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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #578DF7 it is the complementary color #A87208. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #578DF7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #578DF7 shade: #5C8DF2, #6D9FFF, #7EB1FF, #8FC3FF and #A0D5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #578DF7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #578DF7 shade: #578DF7, #467BE4, #3569D1, #2457BE and #1345AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #578DF7 shade: #558BF7, #5560F7, #7555F7, #A155F7 and #CD55F7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #578DF7 shade: #558BF7, #5560F7 and #5555F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #578DF7 shade matches the following richer shades: #558BF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #578DF7 shade: #558BF7, #6390E9, #7195DA, #8099CC and #8E9EBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #578DF7 shade: #55E4F7, #55B9F7, #558DF7, #5562F7 and #7255F7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #578DF7 shade: #0B58EE, #2D71F5, #558BF7, #7CA6F9 and #A3C1FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #578DF7 shade: #578DF7, #DF55F7 and #CEF755

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #578DF7 shade: #578DF7, #F7558D and #8DF755

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #578DF7 shade: #578DF7, #DF55F7, #F7BE55 and #6DF755

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #578DF7 shade: #578DF7, #F755DF, #F7BE55 and #55F76D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 43 / 0 / 3

HEX #578DF7

RGB 87 141 247

HSL 219.75, 0.91%, 0.65%

LAB 59.7, 15.06, -58.4

 

Complementary color

CMYK 0 / 32 / 95 / 34

HEX #A87208

RGB 168 114 8

HSL 39.75, 0.91%, 0.35%

LAB 52.26, 13.74, 57.34

 

CMYK 62 / 42 / 0 / 5

HEX #5C8DF2

RGB 92 141 242

HSL 220.4, 0.85%, 0.65%

LAB 59.65, 14.23, -55.71

 

CMYK 57 / 38 / 0 / 0

HEX #6D9FFF

RGB 109 159 255

HSL 219.45, 1%, 0.71%

LAB 65.96, 11.01, -52.76

 

CMYK 51 / 31 / 0 / 0

HEX #7EB1FF

RGB 126 177 255

HSL 216.28, 1%, 0.75%

LAB 71.62, 4.29, -43.78

 

CMYK 44 / 24 / 0 / 0

HEX #8FC3FF

RGB 143 195 255

HSL 212.14, 1%, 0.78%

LAB 77.33, -1.68, -34.83

 

CMYK 37 / 16 / 0 / 0

HEX #A0D5FF

RGB 160 213 255

HSL 206.53, 1%, 0.81%

LAB 83.06, -6.98, -25.95

 

CMYK 65 / 43 / 0 / 3

HEX #578DF7

RGB 87 141 247

HSL 219.75, 0.91%, 0.65%

LAB 59.7, 15.06, -58.4

 

CMYK 69 / 46 / 0 / 11

HEX #467BE4

RGB 70 123 228

HSL 219.87, 0.75%, 0.58%

LAB 53.03, 16.8, -58.57

 

CMYK 75 / 50 / 0 / 18

HEX #3569D1

RGB 53 105 209

HSL 220, 0.63%, 0.51%

LAB 46.26, 18.91, -58.74

 

CMYK 81 / 54 / 0 / 25

HEX #2457BE

RGB 36 87 190

HSL 220.13, 0.68%, 0.44%

LAB 39.43, 21.52, -58.85

 

CMYK 89 / 60 / 0 / 33

HEX #1345AB

RGB 19 69 171

HSL 220.26, 0.8%, 0.37%

LAB 32.56, 24.74, -58.84

 

CMYK 66 / 44 / 0 / 3

HEX #558BF7

RGB 85 139 247

HSL 220, 0.91%, 0.65%

LAB 59.08, 15.94, -59.4

 

CMYK 66 / 61 / 0 / 3

HEX #5560F7

RGB 85 96 247

HSL 235.93, 0.91%, 0.65%

LAB 48.28, 42.1, -76.86

 

CMYK 53 / 66 / 0 / 3

HEX #7555F7

RGB 117 85 247

HSL 251.85, 0.91%, 0.65%

LAB 48.25, 53.24, -76.8

 

CMYK 35 / 66 / 0 / 3

HEX #A155F7

RGB 161 85 247

HSL 268.15, 0.91%, 0.65%

LAB 52.72, 61.28, -69.34

 

CMYK 17 / 66 / 0 / 3

HEX #CD55F7

RGB 205 85 247

HSL 284.44, 0.91%, 0.65%

LAB 58.22, 70.41, -60.2

 

CMYK 66 / 44 / 0 / 3

HEX #558BF7

RGB 85 139 247

HSL 220, 0.91%, 0.65%

LAB 59.08, 15.94, -59.4

 

CMYK 66 / 61 / 0 / 3

HEX #5560F7

RGB 85 96 247

HSL 235.93, 0.91%, 0.65%

LAB 48.28, 42.1, -76.86

 

CMYK 66 / 66 / 0 / 3

HEX #5555F7

RGB 85 85 247

HSL 240, 0.91%, 0.65%

LAB 45.83, 48.57, -80.86

 

CMYK 66 / 44 / 0 / 3

HEX #558BF7

RGB 85 139 247

HSL 220, 0.91%, 0.65%

LAB 59.08, 15.94, -59.4

 

CMYK 66 / 44 / 0 / 3

HEX #558BF7

RGB 85 139 247

HSL 220, 0.91%, 0.65%

LAB 59.08, 15.94, -59.4

 

CMYK 58 / 38 / 0 / 9

HEX #6390E9

RGB 99 144 233

HSL 219.85, 0.75%, 0.65%

LAB 60.32, 10.8, -49.64

 

