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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #570B85 it is the complementary color #A8F47A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #570B85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #570B85 shade: #5C0B80, #6D1D93, #7E2FA6, #8F41B9 and #A053CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #570B85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #570B85 shade: #570B85, #460072, #35005F, #24004C and #130039

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #570B85 shade: #560B84, #770B84, #840B70, #840B50 and #840B2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #570B85 shade: #560B84, #360B84, #150B84 and #0B0B84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #570B85 shade matches the following richer shades: #560B84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #570B85 shade: #560B84, #531679, #51226D, #4E2D61 and #4B3956

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #570B85 shade: #150B84, #350B84, #560B84, #760B84 and #840B72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #570B85 shade: #240538, #3D085E, #560B84, #6F0EAA and #8811D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #570B85 shade: #570B85, #840B21 and #0B8425

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #570B85 shade: #570B85, #84560B and #0B8456

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #570B85 shade: #570B85, #840B21, #39840B and #0B846E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #570B85 shade: #570B85, #84190B, #39840B and #0B7684

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 92 / 0 / 48

HEX #570B85

RGB 87 11 133

HSL 277.38, 0.85%, 0.28%

LAB 23.54, 51.27, -50.11

 

Complementary color

CMYK 31 / 0 / 50 / 4

HEX #A8F47A

RGB 168 244 122

HSL 97.38, 0.85%, 0.72%

LAB 89.13, -44.16, 51.06

 

CMYK 28 / 91 / 0 / 50

HEX #5C0B80

RGB 92 11 128

HSL 281.54, 0.84%, 0.27%

LAB 23.91, 50.94, -46.31

 

CMYK 26 / 80 / 0 / 42

HEX #6D1D93

RGB 109 29 147

HSL 280.68, 0.67%, 0.35%

LAB 30, 52.64, -48.13

 

CMYK 24 / 72 / 0 / 35

HEX #7E2FA6

RGB 126 47 166

HSL 279.83, 0.56%, 0.42%

LAB 36.41, 53.05, -49.19

 

CMYK 23 / 65 / 0 / 27

HEX #8F41B9

RGB 143 65 185

HSL 279, 0.48%, 0.49%

LAB 42.95, 52.79, -49.81

 

CMYK 22 / 59 / 0 / 20

HEX #A053CC

RGB 160 83 204

HSL 278.18, 0.54%, 0.56%

LAB 49.52, 52.21, -50.18

 

CMYK 35 / 92 / 0 / 48

HEX #570B85

RGB 87 11 133

HSL 277.38, 0.85%, 0.28%

LAB 23.54, 51.27, -50.11

 

CMYK 39 / 100 / 0 / 55

HEX #460072

RGB 70 0 114

HSL 276.84, 1%, 0.22%

LAB 18, 47.6, -47.17

 

CMYK 44 / 100 / 0 / 63

HEX #35005F

RGB 53 0 95

HSL 273.47, 1%, 0.19%

LAB 13.13, 41.33, -42.78

 

CMYK 53 / 100 / 0 / 70

HEX #24004C

RGB 36 0 76

HSL 268.42, 1%, 0.15%

LAB 8.1, 34.89, -38.2

 

CMYK 67 / 100 / 0 / 78

HEX #130039

RGB 19 0 57

HSL 260, 1%, 0.11%

LAB 3.92, 23.96, -31.59

 

CMYK 35 / 92 / 0 / 48

HEX #560B84

RGB 86 11 132

HSL 277.19, 0.85%, 0.28%

LAB 23.28, 50.91, -49.9

 

CMYK 10 / 92 / 0 / 48

HEX #770B84

RGB 119 11 132

HSL 293.55, 0.85%, 0.28%

LAB 28.97, 56.23, -40.4

 

CMYK 0 / 92 / 15 / 48

HEX #840B70

RGB 132 11 112

HSL 309.92, 0.85%, 0.28%

LAB 30.19, 55.57, -25.65

 

CMYK 0 / 92 / 39 / 48

HEX #840B50

RGB 132 11 80

HSL 325.79, 0.85%, 0.28%

LAB 28.71, 51.58, -7.07

 

CMYK 0 / 92 / 64 / 48

HEX #840B2F

RGB 132 11 47

HSL 342.15, 0.85%, 0.28%

LAB 27.71, 48.8, 13.72

 

CMYK 35 / 92 / 0 / 48

HEX #560B84

RGB 86 11 132

HSL 277.19, 0.85%, 0.28%

LAB 23.28, 50.91, -49.9

 

CMYK 59 / 92 / 0 / 48

HEX #360B84

RGB 54 11 132

HSL 261.32, 0.85%, 0.28%

LAB 18.76, 47.11, -57.51

 

CMYK 84 / 92 / 0 / 48

HEX #150B84

RGB 21 11 132

HSL 244.96, 0.85%, 0.28%

LAB 15.82, 44.96, -62.47

 

CMYK 92 / 92 / 0 / 48

HEX #0B0B84

RGB 11 11 132

HSL 240, 0.85%, 0.28%

LAB 15.36, 44.65, -63.25

 

CMYK 35 / 92 / 0 / 48

HEX #560B84

RGB 86 11 132

HSL 277.19, 0.85%, 0.28%

LAB 23.28, 50.91, -49.9

 

CMYK 35 / 92 / 0 / 48

HEX #560B84

RGB 86 11 132

HSL 277.19, 0.85%, 0.28%

LAB 23.28, 50.91, -49.9

 

