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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57728B it is the complementary color #A88D74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57728B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57728B shade: #5C7286, #6D8499, #7E96AC, #8FA8BF and #A0BAD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57728B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57728B shade: #57728B, #466078, #354E65, #243C52 and #132A3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57728B shade: #56718A, #56638A, #57568A, #65568A and #73568A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57728B shade: #56718A, #56638A and #56568A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57728B shade matches the following richer shades: #56718A, #44729C, #3273AE, #2073C0 and #0E74D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57728B shade: #56718A, #697078, #7B7066, #8D6F54 and #9F6E41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57728B shade: #568A87, #56808A, #56728A, #56648A and #56568A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57728B shade: #374857, #475C71, #56718A, #6986A1 and #829AB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57728B shade: #57728B, #79568A and #878A56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57728B shade: #57728B, #8A5672 and #728A56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57728B shade: #57728B, #79568A, #8A6E56 and #688A56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57728B shade: #57728B, #88568A, #8A6E56 and #588A56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 18 / 0 / 45

HEX #57728B

RGB 87 114 139

HSL 208.85, 0.23%, 0.44%

LAB 46.88, -3.19, -16.82

 

Complementary color

CMYK 0 / 16 / 31 / 34

HEX #A88D74

RGB 168 141 116

HSL 28.85, 0.23%, 0.56%

LAB 60.46, 6.37, 17.14

 

CMYK 31 / 15 / 0 / 47

HEX #5C7286

RGB 92 114 134

HSL 208.57, 0.19%, 0.44%

LAB 47.02, -3.02, -13.61

 

CMYK 29 / 14 / 0 / 40

HEX #6D8499

RGB 109 132 153

HSL 208.64, 0.18%, 0.51%

LAB 54.08, -3.17, -13.95

 

CMYK 27 / 13 / 0 / 33

HEX #7E96AC

RGB 126 150 172

HSL 208.7, 0.22%, 0.58%

LAB 60.98, -3.31, -14.29

 

CMYK 25 / 12 / 0 / 25

HEX #8FA8BF

RGB 143 168 191

HSL 208.75, 0.27%, 0.65%

LAB 67.73, -3.43, -14.65

 

CMYK 24 / 11 / 0 / 18

HEX #A0BAD2

RGB 160 186 210

HSL 208.8, 0.36%, 0.73%

LAB 74.35, -3.55, -15.01

 

CMYK 37 / 18 / 0 / 45

HEX #57728B

RGB 87 114 139

HSL 208.85, 0.23%, 0.44%

LAB 46.88, -3.19, -16.82

 

CMYK 42 / 20 / 0 / 53

HEX #466078

RGB 70 96 120

HSL 208.8, 0.26%, 0.37%

LAB 39.62, -2.93, -16.58

 

CMYK 48 / 23 / 0 / 60

HEX #354E65

RGB 53 78 101

HSL 208.75, 0.31%, 0.3%

LAB 32.14, -2.58, -16.36

 

CMYK 56 / 27 / 0 / 68

HEX #243C52

RGB 36 60 82

HSL 208.7, 0.39%, 0.23%

LAB 24.37, -2.06, -16.18

 

CMYK 70 / 33 / 0 / 75

HEX #132A3F

RGB 19 42 63

HSL 208.64, 0.54%, 0.16%

LAB 16.27, -1.21, -16.04

 

CMYK 38 / 18 / 0 / 46

HEX #56718A

RGB 86 113 138

HSL 208.85, 0.23%, 0.44%

LAB 46.48, -3.18, -16.84

 

CMYK 38 / 28 / 0 / 46

HEX #56638A

RGB 86 99 138

HSL 225, 0.23%, 0.44%

LAB 42.36, 5.3, -23.17

 

CMYK 37 / 38 / 0 / 46

HEX #57568A

RGB 87 86 138

HSL 241.15, 0.23%, 0.44%

LAB 38.75, 13.74, -28.8

 

