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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #56D454 it is the complementary color #A92BAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #56D454. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #56D454 shade: #5BD44F, #6CE662, #7DF875, #8EFF88 and #9FFF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #56D454. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #56D454 shade: #56D454, #45C241, #34B02E, #239E1B and #128C08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #56D454 shade: #56D454, #78D454, #9BD454, #BED454 and #D4C854

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #56D454 shade: #56D454, #54D474, #54D497, #54D4BA and #54CCD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #56D454 shade matches the following richer shades: #56D454, #45E542 and #34F731

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #56D454 shade: #56D454, #66C365, #77B276, #88A088 and #998F99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #56D454 shade: #9AD454, #78D454, #56D454, #54D474 and #54D496

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #56D454 shade: #2DAB2B, #35CC33, #56D454, #76DC75 and #97E596

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #56D454 shade: #56D454, #54BDD4 and #D45489

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #56D454 shade: #56D454, #5456D4 and #D45456

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #56D454 shade: #56D454, #54BDD4, #D254D4 and #D46B54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #56D454 shade: #56D454, #5496D4, #D254D4 and #D49254

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 60 / 17

HEX #56D454

RGB 86 212 84

HSL 119.06, 0.6%, 0.58%

LAB 75.89, -59.53, 51.9

 

Complementary color

CMYK 1 / 75 / 0 / 33

HEX #A92BAB

RGB 169 43 171

HSL 299.06, 0.6%, 0.42%

LAB 42.92, 64.58, -41.37

 

CMYK 57 / 0 / 63 / 17

HEX #5BD44F

RGB 91 212 79

HSL 114.59, 0.61%, 0.57%

LAB 75.99, -58.88, 54.22

 

CMYK 53 / 0 / 57 / 10

HEX #6CE662

RGB 108 230 98

HSL 115.45, 0.73%, 0.64%

LAB 82.2, -59.22, 53.15

 

CMYK 50 / 0 / 53 / 3

HEX #7DF875

RGB 125 248 117

HSL 116.34, 0.9%, 0.72%

LAB 88.34, -59.37, 51.97

 

CMYK 44 / 0 / 47 / 0

HEX #8EFF88

RGB 142 255 136

HSL 116.97, 1%, 0.77%

LAB 91.26, -55.06, 46.83

 

CMYK 38 / 0 / 39 / 0

HEX #9FFF9B

RGB 159 255 155

HSL 117.6, 1%, 0.8%

LAB 92.25, -47.48, 39.05

 

CMYK 59 / 0 / 60 / 17

HEX #56D454

RGB 86 212 84

HSL 119.06, 0.6%, 0.58%

LAB 75.89, -59.53, 51.9

 

CMYK 64 / 0 / 66 / 24

HEX #45C241

RGB 69 194 65

HSL 118.14, 0.51%, 0.51%

LAB 69.63, -58.89, 52.91

 

CMYK 70 / 0 / 74 / 31

HEX #34B02E

RGB 52 176 46

HSL 117.23, 0.59%, 0.44%

LAB 63.32, -57.82, 53.57

 

CMYK 78 / 0 / 83 / 38

HEX #239E1B

RGB 35 158 27

HSL 116.34, 0.71%, 0.36%

LAB 56.97, -56.13, 53.48

 

CMYK 87 / 0 / 94 / 45

HEX #128C08

RGB 18 140 8

HSL 115.45, 0.89%, 0.29%

LAB 50.57, -53.52, 52

 

CMYK 59 / 0 / 60 / 17

HEX #56D454

RGB 86 212 84

HSL 119.06, 0.6%, 0.58%

LAB 75.89, -59.53, 51.9

 

CMYK 43 / 0 / 60 / 17

HEX #78D454

RGB 120 212 84

HSL 103.13, 0.6%, 0.58%

LAB 77.11, -50.32, 53.62

 

CMYK 27 / 0 / 60 / 17

HEX #9BD454

RGB 155 212 84

HSL 86.72, 0.6%, 0.58%

LAB 78.87, -38.44, 56.06

 

CMYK 10 / 0 / 60 / 17

HEX #BED454

RGB 190 212 84

HSL 70.31, 0.6%, 0.58%

LAB 81.11, -24.95, 59.18

 

CMYK 0 / 6 / 60 / 17

HEX #D4C854

RGB 212 200 84

HSL 54.38, 0.6%, 0.58%

LAB 79.58, -9.97, 57.99

 

CMYK 59 / 0 / 60 / 17

HEX #56D454

RGB 86 212 84

HSL 119.06, 0.6%, 0.58%

LAB 75.89, -59.53, 51.9

 

CMYK 60 / 0 / 45 / 17

HEX #54D474

RGB 84 212 116

HSL 135, 0.6%, 0.58%

LAB 76.21, -55.71, 37.14

 

CMYK 60 / 0 / 29 / 17

HEX #54D497

RGB 84 212 151

HSL 151.41, 0.6%, 0.58%

LAB 76.8, -49.36, 19.9

 

CMYK 60 / 0 / 12 / 17

HEX #54D4BA

RGB 84 212 186

HSL 167.81, 0.6%, 0.58%

LAB 77.59, -41.43, 2.38

 

