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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #56DDB2 it is the complementary color #A9224D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #56DDB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #56DDB2 shade: #5BDDAD, #6CEFC0, #7DFFD3, #8EFFE6 and #9FFFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #56DDB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #56DDB2 shade: #56DDB2, #45CB9F, #34B98C, #23A779 and #129566

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #56DDB2 shade: #54DDB1, #54DD8C, #54DD68, #66DD54 and #8ADD54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #56DDB2 shade: #54DDB1, #54DDD6, #54BFDD, #549ADD and #5475DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #56DDB2 shade matches the following richer shades: #54DDB1, #44EDB7 and #33FEBD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #56DDB2 shade: #54DDB1, #65CCAB, #75BCA5, #86AB9F and #969B99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #56DDB2 shade: #54DD66, #54DD8B, #54DDAF, #54DDD4 and #54C2DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #56DDB2 shade: #24BA8A, #32D6A2, #54DDB1, #77E4C1 and #99EAD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #56DDB2 shade: #56DDB2, #5466DD and #DD7954

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #56DDB2 shade: #56DDB2, #AF54DD and #DDAF54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #56DDB2 shade: #56DDB2, #5466DD, #DD5482 and #DDCB54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #56DDB2 shade: #56DDB2, #6B54DD, #DD5482 and #C6DD54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 19 / 13

HEX #56DDB2

RGB 86 221 178

HSL 160.89, 0.67%, 0.6%

LAB 80.13, -46.87, 10.3

 

Complementary color

CMYK 0 / 80 / 54 / 34

HEX #A9224D

RGB 169 34 77

HSL 340.89, 0.67%, 0.4%

LAB 38.05, 55.62, 9.38

 

CMYK 59 / 0 / 22 / 13

HEX #5BDDAD

RGB 91 221 173

HSL 157.85, 0.66%, 0.61%

LAB 80.15, -47.04, 13

 

CMYK 55 / 0 / 20 / 6

HEX #6CEFC0

RGB 108 239 192

HSL 158.47, 0.8%, 0.68%

LAB 86.37, -47.08, 11.91

 

CMYK 51 / 0 / 17 / 0

HEX #7DFFD3

RGB 125 255 211

HSL 159.69, 1%, 0.75%

LAB 91.95, -46.18, 10.09

 

CMYK 44 / 0 / 10 / 0

HEX #8EFFE6

RGB 142 255 230

HSL 166.73, 1%, 0.78%

LAB 93.01, -38.11, 1.89

 

CMYK 38 / 0 / 2 / 0

HEX #9FFFF9

RGB 159 255 249

HSL 176.25, 1%, 0.81%

LAB 94.2, -29.65, -6.1

 

CMYK 61 / 0 / 19 / 13

HEX #56DDB2

RGB 86 221 178

HSL 160.89, 0.67%, 0.6%

LAB 80.13, -46.87, 10.3

 

CMYK 66 / 0 / 22 / 20

HEX #45CB9F

RGB 69 203 159

HSL 160.3, 0.56%, 0.53%

LAB 73.86, -46.62, 11.46

 

CMYK 72 / 0 / 24 / 27

HEX #34B98C

RGB 52 185 140

HSL 159.7, 0.56%, 0.46%

LAB 67.52, -46.18, 12.74

 

CMYK 79 / 0 / 28 / 35

HEX #23A779

RGB 35 167 121

HSL 159.09, 0.65%, 0.4%

LAB 61.11, -45.44, 14.16

 

CMYK 88 / 0 / 32 / 42

HEX #129566

RGB 18 149 102

HSL 158.47, 0.78%, 0.33%

LAB 54.64, -44.28, 15.76

 

CMYK 62 / 0 / 20 / 13

HEX #54DDB1

RGB 84 221 177

HSL 160.73, 0.67%, 0.6%

LAB 80.05, -47.46, 10.71

 

CMYK 62 / 0 / 37 / 13

HEX #54DD8C

RGB 84 221 140

HSL 144.53, 0.67%, 0.6%

LAB 79.32, -55.09, 29.04

 

