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Color name
HEX #577D19

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #577D19 it is the complementary color #A882E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #577D19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #577D19 shade: #5C7D14, #6D8F27, #7EA13A, #8FB34D and #A0C560

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #577D19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #577D19 shade: #577D19, #466B06, #355900, #244700 and #133500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #577D19 shade: #567B18, #717B18, #7B6C18, #7B5118 and #7B3618

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #577D19 shade: #567B18, #3B7B18, #207B18, #187B2B and #187B46

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #577D19 shade matches the following richer shades: #567B18, #59870C and #5C9300

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #577D19 shade: #567B18, #537024, #506430, #4D583C and #4A4C48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #577D19 shade: #7B6B18, #727B18, #577B18, #3D7B18 and #227B18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #577D19 shade: #26370B, #3E5912, #567B18, #6E9E1F and #86C026

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #577D19 shade: #577D19, #187B51 and #78187B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #577D19 shade: #577D19, #18577B and #7B1857

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #577D19 shade: #577D19, #187B51, #3D187B and #7B1843

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #577D19 shade: #577D19, #187B6E, #3D187B and #7B1826

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 80 / 51

HEX #577D19

RGB 87 125 25

HSL 82.8, 0.67%, 0.29%

LAB 47.96, -28.83, 46.37

 

Complementary color

CMYK 27 / 43 / 0 / 10

HEX #A882E6

RGB 168 130 230

HSL 262.8, 0.67%, 0.71%

LAB 61.66, 34.95, -45.54

 

CMYK 26 / 0 / 84 / 51

HEX #5C7D14

RGB 92 125 20

HSL 78.86, 0.72%, 0.28%

LAB 48.25, -27, 48.32

 

CMYK 24 / 0 / 73 / 44

HEX #6D8F27

RGB 109 143 39

HSL 79.62, 0.57%, 0.36%

LAB 55.12, -27.64, 48.69

 

CMYK 22 / 0 / 64 / 37

HEX #7EA13A

RGB 126 161 58

HSL 80.39, 0.47%, 0.43%

LAB 61.85, -28.05, 48.18

 

CMYK 20 / 0 / 57 / 30

HEX #8FB34D

RGB 143 179 77

HSL 81.18, 0.4%, 0.5%

LAB 68.47, -28.32, 47.27

 

CMYK 19 / 0 / 51 / 23

HEX #A0C560

RGB 160 197 96

HSL 81.98, 0.47%, 0.57%

LAB 74.98, -28.49, 46.19

 

CMYK 30 / 0 / 80 / 51

HEX #577D19

RGB 87 125 25

HSL 82.8, 0.67%, 0.29%

LAB 47.96, -28.83, 46.37

 

CMYK 35 / 0 / 94 / 58

HEX #466B06

RGB 70 107 6

HSL 81.98, 0.89%, 0.22%

LAB 40.95, -28.02, 45.03

 

CMYK 40 / 0 / 100 / 65

HEX #355900

RGB 53 89 0

HSL 84.27, 1%, 0.17%

LAB 33.78, -26.7, 40.59

 

CMYK 49 / 0 / 100 / 72

HEX #244700

RGB 36 71 0

HSL 89.58, 1%, 0.14%

LAB 26.39, -25.06, 34.28

 

CMYK 64 / 0 / 100 / 79

HEX #133500

RGB 19 53 0

HSL 98.49, 1%, 0.1%

LAB 18.73, -23.15, 26.05

 

CMYK 30 / 0 / 80 / 52

HEX #567B18

RGB 86 123 24

HSL 82.42, 0.67%, 0.29%

LAB 47.25, -28.33, 46.02

 

CMYK 8 / 0 / 80 / 52

HEX #717B18

RGB 113 123 24

HSL 66.06, 0.67%, 0.29%

LAB 49.18, -16.54, 48.5

 

