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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #575AD1 it is the complementary color #A8A52E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #575AD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #575AD1 shade: #5C5ACC, #6D6CDF, #7E7EF2, #8F90FF and #A0A2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #575AD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #575AD1 shade: #575AD1, #4648BE, #3536AB, #242498 and #131285

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #575AD1 shade: #575AD1, #7557D1, #9657D1, #B757D1 and #D157CA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #575AD1 shade: #575AD1 and #5757D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #575AD1 shade matches the following richer shades: #575AD1, #4649E2 and #3439F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #575AD1 shade: #575AD1, #686AC0, #7A7BAE, #8B8B9D and #9C9C8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #575AD1 shade: #579CD1, #577BD1, #575BD1, #7357D1 and #9457D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #575AD1 shade: #2E31A7, #373AC8, #575AD1, #777ADA and #9899E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #575AD1 shade: #575AD1, #D157BD and #8CD157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #575AD1 shade: #575AD1, #D1575B and #5BD157

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #575AD1 shade: #575AD1, #D157BD, #D1CD57 and #57D16B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #575AD1 shade: #575AD1, #D15798, #D1CD57 and #57D190

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 57 / 0 / 18

HEX #575AD1

RGB 87 90 209

HSL 238.52, 0.57%, 0.58%

LAB 44.15, 33.58, -62.07

 

Complementary color

CMYK 0 / 2 / 73 / 34

HEX #A8A52E

RGB 168 165 46

HSL 58.52, 0.57%, 0.42%

LAB 66.08, -13.01, 58.33

 

CMYK 55 / 56 / 0 / 20

HEX #5C5ACC

RGB 92 90 204

HSL 241.05, 0.53%, 0.58%

LAB 44.16, 32.9, -59.17

 

CMYK 51 / 52 / 0 / 13

HEX #6D6CDF

RGB 109 108 223

HSL 240.52, 0.64%, 0.65%

LAB 51.04, 31.34, -58.83

 

CMYK 48 / 48 / 0 / 5

HEX #7E7EF2

RGB 126 126 242

HSL 240, 0.82%, 0.72%

LAB 57.82, 29.99, -58.52

 

CMYK 44 / 44 / 0 / 0

HEX #8F90FF

RGB 143 144 255

HSL 239.46, 1%, 0.78%

LAB 64.17, 27.11, -55.48

 

CMYK 37 / 36 / 0 / 0

HEX #A0A2FF

RGB 160 162 255

HSL 238.74, 1%, 0.81%

LAB 69.85, 21.01, -46.41

 

CMYK 58 / 57 / 0 / 18

HEX #575AD1

RGB 87 90 209

HSL 238.52, 0.57%, 0.58%

LAB 44.15, 33.58, -62.07

 

CMYK 63 / 62 / 0 / 25

HEX #4648BE

RGB 70 72 190

HSL 239, 0.48%, 0.51%

LAB 37.22, 35.54, -62.38

 

CMYK 69 / 68 / 0 / 33

HEX #3536AB

RGB 53 54 171

HSL 239.49, 0.53%, 0.44%

LAB 30.24, 37.8, -62.57

 

CMYK 76 / 76 / 0 / 40

HEX #242498

RGB 36 36 152

HSL 240, 0.62%, 0.37%

LAB 23.35, 40.23, -62.42

 

CMYK 86 / 86 / 0 / 48

HEX #131285

RGB 19 18 133

HSL 240.52, 0.76%, 0.3%

LAB 16.82, 42.3, -61.45

 

CMYK 58 / 57 / 0 / 18

HEX #575AD1

RGB 87 90 209

HSL 238.52, 0.57%, 0.58%

LAB 44.15, 33.58, -62.07

 

CMYK 44 / 58 / 0 / 18

HEX #7557D1

RGB 117 87 209

HSL 254.75, 0.57%, 0.58%

LAB 45.91, 41.32, -59.1

 

CMYK 28 / 58 / 0 / 18

HEX #9657D1

RGB 150 87 209

HSL 270.98, 0.57%, 0.58%

LAB 49.38, 48.87, -53.34

 

CMYK 12 / 58 / 0 / 18

HEX #B757D1

RGB 183 87 209

HSL 287.21, 0.57%, 0.58%

LAB 53.48, 57, -46.56

 

CMYK 0 / 58 / 3 / 18

HEX #D157CA

RGB 209 87 202

HSL 303.44, 0.57%, 0.58%

LAB 56.72, 62.38, -37.22

 

CMYK 58 / 57 / 0 / 18

HEX #575AD1

RGB 87 90 209

HSL 238.52, 0.57%, 0.58%

LAB 44.15, 33.58, -62.07

 

CMYK 58 / 58 / 0 / 18

HEX #5757D1

RGB 87 87 209

HSL 240, 0.57%, 0.58%

LAB 43.43, 35.41, -63.24

 

CMYK 58 / 57 / 0 / 18

HEX #575AD1

RGB 87 90 209

HSL 238.52, 0.57%, 0.58%

LAB 44.15, 33.58, -62.07

 

CMYK 69 / 68 / 0 / 11

HEX #4649E2

RGB 70 73 226

HSL 238.85, 0.73%, 0.58%

LAB 40.51, 46.92, -77.78

 

CMYK 79 / 77 / 0 / 4

HEX #3439F4

RGB 52 57 244

HSL 238.44, 0.9%, 0.58%

LAB 38.18, 59.89, -91.85

 

CMYK 58 / 57 / 0 / 18

HEX #575AD1

RGB 87 90 209

HSL 238.52, 0.57%, 0.58%

LAB 44.15, 33.58, -62.07

 