CMYK 62 / 0 / 53 / 13

HEX #54DD68

RGB 84 221 104

HSL 128.76, 0.67%, 0.6%

LAB 78.81, -60.78, 46.2

 

CMYK 54 / 0 / 62 / 13

HEX #66DD54

RGB 102 221 84

HSL 112.12, 0.67%, 0.6%

LAB 79.14, -58.91, 55.71

 

CMYK 38 / 0 / 62 / 13

HEX #8ADD54

RGB 138 221 84

HSL 96.35, 0.67%, 0.6%

LAB 80.6, -48.25, 57.74

 

CMYK 62 / 0 / 20 / 13

HEX #54DDB1

RGB 84 221 177

HSL 160.73, 0.67%, 0.6%

LAB 80.05, -47.46, 10.71

 

CMYK 62 / 0 / 3 / 13

HEX #54DDD6

RGB 84 221 214

HSL 176.93, 0.67%, 0.6%

LAB 80.99, -38.28, -7.59

 

CMYK 62 / 14 / 0 / 13

HEX #54BFDD

RGB 84 191 221

HSL 193.14, 0.67%, 0.6%

LAB 72.47, -21.82, -24.17

 

CMYK 62 / 30 / 0 / 13

HEX #549ADD

RGB 84 154 221

HSL 209.34, 0.67%, 0.6%

LAB 61.84, -1.79, -40.64

 

CMYK 62 / 47 / 0 / 13

HEX #5475DD

RGB 84 117 221

HSL 225.55, 0.67%, 0.6%

LAB 51.64, 20.33, -56.82

 

CMYK 62 / 0 / 20 / 13

HEX #54DDB1

RGB 84 221 177

HSL 160.73, 0.67%, 0.6%

LAB 80.05, -47.46, 10.71

 

CMYK 71 / 0 / 23 / 7

HEX #44EDB7

RGB 68 237 183

HSL 160.83, 0.82%, 0.6%

LAB 84.6, -55.15, 13.95

 

CMYK 80 / 0 / 26 / 0

HEX #33FEBD

RGB 51 254 189

HSL 160.79, 0.99%, 0.6%

LAB 89.52, -62.27, 17.73

 

CMYK 62 / 0 / 20 / 13

HEX #54DDB1

RGB 84 221 177

HSL 160.73, 0.67%, 0.6%

LAB 80.05, -47.46, 10.71

 

CMYK 50 / 0 / 16 / 20

HEX #65CCAB

RGB 101 204 171

HSL 160.78, 0.5%, 0.6%

LAB 75.38, -37.89, 7.32

 

CMYK 38 / 0 / 12 / 26

HEX #75BCA5

RGB 117 188 165

HSL 160.56, 0.35%, 0.6%

LAB 71.19, -27.58, 4.62

 

CMYK 22 / 0 / 7 / 33

HEX #86AB9F

RGB 134 171 159

HSL 160.54, 0.18%, 0.6%

LAB 67.05, -15.09, 2.05

 

CMYK 3 / 0 / 1 / 39

HEX #969B99

RGB 150 155 153

HSL 156, 0.02%, 0.6%

LAB 63.53, -2.18, 0.41

 

CMYK 62 / 0 / 54 / 13

HEX #54DD66

RGB 84 221 102

HSL 127.88, 0.67%, 0.6%

LAB 78.79, -61.05, 47.11

 

CMYK 62 / 0 / 37 / 13

HEX #54DD8B

RGB 84 221 139

HSL 144.09, 0.67%, 0.6%

LAB 79.31, -55.27, 29.53

 

CMYK 62 / 0 / 21 / 13

HEX #54DDAF

RGB 84 221 175

HSL 159.85, 0.67%, 0.6%

LAB 80.01, -47.92, 11.71

 

CMYK 62 / 0 / 4 / 13

HEX #54DDD4

RGB 84 221 212

HSL 176.06, 0.67%, 0.6%

LAB 80.93, -38.81, -6.6

 

