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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #574CC2CE it is the complementary color #A8B33DCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #574CC2CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #574CC2CE shade: #5C4CBDCE, #6D5ED0CE, #7E70E3CE, #8F82F6CE and #A094FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #574CC2CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #574CC2CE shade: #574CC2CE, #463AAFCE, #35289CCE, #241689CE and #130476CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #574CC2CE shade: #574CC2, #774CC2, #974CC2, #B64CC2 and #C24CAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #574CC2CE shade: #574CC2 and #4C4CC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #574CC2CE shade matches the following richer shades: #574CC2, #4839D5, #3826E9 and #2812FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #574CC2CE shade: #574CC2, #6760AE, #77739B, #878788 and #969A74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #574CC2CE shade: #4C81C2, #4C62C2, #564CC2, #764CC2 and #954CC2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #574CC2CE shade: #38308C, #453AAB, #574CC2, #746BCC and #918AD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #574CC2CE shade: #574CC2, #C24CA1 and #72C24C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #574CC2CE shade: #574CC2, #C2564C and #4CC256

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #574CC2CE shade: #574CC2, #C24CA1, #B8C24C and #4CC26E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #574CC2CE shade: #574CC2, #C24C7D, #B8C24C and #4CC291

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 49 / 0 / 19

HEX #574CC2CE

RGBA 87 76 194 0.81

HSLA 245.59, 0.49%, 0.53%, 0.81

LABA 39.73, 37.3, -60.56, 0.81

 

Complementary color

CMYK 5 / 0 / 53 / 24

HEX #A8B33DCE

RGBA 168 179 61 0.81

HSLA 65.59, 0.49%, 0.47%, 0.81

LABA 70.11, -19.34, 56.56, 0.81

 

CMYK 42 / 48 / 0 / 21

HEX #5C4CBDCE

RGBA 92 76 189 0.81

HSLA 248.5, 0.46%, 0.52%, 0.81

LABA 39.78, 36.7, -57.55, 0.81

 

CMYK 39 / 44 / 0 / 15

HEX #6D5ED0CE

RGBA 109 94 208 0.81

HSLA 247.89, 0.55%, 0.59%, 0.81

LABA 46.73, 35.2, -57.25, 0.81

 

CMYK 36 / 41 / 0 / 9

HEX #7E70E3CE

RGBA 126 112 227 0.81

HSLA 247.3, 0.67%, 0.66%, 0.81

LABA 53.57, 33.87, -56.96, 0.81

 

CMYK 34 / 38 / 0 / 3

HEX #8F82F6CE

RGBA 143 130 246 0.81

HSLA 246.72, 0.87%, 0.74%, 0.81

LABA 60.3, 32.7, -56.69, 0.81

 

CMYK 30 / 34 / 0 / 0

HEX #A094FFCE

RGBA 160 148 255 0.81

HSLA 246.73, 1%, 0.79%, 0.81

LABA 66.42, 28.97, -51.82, 0.81

 

CMYK 45 / 49 / 0 / 19

HEX #574CC2CE

RGBA 87 76 194 0.81

HSLA 245.59, 0.49%, 0.53%, 0.81

LABA 39.73, 37.3, -60.56, 0.81

 

CMYK 49 / 54 / 0 / 25

HEX #463AAFCE

RGBA 70 58 175 0.81

HSLA 246.15, 0.5%, 0.46%, 0.81

LABA 32.75, 39.13, -60.8, 0.81

 

CMYK 53 / 60 / 0 / 31

HEX #35289CCE

RGBA 53 40 156 0.81

HSLA 246.72, 0.59%, 0.38%, 0.81

LABA 25.79, 41.06, -60.82, 0.81

 

CMYK 60 / 68 / 0 / 37

HEX #241689CE

RGBA 36 22 137 0.81

HSLA 247.3, 0.72%, 0.31%, 0.81

LABA 19.03, 42.73, -60.25, 0.81

 

CMYK 68 / 78 / 0 / 44

HEX #130476CE

RGBA 19 4 118 0.81

HSLA 247.89, 0.93%, 0.24%, 0.81

LABA 12.82, 43.42, -58.53, 0.81

 