CMYK 48 / 32 / 0 / 15

HEX #7195DA

RGB 113 149 218

HSL 219.43, 0.59%, 0.65%

LAB 61.71, 6.27, -39.07

 

CMYK 37 / 25 / 0 / 20

HEX #8099CC

RGB 128 153 204

HSL 220.26, 0.43%, 0.65%

LAB 63.12, 3.85, -29.01

 

CMYK 25 / 16 / 0 / 26

HEX #8E9EBD

RGB 142 158 189

HSL 219.57, 0.26%, 0.65%

LAB 64.87, 1.32, -17.87

 

CMYK 66 / 8 / 0 / 3

HEX #55E4F7

RGB 85 228 247

HSL 187.04, 0.91%, 0.65%

LAB 84.04, -32.25, -20.52

 

CMYK 66 / 25 / 0 / 3

HEX #55B9F7

RGB 85 185 247

HSL 202.96, 0.91%, 0.65%

LAB 71.79, -10.43, -39.32

 

CMYK 66 / 43 / 0 / 3

HEX #558DF7

RGB 85 141 247

HSL 219.26, 0.91%, 0.65%

LAB 59.61, 14.74, -58.54

 

CMYK 66 / 60 / 0 / 3

HEX #5562F7

RGB 85 98 247

HSL 235.19, 0.91%, 0.65%

LAB 48.74, 40.9, -76.11

 

CMYK 54 / 66 / 0 / 3

HEX #7255F7

RGB 114 85 247

HSL 250.74, 0.91%, 0.65%

LAB 47.99, 52.75, -77.23

 

CMYK 95 / 63 / 0 / 7

HEX #0B58EE

RGB 11 88 238

HSL 219.65, 0.91%, 0.49%

LAB 43.1, 37.93, -80.39

 

CMYK 82 / 54 / 0 / 4

HEX #2D71F5

RGB 45 113 245

HSL 219.6, 0.91%, 0.57%

LAB 50.64, 26.43, -71.97

 

CMYK 66 / 44 / 0 / 3

HEX #558BF7

RGB 85 139 247

HSL 220, 0.91%, 0.65%

LAB 59.08, 15.94, -59.4

 

CMYK 50 / 33 / 0 / 2

HEX #7CA6F9

RGB 124 166 249

HSL 219.84, 0.91%, 0.73%

LAB 68.31, 8.28, -45.73

 

CMYK 35 / 23 / 0 / 2

HEX #A3C1FB

RGB 163 193 251

HSL 219.55, 0.92%, 0.81%

LAB 77.81, 3.5, -31.85

 

CMYK 65 / 43 / 0 / 3

HEX #578DF7

RGB 87 141 247

HSL 219.75, 0.91%, 0.65%

LAB 59.7, 15.06, -58.4

 

CMYK 10 / 66 / 0 / 3

HEX #DF55F7

RGB 223 85 247

HSL 291.11, 0.91%, 0.65%

LAB 60.69, 74.31, -56.1

 

CMYK 17 / 0 / 66 / 3

HEX #CEF755

RGB 206 247 85

HSL 75.19, 0.91%, 0.65%

LAB 91.82, -34.98, 70.5

 

CMYK 65 / 43 / 0 / 3

HEX #578DF7

RGB 87 141 247

HSL 219.75, 0.91%, 0.65%

LAB 59.7, 15.06, -58.4

 

CMYK 0 / 66 / 43 / 3

HEX #F7558D

RGB 247 85 141

HSL 339.26, 0.91%, 0.65%

LAB 60.06, 65.88, 3.67

 

CMYK 43 / 0 / 66 / 3

HEX #8DF755

RGB 141 247 85

HSL 99.26, 0.91%, 0.65%

LAB 88.37, -57.64, 65.82

 

CMYK 65 / 43 / 0 / 3

HEX #578DF7

RGB 87 141 247

HSL 219.75, 0.91%, 0.65%

LAB 59.7, 15.06, -58.4

 

CMYK 10 / 66 / 0 / 3

HEX #DF55F7

RGB 223 85 247

HSL 291.11, 0.91%, 0.65%

LAB 60.69, 74.31, -56.1

 

CMYK 0 / 23 / 66 / 3

HEX #F7BE55

RGB 247 190 85

HSL 38.89, 0.91%, 0.65%

LAB 80.32, 9.91, 59.3

 

CMYK 56 / 0 / 66 / 3

HEX #6DF755

RGB 109 247 85

HSL 111.11, 0.91%, 0.65%

LAB 87.21, -66.43, 64.22

 

CMYK 65 / 43 / 0 / 3

HEX #578DF7

RGB 87 141 247

HSL 219.75, 0.91%, 0.65%

LAB 59.7, 15.06, -58.4

 

CMYK 0 / 66 / 10 / 3

HEX #F755DF

RGB 247 85 223

HSL 308.89, 0.91%, 0.65%

LAB 63.01, 75.91, -38.83

 

CMYK 0 / 23 / 66 / 3

HEX #F7BE55

RGB 247 190 85

HSL 38.89, 0.91%, 0.65%

LAB 80.32, 9.91, 59.3

 

CMYK 66 / 0 / 56 / 3

HEX #55F76D

RGB 85 247 109

HSL 128.89, 0.91%, 0.65%

LAB 86.78, -69.05, 53.45

 

Description

Color code: HEX #578DF7 | qconv.com Color code: HEX #578DF7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 141 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 141 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 43 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 43% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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