CMYK 31 / 82 / 0 / 53

HEX #531679

RGB 83 22 121

HSL 276.97, 0.69%, 0.28%

LAB 22.98, 44.59, -43.45

 

CMYK 26 / 69 / 0 / 57

HEX #51226D

RGB 81 34 109

HSL 277.6, 0.52%, 0.28%

LAB 23.66, 35.85, -34.64

 

CMYK 20 / 54 / 0 / 62

HEX #4E2D61

RGB 78 45 97

HSL 278.08, 0.37%, 0.28%

LAB 24.83, 25.71, -25.02

 

CMYK 13 / 34 / 0 / 66

HEX #4B3956

RGB 75 57 86

HSL 277.24, 0.2%, 0.28%

LAB 27, 14.23, -14.47

 

CMYK 84 / 92 / 0 / 48

HEX #150B84

RGB 21 11 132

HSL 244.96, 0.85%, 0.28%

LAB 15.82, 44.96, -62.47

 

CMYK 60 / 92 / 0 / 48

HEX #350B84

RGB 53 11 132

HSL 260.83, 0.85%, 0.28%

LAB 18.64, 47.02, -57.71

 

CMYK 35 / 92 / 0 / 48

HEX #560B84

RGB 86 11 132

HSL 277.19, 0.85%, 0.28%

LAB 23.28, 50.91, -49.9

 

CMYK 11 / 92 / 0 / 48

HEX #760B84

RGB 118 11 132

HSL 293.06, 0.85%, 0.28%

LAB 28.79, 56.06, -40.7

 

CMYK 0 / 92 / 14 / 48

HEX #840B72

RGB 132 11 114

HSL 308.93, 0.85%, 0.28%

LAB 30.3, 55.85, -26.75

 

CMYK 36 / 91 / 0 / 78

HEX #240538

RGB 36 5 56

HSL 276.47, 0.84%, 0.12%

LAB 6.95, 26.38, -25.86

 

CMYK 35 / 91 / 0 / 63

HEX #3D085E

RGB 61 8 94

HSL 276.98, 0.84%, 0.2%

LAB 15.35, 39.25, -38.41

 

CMYK 35 / 92 / 0 / 48

HEX #560B84

RGB 86 11 132

HSL 277.19, 0.85%, 0.28%

LAB 23.28, 50.91, -49.9

 

CMYK 35 / 92 / 0 / 33

HEX #6F0EAA

RGB 111 14 170

HSL 277.31, 0.85%, 0.36%

LAB 30.87, 61.84, -60.7

 

CMYK 35 / 92 / 0 / 18

HEX #8811D0

RGB 136 17 208

HSL 277.38, 0.85%, 0.44%

LAB 38.18, 72.24, -71

 

CMYK 35 / 92 / 0 / 48

HEX #570B85

RGB 87 11 133

HSL 277.38, 0.85%, 0.28%

LAB 23.54, 51.27, -50.11

 

CMYK 0 / 92 / 75 / 48

HEX #840B21

RGB 132 11 33

HSL 349.09, 0.85%, 0.28%

LAB 27.45, 48.05, 22.76

 

CMYK 92 / 0 / 72 / 48

HEX #0B8425

RGB 11 132 37

HSL 132.89, 0.85%, 0.28%

LAB 47.89, -49.85, 40.93

 

CMYK 35 / 92 / 0 / 48

HEX #570B85

RGB 87 11 133

HSL 277.38, 0.85%, 0.28%

LAB 23.54, 51.27, -50.11

 

CMYK 0 / 35 / 92 / 48

HEX #84560B

RGB 132 86 11

HSL 37.19, 0.85%, 0.28%

LAB 40.55, 13.23, 45.87

 

CMYK 92 / 0 / 35 / 48

HEX #0B8456

RGB 11 132 86

HSL 157.19, 0.85%, 0.28%

LAB 48.57, -41.73, 16.51

 

CMYK 35 / 92 / 0 / 48

HEX #570B85

RGB 87 11 133

HSL 277.38, 0.85%, 0.28%

LAB 23.54, 51.27, -50.11

 

CMYK 0 / 92 / 75 / 48

HEX #840B21

RGB 132 11 33

HSL 349.09, 0.85%, 0.28%

LAB 27.45, 48.05, 22.76

 

CMYK 57 / 0 / 92 / 48

HEX #39840B

RGB 57 132 11

HSL 97.19, 0.85%, 0.28%

LAB 48.76, -43.09, 50.27

 

CMYK 92 / 0 / 17 / 48

HEX #0B846E

RGB 11 132 110

HSL 169.09, 0.85%, 0.28%

LAB 49.13, -35.57, 3.39

 

CMYK 35 / 92 / 0 / 48

HEX #570B85

RGB 87 11 133

HSL 277.38, 0.85%, 0.28%

LAB 23.54, 51.27, -50.11

 

CMYK 0 / 81 / 92 / 48

HEX #84190B

RGB 132 25 11

HSL 6.94, 0.85%, 0.28%

LAB 28.45, 43.86, 36.47

 

CMYK 57 / 0 / 92 / 48

HEX #39840B

RGB 57 132 11

HSL 97.19, 0.85%, 0.28%

LAB 48.76, -43.09, 50.27

 

CMYK 92 / 11 / 0 / 48

HEX #0B7684

RGB 11 118 132

HSL 186.94, 0.85%, 0.28%

LAB 45.21, -21.81, -15.44

 

Description

Color code: HEX #570B85 | qconv.com Color code: HEX #570B85 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 11 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 11 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 92 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 92% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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