CMYK 55 / 61 / 0 / 24

HEX #574CC2

RGB 87 76 194

HSL 245.59, 0.49%, 0.53%

LAB 39.73, 37.3, -60.56

 

CMYK 39 / 61 / 0 / 24

HEX #774CC2

RGB 119 76 194

HSL 261.86, 0.49%, 0.53%

LAB 42.74, 43.85, -55.55

 

CMYK 22 / 61 / 0 / 24

HEX #974CC2

RGB 151 76 194

HSL 278.14, 0.49%, 0.53%

LAB 46.5, 51.31, -49.3

 

CMYK 6 / 61 / 0 / 24

HEX #B64CC2

RGB 182 76 194

HSL 293.9, 0.49%, 0.53%

LAB 50.7, 58.94, -42.37

 

CMYK 0 / 61 / 10 / 24

HEX #C24CAE

RGB 194 76 174

HSL 310.17, 0.49%, 0.53%

LAB 51.49, 58.64, -29.38

 

CMYK 55 / 61 / 0 / 24

HEX #574CC2

RGB 87 76 194

HSL 245.59, 0.49%, 0.53%

LAB 39.73, 37.3, -60.56

 

CMYK 61 / 61 / 0 / 24

HEX #4C4CC2

RGB 76 76 194

HSL 240, 0.49%, 0.53%

LAB 38.9, 35.37, -61.96

 

CMYK 55 / 61 / 0 / 24

HEX #574CC2

RGB 87 76 194

HSL 245.59, 0.49%, 0.53%

LAB 39.73, 37.3, -60.56

 

CMYK 66 / 73 / 0 / 16

HEX #4839D5

RGB 72 57 213

HSL 245.77, 0.65%, 0.53%

LAB 36.19, 51.95, -77.42

 

CMYK 76 / 84 / 0 / 9

HEX #3826E9

RGB 56 38 233

HSL 245.54, 0.82%, 0.53%

LAB 34.21, 65.46, -92.2

 

CMYK 84 / 93 / 0 / 1

HEX #2812FC

RGB 40 18 252

HSL 245.64, 0.98%, 0.53%

LAB 33.8, 75.96, -103.65

 

CMYK 55 / 61 / 0 / 24

HEX #574CC2

RGB 87 76 194

HSL 245.59, 0.49%, 0.53%

LAB 39.73, 37.3, -60.56

 

CMYK 41 / 45 / 0 / 32

HEX #6760AE

RGB 103 96 174

HSL 245.38, 0.33%, 0.53%

LAB 44.67, 22.5, -40.86

 

CMYK 23 / 26 / 0 / 39

HEX #77739B

RGB 119 115 155

HSL 246, 0.17%, 0.53%

LAB 50.16, 10.52, -21.03

 

CMYK 1 / 1 / 0 / 47

HEX #878788

RGB 135 135 136

HSL 240, 0%, 0.53%

LAB 56.34, 0.2, -0.54

 

CMYK 3 / 0 / 25 / 40

HEX #969A74

RGB 150 154 116

HSL 66.32, 0.16%, 0.53%

LAB 62.39, -8.03, 19.52

 

CMYK 61 / 34 / 0 / 24

HEX #4C81C2

RGB 76 129 194

HSL 213.05, 0.49%, 0.53%

LAB 53.09, 2.37, -39.22

 

CMYK 61 / 49 / 0 / 24

HEX #4C62C2

RGB 76 98 194

HSL 228.81, 0.49%, 0.53%

LAB 44.47, 21.53, -52.94

 

CMYK 56 / 61 / 0 / 24

HEX #564CC2

RGB 86 76 194

HSL 245.08, 0.49%, 0.53%

LAB 39.65, 37.12, -60.7

 

CMYK 39 / 61 / 0 / 24

HEX #764CC2

RGB 118 76 194

HSL 261.36, 0.49%, 0.53%

LAB 42.64, 43.63, -55.72

 

