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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5732FD it is the complementary color #A8CD02. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5732FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5732FD shade: #5C32F8, #6D44FF, #7E56FF, #8F68FF and #A07AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5732FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5732FD shade: #5732FD, #4620EA, #350ED7, #2400C4 and #1300B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5732FD shade: #5530FD, #8D30FD, #C430FD, #FB30FD and #FD30C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5732FD shade: #5530FD and #3030FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5732FD shade matches the following richer shades: #5530FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5732FD shade: #5530FD, #6041EC, #6B52DB, #7663CA and #8074B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5732FD shade: #307BFD, #3044FD, #5230FD, #8930FD and #BF30FD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5732FD shade: #2902D8, #3407FC, #5530FD, #7759FD and #9882FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5732FD shade: #5732FD, #FD30B2 and #60FD30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5732FD shade: #5732FD, #FD5230 and #30FD52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5732FD shade: #5732FD, #FD30B2, #DBFD30 and #30FD7B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5732FD shade: #5732FD, #FD3074, #DBFD30 and #30FDB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 80 / 0 / 1

HEX #5732FD

RGB 87 50 253

HSL 250.94, 0.98%, 0.59%

LAB 40.25, 68.24, -93.41

 

Complementary color

CMYK 18 / 0 / 99 / 20

HEX #A8CD02

RGB 168 205 2

HSL 70.94, 0.98%, 0.41%

LAB 77.28, -33.74, 76.74

 

CMYK 63 / 80 / 0 / 3

HEX #5C32F8

RGB 92 50 248

HSL 252.73, 0.93%, 0.58%

LAB 40.14, 67.32, -90.78

 

CMYK 57 / 73 / 0 / 0

HEX #6D44FF

RGB 109 68 255

HSL 253.16, 1%, 0.63%

LAB 45.09, 63.01, -86.48

 

CMYK 51 / 66 / 0 / 0

HEX #7E56FF

RGB 126 86 255

HSL 254.2, 1%, 0.67%

LAB 49.87, 56.44, -78.58

 

CMYK 44 / 59 / 0 / 0

HEX #8F68FF

RGB 143 104 255

HSL 255.5, 1%, 0.7%

LAB 55.03, 49.9, -70.13

 

CMYK 37 / 52 / 0 / 0

HEX #A07AFF

RGB 160 122 255

HSL 257.14, 1%, 0.74%

LAB 60.44, 43.67, -61.34

 

CMYK 66 / 80 / 0 / 1

HEX #5732FD

RGB 87 50 253

HSL 250.94, 0.98%, 0.59%

LAB 40.25, 68.24, -93.41

 

CMYK 70 / 86 / 0 / 8

HEX #4620EA

RGB 70 32 234

HSL 251.29, 0.83%, 0.52%

LAB 34.55, 68.68, -92.18

 

CMYK 75 / 93 / 0 / 16

HEX #350ED7

RGB 53 14 215

HSL 251.64, 0.88%, 0.45%

LAB 29.36, 67.88, -89.95

 

CMYK 82 / 100 / 0 / 23

HEX #2400C4

RGB 36 0 196

HSL 251.02, 1%, 0.38%

LAB 24.83, 65.37, -86.44

 

CMYK 89 / 100 / 0 / 31

HEX #1300B1

RGB 19 0 177

HSL 246.44, 1%, 0.35%

LAB 21.26, 60.39, -81.13

 

CMYK 66 / 81 / 0 / 1

HEX #5530FD

RGB 85 48 253

HSL 250.83, 0.98%, 0.59%

LAB 39.81, 68.89, -94.14

 

CMYK 44 / 81 / 0 / 1

HEX #8D30FD

RGB 141 48 253

HSL 267.22, 0.98%, 0.59%

LAB 45.45, 74.68, -84.64

 

CMYK 23 / 81 / 0 / 1

HEX #C430FD

RGB 196 48 253

HSL 283.32, 0.98%, 0.59%

LAB 52.89, 82.56, -72.2

 

CMYK 1 / 81 / 0 / 1

HEX #FB30FD

RGB 251 48 253

HSL 299.41, 0.98%, 0.59%

LAB 61.41, 91.83, -58.04

 

CMYK 0 / 81 / 21 / 1

HEX #FD30C7

RGB 253 48 199

HSL 315.8, 0.98%, 0.59%

LAB 59.09, 84.96, -31.29

 

CMYK 66 / 81 / 0 / 1

HEX #5530FD

RGB 85 48 253

HSL 250.83, 0.98%, 0.59%

LAB 39.81, 68.89, -94.14

 

CMYK 81 / 81 / 0 / 1

HEX #3030FD

RGB 48 48 253

HSL 240, 0.98%, 0.59%

LAB 37.54, 66.63, -97.97

 

CMYK 66 / 81 / 0 / 1

HEX #5530FD

RGB 85 48 253

HSL 250.83, 0.98%, 0.59%

LAB 39.81, 68.89, -94.14

 

CMYK 66 / 81 / 0 / 1

HEX #5530FD

RGB 85 48 253

HSL 250.83, 0.98%, 0.59%

LAB 39.81, 68.89, -94.14

 

CMYK 59 / 72 / 0 / 7

HEX #6041EC

RGB 96 65 236

HSL 250.88, 0.82%, 0.59%

LAB 41.73, 57.5, -81.38

 

