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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #56EF63 it is the complementary color #A9109C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #56EF63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #56EF63 shade: #5BEF5E, #6CFF71, #7DFF84, #8EFF97 and #9FFFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #56EF63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #56EF63 shade: #56EF63, #45DD50, #34CB3D, #23B92A and #12A717

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #56EF63 shade: #57EF64, #73EF57, #9CEF57, #C5EF57 and #EEEF57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #56EF63 shade: #57EF64, #57EF8D, #57EFB6, #57EFDF and #57D6EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #56EF63 shade matches the following richer shades: #57EF64 and #48FE58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #56EF63 shade: #57EF64, #66E170, #75D27D, #84C389 and #92B495

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #56EF63 shade: #9CEF57, #73EF57, #57EF64, #57EF8C and #57EFB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #56EF63 shade: #15DF26, #31EC41, #57EF64, #7DF387 and #A3F6AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #56EF63 shade: #56EF63, #57C4EF and #EF5787

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #56EF63 shade: #56EF63, #6457EF and #EF6457

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #56EF63 shade: #56EF63, #57C4EF, #EF57E3 and #EF8257

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #56EF63 shade: #56EF63, #5797EF, #EF57E3 and #EFB057

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 59 / 6

HEX #56EF63

RGB 86 239 99

HSL 125.1, 0.83%, 0.64%

LAB 84.28, -67.32, 54.96

 

Complementary color

CMYK 0 / 91 / 8 / 34

HEX #A9109C

RGB 169 16 156

HSL 305.1, 0.83%, 0.36%

LAB 39.93, 68.47, -37.14

 

CMYK 62 / 0 / 61 / 6

HEX #5BEF5E

RGB 91 239 94

HSL 121.22, 0.82%, 0.65%

LAB 84.36, -66.85, 57.25

 

CMYK 58 / 0 / 56 / 0

HEX #6CFF71

RGB 108 255 113

HSL 122.04, 1%, 0.71%

LAB 89.81, -66.61, 55.4

 

CMYK 51 / 0 / 48 / 0

HEX #7DFF84

RGB 125 255 132

HSL 123.23, 1%, 0.75%

LAB 90.57, -60.14, 47.73

 

CMYK 44 / 0 / 41 / 0

HEX #8EFF97

RGB 142 255 151

HSL 124.78, 1%, 0.78%

LAB 91.46, -52.95, 39.86

 

CMYK 38 / 0 / 33 / 0

HEX #9FFFAA

RGB 159 255 170

HSL 126.88, 1%, 0.81%

LAB 92.48, -45.18, 31.92

 

CMYK 64 / 0 / 59 / 6

HEX #56EF63

RGB 86 239 99

HSL 125.1, 0.83%, 0.64%

LAB 84.28, -67.32, 54.96

 

CMYK 69 / 0 / 64 / 13

HEX #45DD50

RGB 69 221 80

HSL 124.34, 0.69%, 0.57%

LAB 78.2, -66.53, 56.1

 

CMYK 74 / 0 / 70 / 20

HEX #34CB3D

RGB 52 203 61

HSL 123.58, 0.59%, 0.5%

LAB 72.08, -65.33, 57

 

CMYK 81 / 0 / 77 / 27

HEX #23B92A

RGB 35 185 42

HSL 122.8, 0.68%, 0.43%

LAB 65.92, -63.55, 57.42

 

CMYK 89 / 0 / 86 / 35

HEX #12A717

RGB 18 167 23

HSL 122.01, 0.81%, 0.36%

LAB 59.73, -60.98, 56.95

 

CMYK 64 / 0 / 58 / 6

HEX #57EF64

RGB 87 239 100

HSL 125.13, 0.83%, 0.64%

LAB 84.32, -67, 54.57

 

CMYK 52 / 0 / 64 / 6

HEX #73EF57

RGB 115 239 87

HSL 108.95, 0.83%, 0.64%

LAB 85.03, -61.85, 61.11

 

