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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #577AC8 it is the complementary color #A88537. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #577AC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #577AC8 shade: #5C7AC3, #6D8CD6, #7E9EE9, #8FB0FC and #A0C2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #577AC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #577AC8 shade: #577AC8, #4668B5, #3556A2, #24448F and #13327C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #577AC8 shade: #5679C8, #565AC8, #7056C8, #8F56C8 and #AE56C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #577AC8 shade: #5679C8, #565AC8 and #5656C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #577AC8 shade matches the following richer shades: #5679C8, #4372DA, #316BEC and #1F64FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #577AC8 shade: #5679C8, #6880B6, #7A87A4, #8C8E92 and #9E957F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #577AC8 shade: #56B7C8, #5698C8, #567AC8, #565BC8 and #6E56C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #577AC8 shade: #325299, #3C62B8, #5679C8, #7592D2 and #94AADC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #577AC8 shade: #577AC8, #BB56C8 and #A8C856

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #577AC8 shade: #577AC8, #C8567A and #7AC856

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #577AC8 shade: #577AC8, #BB56C8, #C8A456 and #63C856

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #577AC8 shade: #577AC8, #C856B3, #C8A456 and #56C86B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 39 / 0 / 22

HEX #577AC8

RGB 87 122 200

HSL 221.42, 0.51%, 0.56%

LAB 51.97, 10.81, -44.38

 

Complementary color

CMYK 0 / 21 / 67 / 34

HEX #A88537

RGB 168 133 55

HSL 41.42, 0.51%, 0.44%

LAB 57.44, 4.77, 45.81

 

CMYK 53 / 37 / 0 / 24

HEX #5C7AC3

RGB 92 122 195

HSL 222.52, 0.46%, 0.56%

LAB 51.99, 10.28, -41.48

 

CMYK 49 / 35 / 0 / 16

HEX #6D8CD6

RGB 109 140 214

HSL 222.29, 0.56%, 0.63%

LAB 58.85, 9.37, -41.35

 

CMYK 46 / 32 / 0 / 9

HEX #7E9EE9

RGB 126 158 233

HSL 222.06, 0.71%, 0.7%

LAB 65.57, 8.61, -41.27

 

CMYK 43 / 30 / 0 / 1

HEX #8FB0FC

RGB 143 176 252

HSL 221.83, 0.95%, 0.77%

LAB 72.17, 7.97, -41.23

 

CMYK 37 / 24 / 0 / 0

HEX #A0C2FF

RGB 160 194 255

HSL 218.53, 1%, 0.81%

LAB 78.04, 3.18, -33.66

 

CMYK 57 / 39 / 0 / 22

HEX #577AC8

RGB 87 122 200

HSL 221.42, 0.51%, 0.56%

LAB 51.97, 10.81, -44.38

 

CMYK 61 / 43 / 0 / 29

HEX #4668B5

RGB 70 104 181

HSL 221.62, 0.44%, 0.49%

LAB 45, 12.1, -44.57

 

CMYK 67 / 47 / 0 / 36

HEX #3556A2

RGB 53 86 162

HSL 221.83, 0.51%, 0.42%

LAB 37.88, 13.74, -44.78

 

CMYK 75 / 52 / 0 / 44

HEX #24448F

RGB 36 68 143

HSL 222.06, 0.6%, 0.35%

LAB 30.62, 15.88, -45

 

CMYK 85 / 60 / 0 / 51

HEX #13327C

RGB 19 50 124

HSL 222.29, 0.73%, 0.28%

LAB 23.25, 18.74, -45.15

 

CMYK 57 / 40 / 0 / 22

HEX #5679C8

RGB 86 121 200

HSL 221.58, 0.51%, 0.56%

LAB 51.64, 11.21, -44.91

 

CMYK 57 / 55 / 0 / 22

HEX #565AC8

RGB 86 90 200

HSL 237.89, 0.51%, 0.56%

LAB 43.45, 30.45, -58.02

 

