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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5776C3 it is the complementary color #A8893C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5776C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5776C3 shade: #5C76BE, #6D88D1, #7E9AE4, #8FACF7 and #A0BEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5776C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5776C3 shade: #5776C3, #4664B0, #35529D, #24408A and #132E77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5776C3 shade: #5675C2, #5658C2, #7256C2, #8F56C2 and #AC56C2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5776C3 shade: #5675C2, #5658C2 and #5656C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5776C3 shade matches the following richer shades: #5675C2, #446DD5, #3165E7 and #1F5EFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5776C3 shade: #5675C2, #697DB0, #7B859D, #8E8D8A and #A19578

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5776C3 shade: #56B0C2, #5693C2, #5677C2, #565AC2 and #6F56C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5776C3 shade: #344F92, #3F60B0, #5675C2, #758ECD and #93A7D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5776C3 shade: #5776C3, #B756C2 and #A2C256

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5776C3 shade: #5776C3, #C25677 and #77C256

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5776C3 shade: #5776C3, #B756C2, #C2A256 and #61C256

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5776C3 shade: #5776C3, #C256AD, #C2A256 and #56C26C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 39 / 0 / 24

HEX #5776C3

RGB 87 118 195

HSL 222.78, 0.47%, 0.55%

LAB 50.6, 11.62, -43.7

 

Complementary color

CMYK 0 / 18 / 64 / 34

HEX #A8893C

RGB 168 137 60

HSL 42.78, 0.47%, 0.45%

LAB 58.55, 2.87, 44.65

 

CMYK 52 / 38 / 0 / 25

HEX #5C76BE

RGB 92 118 190

HSL 224.08, 0.43%, 0.55%

LAB 50.63, 11.12, -40.76

 

CMYK 48 / 35 / 0 / 18

HEX #6D88D1

RGB 109 136 209

HSL 223.8, 0.52%, 0.62%

LAB 57.52, 10.22, -40.62

 

CMYK 45 / 32 / 0 / 11

HEX #7E9AE4

RGB 126 154 228

HSL 223.53, 0.65%, 0.69%

LAB 64.28, 9.47, -40.54

 

CMYK 42 / 30 / 0 / 3

HEX #8FACF7

RGB 143 172 247

HSL 223.27, 0.87%, 0.76%

LAB 70.91, 8.82, -40.49

 

CMYK 37 / 25 / 0 / 0

HEX #A0BEFF

RGB 160 190 255

HSL 221.05, 1%, 0.81%

LAB 76.99, 5.36, -35.27

 

CMYK 55 / 39 / 0 / 24

HEX #5776C3

RGB 87 118 195

HSL 222.78, 0.47%, 0.55%

LAB 50.6, 11.62, -43.7

 

CMYK 60 / 43 / 0 / 31

HEX #4664B0

RGB 70 100 176

HSL 223.02, 0.43%, 0.48%

LAB 43.58, 12.9, -43.9

 

CMYK 66 / 48 / 0 / 38

HEX #35529D

RGB 53 82 157

HSL 223.27, 0.5%, 0.41%

LAB 36.42, 14.53, -44.14

 

CMYK 74 / 54 / 0 / 46

HEX #24408A

RGB 36 64 138

HSL 223.53, 0.59%, 0.34%

LAB 29.1, 16.66, -44.39

 

CMYK 84 / 61 / 0 / 53

HEX #132E77

RGB 19 46 119

HSL 223.8, 0.72%, 0.27%

LAB 21.67, 19.52, -44.56

 

CMYK 56 / 40 / 0 / 24

HEX #5675C2

RGB 86 117 194

HSL 222.78, 0.47%, 0.55%

LAB 50.21, 11.69, -43.74

 

CMYK 56 / 55 / 0 / 24

HEX #5658C2

RGB 86 88 194

HSL 238.89, 0.47%, 0.55%

LAB 42.54, 29.74, -56.02

 

