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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #577CD4 it is the complementary color #A8832B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #577CD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #577CD4 shade: #5C7CCF, #6D8EE2, #7EA0F5, #8FB2FF and #A0C4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #577CD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #577CD4 shade: #577CD4, #466AC1, #3558AE, #24469B and #133488

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #577CD4 shade: #597DD4, #595CD4, #7759D4, #9859D4 and #B959D4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #577CD4 shade: #597DD4, #595CD4 and #5959D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #577CD4 shade matches the following richer shades: #597DD4, #4876E5 and #376FF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #577CD4 shade: #597DD4, #6A84C3, #7B8BB2, #8C92A1 and #9C9990

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #577CD4 shade: #59C0D4, #599FD4, #597ED4, #595DD4 and #7659D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #577CD4 shade: #2D53AE, #3864CC, #597DD4, #7A97DD and #9AB0E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #577CD4 shade: #577CD4, #C859D4 and #AFD459

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #577CD4 shade: #577CD4, #D4597E and #7ED459

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #577CD4 shade: #577CD4, #C859D4, #D4AF59 and #65D459

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #577CD4 shade: #577CD4, #D459BB, #D4AF59 and #59D471

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 42 / 0 / 17

HEX #577CD4

RGB 87 124 212

HSL 222.24, 0.59%, 0.59%

LAB 53.16, 13.56, -49.3

 

Complementary color

CMYK 0 / 22 / 74 / 34

HEX #A8832B

RGB 168 131 43

HSL 42.24, 0.59%, 0.41%

LAB 56.81, 5.23, 50.47

 

CMYK 56 / 40 / 0 / 19

HEX #5C7CCF

RGB 92 124 207

HSL 223.3, 0.55%, 0.59%

LAB 53.16, 12.94, -46.45

 

CMYK 52 / 37 / 0 / 11

HEX #6D8EE2

RGB 109 142 226

HSL 223.08, 0.67%, 0.66%

LAB 59.97, 11.87, -46.28

 

CMYK 49 / 35 / 0 / 4

HEX #7EA0F5

RGB 126 160 245

HSL 222.86, 0.86%, 0.73%

LAB 66.65, 10.98, -46.15

 

CMYK 44 / 30 / 0 / 0

HEX #8FB2FF

RGB 143 178 255

HSL 221.25, 1%, 0.78%

LAB 72.83, 7.68, -41.83

 

CMYK 37 / 23 / 0 / 0

HEX #A0C4FF

RGB 160 196 255

HSL 217.26, 1%, 0.81%

LAB 78.56, 2.09, -32.85

 

CMYK 59 / 42 / 0 / 17

HEX #577CD4

RGB 87 124 212

HSL 222.24, 0.59%, 0.59%

LAB 53.16, 13.56, -49.3

 

CMYK 64 / 45 / 0 / 24

HEX #466AC1

RGB 70 106 193

HSL 222.44, 0.5%, 0.52%

LAB 46.26, 15.03, -49.51

 

CMYK 70 / 49 / 0 / 32

HEX #3558AE

RGB 53 88 174

HSL 222.64, 0.53%, 0.45%

LAB 39.23, 16.88, -49.74

 

CMYK 77 / 55 / 0 / 39

HEX #24469B

RGB 36 70 155

HSL 222.86, 0.62%, 0.37%

LAB 32.08, 19.23, -49.96

 

CMYK 86 / 62 / 0 / 47

HEX #133488

RGB 19 52 136

HSL 223.08, 0.75%, 0.3%

LAB 24.86, 22.28, -50.06

 

CMYK 58 / 41 / 0 / 17

HEX #597DD4

RGB 89 125 212

HSL 222.44, 0.59%, 0.59%

LAB 53.54, 13.35, -48.69

 

CMYK 58 / 57 / 0 / 17

HEX #595CD4

RGB 89 92 212

HSL 238.54, 0.59%, 0.59%

LAB 44.99, 33.68, -62.43

 

CMYK 44 / 58 / 0 / 17

HEX #7759D4

RGB 119 89 212

HSL 254.63, 0.59%, 0.59%

LAB 46.74, 41.44, -59.48

 

CMYK 28 / 58 / 0 / 17

HEX #9859D4

RGB 152 89 212

HSL 270.73, 0.59%, 0.59%

LAB 50.18, 49.01, -53.75

 

CMYK 13 / 58 / 0 / 17

HEX #B959D4

RGB 185 89 212

HSL 286.83, 0.59%, 0.59%

LAB 54.25, 57.15, -47.02

 

CMYK 58 / 41 / 0 / 17

HEX #597DD4

RGB 89 125 212

HSL 222.44, 0.59%, 0.59%

LAB 53.54, 13.35, -48.69

 

CMYK 58 / 57 / 0 / 17

HEX #595CD4

RGB 89 92 212

HSL 238.54, 0.59%, 0.59%

LAB 44.99, 33.68, -62.43

 

CMYK 58 / 58 / 0 / 17

HEX #5959D4

RGB 89 89 212

HSL 240, 0.59%, 0.59%

LAB 44.26, 35.52, -63.6

 

CMYK 58 / 41 / 0 / 17

HEX #597DD4

RGB 89 125 212

HSL 222.44, 0.59%, 0.59%

LAB 53.54, 13.35, -48.69

 

CMYK 69 / 48 / 0 / 10

HEX #4876E5

RGB 72 118 229

HSL 222.42, 0.75%, 0.59%

LAB 51.83, 20.54, -61.06

 

CMYK 78 / 55 / 0 / 4

HEX #376FF6

RGB 55 111 246

HSL 222.41, 0.91%, 0.59%

LAB 50.49, 28.96, -72.75

 