CMYK 23 / 61 / 0 / 24

HEX #954CC2

RGB 149 76 194

HSL 277.12, 0.49%, 0.53%

LAB 46.25, 50.83, -49.72

 

CMYK 60 / 66 / 0 / 45

HEX #38308C

RGB 56 48 140

HSL 245.22, 0.49%, 0.37%

LAB 26.3, 31.39, -50.12

 

CMYK 60 / 66 / 0 / 33

HEX #453AAB

RGB 69 58 171

HSL 245.84, 0.49%, 0.45%

LAB 32.33, 37.68, -59.11

 

CMYK 55 / 61 / 0 / 24

HEX #574CC2

RGB 87 76 194

HSL 245.59, 0.49%, 0.53%

LAB 39.73, 37.3, -60.56

 

CMYK 43 / 48 / 0 / 20

HEX #746BCC

RGB 116 107 204

HSL 245.57, 0.49%, 0.61%

LAB 50.2, 27.84, -49.36

 

CMYK 33 / 36 / 0 / 16

HEX #918AD7

RGB 145 138 215

HSL 245.45, 0.49%, 0.69%

LAB 60.87, 20.19, -38.55

 

CMYK 55 / 61 / 0 / 24

HEX #574CC2

RGB 87 76 194

HSL 245.59, 0.49%, 0.53%

LAB 39.73, 37.3, -60.56

 

CMYK 0 / 61 / 17 / 24

HEX #C24CA1

RGB 194 76 161

HSL 316.78, 0.49%, 0.53%

LAB 50.93, 56.65, -22.61

 

CMYK 41 / 0 / 61 / 24

HEX #72C24C

RGB 114 194 76

HSL 100.68, 0.49%, 0.53%

LAB 71.34, -45.62, 50.55

 

CMYK 55 / 61 / 0 / 24

HEX #574CC2

RGB 87 76 194

HSL 245.59, 0.49%, 0.53%

LAB 39.73, 37.3, -60.56

 

CMYK 0 / 56 / 61 / 24

HEX #C2564C

RGB 194 86 76

HSL 5.08, 0.49%, 0.53%

LAB 50.27, 42.55, 27.08

 

CMYK 61 / 0 / 56 / 24

HEX #4CC256

RGB 76 194 86

HSL 125.08, 0.49%, 0.53%

LAB 70.03, -55, 44.09

 

CMYK 55 / 61 / 0 / 24

HEX #574CC2

RGB 87 76 194

HSL 245.59, 0.49%, 0.53%

LAB 39.73, 37.3, -60.56

 

CMYK 0 / 61 / 17 / 24

HEX #C24CA1

RGB 194 76 161

HSL 316.78, 0.49%, 0.53%

LAB 50.93, 56.65, -22.61

 

CMYK 5 / 0 / 61 / 24

HEX #B8C24C

RGB 184 194 76

HSL 65.08, 0.49%, 0.53%

LAB 75.63, -19.15, 56.51

 

CMYK 61 / 0 / 43 / 24

HEX #4CC26E

RGB 76 194 110

HSL 137.29, 0.49%, 0.53%

LAB 70.35, -51.46, 32.61

 

CMYK 55 / 61 / 0 / 24

HEX #574CC2

RGB 87 76 194

HSL 245.59, 0.49%, 0.53%

LAB 39.73, 37.3, -60.56

 

CMYK 0 / 61 / 36 / 24

HEX #C24C7D

RGB 194 76 125

HSL 335.08, 0.49%, 0.53%

LAB 49.64, 51.86, -3.1

 

CMYK 5 / 0 / 61 / 24

HEX #B8C24C

RGB 184 194 76

HSL 65.08, 0.49%, 0.53%

LAB 75.63, -19.15, 56.51

 

CMYK 61 / 0 / 25 / 24

HEX #4CC291

RGB 76 194 145

HSL 155.08, 0.49%, 0.53%

LAB 70.98, -44.7, 14.98

 

Description

Color code: HEX #574CC2CE | qconv.com Color code: HEX #574CC2CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 76 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 76 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 49 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 49% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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