CMYK 0 / 12 / 80 / 52

HEX #7B6C18

RGB 123 108 24

HSL 50.91, 0.67%, 0.29%

LAB 45.64, -3.54, 45.61

 

CMYK 0 / 34 / 80 / 52

HEX #7B5118

RGB 123 81 24

HSL 34.55, 0.67%, 0.29%

LAB 38.13, 12.36, 38.6

 

CMYK 0 / 56 / 80 / 52

HEX #7B3618

RGB 123 54 24

HSL 18.18, 0.67%, 0.29%

LAB 31.61, 28.05, 32.2

 

CMYK 30 / 0 / 80 / 52

HEX #567B18

RGB 86 123 24

HSL 82.42, 0.67%, 0.29%

LAB 47.25, -28.33, 46.02

 

CMYK 52 / 0 / 80 / 52

HEX #3B7B18

RGB 59 123 24

HSL 98.79, 0.67%, 0.29%

LAB 45.85, -38.29, 44.2

 

CMYK 74 / 0 / 80 / 52

HEX #207B18

RGB 32 123 24

HSL 115.15, 0.67%, 0.29%

LAB 45, -45.23, 43.08

 

CMYK 80 / 0 / 65 / 52

HEX #187B2B

RGB 24 123 43

HSL 131.52, 0.67%, 0.29%

LAB 44.99, -44.72, 35.12

 

CMYK 80 / 0 / 43 / 52

HEX #187B46

RGB 24 123 70

HSL 147.88, 0.67%, 0.29%

LAB 45.36, -40.33, 21.34

 

CMYK 30 / 0 / 80 / 52

HEX #567B18

RGB 86 123 24

HSL 82.42, 0.67%, 0.29%

LAB 47.25, -28.33, 46.02

 

CMYK 34 / 0 / 91 / 47

HEX #59870C

RGB 89 135 12

HSL 82.44, 0.84%, 0.29%

LAB 51.24, -33.22, 52.77

 

CMYK 37 / 0 / 100 / 42

HEX #5C9300

RGB 92 147 0

HSL 82.45, 1%, 0.29%

LAB 55.22, -37.7, 58.1

 

CMYK 30 / 0 / 80 / 52

HEX #567B18

RGB 86 123 24

HSL 82.42, 0.67%, 0.29%

LAB 47.25, -28.33, 46.02

 

CMYK 26 / 0 / 68 / 56

HEX #537024

RGB 83 112 36

HSL 82.89, 0.51%, 0.29%

LAB 43.59, -23.35, 37.52

 

CMYK 20 / 0 / 52 / 61

HEX #506430

RGB 80 100 48

HSL 83.08, 0.35%, 0.29%

LAB 39.64, -17.11, 26.86

 

CMYK 13 / 0 / 32 / 65

HEX #4D583C

RGB 77 88 60

HSL 83.57, 0.19%, 0.29%

LAB 35.76, -9.93, 14.86

 

CMYK 3 / 0 / 5 / 70

HEX #4A4C48

RGB 74 76 72

HSL 90, 0.03%, 0.29%

LAB 32.02, -1.68, 2.09

 

CMYK 0 / 13 / 80 / 52

HEX #7B6B18

RGB 123 107 24

HSL 50.3, 0.67%, 0.29%

LAB 45.35, -2.97, 45.35

 

CMYK 7 / 0 / 80 / 52

HEX #727B18

RGB 114 123 24

HSL 65.45, 0.67%, 0.29%

LAB 49.26, -16.08, 48.61

 

CMYK 29 / 0 / 80 / 52

HEX #577B18

RGB 87 123 24

HSL 81.82, 0.67%, 0.29%

LAB 47.31, -27.92, 46.1

 

CMYK 50 / 0 / 80 / 52

HEX #3D7B18

RGB 61 123 24

HSL 97.58, 0.67%, 0.29%

LAB 45.94, -37.64, 44.31

 

CMYK 72 / 0 / 80 / 52

HEX #227B18

RGB 34 123 24

HSL 113.94, 0.67%, 0.29%

LAB 45.04, -44.84, 43.14

 