CMYK 58 / 41 / 0 / 17

HEX #597DD4

RGB 89 125 212

HSL 222.44, 0.59%, 0.59%

LAB 53.54, 13.35, -48.69

 

CMYK 46 / 32 / 0 / 24

HEX #6A84C3

RGB 106 132 195

HSL 222.47, 0.43%, 0.59%

LAB 55.59, 7.65, -35.75

 

CMYK 31 / 22 / 0 / 30

HEX #7B8BB2

RGB 123 139 178

HSL 222.55, 0.26%, 0.59%

LAB 57.93, 3.54, -22.36

 

CMYK 13 / 9 / 0 / 37

HEX #8C92A1

RGB 140 146 161

HSL 222.86, 0.1%, 0.59%

LAB 60.52, 0.97, -8.64

 

CMYK 0 / 2 / 8 / 39

HEX #9C9990

RGB 156 153 144

HSL 45, 0.06%, 0.59%

LAB 63.23, -0.57, 5.11

 

CMYK 58 / 9 / 0 / 17

HEX #59C0D4

RGB 89 192 212

HSL 189.76, 0.59%, 0.59%

LAB 72.61, -24.07, -19.05

 

CMYK 58 / 25 / 0 / 17

HEX #599FD4

RGB 89 159 212

HSL 205.85, 0.59%, 0.59%

LAB 63.07, -6.55, -33.7

 

CMYK 58 / 41 / 0 / 17

HEX #597ED4

RGB 89 126 212

HSL 221.95, 0.59%, 0.59%

LAB 53.81, 12.74, -48.26

 

CMYK 58 / 56 / 0 / 17

HEX #595DD4

RGB 89 93 212

HSL 238.05, 0.59%, 0.59%

LAB 45.23, 33.07, -62.03

 

CMYK 44 / 58 / 0 / 17

HEX #7659D4

RGB 118 89 212

HSL 254.15, 0.59%, 0.59%

LAB 46.64, 41.23, -59.63

 

CMYK 74 / 52 / 0 / 32

HEX #2D53AE

RGB 45 83 174

HSL 222.33, 0.59%, 0.43%

LAB 37.48, 19.02, -52.58

 

CMYK 73 / 51 / 0 / 20

HEX #3864CC

RGB 56 100 204

HSL 222.16, 0.59%, 0.51%

LAB 44.68, 20.64, -58.42

 

CMYK 58 / 41 / 0 / 17

HEX #597DD4

RGB 89 125 212

HSL 222.44, 0.59%, 0.59%

LAB 53.54, 13.35, -48.69

 

CMYK 45 / 32 / 0 / 13

HEX #7A97DD

RGB 122 151 221

HSL 222.42, 0.59%, 0.67%

LAB 62.92, 8.18, -38.81

 

CMYK 33 / 23 / 0 / 10

HEX #9AB0E5

RGB 154 176 229

HSL 222.4, 0.59%, 0.75%

LAB 71.95, 4.75, -29.05

 

CMYK 59 / 42 / 0 / 17

HEX #577CD4

RGB 87 124 212

HSL 222.24, 0.59%, 0.59%

LAB 53.16, 13.56, -49.3

 

CMYK 6 / 58 / 0 / 17

HEX #C859D4

RGB 200 89 212

HSL 294.15, 0.59%, 0.59%

LAB 56.27, 60.93, -43.71

 

CMYK 17 / 0 / 58 / 17

HEX #AFD459

RGB 175 212 89

HSL 78.05, 0.59%, 0.59%

LAB 80.14, -30.46, 55.64

 

CMYK 59 / 42 / 0 / 17

HEX #577CD4

RGB 87 124 212

HSL 222.24, 0.59%, 0.59%

LAB 53.16, 13.56, -49.3

 

CMYK 0 / 58 / 41 / 17

HEX #D4597E

RGB 212 89 126

HSL 341.95, 0.59%, 0.59%

LAB 54.71, 51.86, 4.03

 

CMYK 41 / 0 / 58 / 17

HEX #7ED459

RGB 126 212 89

HSL 101.95, 0.59%, 0.59%

LAB 77.43, -47.94, 51.83

 

CMYK 59 / 42 / 0 / 17

HEX #577CD4

RGB 87 124 212

HSL 222.24, 0.59%, 0.59%

LAB 53.16, 13.56, -49.3

 

CMYK 6 / 58 / 0 / 17

HEX #C859D4

RGB 200 89 212

HSL 294.15, 0.59%, 0.59%

LAB 56.27, 60.93, -43.71

 

CMYK 0 / 17 / 58 / 17

HEX #D4AF59

RGB 212 175 89

HSL 41.95, 0.59%, 0.59%

LAB 73.14, 3.4, 48.42

 

CMYK 52 / 0 / 58 / 17

HEX #65D459

RGB 101 212 89

HSL 114.15, 0.59%, 0.59%

LAB 76.42, -55.26, 50.41

 

CMYK 59 / 42 / 0 / 17

HEX #577CD4

RGB 87 124 212

HSL 222.24, 0.59%, 0.59%

LAB 53.16, 13.56, -49.3

 

CMYK 0 / 58 / 12 / 17

HEX #D459BB

RGB 212 89 187

HSL 312.2, 0.59%, 0.59%

LAB 56.81, 59.89, -28.45

 

CMYK 0 / 17 / 58 / 17

HEX #D4AF59

RGB 212 175 89

HSL 41.95, 0.59%, 0.59%

LAB 73.14, 3.4, 48.42

 

CMYK 58 / 0 / 47 / 17

HEX #59D471

RGB 89 212 113

HSL 131.71, 0.59%, 0.59%

LAB 76.32, -55.06, 38.8

 

Description

Color code: HEX #577CD4 | qconv.com Color code: HEX #577CD4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 124 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 124 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 42 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 42% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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