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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #574F2C it is the complementary color #A8B0D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #574F2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #574F2C shade: #5C4F27, #6D613A, #7E734D, #8F8560 and #A09773

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #574F2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #574F2C shade: #574F2C, #463D19, #352B06, #241900 and #130700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #574F2C shade: #58502C, #58442C, #58382C, #582D2C and #582C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #574F2C shade: #58502C, #55582C, #49582C, #3D582C and #31582C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #574F2C shade matches the following richer shades: #58502C, #635722, #6E5E17, #78640C and #836B02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #574F2C shade: #58502C, #4D4937, #434342, #383C4D and #2D3557

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #574F2C shade: #58382C, #58442C, #584F2C, #55582C and #4A582C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #574F2C shade: #211E11, #3D371F, #58502C, #74693A and #8F8248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #574F2C shade: #574F2C, #2C582C and #3E2C58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #574F2C shade: #574F2C, #2C584F and #4F2C58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #574F2C shade: #574F2C, #2C582C, #2C3558 and #582C58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #574F2C shade: #574F2C, #2C583A, #2C3558 and #582C4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 49 / 66

HEX #574F2C

RGB 87 79 44

HSL 48.84, 0.33%, 0.26%

LAB 33.56, -2.26, 21.8

 

Complementary color

CMYK 20 / 17 / 0 / 17

HEX #A8B0D3

RGB 168 176 211

HSL 228.84, 0.33%, 0.74%

LAB 72.28, 4.6, -18.62

 

CMYK 0 / 14 / 58 / 64

HEX #5C4F27

RGB 92 79 39

HSL 45.28, 0.4%, 0.26%

LAB 34.01, -0.39, 25.37

 

CMYK 0 / 11 / 47 / 57

HEX #6D613A

RGB 109 97 58

HSL 45.88, 0.31%, 0.33%

LAB 41.38, -1.16, 23.94

 

CMYK 0 / 9 / 39 / 51

HEX #7E734D

RGB 126 115 77

HSL 46.53, 0.24%, 0.4%

LAB 48.55, -1.74, 22.59

 

CMYK 0 / 7 / 33 / 44

HEX #8F8560

RGB 143 133 96

HSL 47.23, 0.2%, 0.47%

LAB 55.54, -2.19, 21.35

 

CMYK 0 / 6 / 28 / 37

HEX #A09773

RGB 160 151 115

HSL 48, 0.19%, 0.54%

LAB 62.38, -2.55, 20.2

 

CMYK 0 / 9 / 49 / 66

HEX #574F2C

RGB 87 79 44

HSL 48.84, 0.33%, 0.26%

LAB 33.56, -2.26, 21.8

 

CMYK 0 / 13 / 64 / 73

HEX #463D19

RGB 70 61 25

HSL 48, 0.47%, 0.19%

LAB 25.89, -1.44, 23.25

 

CMYK 0 / 19 / 89 / 79

HEX #352B06

RGB 53 43 6

HSL 47.23, 0.8%, 0.12%

LAB 17.91, -0.19, 23.3

 

CMYK 0 / 31 / 100 / 86

HEX #241900

RGB 36 25 0

HSL 41.67, 1%, 0.07%

LAB 9.56, 2.05, 14.35

 

CMYK 0 / 63 / 100 / 93

HEX #130700

RGB 19 7 0

HSL 22.11, 1%, 0.04%

LAB 2.62, 2.81, 3.98

 

CMYK 0 / 9 / 50 / 65

HEX #58502C

RGB 88 80 44

HSL 49.09, 0.33%, 0.26%

LAB 33.97, -2.39, 22.33

 

CMYK 0 / 23 / 50 / 65

HEX #58442C

RGB 88 68 44

HSL 32.73, 0.33%, 0.26%

LAB 30.38, 5.05, 17.79

 

CMYK 0 / 36 / 50 / 65

HEX #58382C

RGB 88 56 44

HSL 16.36, 0.33%, 0.26%

LAB 26.98, 12.66, 13.33

 

