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Color name
HEX #578D18

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #578D18 it is the complementary color #A872E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #578D18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #578D18 shade: #5C8D13, #6D9F26, #7EB139, #8FC34C and #A0D55F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #578D18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #578D18 shade: #578D18, #467B05, #356900, #245700 and #134500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #578D18 shade: #568C18, #758C18, #8C8318, #8C6318 and #8C4418

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #578D18 shade: #568C18, #378C18, #188C18, #188C37 and #188C56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #578D18 shade matches the following richer shades: #568C18 and #57990A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #578D18 shade: #568C18, #557E25, #547132, #53643F and #52574C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #578D18 shade: #8C8218, #768C18, #578C18, #388C18 and #1A8C18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #578D18 shade: #2B450C, #406812, #568C18, #6CAF1E and #82D224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #578D18 shade: #578D18, #188C63 and #8C1886

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #578D18 shade: #578D18, #18578C and #8C1857

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #578D18 shade: #578D18, #188C63, #4C188C and #8C1840

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #578D18 shade: #578D18, #188C86, #4C188C and #8C181D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 83 / 45

HEX #578D18

RGB 87 141 24

HSL 87.69, 0.71%, 0.32%

LAB 53.1, -36.22, 51.42

 

Complementary color

CMYK 27 / 51 / 0 / 9

HEX #A872E7

RGB 168 114 231

HSL 267.69, 0.71%, 0.68%

LAB 58.16, 44.08, -51.64

 

CMYK 35 / 0 / 87 / 45

HEX #5C8D13

RGB 92 141 19

HSL 84.1, 0.76%, 0.31%

LAB 53.35, -34.53, 53.09

 

CMYK 31 / 0 / 76 / 38

HEX #6D9F26

RGB 109 159 38

HSL 84.79, 0.61%, 0.39%

LAB 60.06, -35.2, 53.9

 

CMYK 29 / 0 / 68 / 31

HEX #7EB139

RGB 126 177 57

HSL 85.5, 0.51%, 0.46%

LAB 66.65, -35.63, 53.7

 

CMYK 27 / 0 / 61 / 24

HEX #8FC34C

RGB 143 195 76

HSL 86.22, 0.5%, 0.53%

LAB 73.15, -35.89, 52.99

 

CMYK 25 / 0 / 55 / 16

HEX #A0D55F

RGB 160 213 95

HSL 86.95, 0.58%, 0.6%

LAB 79.55, -36.05, 52.03

 

CMYK 38 / 0 / 83 / 45

HEX #578D18

RGB 87 141 24

HSL 87.69, 0.71%, 0.32%

LAB 53.1, -36.22, 51.42

 

CMYK 43 / 0 / 96 / 52

HEX #467B05

RGB 70 123 5

HSL 86.95, 0.92%, 0.25%

LAB 46.28, -35.32, 49.62

 

CMYK 50 / 0 / 100 / 59

HEX #356900

RGB 53 105 0

HSL 89.71, 1%, 0.21%

LAB 39.34, -33.87, 44.92

 

CMYK 59 / 0 / 100 / 66

HEX #245700

RGB 36 87 0

HSL 95.17, 1%, 0.17%

LAB 32.24, -32.06, 39.04

 

CMYK 72 / 0 / 100 / 73

HEX #134500

RGB 19 69 0

HSL 103.48, 1%, 0.14%

LAB 24.94, -29.83, 32.67

 

CMYK 39 / 0 / 83 / 45

HEX #568C18

RGB 86 140 24

HSL 87.93, 0.71%, 0.32%

LAB 52.73, -36.15, 51.07

 

CMYK 16 / 0 / 83 / 45

HEX #758C18

RGB 117 140 24

HSL 71.9, 0.71%, 0.32%

LAB 54.66, -23.53, 53.53

 

CMYK 0 / 6 / 83 / 45

HEX #8C8318

RGB 140 131 24

HSL 55.34, 0.71%, 0.32%

LAB 53.89, -8.42, 53.58

 

CMYK 0 / 29 / 83 / 45

HEX #8C6318

RGB 140 99 24

HSL 38.79, 0.71%, 0.32%

LAB 45.03, 9.76, 45.77

 

CMYK 0 / 51 / 83 / 45

HEX #8C4418

RGB 140 68 24

HSL 22.76, 0.71%, 0.32%

LAB 37.44, 27.6, 38.81

 

CMYK 39 / 0 / 83 / 45

HEX #568C18

RGB 86 140 24

HSL 87.93, 0.71%, 0.32%

LAB 52.73, -36.15, 51.07

 

CMYK 61 / 0 / 83 / 45

HEX #378C18

RGB 55 140 24

HSL 103.97, 0.71%, 0.32%

LAB 51.42, -46.07, 49.38

 

CMYK 83 / 0 / 83 / 45

HEX #188C18

RGB 24 140 24

HSL 120, 0.71%, 0.32%

LAB 50.71, -52.12, 48.46

 

CMYK 83 / 0 / 61 / 45

HEX #188C37

RGB 24 140 55

HSL 136.03, 0.71%, 0.32%

LAB 50.95, -49.09, 36.18

 

CMYK 83 / 0 / 39 / 45

HEX #188C56

RGB 24 140 86

HSL 152.07, 0.71%, 0.32%

LAB 51.41, -43.72, 20.36

 

CMYK 39 / 0 / 83 / 45

HEX #568C18

RGB 86 140 24

HSL 87.93, 0.71%, 0.32%

LAB 52.73, -36.15, 51.07

 

CMYK 43 / 0 / 93 / 40

HEX #57990A

RGB 87 153 10

HSL 87.69, 0.88%, 0.32%

LAB 56.91, -41.82, 57.76

 

