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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #576D0E it is the complementary color #A892F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #576D0E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #576D0E shade: #5C6D09, #6D7F1C, #7E912F, #8FA342 and #A0B555

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #576D0E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #576D0E shade: #576D0E, #465B00, #354900, #243700 and #132500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #576D0E shade: #576C0E, #6C690E, #6C4F0E, #6C360E and #6C1C0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #576D0E shade: #576C0E, #3D6C0E, #246C0E, #0E6C12 and #0E6C2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #576D0E shade matches the following richer shades: #576C0E and #5C7604

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #576D0E shade: #576C0E, #516218, #4C5922, #474F2C and #414536

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #576D0E shade: #6C4E0E, #6C680E, #586C0E, #3F6C0E and #266C0E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #576D0E shade: #1C2305, #394809, #576C0E, #749113 and #91B518

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #576D0E shade: #576D0E, #0E6C35 and #5B0E6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #576D0E shade: #576D0E, #0E586C and #6C0E58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #576D0E shade: #576D0E, #0E6C35, #220E6C and #6C0E45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #576D0E shade: #576D0E, #0E6C52, #220E6C and #6C0E29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 87 / 57

HEX #576D0E

RGB 87 109 14

HSL 73.89, 0.77%, 0.24%

LAB 42.76, -21.39, 45.04

 

Complementary color

CMYK 30 / 39 / 0 / 5

HEX #A892F1

RGB 168 146 241

HSL 253.89, 0.77%, 0.76%

LAB 65.93, 28.61, -44.89

 

CMYK 16 / 0 / 92 / 57

HEX #5C6D09

RGB 92 109 9

HSL 70.2, 0.85%, 0.23%

LAB 43.11, -19.29, 46.72

 

CMYK 14 / 0 / 78 / 50

HEX #6D7F1C

RGB 109 127 28

HSL 70.91, 0.64%, 0.3%

LAB 50.11, -20.25, 47.9

 

CMYK 13 / 0 / 68 / 43

HEX #7E912F

RGB 126 145 47

HSL 71.63, 0.51%, 0.38%

LAB 56.97, -20.93, 47.73

 

CMYK 12 / 0 / 60 / 36

HEX #8FA342

RGB 143 163 66

HSL 72.37, 0.42%, 0.45%

LAB 63.69, -21.42, 46.95

 

CMYK 12 / 0 / 53 / 29

HEX #A0B555

RGB 160 181 85

HSL 73.13, 0.39%, 0.52%

LAB 70.3, -21.77, 45.91

 

CMYK 20 / 0 / 87 / 57

HEX #576D0E

RGB 87 109 14

HSL 73.89, 0.77%, 0.24%

LAB 42.76, -21.39, 45.04

 

CMYK 23 / 0 / 100 / 64

HEX #465B00

RGB 70 91 0

HSL 73.85, 1%, 0.18%

LAB 35.57, -20.27, 42.44

 

CMYK 27 / 0 / 100 / 71

HEX #354900

RGB 53 73 0

HSL 76.44, 1%, 0.14%

LAB 28.17, -18.67, 36.23

 

CMYK 35 / 0 / 100 / 78

HEX #243700

RGB 36 55 0

HSL 80.73, 1%, 0.11%

LAB 20.47, -17.03, 28.29

 

CMYK 49 / 0 / 100 / 85

HEX #132500

RGB 19 37 0

HSL 89.19, 1%, 0.07%

LAB 12.36, -15.3, 17.98

 

CMYK 19 / 0 / 87 / 58

HEX #576C0E

RGB 87 108 14

HSL 73.4, 0.77%, 0.24%

LAB 42.43, -20.88, 44.76

 

CMYK 0 / 3 / 87 / 58

HEX #6C690E

RGB 108 105 14

HSL 58.09, 0.77%, 0.24%

LAB 43.25, -9.4, 46.14

 

