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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #56EC6F it is the complementary color #A91390. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #56EC6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #56EC6F shade: #5BEC6A, #6CFE7D, #7DFF90, #8EFFA3 and #9FFFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #56EC6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #56EC6F shade: #56EC6F, #45DA5C, #34C849, #23B636 and #12A423

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #56EC6F shade: #55EC6E, #65EC55, #8DEC55, #B6EC55 and #DFEC55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #56EC6F shade: #55EC6E, #55EC97, #55ECC0, #55ECE8 and #55C7EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #56EC6F shade matches the following richer shades: #55EC6E and #46FB64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #56EC6F shade: #55EC6E, #64DD79, #74CE83, #83BE8D and #92AF97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #56EC6F shade: #8DEC55, #64EC55, #55EC6E, #55EC97 and #55ECBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #56EC6F shade: #18D738, #30E84F, #55EC6E, #7AF08E and #9FF4AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #56EC6F shade: #56EC6F, #55B5EC and #EC5578

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #56EC6F shade: #56EC6F, #6E55EC and #EC6E55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #56EC6F shade: #56EC6F, #55B5EC, #EC55D3 and #EC8D55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #56EC6F shade: #56EC6F, #5587EC, #EC55D3 and #ECBA55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 53 / 7

HEX #56EC6F

RGB 86 236 111

HSL 130, 0.8%, 0.63%

LAB 83.5, -64.79, 48.62

 

Complementary color

CMYK 0 / 89 / 15 / 34

HEX #A91390

RGB 169 19 144

HSL 310, 0.8%, 0.37%

LAB 39.44, 66.31, -30.62

 

CMYK 61 / 0 / 55 / 7

HEX #5BEC6A

RGB 91 236 106

HSL 126.21, 0.79%, 0.64%

LAB 83.58, -64.42, 51.04

 

CMYK 57 / 0 / 51 / 0

HEX #6CFE7D

RGB 108 254 125

HSL 126.99, 0.99%, 0.71%

LAB 89.65, -64.75, 49.75

 

CMYK 51 / 0 / 44 / 0

HEX #7DFF90

RGB 125 255 144

HSL 128.77, 1%, 0.75%

LAB 90.73, -58.45, 42.2

 

CMYK 44 / 0 / 36 / 0

HEX #8EFFA3

RGB 142 255 163

HSL 131.15, 1%, 0.78%

LAB 91.65, -51.09, 34.18

 

CMYK 38 / 0 / 29 / 0

HEX #9FFFB6

RGB 159 255 182

HSL 134.38, 1%, 0.81%

LAB 92.69, -43.19, 26.16

 

CMYK 64 / 0 / 53 / 7

HEX #56EC6F

RGB 86 236 111

HSL 130, 0.8%, 0.63%

LAB 83.5, -64.79, 48.62

 

CMYK 68 / 0 / 58 / 15

HEX #45DA5C

RGB 69 218 92

HSL 129.26, 0.67%, 0.56%

LAB 77.39, -64.17, 49.95

 

CMYK 74 / 0 / 64 / 22

HEX #34C849

RGB 52 200 73

HSL 128.51, 0.59%, 0.49%

LAB 71.23, -63.18, 51.2

 

CMYK 81 / 0 / 70 / 29

HEX #23B636

RGB 35 182 54

HSL 127.76, 0.68%, 0.43%

LAB 65.03, -61.66, 52.21

 

CMYK 89 / 0 / 79 / 36

HEX #12A423

RGB 18 164 35

HSL 126.99, 0.8%, 0.36%

LAB 58.79, -59.39, 52.7

 

CMYK 64 / 0 / 53 / 7

HEX #55EC6E

RGB 85 236 110

HSL 129.93, 0.8%, 0.63%

LAB 83.47, -65.12, 49.04

 

CMYK 57 / 0 / 64 / 7

HEX #65EC55

RGB 101 236 85

HSL 113.64, 0.8%, 0.63%

LAB 83.66, -64.48, 60.29

 

