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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #577AB4 it is the complementary color #A8854B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #577AB4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #577AB4 shade: #5C7AAF, #6D8CC2, #7E9ED5, #8FB0E8 and #A0C2FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #577AB4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #577AB4 shade: #577AB4, #4668A1, #35568E, #24447B and #133268

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #577AB4 shade: #5679B3, #5660B3, #6556B3, #7E56B3 and #9756B3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #577AB4 shade: #5679B3, #5660B3 and #5656B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #577AB4 shade matches the following richer shades: #5679B3, #4274C7, #2E6FDB and #1B6AEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #577AB4 shade: #5679B3, #6A7E9F, #7E838C, #928878 and #A58D64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #577AB4 shade: #56ABB3, #5693B3, #567AB3, #5661B3 and #6456B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #577AB4 shade: #39537E, #45659B, #5679B3, #7390C0 and #8FA6CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #577AB4 shade: #577AB4, #A256B3 and #9FB356

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #577AB4 shade: #577AB4, #B3567A and #7AB356

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #577AB4 shade: #577AB4, #A256B3, #B38F56 and #67B356

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #577AB4 shade: #577AB4, #B356A8, #B38F56 and #56B361

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 32 / 0 / 29

HEX #577AB4

RGB 87 122 180

HSL 217.42, 0.38%, 0.52%

LAB 50.97, 4.36, -34.49

 

Complementary color

CMYK 0 / 21 / 55 / 34

HEX #A8854B

RGB 168 133 75

HSL 37.42, 0.38%, 0.48%

LAB 57.66, 6.25, 36.06

 

CMYK 47 / 30 / 0 / 31

HEX #5C7AAF

RGB 92 122 175

HSL 218.31, 0.34%, 0.52%

LAB 51.02, 4.02, -31.49

 

CMYK 44 / 28 / 0 / 24

HEX #6D8CC2

RGB 109 140 194

HSL 218.12, 0.41%, 0.59%

LAB 57.94, 3.43, -31.5

 

CMYK 41 / 26 / 0 / 16

HEX #7E9ED5

RGB 126 158 213

HSL 217.93, 0.51%, 0.66%

LAB 64.72, 2.93, -31.55

 

CMYK 38 / 24 / 0 / 9

HEX #8FB0E8

RGB 143 176 232

HSL 217.75, 0.66%, 0.74%

LAB 71.36, 2.51, -31.64

 

CMYK 36 / 23 / 0 / 2

HEX #A0C2FB

RGB 160 194 251

HSL 217.58, 0.92%, 0.81%

LAB 77.89, 2.14, -31.75

 

CMYK 52 / 32 / 0 / 29

HEX #577AB4

RGB 87 122 180

HSL 217.42, 0.38%, 0.52%

LAB 50.97, 4.36, -34.49

 

CMYK 57 / 35 / 0 / 37

HEX #4668A1

RGB 70 104 161

HSL 217.58, 0.39%, 0.45%

LAB 43.91, 5.25, -34.55

 

CMYK 63 / 39 / 0 / 44

HEX #35568E

RGB 53 86 142

HSL 217.75, 0.46%, 0.38%

LAB 36.68, 6.42, -34.65

 

CMYK 71 / 45 / 0 / 52

HEX #24447B

RGB 36 68 123

HSL 217.93, 0.55%, 0.31%

LAB 29.26, 8.01, -34.8

 

CMYK 82 / 52 / 0 / 59

HEX #133268

RGB 19 50 104

HSL 218.12, 0.69%, 0.24%

LAB 21.65, 10.29, -34.94

 

CMYK 52 / 32 / 0 / 30

HEX #5679B3

RGB 86 121 179

HSL 217.42, 0.38%, 0.52%

LAB 50.58, 4.41, -34.52

 

CMYK 52 / 46 / 0 / 30

HEX #5660B3

RGB 86 96 179

HSL 233.55, 0.38%, 0.52%

LAB 43.65, 19.86, -45.49

 