CMYK 27 / 38 / 0 / 46

HEX #65568A

RGB 101 86 138

HSL 257.31, 0.23%, 0.44%

LAB 40.01, 18.04, -26.74

 

CMYK 17 / 38 / 0 / 46

HEX #73568A

RGB 115 86 138

HSL 273.46, 0.23%, 0.44%

LAB 41.43, 22.57, -24.42

 

CMYK 38 / 18 / 0 / 46

HEX #56718A

RGB 86 113 138

HSL 208.85, 0.23%, 0.44%

LAB 46.48, -3.18, -16.84

 

CMYK 38 / 28 / 0 / 46

HEX #56638A

RGB 86 99 138

HSL 225, 0.23%, 0.44%

LAB 42.36, 5.3, -23.17

 

CMYK 38 / 38 / 0 / 46

HEX #56568A

RGB 86 86 138

HSL 240, 0.23%, 0.44%

LAB 38.67, 13.45, -28.93

 

CMYK 38 / 18 / 0 / 46

HEX #56718A

RGB 86 113 138

HSL 208.85, 0.23%, 0.44%

LAB 46.48, -3.18, -16.84

 

CMYK 56 / 27 / 0 / 39

HEX #44729C

RGB 68 114 156

HSL 208.64, 0.39%, 0.44%

LAB 46.53, -2.97, -27.5

 

CMYK 71 / 34 / 0 / 32

HEX #3273AE

RGB 50 115 174

HSL 208.55, 0.55%, 0.44%

LAB 46.97, -0.7, -37.41

 

CMYK 83 / 40 / 0 / 25

HEX #2073C0

RGB 32 115 192

HSL 208.88, 0.71%, 0.44%

LAB 47.46, 3.91, -47.09

 

CMYK 93 / 45 / 0 / 17

HEX #0E74D3

RGB 14 116 211

HSL 208.93, 0.88%, 0.44%

LAB 48.62, 9.57, -56.13

 

CMYK 38 / 18 / 0 / 46

HEX #56718A

RGB 86 113 138

HSL 208.85, 0.23%, 0.44%

LAB 46.48, -3.18, -16.84

 

CMYK 13 / 7 / 0 / 53

HEX #697078

RGB 105 112 120

HSL 212, 0.07%, 0.44%

LAB 46.91, -0.88, -5.34

 

CMYK 0 / 9 / 17 / 52

HEX #7B7066

RGB 123 112 102

HSL 28.57, 0.09%, 0.44%

LAB 47.95, 2.47, 7.1

 

CMYK 0 / 21 / 40 / 45

HEX #8D6F54

RGB 141 111 84

HSL 28.42, 0.25%, 0.44%

LAB 49.1, 7.97, 19.55

 

CMYK 0 / 31 / 59 / 38

HEX #9F6E41

RGB 159 110 65

HSL 28.72, 0.42%, 0.44%

LAB 50.58, 14.48, 32.61

 

CMYK 38 / 0 / 2 / 46

HEX #568A87

RGB 86 138 135

HSL 176.54, 0.23%, 0.44%

LAB 53.93, -18.05, -3.9

 

CMYK 38 / 7 / 0 / 46

HEX #56808A

RGB 86 128 138

HSL 191.54, 0.23%, 0.44%

LAB 50.98, -11.8, -10.03

 

CMYK 38 / 17 / 0 / 46

HEX #56728A

RGB 86 114 138

HSL 207.69, 0.23%, 0.44%

LAB 46.77, -3.77, -16.39

 

CMYK 38 / 28 / 0 / 46

HEX #56648A

RGB 86 100 138

HSL 223.85, 0.23%, 0.44%

LAB 42.65, 4.68, -22.72

 

CMYK 38 / 38 / 0 / 46

HEX #56568A

RGB 86 86 138

HSL 240, 0.23%, 0.44%

LAB 38.67, 13.45, -28.93

 