CMYK 41 / 56 / 0 / 24

HEX #7256C2

RGB 114 86 194

HSL 255.56, 0.47%, 0.55%

LAB 44.42, 37.01, -52.88

 

CMYK 26 / 56 / 0 / 24

HEX #8F56C2

RGB 143 86 194

HSL 271.67, 0.47%, 0.55%

LAB 47.48, 44.11, -47.79

 

CMYK 11 / 56 / 0 / 24

HEX #AC56C2

RGB 172 86 194

HSL 287.78, 0.47%, 0.55%

LAB 51.06, 51.67, -41.88

 

CMYK 56 / 40 / 0 / 24

HEX #5675C2

RGB 86 117 194

HSL 222.78, 0.47%, 0.55%

LAB 50.21, 11.69, -43.74

 

CMYK 56 / 55 / 0 / 24

HEX #5658C2

RGB 86 88 194

HSL 238.89, 0.47%, 0.55%

LAB 42.54, 29.74, -56.02

 

CMYK 56 / 56 / 0 / 24

HEX #5656C2

RGB 86 86 194

HSL 240, 0.47%, 0.55%

LAB 42.04, 30.98, -56.82

 

CMYK 56 / 40 / 0 / 24

HEX #5675C2

RGB 86 117 194

HSL 222.78, 0.47%, 0.55%

LAB 50.21, 11.69, -43.74

 

CMYK 68 / 49 / 0 / 16

HEX #446DD5

RGB 68 109 213

HSL 223.03, 0.63%, 0.55%

LAB 48.22, 19.89, -57.83

 

CMYK 79 / 56 / 0 / 9

HEX #3165E7

RGB 49 101 231

HSL 222.86, 0.79%, 0.55%

LAB 46.62, 29.19, -70.66

 

CMYK 88 / 62 / 0 / 2

HEX #1F5EFA

RGB 31 94 250

HSL 222.74, 0.96%, 0.55%

LAB 45.91, 39.34, -82.5

 

CMYK 56 / 40 / 0 / 24

HEX #5675C2

RGB 86 117 194

HSL 222.78, 0.47%, 0.55%

LAB 50.21, 11.69, -43.74

 

CMYK 40 / 29 / 0 / 31

HEX #697DB0

RGB 105 125 176

HSL 223.1, 0.31%, 0.55%

LAB 52.74, 5.98, -29.34

 

CMYK 22 / 15 / 0 / 38

HEX #7B859D

RGB 123 133 157

HSL 222.35, 0.15%, 0.55%

LAB 55.5, 1.75, -14.02

 

CMYK 0 / 1 / 3 / 44

HEX #8E8D8A

RGB 142 141 138

HSL 45, 0.02%, 0.55%

LAB 58.64, -0.21, 1.72

 

CMYK 0 / 7 / 25 / 37

HEX #A19578

RGB 161 149 120

HSL 42.44, 0.18%, 0.55%

LAB 62.02, -0.33, 16.94

 

CMYK 56 / 9 / 0 / 24

HEX #56B0C2

RGB 86 176 194

HSL 190, 0.47%, 0.55%

LAB 67.22, -21.71, -17.36

 

CMYK 56 / 24 / 0 / 24

HEX #5693C2

RGB 86 147 194

HSL 206.11, 0.47%, 0.55%

LAB 58.73, -6.06, -30.37

 

CMYK 56 / 39 / 0 / 24

HEX #5677C2

RGB 86 119 194

HSL 221.67, 0.47%, 0.55%

LAB 50.77, 10.46, -42.86

 

CMYK 56 / 54 / 0 / 24

HEX #565AC2

RGB 86 90 194

HSL 237.78, 0.47%, 0.55%

LAB 43.04, 28.5, -55.21

 

CMYK 43 / 56 / 0 / 24

HEX #6F56C2

RGB 111 86 194

HSL 253.89, 0.47%, 0.55%

LAB 44.13, 36.31, -53.35

 

