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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57596E it is the complementary color #A8A691. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57596E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57596E shade: #5C5969, #6D6B7C, #7E7D8F, #8F8FA2 and #A0A1B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57596E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57596E shade: #57596E, #46475B, #353548, #242335 and #131122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57596E shade: #585A6F, #5C586F, #62586F, #69586F and #6F586F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57596E shade: #585A6F and #58586F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57596E shade matches the following richer shades: #585A6F, #474C7F, #373F90, #2732A0 and #1724B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57596E shade: #585A6F, #68675F, #78744F, #88813F and #988F2F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57596E shade: #58676F, #58606F, #585A6F, #5B586F and #62586F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57596E shade: #333441, #454758, #585A6F, #6A6C86 and #7F819A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57596E shade: #57596E, #6F586D and #636F58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57596E shade: #57596E, #6F585A and #5A6F58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57596E shade: #57596E, #6F586D, #6F6D58 and #586F5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57596E shade: #57596E, #6F5866, #6F6D58 and #586F61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 19 / 0 / 57

HEX #57596E

RGB 87 89 110

HSL 234.78, 0.12%, 0.39%

LAB 38.37, 4.16, -12.23

 

Complementary color

CMYK 0 / 1 / 14 / 34

HEX #A8A691

RGB 168 166 145

HSL 54.78, 0.12%, 0.61%

LAB 67.76, -2.99, 11.14

 

CMYK 12 / 15 / 0 / 59

HEX #5C5969

RGB 92 89 105

HSL 251.25, 0.08%, 0.38%

LAB 38.62, 4.75, -8.72

 

CMYK 12 / 14 / 0 / 51

HEX #6D6B7C

RGB 109 107 124

HSL 247.06, 0.07%, 0.45%

LAB 45.94, 4.44, -9.14

 

CMYK 12 / 13 / 0 / 44

HEX #7E7D8F

RGB 126 125 143

HSL 243.33, 0.07%, 0.53%

LAB 53.04, 4.17, -9.57

 

CMYK 12 / 12 / 0 / 36

HEX #8F8FA2

RGB 143 143 162

HSL 240, 0.09%, 0.6%

LAB 59.97, 3.92, -10

 

CMYK 12 / 11 / 0 / 29

HEX #A0A1B5

RGB 160 161 181

HSL 237.14, 0.12%, 0.67%

LAB 66.75, 3.69, -10.44

 

CMYK 21 / 19 / 0 / 57

HEX #57596E

RGB 87 89 110

HSL 234.78, 0.12%, 0.39%

LAB 38.37, 4.16, -12.23

 

CMYK 23 / 22 / 0 / 64

HEX #46475B

RGB 70 71 91

HSL 237.14, 0.13%, 0.32%

LAB 30.79, 4.52, -11.94

 

CMYK 26 / 26 / 0 / 72

HEX #353548

RGB 53 53 72

HSL 240, 0.15%, 0.25%

LAB 22.9, 4.95, -11.7

 

CMYK 32 / 34 / 0 / 79

HEX #242335

RGB 36 35 53

HSL 243.33, 0.2%, 0.17%

LAB 14.59, 5.51, -11.56

 

CMYK 44 / 50 / 0 / 87

HEX #131122

RGB 19 17 34

HSL 247.06, 0.33%, 0.1%

LAB 5.92, 5.54, -11.2

 

CMYK 21 / 19 / 0 / 56

HEX #585A6F

RGB 88 90 111

HSL 234.78, 0.12%, 0.39%

LAB 38.79, 4.15, -12.21

 

CMYK 17 / 21 / 0 / 56

HEX #5C586F

RGB 92 88 111

HSL 250.43, 0.12%, 0.39%

LAB 38.56, 6.82, -12.52

 

CMYK 12 / 21 / 0 / 56

HEX #62586F

RGB 98 88 111

HSL 266.09, 0.12%, 0.39%

LAB 39.11, 9, -11.63

 

CMYK 5 / 21 / 0 / 56

HEX #69586F

RGB 105 88 111

HSL 284.35, 0.12%, 0.39%

LAB 39.8, 11.6, -10.52

 

CMYK 0 / 21 / 0 / 56

HEX #6F586F

RGB 111 88 111

HSL 300, 0.12%, 0.39%

LAB 40.42, 13.86, -9.52

 

CMYK 21 / 19 / 0 / 56

HEX #585A6F

RGB 88 90 111

HSL 234.78, 0.12%, 0.39%

LAB 38.79, 4.15, -12.21

 

CMYK 21 / 21 / 0 / 56

HEX #58586F

RGB 88 88 111

HSL 240, 0.12%, 0.39%

LAB 38.2, 5.39, -13.09

 

CMYK 21 / 19 / 0 / 56

HEX #585A6F

RGB 88 90 111

HSL 234.78, 0.12%, 0.39%

LAB 38.79, 4.15, -12.21

 

CMYK 44 / 40 / 0 / 50

HEX #474C7F

RGB 71 76 127

HSL 234.64, 0.28%, 0.39%

LAB 34.07, 12.2, -29.51

 

CMYK 62 / 56 / 0 / 44

HEX #373F90

RGB 55 63 144

HSL 234.61, 0.45%, 0.39%

LAB 30.35, 22.8, -46

 

CMYK 76 / 69 / 0 / 37

HEX #2732A0

RGB 39 50 160

HSL 234.55, 0.61%, 0.39%

LAB 27.44, 34.8, -60.57

 

CMYK 87 / 80 / 0 / 31

HEX #1724B0

RGB 23 36 176

HSL 234.9, 0.77%, 0.39%

LAB 25.5, 47.5, -73.45

 