CMYK 37 / 17 / 0 / 66

HEX #374857

RGB 55 72 87

HSL 208.13, 0.23%, 0.28%

LAB 29.75, -2.49, -11.07

 

CMYK 37 / 19 / 0 / 56

HEX #475C71

RGB 71 92 113

HSL 210, 0.23%, 0.36%

LAB 38.17, -2.23, -14.49

 

CMYK 38 / 18 / 0 / 46

HEX #56718A

RGB 86 113 138

HSL 208.85, 0.23%, 0.44%

LAB 46.48, -3.18, -16.84

 

CMYK 35 / 17 / 0 / 37

HEX #6986A1

RGB 105 134 161

HSL 208.93, 0.23%, 0.52%

LAB 54.69, -3.45, -17.68

 

CMYK 27 / 13 / 0 / 31

HEX #829AB1

RGB 130 154 177

HSL 209.36, 0.23%, 0.6%

LAB 62.53, -3.08, -14.75

 

CMYK 37 / 18 / 0 / 45

HEX #57728B

RGB 87 114 139

HSL 208.85, 0.23%, 0.44%

LAB 46.88, -3.19, -16.82

 

CMYK 12 / 38 / 0 / 46

HEX #79568A

RGB 121 86 138

HSL 280.38, 0.23%, 0.44%

LAB 42.09, 24.55, -23.35

 

CMYK 2 / 0 / 38 / 46

HEX #878A56

RGB 135 138 86

HSL 63.46, 0.23%, 0.44%

LAB 56.09, -9.61, 27.5

 

CMYK 37 / 18 / 0 / 45

HEX #57728B

RGB 87 114 139

HSL 208.85, 0.23%, 0.44%

LAB 46.88, -3.19, -16.82

 

CMYK 0 / 38 / 17 / 46

HEX #8A5672

RGB 138 86 114

HSL 327.69, 0.23%, 0.44%

LAB 43.17, 25.81, -6.91

 

CMYK 17 / 0 / 38 / 46

HEX #728A56

RGB 114 138 86

HSL 87.69, 0.23%, 0.44%

LAB 54.48, -18.21, 25.09

 

CMYK 37 / 18 / 0 / 45

HEX #57728B

RGB 87 114 139

HSL 208.85, 0.23%, 0.44%

LAB 46.88, -3.19, -16.82

 

CMYK 12 / 38 / 0 / 46

HEX #79568A

RGB 121 86 138

HSL 280.38, 0.23%, 0.44%

LAB 42.09, 24.55, -23.35

 

CMYK 0 / 20 / 38 / 46

HEX #8A6E56

RGB 138 110 86

HSL 27.69, 0.23%, 0.44%

LAB 48.54, 7.52, 17.59

 

CMYK 25 / 0 / 38 / 46

HEX #688A56

RGB 104 138 86

HSL 99.23, 0.23%, 0.44%

LAB 53.81, -22.09, 24.09

 

CMYK 37 / 18 / 0 / 45

HEX #57728B

RGB 87 114 139

HSL 208.85, 0.23%, 0.44%

LAB 46.88, -3.19, -16.82

 

CMYK 1 / 38 / 0 / 46

HEX #88568A

RGB 136 86 138

HSL 297.69, 0.23%, 0.44%

LAB 43.84, 29.58, -20.5

 

CMYK 0 / 20 / 38 / 46

HEX #8A6E56

RGB 138 110 86

HSL 27.69, 0.23%, 0.44%

LAB 48.54, 7.52, 17.59

 

CMYK 36 / 0 / 38 / 46

HEX #588A56

RGB 88 138 86

HSL 117.69, 0.23%, 0.44%

LAB 52.87, -27.88, 22.68

 

Description

Color code: HEX #57728B | qconv.com Color code: HEX #57728B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 114 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 114 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 18 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 18% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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