CMYK 0 / 27 / 87 / 58

HEX #6C4F0E

RGB 108 79 14

HSL 41.49, 0.77%, 0.24%

LAB 35.62, 5.9, 39.62

 

CMYK 0 / 50 / 87 / 58

HEX #6C360E

RGB 108 54 14

HSL 25.53, 0.77%, 0.24%

LAB 29.05, 21.06, 33.84

 

CMYK 0 / 74 / 87 / 58

HEX #6C1C0E

RGB 108 28 14

HSL 8.94, 0.77%, 0.24%

LAB 23.84, 34.62, 29.01

 

CMYK 19 / 0 / 87 / 58

HEX #576C0E

RGB 87 108 14

HSL 73.4, 0.77%, 0.24%

LAB 42.43, -20.88, 44.76

 

CMYK 44 / 0 / 87 / 58

HEX #3D6C0E

RGB 61 108 14

HSL 90, 0.77%, 0.24%

LAB 40.81, -31.71, 42.71

 

CMYK 67 / 0 / 87 / 58

HEX #246C0E

RGB 36 108 14

HSL 105.96, 0.77%, 0.24%

LAB 39.8, -39.58, 41.42

 

CMYK 87 / 0 / 83 / 58

HEX #0E6C12

RGB 14 108 18

HSL 122.55, 0.77%, 0.24%

LAB 39.35, -43.4, 39.58

 

CMYK 87 / 0 / 60 / 58

HEX #0E6C2B

RGB 14 108 43

HSL 138.51, 0.77%, 0.24%

LAB 39.57, -40.66, 28.81

 

CMYK 19 / 0 / 87 / 58

HEX #576C0E

RGB 87 108 14

HSL 73.4, 0.77%, 0.24%

LAB 42.43, -20.88, 44.76

 

CMYK 22 / 0 / 97 / 54

HEX #5C7604

RGB 92 118 4

HSL 73.68, 0.93%, 0.24%

LAB 45.96, -24.05, 50.13

 

CMYK 19 / 0 / 87 / 58

HEX #576C0E

RGB 87 108 14

HSL 73.4, 0.77%, 0.24%

LAB 42.43, -20.88, 44.76

 

CMYK 17 / 0 / 76 / 62

HEX #516218

RGB 81 98 24

HSL 73.78, 0.61%, 0.24%

LAB 38.81, -17.82, 37.79

 

CMYK 15 / 0 / 62 / 65

HEX #4C5922

RGB 76 89 34

HSL 74.18, 0.45%, 0.24%

LAB 35.59, -14.38, 29.56

 

CMYK 10 / 0 / 44 / 69

HEX #474F2C

RGB 71 79 44

HSL 73.71, 0.28%, 0.24%

LAB 32.06, -9.77, 19.6

 

CMYK 6 / 0 / 22 / 73

HEX #414536

RGB 65 69 54

HSL 76, 0.12%, 0.24%

LAB 28.5, -4.8, 8.53

 

CMYK 0 / 28 / 87 / 58

HEX #6C4E0E

RGB 108 78 14

HSL 40.85, 0.77%, 0.24%

LAB 35.34, 6.51, 39.37

 

CMYK 0 / 4 / 87 / 58

HEX #6C680E

RGB 108 104 14

HSL 57.45, 0.77%, 0.24%

LAB 42.94, -8.84, 45.89

 

CMYK 19 / 0 / 87 / 58

HEX #586C0E

RGB 88 108 14

HSL 72.77, 0.77%, 0.24%

LAB 42.51, -20.42, 44.85

 

CMYK 42 / 0 / 87 / 58

HEX #3F6C0E

RGB 63 108 14

HSL 88.72, 0.77%, 0.24%

LAB 40.92, -30.96, 42.84

 

CMYK 65 / 0 / 87 / 58

HEX #266C0E

RGB 38 108 14

HSL 104.68, 0.77%, 0.24%

LAB 39.86, -39.07, 41.5

 