CMYK 35 / 0 / 64 / 6

HEX #9CEF57

RGB 156 239 87

HSL 92.76, 0.83%, 0.64%

LAB 86.75, -49.46, 63.48

 

CMYK 18 / 0 / 64 / 6

HEX #C5EF57

RGB 197 239 87

HSL 76.58, 0.83%, 0.64%

LAB 89.06, -34.65, 66.65

 

CMYK 0 / 0 / 64 / 6

HEX #EEEF57

RGB 238 239 87

HSL 60.39, 0.83%, 0.64%

LAB 91.95, -18.46, 70.58

 

CMYK 64 / 0 / 58 / 6

HEX #57EF64

RGB 87 239 100

HSL 125.13, 0.83%, 0.64%

LAB 84.32, -67, 54.57

 

CMYK 64 / 0 / 41 / 6

HEX #57EF8D

RGB 87 239 141

HSL 141.32, 0.83%, 0.64%

LAB 84.83, -61.17, 35.83

 

CMYK 64 / 0 / 24 / 6

HEX #57EFB6

RGB 87 239 182

HSL 157.5, 0.83%, 0.64%

LAB 85.57, -53.26, 15.91

 

CMYK 64 / 0 / 7 / 6

HEX #57EFDF

RGB 87 239 223

HSL 173.68, 0.83%, 0.64%

LAB 86.55, -43.52, -4.12

 

CMYK 64 / 10 / 0 / 6

HEX #57D6EF

RGB 87 214 239

HSL 189.87, 0.83%, 0.64%

LAB 79.81, -27.5, -22.67

 

CMYK 64 / 0 / 58 / 6

HEX #57EF64

RGB 87 239 100

HSL 125.13, 0.83%, 0.64%

LAB 84.32, -67, 54.57

 

CMYK 72 / 0 / 65 / 0

HEX #48FE58

RGB 72 254 88

HSL 125.27, 0.99%, 0.64%

LAB 88.43, -75.83, 64.11

 

CMYK 64 / 0 / 58 / 6

HEX #57EF64

RGB 87 239 100

HSL 125.13, 0.83%, 0.64%

LAB 84.32, -67, 54.57

 

CMYK 55 / 0 / 50 / 12

HEX #66E170

RGB 102 225 112

HSL 124.88, 0.67%, 0.64%

LAB 80.65, -57.1, 44.78

 

CMYK 44 / 0 / 40 / 18

HEX #75D27D

RGB 117 210 125

HSL 125.16, 0.51%, 0.64%

LAB 76.89, -45.18, 33.71

 

CMYK 32 / 0 / 30 / 24

HEX #84C389

RGB 132 195 137

HSL 124.76, 0.34%, 0.64%

LAB 73.38, -31.9, 22.91

 

CMYK 19 / 0 / 17 / 29

HEX #92B495

RGB 146 180 149

HSL 125.29, 0.18%, 0.64%

LAB 70.12, -17.68, 12.06

 

CMYK 35 / 0 / 64 / 6

HEX #9CEF57

RGB 156 239 87

HSL 92.76, 0.83%, 0.64%

LAB 86.75, -49.46, 63.48

 

CMYK 52 / 0 / 64 / 6

HEX #73EF57

RGB 115 239 87

HSL 108.95, 0.83%, 0.64%

LAB 85.03, -61.85, 61.11

 

CMYK 64 / 0 / 58 / 6

HEX #57EF64

RGB 87 239 100

HSL 125.13, 0.83%, 0.64%

LAB 84.32, -67, 54.57

 

CMYK 64 / 0 / 41 / 6

HEX #57EF8C

RGB 87 239 140

HSL 140.92, 0.83%, 0.64%

LAB 84.82, -61.34, 36.3

 

CMYK 64 / 0 / 24 / 6

HEX #57EFB5

RGB 87 239 181

HSL 157.11, 0.83%, 0.64%

LAB 85.55, -53.48, 16.4

 