CMYK 44 / 52 / 0 / 30

HEX #6556B3

RGB 101 86 179

HSL 249.68, 0.38%, 0.52%

LAB 42.27, 29.6, -47.63

 

CMYK 30 / 52 / 0 / 30

HEX #7E56B3

RGB 126 86 179

HSL 265.81, 0.38%, 0.52%

LAB 44.72, 35.99, -43.57

 

CMYK 16 / 52 / 0 / 30

HEX #9756B3

RGB 151 86 179

HSL 281.94, 0.38%, 0.52%

LAB 47.61, 42.84, -38.81

 

CMYK 52 / 32 / 0 / 30

HEX #5679B3

RGB 86 121 179

HSL 217.42, 0.38%, 0.52%

LAB 50.58, 4.41, -34.52

 

CMYK 52 / 46 / 0 / 30

HEX #5660B3

RGB 86 96 179

HSL 233.55, 0.38%, 0.52%

LAB 43.65, 19.86, -45.49

 

CMYK 52 / 52 / 0 / 30

HEX #5656B3

RGB 86 86 179

HSL 240, 0.38%, 0.52%

LAB 41.04, 26.15, -49.67

 

CMYK 52 / 32 / 0 / 30

HEX #5679B3

RGB 86 121 179

HSL 217.42, 0.38%, 0.52%

LAB 50.58, 4.41, -34.52

 

CMYK 67 / 42 / 0 / 22

HEX #4274C7

RGB 66 116 199

HSL 217.44, 0.54%, 0.52%

LAB 49.22, 10.21, -48.24

 

CMYK 79 / 49 / 0 / 14

HEX #2E6FDB

RGB 46 111 219

HSL 217.46, 0.71%, 0.52%

LAB 48.34, 18.05, -61.09

 

CMYK 89 / 56 / 0 / 6

HEX #1B6AEF

RGB 27 106 239

HSL 217.64, 0.87%, 0.52%

LAB 47.97, 27.42, -72.97

 

CMYK 52 / 32 / 0 / 30

HEX #5679B3

RGB 86 121 179

HSL 217.42, 0.38%, 0.52%

LAB 50.58, 4.41, -34.52

 

CMYK 33 / 21 / 0 / 38

HEX #6A7E9F

RGB 106 126 159

HSL 217.36, 0.22%, 0.52%

LAB 52.39, 0.95, -20.03

 

CMYK 10 / 6 / 0 / 45

HEX #7E838C

RGB 126 131 140

HSL 218.57, 0.06%, 0.52%

LAB 54.62, 0.05, -5.48

 

CMYK 0 / 7 / 18 / 43

HEX #928878

RGB 146 136 120

HSL 36.92, 0.11%, 0.52%

LAB 57.15, 0.95, 9.94

 

CMYK 0 / 15 / 39 / 35

HEX #A58D64

RGB 165 141 100

HSL 37.85, 0.27%, 0.52%

LAB 59.86, 3.08, 25.22

 

CMYK 52 / 4 / 0 / 30

HEX #56ABB3

RGB 86 171 179

HSL 185.16, 0.38%, 0.52%

LAB 65.25, -23.4, -12.01

 

CMYK 52 / 18 / 0 / 30

HEX #5693B3

RGB 86 147 179

HSL 200.65, 0.38%, 0.52%

LAB 58.13, -10.65, -22.8

 

CMYK 52 / 32 / 0 / 30

HEX #567AB3

RGB 86 122 179

HSL 216.77, 0.38%, 0.52%

LAB 50.86, 3.8, -34.07

 

CMYK 52 / 46 / 0 / 30

HEX #5661B3

RGB 86 97 179

HSL 232.9, 0.38%, 0.52%

LAB 43.92, 19.23, -45.06

 

CMYK 44 / 52 / 0 / 30

HEX #6456B3

RGB 100 86 179

HSL 249.03, 0.38%, 0.52%

LAB 42.18, 29.36, -47.77

 