CMYK 39 / 0 / 83 / 45

HEX #568C18

RGB 86 140 24

HSL 87.93, 0.71%, 0.32%

LAB 52.73, -36.15, 51.07

 

CMYK 33 / 0 / 71 / 51

HEX #557E25

RGB 85 126 37

HSL 87.64, 0.55%, 0.32%

LAB 48.24, -29.32, 42.02

 

CMYK 26 / 0 / 56 / 56

HEX #547132

RGB 84 113 50

HSL 87.62, 0.39%, 0.32%

LAB 44.13, -22.05, 31.24

 

CMYK 17 / 0 / 37 / 61

HEX #53643F

RGB 83 100 63

HSL 87.57, 0.23%, 0.32%

LAB 40.1, -13.74, 18.92

 

CMYK 6 / 0 / 13 / 66

HEX #52574C

RGB 82 87 76

HSL 87.27, 0.07%, 0.32%

LAB 36.24, -4.3, 5.71

 

CMYK 0 / 7 / 83 / 45

HEX #8C8218

RGB 140 130 24

HSL 54.83, 0.71%, 0.32%

LAB 53.61, -7.87, 53.33

 

CMYK 16 / 0 / 83 / 45

HEX #768C18

RGB 118 140 24

HSL 71.38, 0.71%, 0.32%

LAB 54.73, -23.1, 53.62

 

CMYK 38 / 0 / 83 / 45

HEX #578C18

RGB 87 140 24

HSL 87.41, 0.71%, 0.32%

LAB 52.78, -35.77, 51.13

 

CMYK 60 / 0 / 83 / 45

HEX #388C18

RGB 56 140 24

HSL 103.45, 0.71%, 0.32%

LAB 51.45, -45.81, 49.43

 

CMYK 81 / 0 / 83 / 45

HEX #1A8C18

RGB 26 140 24

HSL 118.97, 0.71%, 0.32%

LAB 50.74, -51.86, 48.5

 

CMYK 38 / 0 / 83 / 73

HEX #2B450C

RGB 43 69 12

HSL 87.37, 0.7%, 0.16%

LAB 26.15, -20.37, 29.36

 

CMYK 38 / 0 / 83 / 59

HEX #406812

RGB 64 104 18

HSL 87.91, 0.7%, 0.24%

LAB 39.64, -28.52, 40.45

 

CMYK 39 / 0 / 83 / 45

HEX #568C18

RGB 86 140 24

HSL 87.93, 0.71%, 0.32%

LAB 52.73, -36.15, 51.07

 

CMYK 38 / 0 / 83 / 31

HEX #6CAF1E

RGB 108 175 30

HSL 87.72, 0.71%, 0.4%

LAB 64.92, -42.96, 60.81

 

CMYK 38 / 0 / 83 / 18

HEX #82D224

RGB 130 210 36

HSL 87.59, 0.71%, 0.48%

LAB 76.66, -49.5, 70.16

 

CMYK 38 / 0 / 83 / 45

HEX #578D18

RGB 87 141 24

HSL 87.69, 0.71%, 0.32%

LAB 53.1, -36.22, 51.42

 

CMYK 83 / 0 / 29 / 45

HEX #188C63

RGB 24 140 99

HSL 158.79, 0.71%, 0.32%

LAB 51.67, -40.79, 13.37

 

CMYK 0 / 83 / 4 / 45

HEX #8C1886

RGB 140 24 134

HSL 303.1, 0.71%, 0.32%

LAB 33.88, 57.85, -33.59

 

CMYK 38 / 0 / 83 / 45

HEX #578D18

RGB 87 141 24

HSL 87.69, 0.71%, 0.32%

LAB 53.1, -36.22, 51.42

 

CMYK 83 / 38 / 0 / 45

HEX #18578C

RGB 24 87 140

HSL 207.41, 0.71%, 0.32%

LAB 35.8, 0.49, -34.9

 

CMYK 0 / 83 / 38 / 45

HEX #8C1857

RGB 140 24 87

HSL 327.41, 0.71%, 0.32%

LAB 31.62, 51.46, -7.15

 

CMYK 38 / 0 / 83 / 45

HEX #578D18

RGB 87 141 24

HSL 87.69, 0.71%, 0.32%

LAB 53.1, -36.22, 51.42

 

CMYK 83 / 0 / 29 / 45

HEX #188C63

RGB 24 140 99

HSL 158.79, 0.71%, 0.32%

LAB 51.67, -40.79, 13.37

 

CMYK 46 / 83 / 0 / 45

HEX #4C188C

RGB 76 24 140

HSL 266.9, 0.71%, 0.32%

LAB 23.94, 47.32, -53.88

 

CMYK 0 / 83 / 54 / 45

HEX #8C1840

RGB 140 24 64

HSL 339.31, 0.71%, 0.32%

LAB 30.88, 49.25, 6.94

 

CMYK 38 / 0 / 83 / 45

HEX #578D18

RGB 87 141 24

HSL 87.69, 0.71%, 0.32%

LAB 53.1, -36.22, 51.42

 

CMYK 83 / 0 / 4 / 45

HEX #188C86

RGB 24 140 134

HSL 176.9, 0.71%, 0.32%

LAB 52.59, -31.22, -5.51

 

CMYK 46 / 83 / 0 / 45

HEX #4C188C

RGB 76 24 140

HSL 266.9, 0.71%, 0.32%

LAB 23.94, 47.32, -53.88

 

CMYK 0 / 83 / 79 / 45

HEX #8C181D

RGB 140 24 29

HSL 357.41, 0.71%, 0.32%

LAB 30.2, 47.18, 28.87

 

Description

Color code: HEX #578D18 | qconv.com Color code: HEX #578D18 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 141 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 141 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 83 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 83% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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