CMYK 21 / 19 / 0 / 56

HEX #585A6F

RGB 88 90 111

HSL 234.78, 0.12%, 0.39%

LAB 38.79, 4.15, -12.21

 

CMYK 0 / 1 / 9 / 59

HEX #68675F

RGB 104 103 95

HSL 53.33, 0.05%, 0.39%

LAB 43.46, -1.19, 4.65

 

CMYK 0 / 3 / 34 / 53

HEX #78744F

RGB 120 116 79

HSL 54.15, 0.21%, 0.39%

LAB 48.32, -4.65, 21.04

 

CMYK 0 / 5 / 54 / 47

HEX #88813F

RGB 136 129 63

HSL 54.25, 0.37%, 0.39%

LAB 53.27, -6.73, 36.31

 

CMYK 0 / 6 / 69 / 40

HEX #988F2F

RGB 152 143 47

HSL 54.86, 0.53%, 0.39%

LAB 58.53, -8.4, 50.01

 

CMYK 21 / 7 / 0 / 56

HEX #58676F

RGB 88 103 111

HSL 200.87, 0.12%, 0.39%

LAB 42.65, -3.75, -6.4

 

CMYK 21 / 14 / 0 / 56

HEX #58606F

RGB 88 96 111

HSL 219.13, 0.12%, 0.39%

LAB 40.55, 0.46, -9.53

 

CMYK 21 / 19 / 0 / 56

HEX #585A6F

RGB 88 90 111

HSL 234.78, 0.12%, 0.39%

LAB 38.79, 4.15, -12.21

 

CMYK 18 / 21 / 0 / 56

HEX #5B586F

RGB 91 88 111

HSL 247.83, 0.12%, 0.39%

LAB 38.47, 6.46, -12.67

 

CMYK 12 / 21 / 0 / 56

HEX #62586F

RGB 98 88 111

HSL 266.09, 0.12%, 0.39%

LAB 39.11, 9, -11.63

 

CMYK 22 / 20 / 0 / 75

HEX #333441

RGB 51 52 65

HSL 235.71, 0.12%, 0.23%

LAB 22.09, 2.9, -8.24

 

CMYK 22 / 19 / 0 / 65

HEX #454758

RGB 69 71 88

HSL 233.68, 0.12%, 0.31%

LAB 30.58, 3.35, -10.34

 

CMYK 21 / 19 / 0 / 56

HEX #585A6F

RGB 88 90 111

HSL 234.78, 0.12%, 0.39%

LAB 38.79, 4.15, -12.21

 

CMYK 21 / 19 / 0 / 47

HEX #6A6C86

RGB 106 108 134

HSL 235.71, 0.12%, 0.47%

LAB 46.33, 5.17, -14.56

 

CMYK 18 / 16 / 0 / 40

HEX #7F819A

RGB 127 129 154

HSL 235.56, 0.12%, 0.55%

LAB 54.6, 4.69, -13.61

 

CMYK 21 / 19 / 0 / 57

HEX #57596E

RGB 87 89 110

HSL 234.78, 0.12%, 0.39%

LAB 38.37, 4.16, -12.23

 

CMYK 0 / 21 / 2 / 56

HEX #6F586D

RGB 111 88 109

HSL 305.22, 0.12%, 0.39%

LAB 40.35, 13.44, -8.4

 

CMYK 11 / 0 / 21 / 56

HEX #636F58

RGB 99 111 88

HSL 91.3, 0.12%, 0.39%

LAB 45.26, -9.15, 11.32

 

CMYK 21 / 19 / 0 / 57

HEX #57596E

RGB 87 89 110

HSL 234.78, 0.12%, 0.39%

LAB 38.37, 4.16, -12.23

 

CMYK 0 / 21 / 19 / 56

HEX #6F585A

RGB 111 88 90

HSL 354.78, 0.12%, 0.39%

LAB 39.74, 9.79, 2.43

 

CMYK 19 / 0 / 21 / 56

HEX #5A6F58

RGB 90 111 88

HSL 114.78, 0.12%, 0.39%

LAB 44.59, -12.69, 10.28

 

CMYK 21 / 19 / 0 / 57

HEX #57596E

RGB 87 89 110

HSL 234.78, 0.12%, 0.39%

LAB 38.37, 4.16, -12.23

 

CMYK 0 / 21 / 2 / 56

HEX #6F586D

RGB 111 88 109

HSL 305.22, 0.12%, 0.39%

LAB 40.35, 13.44, -8.4

 

CMYK 0 / 2 / 21 / 56

HEX #6F6D58

RGB 111 109 88

HSL 54.78, 0.12%, 0.39%

LAB 45.66, -3.09, 12.04

 

CMYK 21 / 0 / 19 / 56

HEX #586F5A

RGB 88 111 90

HSL 125.22, 0.12%, 0.39%

LAB 44.49, -13.05, 8.94

 

CMYK 21 / 19 / 0 / 57

HEX #57596E

RGB 87 89 110

HSL 234.78, 0.12%, 0.39%

LAB 38.37, 4.16, -12.23

 

CMYK 0 / 21 / 8 / 56

HEX #6F5866

RGB 111 88 102

HSL 323.48, 0.12%, 0.39%

LAB 40.11, 12.03, -4.44

 

CMYK 0 / 2 / 21 / 56

HEX #6F6D58

RGB 111 109 88

HSL 54.78, 0.12%, 0.39%

LAB 45.66, -3.09, 12.04

 

CMYK 21 / 0 / 13 / 56

HEX #586F61

RGB 88 111 97

HSL 143.48, 0.12%, 0.39%

LAB 44.67, -11.61, 5.01

 

Description

Color code: HEX #57596E | qconv.com Color code: HEX #57596E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 89 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 89 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 19 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 19% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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