CMYK 44 / 57 / 0 / 22

HEX #7056C8

RGB 112 86 200

HSL 253.68, 0.51%, 0.56%

LAB 44.62, 38.25, -56.03

 

CMYK 29 / 57 / 0 / 22

HEX #8F56C8

RGB 143 86 200

HSL 270, 0.51%, 0.56%

LAB 47.84, 45.55, -50.69

 

CMYK 13 / 57 / 0 / 22

HEX #AE56C8

RGB 174 86 200

HSL 286.32, 0.51%, 0.56%

LAB 51.64, 53.4, -44.41

 

CMYK 57 / 40 / 0 / 22

HEX #5679C8

RGB 86 121 200

HSL 221.58, 0.51%, 0.56%

LAB 51.64, 11.21, -44.91

 

CMYK 57 / 55 / 0 / 22

HEX #565AC8

RGB 86 90 200

HSL 237.89, 0.51%, 0.56%

LAB 43.45, 30.45, -58.02

 

CMYK 57 / 57 / 0 / 22

HEX #5656C8

RGB 86 86 200

HSL 240, 0.51%, 0.56%

LAB 42.47, 32.93, -59.62

 

CMYK 57 / 40 / 0 / 22

HEX #5679C8

RGB 86 121 200

HSL 221.58, 0.51%, 0.56%

LAB 51.64, 11.21, -44.91

 

CMYK 69 / 48 / 0 / 15

HEX #4372DA

RGB 67 114 218

HSL 221.32, 0.67%, 0.56%

LAB 49.85, 18.39, -58.06

 

CMYK 79 / 55 / 0 / 7

HEX #316BEC

RGB 49 107 236

HSL 221.39, 0.83%, 0.56%

LAB 48.54, 27.23, -70.34

 

CMYK 88 / 61 / 0 / 0

HEX #1F64FE

RGB 31 100 254

HSL 221.43, 0.99%, 0.56%

LAB 47.7, 37.05, -81.78

 

CMYK 57 / 40 / 0 / 22

HEX #5679C8

RGB 86 121 200

HSL 221.58, 0.51%, 0.56%

LAB 51.64, 11.21, -44.91

 

CMYK 43 / 30 / 0 / 29

HEX #6880B6

RGB 104 128 182

HSL 221.54, 0.35%, 0.56%

LAB 53.77, 5.66, -31.18

 

CMYK 26 / 18 / 0 / 36

HEX #7A87A4

RGB 122 135 164

HSL 221.43, 0.19%, 0.56%

LAB 56.23, 1.98, -16.95

 

CMYK 4 / 3 / 0 / 43

HEX #8C8E92

RGB 140 142 146

HSL 220, 0.03%, 0.56%

LAB 58.97, 0.07, -2.38

 

CMYK 0 / 6 / 20 / 38

HEX #9E957F

RGB 158 149 127

HSL 42.58, 0.14%, 0.56%

LAB 61.91, -0.46, 12.82

 

CMYK 57 / 9 / 0 / 22

HEX #56B7C8

RGB 86 183 200

HSL 188.95, 0.51%, 0.56%

LAB 69.48, -23.55, -17.24

 

CMYK 57 / 24 / 0 / 22

HEX #5698C8

RGB 86 152 200

HSL 205.26, 0.51%, 0.56%

LAB 60.43, -7, -31.11

 

CMYK 57 / 39 / 0 / 22

HEX #567AC8

RGB 86 122 200

HSL 221.05, 0.51%, 0.56%

LAB 51.91, 10.6, -44.47

 

CMYK 57 / 55 / 0 / 22

HEX #565BC8

RGB 86 91 200

HSL 237.37, 0.51%, 0.56%

LAB 43.7, 29.83, -57.62

 

CMYK 45 / 57 / 0 / 22

HEX #6E56C8

RGB 110 86 200

HSL 252.63, 0.51%, 0.56%

LAB 44.43, 37.81, -56.34

 