CMYK 0 / 49 / 50 / 65

HEX #582D2C

RGB 88 45 44

HSL 1.36, 0.33%, 0.26%

LAB 24.11, 19.55, 9.46

 

CMYK 0 / 50 / 50 / 65

HEX #582C2C

RGB 88 44 44

HSL 0, 0.33%, 0.26%

LAB 23.86, 20.16, 9.12

 

CMYK 0 / 9 / 50 / 65

HEX #58502C

RGB 88 80 44

HSL 49.09, 0.33%, 0.26%

LAB 33.97, -2.39, 22.33

 

CMYK 3 / 0 / 50 / 65

HEX #55582C

RGB 85 88 44

HSL 64.09, 0.33%, 0.26%

LAB 36.16, -8.57, 24.96

 

CMYK 17 / 0 / 50 / 65

HEX #49582C

RGB 73 88 44

HSL 80.45, 0.33%, 0.26%

LAB 35.16, -14.05, 23.51

 

CMYK 31 / 0 / 50 / 65

HEX #3D582C

RGB 61 88 44

HSL 96.82, 0.33%, 0.26%

LAB 34.3, -19.19, 22.25

 

CMYK 44 / 0 / 50 / 65

HEX #31582C

RGB 49 88 44

HSL 113.18, 0.33%, 0.26%

LAB 33.59, -23.82, 21.22

 

CMYK 0 / 9 / 50 / 65

HEX #58502C

RGB 88 80 44

HSL 49.09, 0.33%, 0.26%

LAB 33.97, -2.39, 22.33

 

CMYK 0 / 12 / 66 / 61

HEX #635722

RGB 99 87 34

HSL 48.92, 0.49%, 0.26%

LAB 37.09, -2.26, 31.82

 

CMYK 0 / 15 / 79 / 57

HEX #6E5E17

RGB 110 94 23

HSL 48.97, 0.65%, 0.26%

LAB 40.22, -1.74, 40.47

 

CMYK 0 / 17 / 90 / 53

HEX #78640C

RGB 120 100 12

HSL 48.89, 0.82%, 0.26%

LAB 42.96, -0.78, 46.93

 

CMYK 0 / 18 / 98 / 49

HEX #836B02

RGB 131 107 2

HSL 48.84, 0.97%, 0.26%

LAB 46.1, 0.27, 52.21

 

CMYK 0 / 9 / 50 / 65

HEX #58502C

RGB 88 80 44

HSL 49.09, 0.33%, 0.26%

LAB 33.97, -2.39, 22.33

 

CMYK 0 / 5 / 29 / 70

HEX #4D4937

RGB 77 73 55

HSL 49.09, 0.17%, 0.26%

LAB 30.92, -1.71, 11.4

 

CMYK 0 / 0 / 1 / 74

HEX #434342

RGB 67 67 66

HSL 60, 0.01%, 0.26%

LAB 28.38, -0.22, 0.6

 

CMYK 27 / 22 / 0 / 70

HEX #383C4D

RGB 56 60 77

HSL 228.57, 0.16%, 0.26%

LAB 25.59, 2.77, -10.89

 

CMYK 48 / 39 / 0 / 66

HEX #2D3557

RGB 45 53 87

HSL 228.57, 0.32%, 0.26%

LAB 22.97, 7.02, -21.62

 

CMYK 0 / 36 / 50 / 65

HEX #58382C

RGB 88 56 44

HSL 16.36, 0.33%, 0.26%

LAB 26.98, 12.66, 13.33

 

CMYK 0 / 23 / 50 / 65

HEX #58442C

RGB 88 68 44

HSL 32.73, 0.33%, 0.26%

LAB 30.38, 5.05, 17.79

 

CMYK 0 / 10 / 50 / 65

HEX #584F2C

RGB 88 79 44

HSL 47.73, 0.33%, 0.26%

LAB 33.67, -1.78, 21.95

 

CMYK 3 / 0 / 50 / 65

HEX #55582C

RGB 85 88 44

HSL 64.09, 0.33%, 0.26%

LAB 36.16, -8.57, 24.96

 