CMYK 62 / 12 / 0 / 13

HEX #54C2DD

RGB 84 194 221

HSL 191.82, 0.67%, 0.6%

LAB 73.34, -23.34, -22.85

 

CMYK 81 / 0 / 26 / 27

HEX #24BA8A

RGB 36 186 138

HSL 160.8, 0.68%, 0.44%

LAB 67.52, -49, 13.8

 

CMYK 77 / 0 / 24 / 16

HEX #32D6A2

RGB 50 214 162

HSL 160.98, 0.67%, 0.52%

LAB 76.91, -53.05, 14.12

 

CMYK 62 / 0 / 20 / 13

HEX #54DDB1

RGB 84 221 177

HSL 160.73, 0.67%, 0.6%

LAB 80.05, -47.46, 10.71

 

CMYK 48 / 0 / 15 / 11

HEX #77E4C1

RGB 119 228 193

HSL 160.73, 0.67%, 0.68%

LAB 83.58, -39.59, 7.45

 

CMYK 35 / 0 / 11 / 8

HEX #99EAD1

RGB 153 234 209

HSL 161.48, 0.66%, 0.76%

LAB 87.11, -30.13, 4.31

 

CMYK 61 / 0 / 19 / 13

HEX #56DDB2

RGB 86 221 178

HSL 160.89, 0.67%, 0.6%

LAB 80.13, -46.87, 10.3

 

CMYK 62 / 54 / 0 / 13

HEX #5466DD

RGB 84 102 221

HSL 232.12, 0.67%, 0.6%

LAB 47.76, 29.62, -63.07

 

CMYK 0 / 45 / 62 / 13

HEX #DD7954

RGB 221 121 84

HSL 16.2, 0.67%, 0.6%

LAB 61.38, 35.62, 37.26

 

CMYK 61 / 0 / 19 / 13

HEX #56DDB2

RGB 86 221 178

HSL 160.89, 0.67%, 0.6%

LAB 80.13, -46.87, 10.3

 

CMYK 21 / 62 / 0 / 13

HEX #AF54DD

RGB 175 84 221

HSL 279.85, 0.67%, 0.6%

LAB 52.59, 58.93, -54.85

 

CMYK 0 / 21 / 62 / 13

HEX #DDAF54

RGB 221 175 84

HSL 39.85, 0.67%, 0.6%

LAB 73.98, 6.84, 52

 

CMYK 61 / 0 / 19 / 13

HEX #56DDB2

RGB 86 221 178

HSL 160.89, 0.67%, 0.6%

LAB 80.13, -46.87, 10.3

 

CMYK 62 / 54 / 0 / 13

HEX #5466DD

RGB 84 102 221

HSL 232.12, 0.67%, 0.6%

LAB 47.76, 29.62, -63.07

 

CMYK 0 / 62 / 41 / 13

HEX #DD5482

RGB 221 84 130

HSL 339.85, 0.67%, 0.6%

LAB 55.41, 57.36, 2.86

 

CMYK 0 / 8 / 62 / 13

HEX #DDCB54

RGB 221 203 84

HSL 52.12, 0.67%, 0.6%

LAB 81.14, -7.75, 59.91

 

CMYK 61 / 0 / 19 / 13

HEX #56DDB2

RGB 86 221 178

HSL 160.89, 0.67%, 0.6%

LAB 80.13, -46.87, 10.3

 

CMYK 52 / 62 / 0 / 13

HEX #6B54DD

RGB 107 84 221

HSL 250.07, 0.67%, 0.6%

LAB 45.2, 44.51, -67.15

 

CMYK 0 / 62 / 41 / 13

HEX #DD5482

RGB 221 84 130

HSL 339.85, 0.67%, 0.6%

LAB 55.41, 57.36, 2.86

 

CMYK 10 / 0 / 62 / 13

HEX #C6DD54

RGB 198 221 84

HSL 70.07, 0.67%, 0.6%

LAB 84.15, -26.07, 62.64

 

Description

Color code: HEX #56DDB2 | qconv.com Color code: HEX #56DDB2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 221 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 221 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 19 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 19% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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