CMYK 91 / 0 / 83 / 13

HEX #15DF26

RGB 21 223 38

HSL 125.05, 0.83%, 0.48%

LAB 77.92, -75.95, 69.77

 

CMYK 79 / 0 / 72 / 7

HEX #31EC41

RGB 49 236 65

HSL 125.13, 0.83%, 0.56%

LAB 82.39, -75.49, 66.16

 

CMYK 64 / 0 / 58 / 6

HEX #57EF64

RGB 87 239 100

HSL 125.13, 0.83%, 0.64%

LAB 84.32, -67, 54.57

 

CMYK 49 / 0 / 44 / 5

HEX #7DF387

RGB 125 243 135

HSL 125.08, 0.83%, 0.72%

LAB 87.1, -55.04, 41.93

 

CMYK 34 / 0 / 31 / 4

HEX #A3F6AA

RGB 163 246 170

HSL 125.06, 0.82%, 0.8%

LAB 90.14, -40.04, 28.8

 

CMYK 64 / 0 / 59 / 6

HEX #56EF63

RGB 86 239 99

HSL 125.1, 0.83%, 0.64%

LAB 84.28, -67.32, 54.96

 

CMYK 64 / 18 / 0 / 6

HEX #57C4EF

RGB 87 196 239

HSL 196.97, 0.83%, 0.64%

LAB 74.66, -18.43, -30.55

 

CMYK 0 / 64 / 44 / 6

HEX #EF5787

RGB 239 87 135

HSL 341.05, 0.83%, 0.64%

LAB 58.9, 62.13, 5.32

 

CMYK 64 / 0 / 59 / 6

HEX #56EF63

RGB 86 239 99

HSL 125.1, 0.83%, 0.64%

LAB 84.28, -67.32, 54.96

 

CMYK 58 / 64 / 0 / 6

HEX #6457EF

RGB 100 87 239

HSL 245.13, 0.83%, 0.64%

LAB 46.65, 47.03, -74.98

 

CMYK 0 / 58 / 64 / 6

HEX #EF6457

RGB 239 100 87

HSL 5.13, 0.83%, 0.64%

LAB 60.03, 52.75, 34.55

 

CMYK 64 / 0 / 59 / 6

HEX #56EF63

RGB 86 239 99

HSL 125.1, 0.83%, 0.64%

LAB 84.28, -67.32, 54.96

 

CMYK 64 / 18 / 0 / 6

HEX #57C4EF

RGB 87 196 239

HSL 196.97, 0.83%, 0.64%

LAB 74.66, -18.43, -30.55

 

CMYK 0 / 64 / 5 / 6

HEX #EF57E3

RGB 239 87 227

HSL 304.74, 0.83%, 0.64%

LAB 62.26, 73.86, -42.33

 

CMYK 0 / 46 / 64 / 6

HEX #EF8257

RGB 239 130 87

HSL 16.97, 0.83%, 0.64%

LAB 65.75, 38.18, 41.5

 

CMYK 64 / 0 / 59 / 6

HEX #56EF63

RGB 86 239 99

HSL 125.1, 0.83%, 0.64%

LAB 84.28, -67.32, 54.96

 

CMYK 64 / 37 / 0 / 6

HEX #5797EF

RGB 87 151 239

HSL 214.74, 0.83%, 0.64%

LAB 61.99, 6.44, -50.35

 

CMYK 0 / 64 / 5 / 6

HEX #EF57E3

RGB 239 87 227

HSL 304.74, 0.83%, 0.64%

LAB 62.26, 73.86, -42.33

 

CMYK 0 / 26 / 64 / 6

HEX #EFB057

RGB 239 176 87

HSL 35.13, 0.83%, 0.64%

LAB 76.12, 14.05, 53.52

 

Description

Color code: HEX #56EF63 | qconv.com Color code: HEX #56EF63 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 239 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 239 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 59 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 59% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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