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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #572EEB it is the complementary color #A8D114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #572EEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #572EEB shade: #5C2EE6, #6D40F9, #7E52FF, #8F64FF and #A076FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #572EEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #572EEB shade: #572EEB, #461CD8, #350AC5, #2400B2 and #13009F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #572EEB shade: #562DEB, #8A2DEB, #BD2DEB, #EB2DE7 and #EB2DB3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #572EEB shade: #562DEB and #2D2DEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #572EEB shade matches the following richer shades: #562DEB and #4C1AFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #572EEB shade: #562DEB, #6140D9, #6B52C6, #7665B4 and #8077A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #572EEB shade: #2D69EB, #2D37EB, #562DEB, #892DEB and #BC2DEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #572EEB shade: #3411B5, #3F14DB, #562DEB, #7553EF and #9379F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #572EEB shade: #572EEB, #EB2D9C and #50EB2D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #572EEB shade: #572EEB, #EB562D and #2DEB56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #572EEB shade: #572EEB, #EB2D9C, #C2EB2D and #2DEB7C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #572EEB shade: #572EEB, #EB2D63, #C2EB2D and #2DEBB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 80 / 0 / 8

HEX #572EEB

RGB 87 46 235

HSL 253.02, 0.83%, 0.55%

LAB 37.8, 65, -87.31

 

Complementary color

CMYK 20 / 0 / 90 / 18

HEX #A8D114

RGB 168 209 20

HSL 73.02, 0.83%, 0.45%

LAB 78.45, -35.32, 75.65

 

CMYK 60 / 80 / 0 / 10

HEX #5C2EE6

RGB 92 46 230

HSL 255, 0.79%, 0.54%

LAB 37.74, 64.13, -84.56

 

CMYK 56 / 74 / 0 / 2

HEX #6D40F9

RGB 109 64 249

HSL 254.59, 0.94%, 0.61%

LAB 43.88, 63.26, -85.11

 

CMYK 51 / 68 / 0 / 0

HEX #7E52FF

RGB 126 82 255

HSL 255.26, 1%, 0.66%

LAB 49.12, 58.5, -79.81

 

CMYK 44 / 61 / 0 / 0

HEX #8F64FF

RGB 143 100 255

HSL 256.65, 1%, 0.7%

LAB 54.21, 52.08, -71.45

 

CMYK 37 / 54 / 0 / 0

HEX #A076FF

RGB 160 118 255

HSL 258.39, 1%, 0.73%

LAB 59.57, 45.89, -62.73

 

CMYK 63 / 80 / 0 / 8

HEX #572EEB

RGB 87 46 235

HSL 253.02, 0.83%, 0.55%

LAB 37.8, 65, -87.31

 

CMYK 68 / 87 / 0 / 15

HEX #461CD8

RGB 70 28 216

HSL 253.4, 0.77%, 0.48%

LAB 32.01, 65.25, -86.08

 

CMYK 73 / 95 / 0 / 23

HEX #350AC5

RGB 53 10 197

HSL 253.8, 0.9%, 0.41%

LAB 26.75, 64.14, -83.79

 

CMYK 80 / 100 / 0 / 30

HEX #2400B2

RGB 36 0 178

HSL 252.13, 1%, 0.35%

LAB 22.26, 60.95, -80.02

 

CMYK 88 / 100 / 0 / 38

HEX #13009F

RGB 19 0 159

HSL 247.17, 1%, 0.31%

LAB 18.55, 55.84, -74.73

 

CMYK 63 / 81 / 0 / 8

HEX #562DEB

RGB 86 45 235

HSL 252.95, 0.83%, 0.55%

LAB 37.58, 65.32, -87.69

 

CMYK 41 / 81 / 0 / 8

HEX #8A2DEB

RGB 138 45 235

HSL 269.37, 0.83%, 0.55%

LAB 43.18, 71.21, -78.26

 

CMYK 20 / 81 / 0 / 8

HEX #BD2DEB

RGB 189 45 235

HSL 285.47, 0.83%, 0.55%

LAB 50.33, 78.93, -66.31

 

CMYK 0 / 81 / 2 / 8

HEX #EB2DE7

RGB 235 45 231

HSL 301.26, 0.83%, 0.55%

LAB 57.37, 86.34, -52.35

 

CMYK 0 / 81 / 24 / 8

HEX #EB2DB3

RGB 235 45 179

HSL 317.68, 0.83%, 0.55%

LAB 54.86, 79.41, -26.54

 

CMYK 63 / 81 / 0 / 8

HEX #562DEB

RGB 86 45 235

HSL 252.95, 0.83%, 0.55%

LAB 37.58, 65.32, -87.69

 

CMYK 81 / 81 / 0 / 8

HEX #2D2DEB

RGB 45 45 235

HSL 240, 0.83%, 0.55%

LAB 34.87, 62.54, -92.26

 

CMYK 63 / 81 / 0 / 8

HEX #562DEB

RGB 86 45 235

HSL 252.95, 0.83%, 0.55%

LAB 37.58, 65.32, -87.69

 

CMYK 70 / 90 / 0 / 0

HEX #4C1AFE

RGB 76 26 254

HSL 253.16, 0.99%, 0.55%

LAB 36.8, 75.82, -99.72

 

CMYK 63 / 81 / 0 / 8

HEX #562DEB

RGB 86 45 235

HSL 252.95, 0.83%, 0.55%

LAB 37.58, 65.32, -87.69

 

CMYK 55 / 71 / 0 / 15

HEX #6140D9

RGB 97 64 217

HSL 252.94, 0.67%, 0.55%

LAB 39.95, 52.68, -73.48

 

