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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5745E3 it is the complementary color #A8BA1C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5745E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5745E3 shade: #5C45DE, #6D57F1, #7E69FF, #8F7BFF and #A08DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5745E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5745E3 shade: #5745E3, #4633D0, #3521BD, #240FAA and #130097

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5745E3 shade: #5745E3, #8145E3, #AC45E3, #D745E3 and #E345C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5745E3 shade: #5745E3 and #4545E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5745E3 shade matches the following richer shades: #5745E3 and #4933F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5745E3 shade: #5745E3, #6456D2, #7167C0, #7F79AF and #8C8A9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5745E3 shade: #4589E3, #455FE3, #5445E3, #7F45E3 and #A945E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5745E3 shade: #2E1CBA, #3721DD, #5745E3, #7769E9 and #988CEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5745E3 shade: #5745E3, #E345B4 and #74E345

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5745E3 shade: #5745E3, #E35445 and #45E354

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5745E3 shade: #5745E3, #E345B4, #D3E345 and #45E374

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5745E3 shade: #5745E3, #E34584, #D3E345 and #45E3A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 70 / 0 / 11

HEX #5745E3

RGB 87 69 227

HSL 246.84, 0.74%, 0.58%

LAB 40.94, 51.58, -77.59

 

Complementary color

CMYK 10 / 0 / 85 / 27

HEX #A8BA1C

RGB 168 186 28

HSL 66.84, 0.74%, 0.42%

LAB 71.91, -24.28, 68.82

 

CMYK 59 / 69 / 0 / 13

HEX #5C45DE

RGB 92 69 222

HSL 249.02, 0.7%, 0.57%

LAB 40.91, 50.75, -74.79

 

CMYK 55 / 64 / 0 / 5

HEX #6D57F1

RGB 109 87 241

HSL 248.57, 0.85%, 0.64%

LAB 47.52, 49.08, -74.67

 

CMYK 51 / 59 / 0 / 0

HEX #7E69FF

RGB 126 105 255

HSL 248.4, 1%, 0.71%

LAB 53.77, 46.03, -72.24

 

CMYK 44 / 52 / 0 / 0

HEX #8F7BFF

RGB 143 123 255

HSL 249.09, 1%, 0.74%

LAB 59.18, 39.24, -63.44

 

CMYK 37 / 45 / 0 / 0

HEX #A08DFF

RGB 160 141 255

HSL 250, 1%, 0.78%

LAB 64.76, 32.96, -54.45

 

CMYK 62 / 70 / 0 / 11

HEX #5745E3

RGB 87 69 227

HSL 246.84, 0.74%, 0.58%

LAB 40.94, 51.58, -77.59

 

CMYK 66 / 75 / 0 / 18

HEX #4633D0

RGB 70 51 208

HSL 247.26, 0.63%, 0.51%

LAB 34.44, 53.34, -77.42

 

CMYK 72 / 83 / 0 / 26

HEX #3521BD

RGB 53 33 189

HSL 247.69, 0.7%, 0.44%

LAB 28.16, 54.75, -76.72

 

CMYK 79 / 91 / 0 / 33

HEX #240FAA

RGB 36 15 170

HSL 248.13, 0.84%, 0.36%

LAB 22.37, 55.13, -75.03

 

CMYK 87 / 100 / 0 / 41

HEX #130097

RGB 19 0 151

HSL 247.55, 1%, 0.3%

LAB 17.33, 53.79, -71.84

 

CMYK 62 / 70 / 0 / 11

HEX #5745E3

RGB 87 69 227

HSL 246.84, 0.74%, 0.58%

LAB 40.94, 51.58, -77.59

 

CMYK 43 / 70 / 0 / 11

HEX #8145E3

RGB 129 69 227

HSL 262.78, 0.74%, 0.58%

LAB 44.9, 58.06, -70.96

 

CMYK 24 / 70 / 0 / 11

HEX #AC45E3

RGB 172 69 227

HSL 279.11, 0.74%, 0.58%

LAB 50.18, 66.17, -62.14

 

CMYK 5 / 70 / 0 / 11

HEX #D745E3

RGB 215 69 227

HSL 295.44, 0.74%, 0.58%

LAB 56.34, 75.05, -51.94

 

CMYK 0 / 70 / 13 / 11

HEX #E345C5

RGB 227 69 197

HSL 311.39, 0.74%, 0.58%

LAB 56.7, 73.08, -34.19

 

CMYK 62 / 70 / 0 / 11

HEX #5745E3

RGB 87 69 227

HSL 246.84, 0.74%, 0.58%

LAB 40.94, 51.58, -77.59

 

CMYK 70 / 70 / 0 / 11

HEX #4545E3

RGB 69 69 227

HSL 240, 0.74%, 0.58%

LAB 39.69, 49.43, -79.69

 

CMYK 62 / 70 / 0 / 11

HEX #5745E3

RGB 87 69 227

HSL 246.84, 0.74%, 0.58%

LAB 40.94, 51.58, -77.59

 

CMYK 70 / 79 / 0 / 4

HEX #4933F4

RGB 73 51 244

HSL 246.84, 0.9%, 0.58%

LAB 38.4, 64.18, -91.44

 

CMYK 62 / 70 / 0 / 11

HEX #5745E3

RGB 87 69 227

HSL 246.84, 0.74%, 0.58%

LAB 40.94, 51.58, -77.59

 

CMYK 52 / 59 / 0 / 18

HEX #6456D2

RGB 100 86 210

HSL 246.77, 0.58%, 0.58%

LAB 44.26, 38.73, -62.42

 

