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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #574DFC it is the complementary color #A8B203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #574DFC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #574DFC shade: #5C4DF7, #6D5FFF, #7E71FF, #8F83FF and #A095FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #574DFC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #574DFC shade: #574DFC, #463BE9, #3529D6, #2417C3 and #1305B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #574DFC shade: #594FFC, #884FFC, #B64FFC, #E54FFC and #FC4FE5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #574DFC shade: #594FFC and #4F4FFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #574DFC shade matches the following richer shades: #594FFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #574DFC shade: #594FFC, #665EEE, #736CDF, #7F7AD1 and #8C89C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #574DFC shade: #4FA3FC, #4F75FC, #584FFC, #864FFC and #B44FFC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #574DFC shade: #1204F5, #3327FC, #594FFC, #7F78FD and #A6A0FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #574DFC shade: #574DFC, #FC4FD1 and #8CFC4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #574DFC shade: #574DFC, #FC584F and #4FFC58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #574DFC shade: #574DFC, #FC4FD1, #F4FC4F and #4FFC7A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #574DFC shade: #574DFC, #FC4F9D, #F4FC4F and #4FFCAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 69 / 0 / 1

HEX #574DFC

RGB 87 77 252

HSL 243.43, 0.97%, 0.65%

LAB 44.75, 54.86, -85.43

 

Complementary color

CMYK 6 / 0 / 98 / 30

HEX #A8B203

RGB 168 178 3

HSL 63.43, 0.97%, 0.35%

LAB 69.59, -20.79, 70.84

 

CMYK 63 / 69 / 0 / 3

HEX #5C4DF7

RGB 92 77 247

HSL 245.29, 0.91%, 0.64%

LAB 44.66, 53.94, -82.76

 

CMYK 57 / 63 / 0 / 0

HEX #6D5FFF

RGB 109 95 255

HSL 245.25, 1%, 0.69%

LAB 50.28, 48.76, -77.97

 

CMYK 51 / 56 / 0 / 0

HEX #7E71FF

RGB 126 113 255

HSL 245.49, 1%, 0.72%

LAB 55.55, 41.45, -69.36

 

CMYK 44 / 49 / 0 / 0

HEX #8F83FF

RGB 143 131 255

HSL 245.81, 1%, 0.76%

LAB 61.04, 34.64, -60.46

 

CMYK 37 / 42 / 0 / 0

HEX #A095FF

RGB 160 149 255

HSL 246.23, 1%, 0.79%

LAB 66.66, 28.4, -51.43

 

CMYK 65 / 69 / 0 / 1

HEX #574DFC

RGB 87 77 252

HSL 243.43, 0.97%, 0.65%

LAB 44.75, 54.86, -85.43

 

CMYK 70 / 75 / 0 / 9

HEX #463BE9

RGB 70 59 233

HSL 243.79, 0.8%, 0.57%

LAB 38.4, 56.83, -85.23

 

CMYK 75 / 81 / 0 / 16

HEX #3529D6

RGB 53 41 214

HSL 244.16, 0.68%, 0.5%

LAB 32.25, 58.55, -84.56

 

CMYK 82 / 88 / 0 / 24

HEX #2417C3

RGB 36 23 195

HSL 244.53, 0.79%, 0.43%

LAB 26.53, 59.49, -83.01

 

CMYK 89 / 97 / 0 / 31

HEX #1305B0

RGB 19 5 176

HSL 244.91, 0.94%, 0.35%

LAB 21.51, 58.88, -80.1

 

CMYK 65 / 69 / 0 / 1

HEX #594FFC

RGB 89 79 252

HSL 243.47, 0.97%, 0.65%

LAB 45.28, 54.01, -84.54

 

CMYK 46 / 69 / 0 / 1

HEX #884FFC

RGB 136 79 252

HSL 259.77, 0.97%, 0.65%

LAB 49.32, 60.84, -77.77

 

CMYK 28 / 69 / 0 / 1

HEX #B64FFC

RGB 182 79 252

HSL 275.72, 0.97%, 0.65%

LAB 54.62, 69.22, -68.92

 

CMYK 9 / 69 / 0 / 1

HEX #E54FFC

RGB 229 79 252

HSL 292.02, 0.97%, 0.65%

LAB 61.03, 78.7, -58.29

 

CMYK 0 / 69 / 9 / 1

HEX #FC4FE5

RGB 252 79 229

HSL 307.98, 0.97%, 0.65%

LAB 63.3, 80.06, -41.69

 

CMYK 65 / 69 / 0 / 1

HEX #594FFC

RGB 89 79 252

HSL 243.47, 0.97%, 0.65%

LAB 45.28, 54.01, -84.54

 

CMYK 69 / 69 / 0 / 1

HEX #4F4FFC

RGB 79 79 252

HSL 240, 0.97%, 0.65%

LAB 44.64, 52.87, -85.63

 

CMYK 65 / 69 / 0 / 1

HEX #594FFC

RGB 89 79 252

HSL 243.47, 0.97%, 0.65%

LAB 45.28, 54.01, -84.54

 

CMYK 65 / 69 / 0 / 1

HEX #594FFC

RGB 89 79 252

HSL 243.47, 0.97%, 0.65%

LAB 45.28, 54.01, -84.54

 

CMYK 57 / 61 / 0 / 7

HEX #665EEE

RGB 102 94 238

HSL 243.33, 0.81%, 0.65%

LAB 48.26, 42.99, -71.79

 