CMYK 46 / 45 / 0 / 25

HEX #686AC0

RGB 104 106 192

HSL 238.64, 0.41%, 0.58%

LAB 48.33, 21.96, -45.5

 

CMYK 30 / 29 / 0 / 32

HEX #7A7BAE

RGB 122 123 174

HSL 238.85, 0.24%, 0.58%

LAB 53.34, 11.56, -27.15

 

CMYK 11 / 11 / 0 / 38

HEX #8B8B9D

RGB 139 139 157

HSL 240, 0.08%, 0.58%

LAB 58.4, 3.73, -9.53

 

CMYK 0 / 0 / 10 / 39

HEX #9C9C8C

RGB 156 156 140

HSL 60, 0.07%, 0.58%

LAB 63.95, -2.92, 8.38

 

CMYK 58 / 25 / 0 / 18

HEX #579CD1

RGB 87 156 209

HSL 206.07, 0.57%, 0.58%

LAB 62, -6.21, -33.7

 

CMYK 58 / 41 / 0 / 18

HEX #577BD1

RGB 87 123 209

HSL 222.3, 0.57%, 0.58%

LAB 52.73, 13.18, -48.3

 

CMYK 58 / 56 / 0 / 18

HEX #575BD1

RGB 87 91 209

HSL 238.03, 0.57%, 0.58%

LAB 44.39, 32.96, -61.68

 

CMYK 45 / 58 / 0 / 18

HEX #7357D1

RGB 115 87 209

HSL 253.77, 0.57%, 0.58%

LAB 45.72, 40.89, -59.41

 

CMYK 29 / 58 / 0 / 18

HEX #9457D1

RGB 148 87 209

HSL 270, 0.57%, 0.58%

LAB 49.15, 48.39, -53.72

 

CMYK 72 / 71 / 0 / 35

HEX #2E31A7

RGB 46 49 167

HSL 238.51, 0.57%, 0.42%

LAB 28.29, 38.65, -63.38

 

CMYK 73 / 71 / 0 / 22

HEX #373AC8

RGB 55 58 200

HSL 238.76, 0.57%, 0.5%

LAB 34, 45.45, -73.53

 

CMYK 58 / 57 / 0 / 18

HEX #575AD1

RGB 87 90 209

HSL 238.52, 0.57%, 0.58%

LAB 44.15, 33.58, -62.07

 

CMYK 45 / 44 / 0 / 15

HEX #777ADA

RGB 119 122 218

HSL 238.18, 0.57%, 0.66%

LAB 54.97, 23.67, -49.68

 

CMYK 33 / 33 / 0 / 11

HEX #9899E3

RGB 152 153 227

HSL 239.2, 0.57%, 0.74%

LAB 65.75, 16.63, -37.55

 

CMYK 58 / 57 / 0 / 18

HEX #575AD1

RGB 87 90 209

HSL 238.52, 0.57%, 0.58%

LAB 44.15, 33.58, -62.07

 

CMYK 0 / 58 / 10 / 18

HEX #D157BD

RGB 209 87 189

HSL 309.84, 0.57%, 0.58%

LAB 56.13, 60.27, -30.69

 

CMYK 33 / 0 / 58 / 18

HEX #8CD157

RGB 140 209 87

HSL 93.93, 0.57%, 0.58%

LAB 77.2, -42.2, 52.65

 

CMYK 58 / 57 / 0 / 18

HEX #575AD1

RGB 87 90 209

HSL 238.52, 0.57%, 0.58%

LAB 44.15, 33.58, -62.07

 

CMYK 0 / 58 / 56 / 18

HEX #D1575B

RGB 209 87 91

HSL 358.03, 0.57%, 0.58%

LAB 53.09, 48.55, 22.41

 

CMYK 56 / 0 / 58 / 18

HEX #5BD157

RGB 91 209 87

HSL 118.03, 0.57%, 0.58%

LAB 75.15, -56.91, 49.75

 

CMYK 58 / 57 / 0 / 18

HEX #575AD1

RGB 87 90 209

HSL 238.52, 0.57%, 0.58%

LAB 44.15, 33.58, -62.07

 

CMYK 0 / 58 / 10 / 18

HEX #D157BD

RGB 209 87 189

HSL 309.84, 0.57%, 0.58%

LAB 56.13, 60.27, -30.69

 

CMYK 0 / 2 / 58 / 18

HEX #D1CD57

RGB 209 205 87

HSL 58.03, 0.57%, 0.58%

LAB 80.69, -13.54, 57.82

 

CMYK 58 / 0 / 49 / 18

HEX #57D16B

RGB 87 209 107

HSL 129.84, 0.57%, 0.58%

LAB 75.26, -55.26, 40.41

 

CMYK 58 / 57 / 0 / 18

HEX #575AD1

RGB 87 90 209

HSL 238.52, 0.57%, 0.58%

LAB 44.15, 33.58, -62.07

 

CMYK 0 / 58 / 27 / 18

HEX #D15798

RGB 209 87 152

HSL 328.03, 0.57%, 0.58%

LAB 54.7, 54.91, -11.37

 

CMYK 0 / 2 / 58 / 18

HEX #D1CD57

RGB 209 205 87

HSL 58.03, 0.57%, 0.58%

LAB 80.69, -13.54, 57.82

 

CMYK 58 / 0 / 31 / 18

HEX #57D190

RGB 87 209 144

HSL 148.03, 0.57%, 0.58%

LAB 75.85, -48.92, 22.28

 

Description

Color code: HEX #575AD1 | qconv.com Color code: HEX #575AD1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 90 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 90 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 57 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 57% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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