CMYK 55 / 34 / 0 / 51

HEX #39537E

RGB 57 83 126

HSL 217.39, 0.38%, 0.36%

LAB 35.13, 3.62, -27.29

 

CMYK 55 / 35 / 0 / 39

HEX #45659B

RGB 69 101 155

HSL 217.67, 0.38%, 0.44%

LAB 42.67, 4.88, -32.94

 

CMYK 52 / 32 / 0 / 30

HEX #5679B3

RGB 86 121 179

HSL 217.42, 0.38%, 0.52%

LAB 50.58, 4.41, -34.52

 

CMYK 40 / 25 / 0 / 25

HEX #7390C0

RGB 115 144 192

HSL 217.4, 0.38%, 0.6%

LAB 59.34, 2.14, -28.18

 

CMYK 30 / 19 / 0 / 20

HEX #8FA6CD

RGB 143 166 205

HSL 217.74, 0.38%, 0.68%

LAB 67.67, 1.08, -22.5

 

CMYK 52 / 32 / 0 / 29

HEX #577AB4

RGB 87 122 180

HSL 217.42, 0.38%, 0.52%

LAB 50.97, 4.36, -34.49

 

CMYK 9 / 52 / 0 / 30

HEX #A256B3

RGB 162 86 179

HSL 289.03, 0.38%, 0.52%

LAB 49, 45.93, -36.53

 

CMYK 11 / 0 / 52 / 30

HEX #9FB356

RGB 159 179 86

HSL 72.9, 0.38%, 0.52%

LAB 69.67, -21.08, 44.67

 

CMYK 52 / 32 / 0 / 29

HEX #577AB4

RGB 87 122 180

HSL 217.42, 0.38%, 0.52%

LAB 50.97, 4.36, -34.49

 

CMYK 0 / 52 / 32 / 30

HEX #B3567A

RGB 179 86 122

HSL 336.77, 0.38%, 0.52%

LAB 49.06, 41.75, -2.41

 

CMYK 32 / 0 / 52 / 30

HEX #7AB356

RGB 122 179 86

HSL 96.77, 0.38%, 0.52%

LAB 67.31, -35.26, 41.29

 

CMYK 52 / 32 / 0 / 29

HEX #577AB4

RGB 87 122 180

HSL 217.42, 0.38%, 0.52%

LAB 50.97, 4.36, -34.49

 

CMYK 9 / 52 / 0 / 30

HEX #A256B3

RGB 162 86 179

HSL 289.03, 0.38%, 0.52%

LAB 49, 45.93, -36.53

 

CMYK 0 / 20 / 52 / 30

HEX #B38F56

RGB 179 143 86

HSL 36.77, 0.38%, 0.52%

LAB 61.57, 6.44, 35.28

 

CMYK 42 / 0 / 52 / 30

HEX #67B356

RGB 103 179 86

HSL 109.03, 0.38%, 0.52%

LAB 66.36, -41.67, 39.92

 

CMYK 52 / 32 / 0 / 29

HEX #577AB4

RGB 87 122 180

HSL 217.42, 0.38%, 0.52%

LAB 50.97, 4.36, -34.49

 

CMYK 0 / 52 / 6 / 30

HEX #B356A8

RGB 179 86 168

HSL 307.1, 0.38%, 0.52%

LAB 50.76, 48.77, -27.16

 

CMYK 0 / 20 / 52 / 30

HEX #B38F56

RGB 179 143 86

HSL 36.77, 0.38%, 0.52%

LAB 61.57, 6.44, 35.28

 

CMYK 52 / 0 / 46 / 30

HEX #56B361

RGB 86 179 97

HSL 127.1, 0.38%, 0.52%

LAB 65.81, -45.11, 33.54

 

Description

Color code: HEX #577AB4 | qconv.com Color code: HEX #577AB4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 122 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 122 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 32 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 32% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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