CMYK 67 / 46 / 0 / 40

HEX #325299

RGB 50 82 153

HSL 221.36, 0.51%, 0.4%

LAB 36.01, 12.51, -42.39

 

CMYK 67 / 47 / 0 / 28

HEX #3C62B8

RGB 60 98 184

HSL 221.61, 0.51%, 0.48%

LAB 43, 15.19, -49.54

 

CMYK 57 / 40 / 0 / 22

HEX #5679C8

RGB 86 121 200

HSL 221.58, 0.51%, 0.56%

LAB 51.64, 11.21, -44.91

 

CMYK 44 / 30 / 0 / 18

HEX #7592D2

RGB 117 146 210

HSL 221.29, 0.51%, 0.64%

LAB 60.78, 6.64, -36.05

 

CMYK 33 / 23 / 0 / 14

HEX #94AADC

RGB 148 170 220

HSL 221.67, 0.51%, 0.72%

LAB 69.62, 4.09, -27.73

 

CMYK 57 / 39 / 0 / 22

HEX #577AC8

RGB 87 122 200

HSL 221.42, 0.51%, 0.56%

LAB 51.97, 10.81, -44.38

 

CMYK 7 / 57 / 0 / 22

HEX #BB56C8

RGB 187 86 200

HSL 293.16, 0.51%, 0.56%

LAB 53.37, 56.77, -41.55

 

CMYK 16 / 0 / 57 / 22

HEX #A8C856

RGB 168 200 86

HSL 76.84, 0.51%, 0.56%

LAB 76.26, -27.76, 52.47

 

CMYK 57 / 39 / 0 / 22

HEX #577AC8

RGB 87 122 200

HSL 221.42, 0.51%, 0.56%

LAB 51.97, 10.81, -44.38

 

CMYK 0 / 57 / 39 / 22

HEX #C8567A

RGB 200 86 122

HSL 341.05, 0.51%, 0.56%

LAB 52.22, 48.86, 2.58

 

CMYK 39 / 0 / 57 / 22

HEX #7AC856

RGB 122 200 86

HSL 101.05, 0.51%, 0.56%

LAB 73.62, -44.51, 48.75

 

CMYK 57 / 39 / 0 / 22

HEX #577AC8

RGB 87 122 200

HSL 221.42, 0.51%, 0.56%

LAB 51.97, 10.81, -44.38

 

CMYK 7 / 57 / 0 / 22

HEX #BB56C8

RGB 187 86 200

HSL 293.16, 0.51%, 0.56%

LAB 53.37, 56.77, -41.55

 

CMYK 0 / 18 / 57 / 22

HEX #C8A456

RGB 200 164 86

HSL 41.05, 0.51%, 0.56%

LAB 69.11, 3.96, 44.88

 

CMYK 51 / 0 / 57 / 22

HEX #63C856

RGB 99 200 86

HSL 113.16, 0.51%, 0.56%

LAB 72.65, -51.49, 47.37

 

CMYK 57 / 39 / 0 / 22

HEX #577AC8

RGB 87 122 200

HSL 221.42, 0.51%, 0.56%

LAB 51.97, 10.81, -44.38

 

CMYK 0 / 57 / 11 / 22

HEX #C856B3

RGB 200 86 179

HSL 311.05, 0.51%, 0.56%

LAB 54.23, 56.64, -27.97

 

CMYK 0 / 18 / 57 / 22

HEX #C8A456

RGB 200 164 86

HSL 41.05, 0.51%, 0.56%

LAB 69.11, 3.96, 44.88

 

CMYK 57 / 0 / 47 / 22

HEX #56C86B

RGB 86 200 107

HSL 131.05, 0.51%, 0.56%

LAB 72.46, -52.02, 36.89

 

Description

Color code: HEX #577AC8 | qconv.com Color code: HEX #577AC8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 122 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 122 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 39 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 39% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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