CMYK 41 / 46 / 0 / 25

HEX #7167C0

RGB 113 103 192

HSL 246.74, 0.41%, 0.58%

LAB 48.28, 26.03, -45.54

 

CMYK 27 / 31 / 0 / 31

HEX #7F79AF

RGB 127 121 175

HSL 246.67, 0.25%, 0.58%

LAB 53.26, 14.53, -27.82

 

CMYK 11 / 13 / 0 / 38

HEX #8C8A9E

RGB 140 138 158

HSL 246, 0.09%, 0.58%

LAB 58.25, 4.86, -10.33

 

CMYK 70 / 40 / 0 / 11

HEX #4589E3

RGB 69 137 227

HSL 214.18, 0.74%, 0.58%

LAB 56.78, 7.76, -52.01

 

CMYK 70 / 58 / 0 / 11

HEX #455FE3

RGB 69 95 227

HSL 230.13, 0.74%, 0.58%

LAB 45.63, 33.78, -69.97

 

CMYK 63 / 70 / 0 / 11

HEX #5445E3

RGB 84 69 227

HSL 245.7, 0.74%, 0.58%

LAB 40.71, 51.19, -77.97

 

CMYK 44 / 70 / 0 / 11

HEX #7F45E3

RGB 127 69 227

HSL 262.03, 0.74%, 0.58%

LAB 44.68, 57.72, -71.32

 

CMYK 26 / 70 / 0 / 11

HEX #A945E3

RGB 169 69 227

HSL 277.97, 0.74%, 0.58%

LAB 49.78, 65.57, -62.81

 

CMYK 75 / 85 / 0 / 27

HEX #2E1CBA

RGB 46 28 186

HSL 246.84, 0.74%, 0.42%

LAB 26.61, 55.52, -77.54

 

CMYK 75 / 85 / 0 / 13

HEX #3721DD

RGB 55 33 221

HSL 247.02, 0.74%, 0.5%

LAB 32.08, 63.98, -88.88

 

CMYK 62 / 70 / 0 / 11

HEX #5745E3

RGB 87 69 227

HSL 246.84, 0.74%, 0.58%

LAB 40.94, 51.58, -77.59

 

CMYK 49 / 55 / 0 / 9

HEX #7769E9

RGB 119 105 233

HSL 246.56, 0.74%, 0.66%

LAB 51.73, 38.21, -63.31

 

CMYK 36 / 41 / 0 / 7

HEX #988CEE

RGB 152 140 238

HSL 247.35, 0.74%, 0.74%

LAB 63.01, 26.98, -47.92

 

CMYK 62 / 70 / 0 / 11

HEX #5745E3

RGB 87 69 227

HSL 246.84, 0.74%, 0.58%

LAB 40.94, 51.58, -77.59

 

CMYK 0 / 70 / 21 / 11

HEX #E345B4

RGB 227 69 180

HSL 317.85, 0.74%, 0.58%

LAB 55.97, 70.76, -25.52

 

CMYK 49 / 0 / 70 / 11

HEX #74E345

RGB 116 227 69

HSL 102.15, 0.74%, 0.58%

LAB 81.34, -58.64, 64.18

 

CMYK 62 / 70 / 0 / 11

HEX #5745E3

RGB 87 69 227

HSL 246.84, 0.74%, 0.58%

LAB 40.94, 51.58, -77.59

 

CMYK 0 / 63 / 70 / 11

HEX #E35445

RGB 227 84 69

HSL 5.7, 0.74%, 0.58%

LAB 55.18, 54.71, 38.27

 

CMYK 70 / 0 / 63 / 11

HEX #45E354

RGB 69 227 84

HSL 125.7, 0.74%, 0.58%

LAB 80.09, -68.09, 56.53

 

CMYK 62 / 70 / 0 / 11

HEX #5745E3

RGB 87 69 227

HSL 246.84, 0.74%, 0.58%

LAB 40.94, 51.58, -77.59

 

CMYK 0 / 70 / 21 / 11

HEX #E345B4

RGB 227 69 180

HSL 317.85, 0.74%, 0.58%

LAB 55.97, 70.76, -25.52

 

CMYK 7 / 0 / 70 / 11

HEX #D3E345

RGB 211 227 69

HSL 66.08, 0.74%, 0.58%

LAB 86.61, -24.61, 71.22

 

CMYK 70 / 0 / 49 / 11

HEX #45E374

RGB 69 227 116

HSL 137.85, 0.74%, 0.58%

LAB 80.44, -64, 42.4

 

CMYK 62 / 70 / 0 / 11

HEX #5745E3

RGB 87 69 227

HSL 246.84, 0.74%, 0.58%

LAB 40.94, 51.58, -77.59

 

CMYK 0 / 70 / 42 / 11

HEX #E34584

RGB 227 69 132

HSL 336.08, 0.74%, 0.58%

LAB 54.29, 65.26, 0.18

 

CMYK 7 / 0 / 70 / 11

HEX #D3E345

RGB 211 227 69

HSL 66.08, 0.74%, 0.58%

LAB 86.61, -24.61, 71.22

 

CMYK 70 / 0 / 28 / 11

HEX #45E3A4

RGB 69 227 164

HSL 156.08, 0.74%, 0.58%

LAB 81.23, -55.24, 19.15

 

Description

Color code: HEX #5745E3 | qconv.com Color code: HEX #5745E3 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 69 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 69 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 70 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 70% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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