CMYK 40 / 0 / 64 / 7

HEX #8DEC55

RGB 141 236 85

HSL 97.75, 0.8%, 0.63%

LAB 85.15, -53.31, 62.35

 

CMYK 23 / 0 / 64 / 7

HEX #B6EC55

RGB 182 236 85

HSL 81.46, 0.8%, 0.63%

LAB 87.29, -39.09, 65.28

 

CMYK 6 / 0 / 64 / 7

HEX #DFEC55

RGB 223 236 85

HSL 65.17, 0.8%, 0.63%

LAB 90.01, -23.17, 68.99

 

CMYK 64 / 0 / 53 / 7

HEX #55EC6E

RGB 85 236 110

HSL 129.93, 0.8%, 0.63%

LAB 83.47, -65.12, 49.04

 

CMYK 64 / 0 / 36 / 7

HEX #55EC97

RGB 85 236 151

HSL 146.23, 0.8%, 0.63%

LAB 84.05, -58.65, 29.75

 

CMYK 64 / 0 / 19 / 7

HEX #55ECC0

RGB 85 236 192

HSL 162.52, 0.8%, 0.63%

LAB 84.86, -50.13, 9.67

 

CMYK 64 / 0 / 2 / 7

HEX #55ECE8

RGB 85 236 232

HSL 178.41, 0.8%, 0.63%

LAB 85.88, -40.12, -9.84

 

CMYK 64 / 16 / 0 / 7

HEX #55C7EC

RGB 85 199 236

HSL 194.7, 0.8%, 0.63%

LAB 75.35, -21.21, -27.89

 

CMYK 64 / 0 / 53 / 7

HEX #55EC6E

RGB 85 236 110

HSL 129.93, 0.8%, 0.63%

LAB 83.47, -65.12, 49.04

 

CMYK 72 / 0 / 60 / 2

HEX #46FB64

RGB 70 251 100

HSL 129.94, 0.96%, 0.63%

LAB 87.59, -73.94, 58.25

 

CMYK 64 / 0 / 53 / 7

HEX #55EC6E

RGB 85 236 110

HSL 129.93, 0.8%, 0.63%

LAB 83.47, -65.12, 49.04

 

CMYK 55 / 0 / 45 / 13

HEX #64DD79

RGB 100 221 121

HSL 130.41, 0.64%, 0.63%

LAB 79.5, -54.76, 38.95

 

CMYK 44 / 0 / 36 / 19

HEX #74CE83

RGB 116 206 131

HSL 130, 0.48%, 0.63%

LAB 75.76, -42.78, 29.13

 

CMYK 31 / 0 / 26 / 25

HEX #83BE8D

RGB 131 190 141

HSL 130.17, 0.31%, 0.63%

LAB 71.94, -29.14, 18.8

 

CMYK 17 / 0 / 14 / 31

HEX #92AF97

RGB 146 175 151

HSL 130.34, 0.15%, 0.63%

LAB 68.76, -14.72, 9.02

 

CMYK 40 / 0 / 64 / 7

HEX #8DEC55

RGB 141 236 85

HSL 97.75, 0.8%, 0.63%

LAB 85.15, -53.31, 62.35

 

CMYK 58 / 0 / 64 / 7

HEX #64EC55

RGB 100 236 85

HSL 114.04, 0.8%, 0.63%

LAB 83.63, -64.71, 60.25

 

CMYK 64 / 0 / 53 / 7

HEX #55EC6E

RGB 85 236 110

HSL 129.93, 0.8%, 0.63%

LAB 83.47, -65.12, 49.04

 

CMYK 64 / 0 / 36 / 7

HEX #55EC97

RGB 85 236 151

HSL 146.23, 0.8%, 0.63%

LAB 84.05, -58.65, 29.75

 

CMYK 64 / 0 / 19 / 7

HEX #55ECBF

RGB 85 236 191

HSL 162.12, 0.8%, 0.63%

LAB 84.83, -50.36, 10.16

 