CMYK 64 / 46 / 0 / 43

HEX #344F92

RGB 52 79 146

HSL 222.77, 0.47%, 0.39%

LAB 34.8, 12.27, -40.08

 

CMYK 64 / 45 / 0 / 31

HEX #3F60B0

RGB 63 96 176

HSL 222.48, 0.47%, 0.47%

LAB 42.09, 14.11, -46.31

 

CMYK 56 / 40 / 0 / 24

HEX #5675C2

RGB 86 117 194

HSL 222.78, 0.47%, 0.55%

LAB 50.21, 11.69, -43.74

 

CMYK 43 / 31 / 0 / 20

HEX #758ECD

RGB 117 142 205

HSL 222.95, 0.47%, 0.63%

LAB 59.47, 7.52, -35.29

 

CMYK 32 / 23 / 0 / 15

HEX #93A7D8

RGB 147 167 216

HSL 222.61, 0.47%, 0.71%

LAB 68.6, 4.46, -27.1

 

CMYK 55 / 39 / 0 / 24

HEX #5776C3

RGB 87 118 195

HSL 222.78, 0.47%, 0.55%

LAB 50.6, 11.62, -43.7

 

CMYK 6 / 56 / 0 / 24

HEX #B756C2

RGB 183 86 194

HSL 293.89, 0.47%, 0.55%

LAB 52.53, 54.59, -39.47

 

CMYK 16 / 0 / 56 / 24

HEX #A2C256

RGB 162 194 86

HSL 77.78, 0.47%, 0.55%

LAB 74.15, -27.24, 49.95

 

CMYK 55 / 39 / 0 / 24

HEX #5776C3

RGB 87 118 195

HSL 222.78, 0.47%, 0.55%

LAB 50.6, 11.62, -43.7

 

CMYK 0 / 56 / 39 / 24

HEX #C25677

RGB 194 86 119

HSL 341.67, 0.47%, 0.55%

LAB 51.22, 46.51, 2.8

 

CMYK 39 / 0 / 56 / 24

HEX #77C256

RGB 119 194 86

HSL 101.67, 0.47%, 0.55%

LAB 71.68, -42.94, 46.44

 

CMYK 55 / 39 / 0 / 24

HEX #5776C3

RGB 87 118 195

HSL 222.78, 0.47%, 0.55%

LAB 50.6, 11.62, -43.7

 

CMYK 6 / 56 / 0 / 24

HEX #B756C2

RGB 183 86 194

HSL 293.89, 0.47%, 0.55%

LAB 52.53, 54.59, -39.47

 

CMYK 0 / 16 / 56 / 24

HEX #C2A256

RGB 194 162 86

HSL 42.22, 0.47%, 0.55%

LAB 68.01, 2.48, 43.43

 

CMYK 50 / 0 / 56 / 24

HEX #61C256

RGB 97 194 86

HSL 113.89, 0.47%, 0.55%

LAB 70.73, -49.68, 45.09

 

CMYK 55 / 39 / 0 / 24

HEX #5776C3

RGB 87 118 195

HSL 222.78, 0.47%, 0.55%

LAB 50.6, 11.62, -43.7

 

CMYK 0 / 56 / 11 / 24

HEX #C256AD

RGB 194 86 173

HSL 311.67, 0.47%, 0.55%

LAB 53.1, 53.98, -26.29

 

CMYK 0 / 16 / 56 / 24

HEX #C2A256

RGB 194 162 86

HSL 42.22, 0.47%, 0.55%

LAB 68.01, 2.48, 43.43

 

CMYK 56 / 0 / 44 / 24

HEX #56C26C

RGB 86 194 108

HSL 132.22, 0.47%, 0.55%

LAB 70.63, -49.49, 34.05

 

Description

Color code: HEX #5776C3 | qconv.com Color code: HEX #5776C3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 118 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 118 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 39 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 39% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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