CMYK 51 / 63 / 0 / 14

HEX #6B52DB

RGB 107 82 219

HSL 250.95, 0.66%, 0.59%

LAB 44.62, 45.06, -66.95

 

CMYK 42 / 51 / 0 / 21

HEX #7663CA

RGB 118 99 202

HSL 251.07, 0.49%, 0.59%

LAB 48.31, 32.54, -51.22

 

CMYK 31 / 37 / 0 / 27

HEX #8074B9

RGB 128 116 185

HSL 250.43, 0.33%, 0.59%

LAB 52.49, 20.39, -34.77

 

CMYK 81 / 51 / 0 / 1

HEX #307BFD

RGB 48 123 253

HSL 218.05, 0.98%, 0.59%

LAB 53.91, 23.39, -71.11

 

CMYK 81 / 73 / 0 / 1

HEX #3044FD

RGB 48 68 253

HSL 234.15, 0.98%, 0.59%

LAB 40.98, 56.73, -92.26

 

CMYK 68 / 81 / 0 / 1

HEX #5230FD

RGB 82 48 253

HSL 249.95, 0.98%, 0.59%

LAB 39.58, 68.66, -94.53

 

CMYK 46 / 81 / 0 / 1

HEX #8930FD

RGB 137 48 253

HSL 266.05, 0.98%, 0.59%

LAB 44.98, 74.18, -85.44

 

CMYK 25 / 81 / 0 / 1

HEX #BF30FD

RGB 191 48 253

HSL 281.85, 0.98%, 0.59%

LAB 52.15, 81.77, -73.41

 

CMYK 81 / 99 / 0 / 15

HEX #2902D8

RGB 41 2 216

HSL 250.93, 0.98%, 0.43%

LAB 28.04, 69.95, -92.74

 

CMYK 79 / 97 / 0 / 1

HEX #3407FC

RGB 52 7 252

HSL 251.02, 0.98%, 0.51%

LAB 33.8, 78.04, -103.65

 

CMYK 66 / 81 / 0 / 1

HEX #5530FD

RGB 85 48 253

HSL 250.83, 0.98%, 0.59%

LAB 39.81, 68.89, -94.14

 

CMYK 53 / 65 / 0 / 1

HEX #7759FD

RGB 119 89 253

HSL 250.98, 0.98%, 0.67%

LAB 49.69, 53.12, -77.8

 

CMYK 40 / 49 / 0 / 0

HEX #9882FE

RGB 152 130 254

HSL 250.65, 0.98%, 0.75%

LAB 61.48, 37.02, -59.17

 

CMYK 66 / 80 / 0 / 1

HEX #5732FD

RGB 87 50 253

HSL 250.94, 0.98%, 0.59%

LAB 40.25, 68.24, -93.41

 

CMYK 0 / 81 / 30 / 1

HEX #FD30B2

RGB 253 48 178

HSL 321.95, 0.98%, 0.59%

LAB 58.24, 82.56, -20.5

 

CMYK 62 / 0 / 81 / 1

HEX #60FD30

RGB 96 253 48

HSL 105.95, 0.98%, 0.59%

LAB 88.42, -73.91, 77.34

 

CMYK 66 / 80 / 0 / 1

HEX #5732FD

RGB 87 50 253

HSL 250.94, 0.98%, 0.59%

LAB 40.25, 68.24, -93.41

 

CMYK 0 / 68 / 81 / 1

HEX #FD5230

RGB 253 82 48

HSL 9.95, 0.98%, 0.59%

LAB 59.1, 63.28, 54.61

 

CMYK 81 / 0 / 68 / 1

HEX #30FD52

RGB 48 253 82

HSL 129.95, 0.98%, 0.59%

LAB 87.72, -79.16, 65.55

 

CMYK 66 / 80 / 0 / 1

HEX #5732FD

RGB 87 50 253

HSL 250.94, 0.98%, 0.59%

LAB 40.25, 68.24, -93.41

 

CMYK 0 / 81 / 30 / 1

HEX #FD30B2

RGB 253 48 178

HSL 321.95, 0.98%, 0.59%

LAB 58.24, 82.56, -20.5

 

CMYK 13 / 0 / 81 / 1

HEX #DBFD30

RGB 219 253 48

HSL 69.95, 0.98%, 0.59%

LAB 94.11, -34.38, 84.56

 

CMYK 81 / 0 / 51 / 1

HEX #30FD7B

RGB 48 253 123

HSL 141.95, 0.98%, 0.59%

LAB 88.12, -74.34, 48.52

 

CMYK 66 / 80 / 0 / 1

HEX #5732FD

RGB 87 50 253

HSL 250.94, 0.98%, 0.59%

LAB 40.25, 68.24, -93.41

 

CMYK 0 / 81 / 54 / 1

HEX #FD3074

RGB 253 48 116

HSL 340.1, 0.98%, 0.59%

LAB 56.34, 77.05, 13.27

 

CMYK 13 / 0 / 81 / 1

HEX #DBFD30

RGB 219 253 48

HSL 69.95, 0.98%, 0.59%

LAB 94.11, -34.38, 84.56

 

CMYK 81 / 0 / 27 / 1

HEX #30FDB9

RGB 48 253 185

HSL 160.1, 0.98%, 0.59%

LAB 89.1, -63.04, 19.2

 

Description

Color code: HEX #5732FD | qconv.com Color code: HEX #5732FD | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 50 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 50 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 80 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 80% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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