CMYK 20 / 0 / 86 / 86

HEX #1C2305

RGB 28 35 5

HSL 74, 0.75%, 0.08%

LAB 12.35, -8.85, 16.05

 

CMYK 21 / 0 / 88 / 72

HEX #394809

RGB 57 72 9

HSL 74.29, 0.78%, 0.16%

LAB 28.18, -15.73, 32.79

 

CMYK 19 / 0 / 87 / 58

HEX #576C0E

RGB 87 108 14

HSL 73.4, 0.77%, 0.24%

LAB 42.43, -20.88, 44.76

 

CMYK 20 / 0 / 87 / 43

HEX #749113

RGB 116 145 19

HSL 73.81, 0.77%, 0.32%

LAB 56.1, -26.62, 56.04

 

CMYK 20 / 0 / 87 / 29

HEX #91B518

RGB 145 181 24

HSL 73.76, 0.77%, 0.4%

LAB 68.85, -31.59, 66.47

 

CMYK 20 / 0 / 87 / 57

HEX #576D0E

RGB 87 109 14

HSL 73.89, 0.77%, 0.24%

LAB 42.76, -21.39, 45.04

 

CMYK 87 / 0 / 51 / 58

HEX #0E6C35

RGB 14 108 53

HSL 144.89, 0.77%, 0.24%

LAB 39.71, -38.99, 23.58

 

CMYK 16 / 87 / 0 / 58

HEX #5B0E6C

RGB 91 14 108

HSL 289.15, 0.77%, 0.24%

LAB 22.38, 45.93, -35.99

 

CMYK 20 / 0 / 87 / 57

HEX #576D0E

RGB 87 109 14

HSL 73.89, 0.77%, 0.24%

LAB 42.76, -21.39, 45.04

 

CMYK 87 / 19 / 0 / 58

HEX #0E586C

RGB 14 88 108

HSL 192.77, 0.77%, 0.24%

LAB 34.3, -13.65, -17.53

 

CMYK 0 / 87 / 19 / 58

HEX #6C0E58

RGB 108 14 88

HSL 312.77, 0.77%, 0.24%

LAB 24.34, 46.16, -19.51

 

CMYK 20 / 0 / 87 / 57

HEX #576D0E

RGB 87 109 14

HSL 73.89, 0.77%, 0.24%

LAB 42.76, -21.39, 45.04

 

CMYK 87 / 0 / 51 / 58

HEX #0E6C35

RGB 14 108 53

HSL 144.89, 0.77%, 0.24%

LAB 39.71, -38.99, 23.58

 

CMYK 69 / 87 / 0 / 58

HEX #220E6C

RGB 34 14 108

HSL 252.77, 0.77%, 0.24%

LAB 14.04, 37.23, -49.95

 

CMYK 0 / 87 / 36 / 58

HEX #6C0E45

RGB 108 14 69

HSL 324.89, 0.77%, 0.24%

LAB 23.44, 43.63, -8.09

 

CMYK 20 / 0 / 87 / 57

HEX #576D0E

RGB 87 109 14

HSL 73.89, 0.77%, 0.24%

LAB 42.76, -21.39, 45.04

 

CMYK 87 / 0 / 24 / 58

HEX #0E6C52

RGB 14 108 82

HSL 163.4, 0.77%, 0.24%

LAB 40.29, -32.39, 7.38

 

CMYK 69 / 87 / 0 / 58

HEX #220E6C

RGB 34 14 108

HSL 252.77, 0.77%, 0.24%

LAB 14.04, 37.23, -49.95

 

CMYK 0 / 87 / 62 / 58

HEX #6C0E29

RGB 108 14 41

HSL 342.77, 0.77%, 0.24%

LAB 22.52, 40.93, 9.96

 

Description

Color code: HEX #576D0E | qconv.com Color code: HEX #576D0E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 109 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 109 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 87 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 87% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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