CMYK 46 / 59 / 0 / 22

HEX #6B52C6

RGB 107 82 198

HSL 252.93, 0.5%, 0.55%

LAB 43.12, 38.93, -57.32

 

CMYK 34 / 44 / 0 / 29

HEX #7665B4

RGB 118 101 180

HSL 252.91, 0.34%, 0.55%

LAB 47.56, 25.2, -39.69

 

CMYK 20 / 26 / 0 / 37

HEX #8077A1

RGB 128 119 161

HSL 252.86, 0.18%, 0.55%

LAB 52.24, 12.55, -21.27

 

CMYK 81 / 55 / 0 / 8

HEX #2D69EB

RGB 45 105 235

HSL 221.05, 0.83%, 0.55%

LAB 47.83, 27.77, -70.95

 

CMYK 81 / 77 / 0 / 8

HEX #2D37EB

RGB 45 55 235

HSL 236.84, 0.83%, 0.55%

LAB 36.53, 57.7, -89.5

 

CMYK 63 / 81 / 0 / 8

HEX #562DEB

RGB 86 45 235

HSL 252.95, 0.83%, 0.55%

LAB 37.58, 65.32, -87.69

 

CMYK 42 / 81 / 0 / 8

HEX #892DEB

RGB 137 45 235

HSL 269.05, 0.83%, 0.55%

LAB 43.05, 71.07, -78.47

 

CMYK 20 / 81 / 0 / 8

HEX #BC2DEB

RGB 188 45 235

HSL 285.16, 0.83%, 0.55%

LAB 50.18, 78.76, -66.56

 

CMYK 71 / 91 / 0 / 29

HEX #3411B5

RGB 52 17 181

HSL 252.8, 0.83%, 0.39%

LAB 25.16, 58.29, -76.96

 

CMYK 71 / 91 / 0 / 14

HEX #3F14DB

RGB 63 20 219

HSL 252.96, 0.83%, 0.47%

LAB 31.05, 67.93, -89.43

 

CMYK 63 / 81 / 0 / 8

HEX #562DEB

RGB 86 45 235

HSL 252.95, 0.83%, 0.55%

LAB 37.58, 65.32, -87.69

 

CMYK 51 / 65 / 0 / 6

HEX #7553EF

RGB 117 83 239

HSL 253.08, 0.83%, 0.63%

LAB 47.24, 52.04, -73.98

 

CMYK 40 / 50 / 0 / 5

HEX #9379F3

RGB 147 121 243

HSL 252.79, 0.84%, 0.71%

LAB 58.37, 38, -58.1

 

CMYK 63 / 80 / 0 / 8

HEX #572EEB

RGB 87 46 235

HSL 253.02, 0.83%, 0.55%

LAB 37.8, 65, -87.31

 

CMYK 0 / 81 / 34 / 8

HEX #EB2D9C

RGB 235 45 156

HSL 324.95, 0.83%, 0.55%

LAB 53.96, 76.84, -14.41

 

CMYK 66 / 0 / 81 / 8

HEX #50EB2D

RGB 80 235 45

HSL 108.95, 0.83%, 0.55%

LAB 82.55, -71.61, 72.57

 

CMYK 63 / 80 / 0 / 8

HEX #572EEB

RGB 87 46 235

HSL 253.02, 0.83%, 0.55%

LAB 37.8, 65, -87.31

 

CMYK 0 / 63 / 81 / 8

HEX #EB562D

RGB 235 86 45

HSL 12.95, 0.83%, 0.55%

LAB 56.59, 55.65, 52.56

 

CMYK 81 / 0 / 63 / 8

HEX #2DEB56

RGB 45 235 86

HSL 132.95, 0.83%, 0.55%

LAB 82.19, -73.69, 57.92

 

CMYK 63 / 80 / 0 / 8

HEX #572EEB

RGB 87 46 235

HSL 253.02, 0.83%, 0.55%

LAB 37.8, 65, -87.31

 

CMYK 0 / 81 / 34 / 8

HEX #EB2D9C

RGB 235 45 156

HSL 324.95, 0.83%, 0.55%

LAB 53.96, 76.84, -14.41

 

CMYK 17 / 0 / 81 / 8

HEX #C2EB2D

RGB 194 235 45

HSL 72.95, 0.83%, 0.55%

LAB 87.52, -36.15, 78.91

 

CMYK 81 / 0 / 47 / 8

HEX #2DEB7C

RGB 45 235 124

HSL 144.95, 0.83%, 0.55%

LAB 82.61, -68.62, 41.17

 

CMYK 63 / 80 / 0 / 8

HEX #572EEB

RGB 87 46 235

HSL 253.02, 0.83%, 0.55%

LAB 37.8, 65, -87.31

 

CMYK 0 / 81 / 58 / 8

HEX #EB2D63

RGB 235 45 99

HSL 342.95, 0.83%, 0.55%

LAB 52.33, 72.03, 17.41

 

CMYK 17 / 0 / 81 / 8

HEX #C2EB2D

RGB 194 235 45

HSL 72.95, 0.83%, 0.55%

LAB 87.52, -36.15, 78.91

 

CMYK 81 / 0 / 23 / 8

HEX #2DEBB6

RGB 45 235 182

HSL 163.26, 0.83%, 0.55%

LAB 83.63, -57.14, 13.06

 

Description

Color code: HEX #572EEB | qconv.com Color code: HEX #572EEB | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 46 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 46 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 80 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 80% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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