CMYK 31 / 0 / 80 / 78

HEX #26370B

RGB 38 55 11

HSL 83.18, 0.67%, 0.13%

LAB 20.71, -15.17, 24.1

 

CMYK 30 / 0 / 80 / 65

HEX #3E5912

RGB 62 89 18

HSL 82.82, 0.66%, 0.21%

LAB 34.42, -21.99, 35.44

 

CMYK 30 / 0 / 80 / 52

HEX #567B18

RGB 86 123 24

HSL 82.42, 0.67%, 0.29%

LAB 47.25, -28.33, 46.02

 

CMYK 30 / 0 / 80 / 38

HEX #6E9E1F

RGB 110 158 31

HSL 82.68, 0.67%, 0.37%

LAB 59.77, -34.73, 55.91

 

CMYK 30 / 0 / 80 / 25

HEX #86C026

RGB 134 192 38

HSL 82.6, 0.67%, 0.45%

LAB 71.49, -40.39, 65.09

 

CMYK 30 / 0 / 80 / 51

HEX #577D19

RGB 87 125 25

HSL 82.8, 0.67%, 0.29%

LAB 47.96, -28.83, 46.37

 

CMYK 80 / 0 / 34 / 52

HEX #187B51

RGB 24 123 81

HSL 154.55, 0.67%, 0.29%

LAB 45.57, -37.96, 15.33

 

CMYK 2 / 80 / 0 / 52

HEX #78187B

RGB 120 24 123

HSL 298.18, 0.67%, 0.29%

LAB 29.6, 51.78, -33.71

 

CMYK 30 / 0 / 80 / 51

HEX #577D19

RGB 87 125 25

HSL 82.8, 0.67%, 0.29%

LAB 47.96, -28.83, 46.37

 

CMYK 80 / 29 / 0 / 52

HEX #18577B

RGB 24 87 123

HSL 201.82, 0.67%, 0.29%

LAB 34.88, -6.21, -25.92

 

CMYK 0 / 80 / 29 / 52

HEX #7B1857

RGB 123 24 87

HSL 321.82, 0.67%, 0.29%

LAB 28.25, 46.98, -12.56

 

CMYK 30 / 0 / 80 / 51

HEX #577D19

RGB 87 125 25

HSL 82.8, 0.67%, 0.29%

LAB 47.96, -28.83, 46.37

 

CMYK 80 / 0 / 34 / 52

HEX #187B51

RGB 24 123 81

HSL 154.55, 0.67%, 0.29%

LAB 45.57, -37.96, 15.33

 

CMYK 50 / 80 / 0 / 52

HEX #3D187B

RGB 61 24 123

HSL 262.42, 0.67%, 0.29%

LAB 20.34, 40.49, -49.15

 

CMYK 0 / 80 / 46 / 52

HEX #7B1843

RGB 123 24 67

HSL 333.94, 0.67%, 0.29%

LAB 27.49, 44.65, -0.38

 

CMYK 30 / 0 / 80 / 51

HEX #577D19

RGB 87 125 25

HSL 82.8, 0.67%, 0.29%

LAB 47.96, -28.83, 46.37

 

CMYK 80 / 0 / 11 / 52

HEX #187B6E

RGB 24 123 110

HSL 172.12, 0.67%, 0.29%

LAB 46.29, -30.32, -0.71

 

CMYK 50 / 80 / 0 / 52

HEX #3D187B

RGB 61 24 123

HSL 262.42, 0.67%, 0.29%

LAB 20.34, 40.49, -49.15

 

CMYK 0 / 80 / 69 / 52

HEX #7B1826

RGB 123 24 38

HSL 351.52, 0.67%, 0.29%

LAB 26.75, 42.33, 18.15

 

Description

Color code: HEX #577D19 | qconv.com Color code: HEX #577D19 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 125 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 125 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 80 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 80% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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