CMYK 48 / 52 / 0 / 13

HEX #736CDF

RGB 115 108 223

HSL 243.65, 0.64%, 0.65%

LAB 51.49, 32.62, -58.08

 

CMYK 39 / 42 / 0 / 18

HEX #7F7AD1

RGB 127 122 209

HSL 243.45, 0.49%, 0.65%

LAB 55.11, 23.08, -44.35

 

CMYK 28 / 30 / 0 / 24

HEX #8C89C3

RGB 140 137 195

HSL 243.1, 0.33%, 0.65%

LAB 59.35, 14.17, -29.71

 

CMYK 69 / 35 / 0 / 1

HEX #4FA3FC

RGB 79 163 252

HSL 210.87, 0.97%, 0.65%

LAB 65.66, 2.58, -51.68

 

CMYK 69 / 54 / 0 / 1

HEX #4F75FC

RGB 79 117 252

HSL 226.82, 0.97%, 0.65%

LAB 53.4, 30.19, -71.32

 

CMYK 65 / 69 / 0 / 1

HEX #584FFC

RGB 88 79 252

HSL 243.12, 0.97%, 0.65%

LAB 45.21, 53.89, -84.66

 

CMYK 47 / 69 / 0 / 1

HEX #864FFC

RGB 134 79 252

HSL 259.08, 0.97%, 0.65%

LAB 49.12, 60.51, -78.11

 

CMYK 29 / 69 / 0 / 1

HEX #B44FFC

RGB 180 79 252

HSL 275.03, 0.97%, 0.65%

LAB 54.37, 68.83, -69.34

 

CMYK 93 / 98 / 0 / 4

HEX #1204F5

RGB 18 4 245

HSL 243.49, 0.97%, 0.49%

LAB 31.37, 76.3, -103.79

 

CMYK 80 / 85 / 0 / 1

HEX #3327FC

RGB 51 39 252

HSL 243.38, 0.97%, 0.57%

LAB 36.33, 70.13, -99.41

 

CMYK 65 / 69 / 0 / 1

HEX #594FFC

RGB 89 79 252

HSL 243.47, 0.97%, 0.65%

LAB 45.28, 54.01, -84.54

 

CMYK 50 / 53 / 0 / 1

HEX #7F78FD

RGB 127 120 253

HSL 243.16, 0.97%, 0.73%

LAB 57.11, 36.99, -65.73

 

CMYK 35 / 37 / 0 / 0

HEX #A6A0FE

RGB 166 160 254

HSL 243.83, 0.98%, 0.81%

LAB 69.76, 23.45, -45.98

 

CMYK 65 / 69 / 0 / 1

HEX #574DFC

RGB 87 77 252

HSL 243.43, 0.97%, 0.65%

LAB 44.75, 54.86, -85.43

 

CMYK 0 / 69 / 17 / 1

HEX #FC4FD1

RGB 252 79 209

HSL 314.91, 0.97%, 0.65%

LAB 62.42, 77.26, -31.82

 

CMYK 44 / 0 / 69 / 1

HEX #8CFC4F

RGB 140 252 79

HSL 98.84, 0.97%, 0.65%

LAB 89.75, -60.32, 69.51

 

CMYK 65 / 69 / 0 / 1

HEX #574DFC

RGB 87 77 252

HSL 243.43, 0.97%, 0.65%

LAB 44.75, 54.86, -85.43

 

CMYK 0 / 65 / 69 / 1

HEX #FC584F

RGB 252 88 79

HSL 3.12, 0.97%, 0.65%

LAB 60.1, 61.79, 39.58

 

CMYK 69 / 0 / 65 / 1

HEX #4FFC58

RGB 79 252 88

HSL 123.12, 0.97%, 0.65%

LAB 87.96, -74.06, 63.64

 

CMYK 65 / 69 / 0 / 1

HEX #574DFC

RGB 87 77 252

HSL 243.43, 0.97%, 0.65%

LAB 44.75, 54.86, -85.43

 

CMYK 0 / 69 / 17 / 1

HEX #FC4FD1

RGB 252 79 209

HSL 314.91, 0.97%, 0.65%

LAB 62.42, 77.26, -31.82

 

CMYK 3 / 0 / 69 / 1

HEX #F4FC4F

RGB 244 252 79

HSL 62.77, 0.97%, 0.65%

LAB 95.76, -22.7, 77.53

 

CMYK 69 / 0 / 52 / 1

HEX #4FFC7A

RGB 79 252 122

HSL 134.91, 0.97%, 0.65%

LAB 88.3, -70.1, 49.32

 

CMYK 65 / 69 / 0 / 1

HEX #574DFC

RGB 87 77 252

HSL 243.43, 0.97%, 0.65%

LAB 44.75, 54.86, -85.43

 

CMYK 0 / 69 / 38 / 1

HEX #FC4F9D

RGB 252 79 157

HSL 332.95, 0.97%, 0.65%

LAB 60.54, 71.1, -4.86

 

CMYK 3 / 0 / 69 / 1

HEX #F4FC4F

RGB 244 252 79

HSL 62.77, 0.97%, 0.65%

LAB 95.76, -22.7, 77.53

 

CMYK 69 / 0 / 31 / 1

HEX #4FFCAE

RGB 79 252 174

HSL 152.95, 0.97%, 0.65%

LAB 89.08, -61.31, 24.86

 

Description

Color code: HEX #574DFC | qconv.com Color code: HEX #574DFC | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 77 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 77 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 69 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 69% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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