16

RGB 87 156 22

HSL 90.9, 0.75%, 0.35%

LAB 57.9, -42.69, 56.24

 

CMYK 67 / 0 / 86 / 39

HEX #339C16

RGB 51 156 22

HSL 107.01, 0.75%, 0.35%

LAB 56.62, -52.81, 54.61

 

CMYK 86 / 0 / 81 / 39

HEX #169C1E

RGB 22 156 30

HSL 123.58, 0.75%, 0.35%

LAB 56.13, -56.95, 51.74

 

CMYK 86 / 0 / 58 / 39

HEX #169C42

RGB 22 156 66

HSL 139.7, 0.75%, 0.35%

LAB 56.43, -53.24, 37.25

 

CMYK 86 / 0 / 35 / 39

HEX #169C66

RGB 22 156 102

HSL 155.82, 0.75%, 0.35%

LAB 56.98, -46.7, 18.98

 

CMYK 44 / 0 / 86 / 39

HEX #579C16

RGB 87 156 22

HSL 90.9, 0.75%, 0.35%

LAB 57.9, -42.69, 56.24

 

CMYK 49 / 0 / 95 / 33

HEX #57AB08

RGB 87 171 8

HSL 90.92, 0.91%, 0.35%

LAB 62.65, -49.05, 62.72

 

CMYK 44 / 0 / 86 / 39

HEX #579C16

RGB 87 156 22

HSL 90.9, 0.75%, 0.35%

LAB 57.9, -42.69, 56.24

 

CMYK 38 / 0 / 74 / 44

HEX #588E25

RGB 88 142 37

HSL 90.86, 0.59%, 0.35%

LAB 53.55, -35.53, 47.49

 

CMYK 31 / 0 / 60 / 50

HEX #587F33

RGB 88 127 51

HSL 90.79, 0.43%, 0.35%

LAB 48.87, -27.33, 36.32

 

CMYK 21 / 0 / 42 / 56

HEX #597142

RGB 89 113 66

HSL 90.64, 0.26%, 0.35%

LAB 44.7, -17.91, 23.26

 

CMYK 9 / 0 / 18 / 62

HEX #596250

RGB 89 98 80

HSL 90, 0.1%, 0.35%

LAB 40.31, -7.18, 9.09

 

CMYK 0 / 3 / 86 / 39

HEX #9C9816

RGB 156 152 22

HSL 58.21, 0.75%, 0.35%

LAB 61.29, -12.44, 60.95

 

CMYK 20 / 0 / 86 / 39

HEX #7D9C16

RGB 125 156 22

HSL 73.88, 0.75%, 0.35%

LAB 60.06, -28.06, 58.95

 

CMYK 43 / 0 / 86 / 39

HEX #599C16

RGB 89 156 22

HSL 90, 0.75%, 0.35%

LAB 58, -42, 56.36

 

CMYK 65 / 0 / 86 / 39

HEX #369C16

RGB 54 156 22

HSL 105.67, 0.75%, 0.35%

LAB 56.7, -52.14, 54.71

 

CMYK 86 / 0 / 83 / 39

HEX #169C1B

RGB 22 156 27

HSL 122.24, 0.75%, 0.35%

LAB 56.11, -57.13, 52.62

 

CMYK 44 / 0 / 86 / 67

HEX #2F540C

RGB 47 84 12

HSL 90.83, 0.75%, 0.19%

LAB 31.74, -26.13, 34.79

 

CMYK 44 / 0 / 86 / 53

HEX #437811

RGB 67 120 17

HSL 90.87, 0.75%, 0.27%

LAB 45.17, -34.67, 45.88

 

CMYK 44 / 0 / 86 / 39

HEX #579C16

RGB 87 156 22

HSL 90.9, 0.75%, 0.35%

LAB 57.9, -42.69, 56.24

 

CMYK 44 / 0 / 86 / 25

HEX #6BC01B

RGB 107 192 27

HSL 90.91, 0.75%, 0.43%

LAB 70.11, -50.33, 66.08

 

CMYK 43 / 0 / 83 / 12

HEX #80E025

RGB 128 224 37

HSL 90.8, 0.75%, 0.51%

LAB 80.76, -55.66, 73.51

 

CMYK 44 / 0 / 86 / 39

HEX #579C16

RGB 87 156 22

HSL 90.9, 0.75%, 0.35%

LAB 57.9, -42.69, 56.24

 

CMYK 86 / 0 / 26 / 39

HEX #169C74

RGB 22 156 116

HSL 162.09, 0.75%, 0.35%

LAB 57.28, -43.44, 11.57

 

CMYK 0 / 86 / 8 / 39

HEX #9C168F

RGB 156 22 143

HSL 305.82, 0.75%, 0.35%

LAB 37.16, 62.98, -33.75

 

CMYK 44 / 0 / 86 / 39

HEX #579C16

RGB 87 156 22

HSL 90.9, 0.75%, 0.35%

LAB 57.9, -42.69, 56.24

 

CMYK 86 / 43 / 0 / 39

HEX #16599C

RGB 22 89 156

HSL 210, 0.75%, 0.35%

LAB 37.33, 5.43, -42.14

 

CMYK 0 / 86 / 43 / 39

HEX #9C1659

RGB 156 22 89

HSL 330, 0.75%, 0.35%

LAB 34.73, 56.27, -3.47

 

CMYK 44 / 0 / 86 / 39

HEX #579C16

RGB 87 156 22

HSL 90.9, 0.75%, 0.35%

LAB 57.9, -42.69, 56.24

 

CMYK 86 / 0 / 26 / 39

HEX #169C74

RGB 22 156 116

HSL 162.09, 0.75%, 0.35%

LAB 57.28, -43.44, 11.57

 

CMYK 43 / 86 / 0 / 39

HEX #59169C

RGB 89 22 156

HSL 270, 0.75%, 0.35%

LAB 27.01, 53.81, -58.66

 

CMYK 0 / 86 / 60 / 39

HEX #9C163E

RGB 156 22 62

HSL 342.09, 0.75%, 0.35%

LAB 33.96, 54.05, 13.04

 

CMYK 44 / 0 / 86 / 39

HEX #579C16

RGB 87 156 22

HSL 90.9, 0.75%, 0.35%

LAB 57.9, -42.69, 56.24

 

CMYK 86 / 0 / 0 / 39

HEX #169C9C

RGB 22 156 156

HSL 180, 0.75%, 0.35%

LAB 58.37, -32.24, -9.54

 

CMYK 43 / 86 / 0 / 39

HEX #59169C

RGB 89 22 156

HSL 270, 0.75%, 0.35%

LAB 27.01, 53.81, -58.66

 

CMYK 0 / 86 / 86 / 39

HEX #9C1616

RGB 156 22 22

HSL 0, 0.75%, 0.35%

LAB 33.35, 52.24, 37.14

 

Description

Color code: HEX #579C16 | qconv.com Color code: HEX #579C16 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 156 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 156 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 86 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 86% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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