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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #572D83 it is the complementary color #A8D27C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #572D83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #572D83 shade: #5C2D7E, #6D3F91, #7E51A4, #8F63B7 and #A075CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #572D83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #572D83 shade: #572D83, #461B70, #35095D, #24004A and #130037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #572D83 shade: #582E85, #702E85, #852E83, #852E6B and #852E53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #572D83 shade: #582E85, #412E85 and #2E2E85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #572D83 shade matches the following richer shades: #582E85, #581F93, #5811A2 and #5702B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #572D83 shade: #582E85, #593C77, #594A68, #59595A and #5A674B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #572D83 shade: #2E3285, #402E85, #582E85, #6F2E85 and #852E84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #572D83 shade: #2F1848, #442366, #582E85, #6D38A4 and #8146C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #572D83 shade: #572D83, #852E49 and #2E8535

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #572D83 shade: #572D83, #85582E and #2E8558

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #572D83 shade: #572D83, #852E49, #5B852E and #2E8569

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #572D83 shade: #572D83, #852E2F, #5B852E and #2E8584

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 66 / 0 / 49

HEX #572D83

RGB 87 45 131

HSL 269.3, 0.49%, 0.35%

LAB 28.23, 36.98, -41.23

 

Complementary color

CMYK 20 / 0 / 41 / 18

HEX #A8D27C

RGB 168 210 124

HSL 89.3, 0.49%, 0.65%

LAB 79.54, -28.48, 38.16

 

CMYK 27 / 64 / 0 / 51

HEX #5C2D7E

RGB 92 45 126

HSL 274.81, 0.47%, 0.34%

LAB 28.53, 36.93, -37.57

 

CMYK 25 / 57 / 0 / 43

HEX #6D3F91

RGB 109 63 145

HSL 273.66, 0.39%, 0.41%

LAB 35.69, 36.07, -37.75

 

CMYK 23 / 51 / 0 / 36

HEX #7E51A4

RGB 126 81 164

HSL 272.53, 0.34%, 0.48%

LAB 42.76, 35.15, -37.83

 

CMYK 22 / 46 / 0 / 28

HEX #8F63B7

RGB 143 99 183

HSL 271.43, 0.37%, 0.55%

LAB 49.72, 34.24, -37.87

 

CMYK 21 / 42 / 0 / 21

HEX #A075CA

RGB 160 117 202

HSL 270.35, 0.45%, 0.63%

LAB 56.55, 33.39, -37.92

 

CMYK 34 / 66 / 0 / 49

HEX #572D83

RGB 87 45 131

HSL 269.3, 0.49%, 0.35%

LAB 28.23, 36.98, -41.23

 

CMYK 38 / 76 / 0 / 56

HEX #461B70

RGB 70 27 112

HSL 270.35, 0.61%, 0.27%

LAB 21.04, 37.67, -40.9

 

CMYK 43 / 90 / 0 / 64

HEX #35095D

RGB 53 9 93

HSL 271.43, 0.82%, 0.2%

LAB 14.07, 37.38, -39.88

 

CMYK 51 / 100 / 0 / 71

HEX #24004A

RGB 36 0 74

HSL 269.19, 1%, 0.15%

LAB 7.85, 34.38, -37.21

 

CMYK 65 / 100 / 0 / 78

HEX #130037

RGB 19 0 55

HSL 260.73, 1%, 0.11%

LAB 3.74, 22.92, -30.41

 

CMYK 34 / 65 / 0 / 48

HEX #582E85

RGB 88 46 133

HSL 268.97, 0.49%, 0.35%

LAB 28.7, 37.19, -41.71

 

CMYK 16 / 65 / 0 / 48

HEX #702E85

RGB 112 46 133

HSL 285.52, 0.49%, 0.35%

LAB 32.02, 43.12, -36.21

 

CMYK 0 / 65 / 2 / 48

HEX #852E83

RGB 133 46 131

HSL 301.38, 0.49%, 0.35%

LAB 35.16, 48.15, -29.77

 

CMYK 0 / 65 / 20 / 48

HEX #852E6B

RGB 133 46 107

HSL 317.93, 0.49%, 0.35%

LAB 33.99, 44.14, -16.54

 

CMYK 0 / 65 / 38 / 48

HEX #852E53

RGB 133 46 83

HSL 334.48, 0.49%, 0.35%

LAB 33.06, 40.83, -2.54

 

CMYK 34 / 65 / 0 / 48

HEX #582E85

RGB 88 46 133

HSL 268.97, 0.49%, 0.35%

LAB 28.7, 37.19, -41.71

 

CMYK 51 / 65 / 0 / 48

HEX #412E85

RGB 65 46 133

HSL 253.1, 0.49%, 0.35%

LAB 26.07, 32.06, -46.09

 

CMYK 65 / 65 / 0 / 48

HEX #2E2E85

RGB 46 46 133

HSL 240, 0.49%, 0.35%

LAB 24.41, 28.56, -48.87

 

CMYK 34 / 65 / 0 / 48

HEX #582E85

RGB 88 46 133

HSL 268.97, 0.49%, 0.35%

LAB 28.7, 37.19, -41.71

 

CMYK 40 / 79 / 0 / 42

HEX #581F93

RGB 88 31 147

HSL 269.48, 0.65%, 0.35%

LAB 27.19, 48.15, -52.85

 

CMYK 46 / 90 / 0 / 36

HEX #5811A2

RGB 88 17 162

HSL 269.38, 0.81%, 0.35%

LAB 26.97, 56.55, -62.38

 

CMYK 51 / 99 / 0 / 31

HEX #5702B0

RGB 87 2 176

HSL 269.31, 0.98%, 0.35%

LAB 27.31, 62.68, -70.29

 