CMYK 89 / 0 / 74 / 16

HEX #18D738

RGB 24 215 56

HSL 130.05, 0.8%, 0.47%

LAB 75.5, -72.38, 62.2

 

CMYK 79 / 0 / 66 / 9

HEX #30E84F

RGB 48 232 79

HSL 130.11, 0.8%, 0.55%

LAB 81.24, -73.17, 59.73

 

CMYK 64 / 0 / 53 / 7

HEX #55EC6E

RGB 85 236 110

HSL 129.93, 0.8%, 0.63%

LAB 83.47, -65.12, 49.04

 

CMYK 49 / 0 / 41 / 6

HEX #7AF08E

RGB 122 240 142

HSL 130.17, 0.8%, 0.71%

LAB 86.21, -53.58, 37.33

 

CMYK 35 / 0 / 29 / 4

HEX #9FF4AE

RGB 159 244 174

HSL 130.59, 0.79%, 0.79%

LAB 89.45, -39.69, 25.8

 

CMYK 64 / 0 / 53 / 7

HEX #56EC6F

RGB 86 236 111

HSL 130, 0.8%, 0.63%

LAB 83.5, -64.79, 48.62

 

CMYK 64 / 23 / 0 / 7

HEX #55B5EC

RGB 85 181 236

HSL 201.85, 0.8%, 0.63%

LAB 70.2, -11.78, -35.83

 

CMYK 0 / 64 / 49 / 7

HEX #EC5578

RGB 236 85 120

HSL 346.09, 0.8%, 0.63%

LAB 57.74, 60.66, 12.4

 

CMYK 64 / 0 / 53 / 7

HEX #56EC6F

RGB 86 236 111

HSL 130, 0.8%, 0.63%

LAB 83.5, -64.79, 48.62

 

CMYK 53 / 64 / 0 / 7

HEX #6E55EC

RGB 110 85 236

HSL 249.93, 0.8%, 0.63%

LAB 46.8, 48.89, -73.03

 

CMYK 0 / 53 / 64 / 7

HEX #EC6E55

RGB 236 110 85

HSL 9.93, 0.8%, 0.63%

LAB 61.34, 46.88, 37.16

 

CMYK 64 / 0 / 53 / 7

HEX #56EC6F

RGB 86 236 111

HSL 130, 0.8%, 0.63%

LAB 83.5, -64.79, 48.62

 

CMYK 64 / 23 / 0 / 7

HEX #55B5EC

RGB 85 181 236

HSL 201.85, 0.8%, 0.63%

LAB 70.2, -11.78, -35.83

 

CMYK 0 / 64 / 11 / 7

HEX #EC55D3

RGB 236 85 211

HSL 309.93, 0.8%, 0.63%

LAB 60.81, 71.46, -35.64

 

CMYK 0 / 40 / 64 / 7

HEX #EC8D55

RGB 236 141 85

HSL 22.25, 0.8%, 0.63%

LAB 67.68, 31.18, 44.72

 

CMYK 64 / 0 / 53 / 7

HEX #56EC6F

RGB 86 236 111

HSL 130, 0.8%, 0.63%

LAB 83.5, -64.79, 48.62

 

CMYK 64 / 43 / 0 / 7

HEX #5587EC

RGB 85 135 236

HSL 220.13, 0.8%, 0.63%

LAB 57.38, 14.6, -56.03

 

CMYK 0 / 64 / 11 / 7

HEX #EC55D3

RGB 236 85 211

HSL 309.93, 0.8%, 0.63%

LAB 60.81, 71.46, -35.64

 

CMYK 0 / 21 / 64 / 7

HEX #ECBA55

RGB 236 186 85

HSL 40.13, 0.8%, 0.63%

LAB 78.23, 7.41, 56.7

 

Description

Color code: HEX #56EC6F | qconv.com Color code: HEX #56EC6F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 236 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 236 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 53 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 53% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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