CMYK 16 / 0 / 50 / 65

HEX #4A582C

RGB 74 88 44

HSL 79.09, 0.33%, 0.26%

LAB 35.24, -13.6, 23.62

 

CMYK 0 / 9 / 48 / 87

HEX #211E11

RGB 33 30 17

HSL 48.75, 0.32%, 0.1%

LAB 11.22, -1.15, 9.09

 

CMYK 0 / 10 / 49 / 76

HEX #3D371F

RGB 61 55 31

HSL 48, 0.33%, 0.18%

LAB 23.08, -1.5, 15.98

 

CMYK 0 / 9 / 50 / 65

HEX #58502C

RGB 88 80 44

HSL 49.09, 0.33%, 0.26%

LAB 33.97, -2.39, 22.33

 

CMYK 0 / 9 / 50 / 55

HEX #74693A

RGB 116 105 58

HSL 48.62, 0.33%, 0.34%

LAB 44.41, -2.64, 27.86

 

CMYK 0 / 9 / 50 / 44

HEX #8F8248

RGB 143 130 72

HSL 49.01, 0.33%, 0.42%

LAB 54.32, -3.33, 33

 

CMYK 0 / 9 / 49 / 66

HEX #574F2C

RGB 87 79 44

HSL 48.84, 0.33%, 0.26%

LAB 33.56, -2.26, 21.8

 

CMYK 50 / 0 / 50 / 65

HEX #2C582C

RGB 44 88 44

HSL 120, 0.33%, 0.26%

LAB 33.34, -25.55, 20.85

 

CMYK 30 / 50 / 0 / 65

HEX #3E2C58

RGB 62 44 88

HSL 264.55, 0.33%, 0.26%

LAB 22.05, 18.83, -23.62

 

CMYK 0 / 9 / 49 / 66

HEX #574F2C

RGB 87 79 44

HSL 48.84, 0.33%, 0.26%

LAB 33.56, -2.26, 21.8

 

CMYK 50 / 0 / 10 / 65

HEX #2C584F

RGB 44 88 79

HSL 167.73, 0.33%, 0.26%

LAB 34.15, -17.74, 0.51

 

CMYK 10 / 50 / 0 / 65

HEX #4F2C58

RGB 79 44 88

HSL 287.73, 0.33%, 0.26%

LAB 24.22, 24.46, -20.06

 

CMYK 0 / 9 / 49 / 66

HEX #574F2C

RGB 87 79 44

HSL 48.84, 0.33%, 0.26%

LAB 33.56, -2.26, 21.8

 

CMYK 50 / 0 / 50 / 65

HEX #2C582C

RGB 44 88 44

HSL 120, 0.33%, 0.26%

LAB 33.34, -25.55, 20.85

 

CMYK 50 / 40 / 0 / 65

HEX #2C3558

RGB 44 53 88

HSL 227.73, 0.33%, 0.26%

LAB 22.95, 7.08, -22.31

 

CMYK 0 / 50 / 0 / 65

HEX #582C58

RGB 88 44 88

HSL 300, 0.33%, 0.26%

LAB 25.5, 27.51, -17.96

 

CMYK 0 / 9 / 49 / 66

HEX #574F2C

RGB 87 79 44

HSL 48.84, 0.33%, 0.26%

LAB 33.56, -2.26, 21.8

 

CMYK 50 / 0 / 34 / 65

HEX #2C583A

RGB 44 88 58

HSL 139.09, 0.33%, 0.26%

LAB 33.61, -22.89, 12.81

 

CMYK 50 / 40 / 0 / 65

HEX #2C3558

RGB 44 53 88

HSL 227.73, 0.33%, 0.26%

LAB 22.95, 7.08, -22.31

 

CMYK 0 / 50 / 15 / 65

HEX #582C4B

RGB 88 44 75

HSL 317.73, 0.33%, 0.26%

LAB 24.9, 24.92, -10.27

 

Description

Color code: HEX #574F2C | qconv.com Color code: HEX #574F2C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 79 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 79 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 49 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 49% 66% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - ::: 한스델리 :::
Link: http://www.hansdeli.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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