CMYK 34 / 65 / 0 / 48

HEX #582E85

RGB 88 46 133

HSL 268.97, 0.49%, 0.35%

LAB 28.7, 37.19, -41.71

 

CMYK 25 / 50 / 0 / 53

HEX #593C77

RGB 89 60 119

HSL 269.49, 0.33%, 0.35%

LAB 31.08, 25.5, -29.12

 

CMYK 14 / 29 / 0 / 59

HEX #594A68

RGB 89 74 104

HSL 270, 0.17%, 0.35%

LAB 34.03, 12.83, -15.09

 

CMYK 1 / 1 / 0 / 65

HEX #59595A

RGB 89 89 90

HSL 240, 0.01%, 0.35%

LAB 37.85, 0.22, -0.58

 

CMYK 13 / 0 / 27 / 60

HEX #5A674B

RGB 90 103 75

HSL 87.86, 0.16%, 0.35%

LAB 41.82, -10.55, 14.2

 

CMYK 65 / 62 / 0 / 48

HEX #2E3285

RGB 46 50 133

HSL 237.24, 0.49%, 0.35%

LAB 25.43, 25.91, -47.21

 

CMYK 52 / 65 / 0 / 48

HEX #402E85

RGB 64 46 133

HSL 252.41, 0.49%, 0.35%

LAB 25.97, 31.86, -46.26

 

CMYK 34 / 65 / 0 / 48

HEX #582E85

RGB 88 46 133

HSL 268.97, 0.49%, 0.35%

LAB 28.7, 37.19, -41.71

 

CMYK 17 / 65 / 0 / 48

HEX #6F2E85

RGB 111 46 133

HSL 284.83, 0.49%, 0.35%

LAB 31.87, 42.86, -36.45

 

CMYK 0 / 65 / 1 / 48

HEX #852E84

RGB 133 46 132

HSL 300.69, 0.49%, 0.35%

LAB 35.22, 48.33, -30.31

 

CMYK 35 / 67 / 0 / 72

HEX #2F1848

RGB 47 24 72

HSL 268.75, 0.5%, 0.19%

LAB 13.98, 22.76, -25.77

 

CMYK 33 / 66 / 0 / 60

HEX #442366

RGB 68 35 102

HSL 269.55, 0.49%, 0.27%

LAB 21.54, 30.19, -33.6

 

CMYK 34 / 65 / 0 / 48

HEX #582E85

RGB 88 46 133

HSL 268.97, 0.49%, 0.35%

LAB 28.7, 37.19, -41.71

 

CMYK 34 / 66 / 0 / 36

HEX #6D38A4

RGB 109 56 164

HSL 269.44, 0.49%, 0.43%

LAB 35.52, 44.62, -49.54

 

CMYK 33 / 64 / 0 / 25

HEX #8146C0

RGB 129 70 192

HSL 269.02, 0.49%, 0.51%

LAB 42.54, 48.77, -54.65

 

CMYK 34 / 66 / 0 / 49

HEX #572D83

RGB 87 45 131

HSL 269.3, 0.49%, 0.35%

LAB 28.23, 36.98, -41.23

 

CMYK 0 / 65 / 45 / 48

HEX #852E49

RGB 133 46 73

HSL 341.38, 0.49%, 0.35%

LAB 32.75, 39.68, 3.51

 

CMYK 65 / 0 / 60 / 48

HEX #2E8535

RGB 46 133 53

HSL 124.83, 0.49%, 0.35%

LAB 49.02, -43, 35.03

 

CMYK 34 / 66 / 0 / 49

HEX #572D83

RGB 87 45 131

HSL 269.3, 0.49%, 0.35%

LAB 28.23, 36.98, -41.23

 

CMYK 0 / 34 / 65 / 48

HEX #85582E

RGB 133 88 46

HSL 28.97, 0.49%, 0.35%

LAB 41.47, 14.14, 31.45

 

CMYK 65 / 0 / 34 / 48

HEX #2E8558

RGB 46 133 88

HSL 148.97, 0.49%, 0.35%

LAB 49.57, -36.95, 16.83

 

CMYK 34 / 66 / 0 / 49

HEX #572D83

RGB 87 45 131

HSL 269.3, 0.49%, 0.35%

LAB 28.23, 36.98, -41.23

 

CMYK 0 / 65 / 45 / 48

HEX #852E49

RGB 133 46 73

HSL 341.38, 0.49%, 0.35%

LAB 32.75, 39.68, 3.51

 

CMYK 32 / 0 / 65 / 48

HEX #5B852E

RGB 91 133 46

HSL 88.97, 0.49%, 0.35%

LAB 50.92, -29.53, 41.02

 

CMYK 65 / 0 / 21 / 48

HEX #2E8569

RGB 46 133 105

HSL 160.69, 0.49%, 0.35%

LAB 49.95, -32.98, 7.56

 

CMYK 34 / 66 / 0 / 49

HEX #572D83

RGB 87 45 131

HSL 269.3, 0.49%, 0.35%

LAB 28.23, 36.98, -41.23

 

CMYK 0 / 65 / 65 / 48

HEX #852E2F

RGB 133 46 47

HSL 359.31, 0.49%, 0.35%

LAB 32.14, 37.37, 19.52

 

CMYK 32 / 0 / 65 / 48

HEX #5B852E

RGB 91 133 46

HSL 88.97, 0.49%, 0.35%

LAB 50.92, -29.53, 41.02

 

CMYK 65 / 0 / 1 / 48

HEX #2E8584

RGB 46 133 132

HSL 179.31, 0.49%, 0.35%

LAB 50.71, -25.53, -7.09

 

Description

Color code: HEX #572D83 | qconv.com Color code: HEX #572D83 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 45 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 45 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 66 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 66% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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