CMYK 60 / 4 / 0 / 17

HEX #54CCD4

RGB 84 204 212

HSL 183.75, 0.6%, 0.58%

LAB 75.96, -30.87, -14.02

 

CMYK 59 / 0 / 60 / 17

HEX #56D454

RGB 86 212 84

HSL 119.06, 0.6%, 0.58%

LAB 75.89, -59.53, 51.9

 

CMYK 70 / 0 / 71 / 10

HEX #45E542

RGB 69 229 66

HSL 118.9, 0.76%, 0.58%

LAB 80.57, -70.39, 64.06

 

CMYK 79 / 0 / 80 / 3

HEX #34F731

RGB 52 247 49

HSL 119.09, 0.93%, 0.58%

LAB 85.74, -79.37, 74.3

 

CMYK 59 / 0 / 60 / 17

HEX #56D454

RGB 86 212 84

HSL 119.06, 0.6%, 0.58%

LAB 75.89, -59.53, 51.9

 

CMYK 48 / 0 / 48 / 24

HEX #66C365

RGB 102 195 101

HSL 119.36, 0.44%, 0.58%

LAB 71.42, -46.72, 38.7

 

CMYK 33 / 0 / 34 / 30

HEX #77B276

RGB 119 178 118

HSL 119, 0.28%, 0.58%

LAB 67.33, -31.32, 24.76

 

CMYK 15 / 0 / 15 / 37

HEX #88A088

RGB 136 160 136

HSL 120, 0.11%, 0.58%

LAB 63.47, -13.18, 9.73

 

CMYK 0 / 7 / 0 / 40

HEX #998F99

RGB 153 143 153

HSL 300, 0.05%, 0.58%

LAB 60.53, 5.6, -3.96

 

CMYK 27 / 0 / 60 / 17

HEX #9AD454

RGB 154 212 84

HSL 87.19, 0.6%, 0.58%

LAB 78.81, -38.8, 55.98

 

CMYK 43 / 0 / 60 / 17

HEX #78D454

RGB 120 212 84

HSL 103.13, 0.6%, 0.58%

LAB 77.11, -50.32, 53.62

 

CMYK 59 / 0 / 60 / 17

HEX #56D454

RGB 86 212 84

HSL 119.06, 0.6%, 0.58%

LAB 75.89, -59.53, 51.9

 

CMYK 60 / 0 / 45 / 17

HEX #54D474

RGB 84 212 116

HSL 135, 0.6%, 0.58%

LAB 76.21, -55.71, 37.14

 

CMYK 60 / 0 / 29 / 17

HEX #54D496

RGB 84 212 150

HSL 150.94, 0.6%, 0.58%

LAB 76.78, -49.56, 20.4

 

CMYK 74 / 0 / 75 / 33

HEX #2DAB2B

RGB 45 171 43

HSL 119.06, 0.6%, 0.42%

LAB 61.53, -57.64, 52.79

 

CMYK 74 / 0 / 75 / 20

HEX #35CC33

RGB 53 204 51

HSL 119.22, 0.6%, 0.5%

LAB 72.35, -66.29, 60.87

 

CMYK 59 / 0 / 60 / 17

HEX #56D454

RGB 86 212 84

HSL 119.06, 0.6%, 0.58%

LAB 75.89, -59.53, 51.9

 

CMYK 46 / 0 / 47 / 14

HEX #76DC75

RGB 118 220 117

HSL 119.42, 0.6%, 0.66%

LAB 79.8, -50.23, 41.42

 

CMYK 34 / 0 / 34 / 10

HEX #97E596

RGB 151 229 150

HSL 119.24, 0.6%, 0.74%

LAB 84.39, -39.34, 31.14

 

CMYK 59 / 0 / 60 / 17

HEX #56D454

RGB 86 212 84

HSL 119.06, 0.6%, 0.58%

LAB 75.89, -59.53, 51.9

 

CMYK 60 / 11 / 0 / 17

HEX #54BDD4

RGB 84 189 212

HSL 190.78, 0.6%, 0.58%

LAB 71.58, -23.47, -20.64

 

CMYK 0 / 60 / 35 / 17

HEX #D45489

RGB 212 84 137

HSL 335.16, 0.6%, 0.58%

LAB 54.18, 55.33, -3.25

 

CMYK 59 / 0 / 60 / 17

HEX #56D454

RGB 86 212 84

HSL 119.06, 0.6%, 0.58%

LAB 75.89, -59.53, 51.9

 

CMYK 60 / 59 / 0 / 17

HEX #5456D4

RGB 84 86 212

HSL 239.06, 0.6%, 0.58%

LAB 43.2, 36.49, -65.34

 

CMYK 0 / 60 / 59 / 17

HEX #D45456

RGB 212 84 86

HSL 359.06, 0.6%, 0.58%

LAB 52.96, 50.6, 25.26

 

CMYK 59 / 0 / 60 / 17

HEX #56D454

RGB 86 212 84

HSL 119.06, 0.6%, 0.58%

LAB 75.89, -59.53, 51.9

 

CMYK 60 / 11 / 0 / 17

HEX #54BDD4

RGB 84 189 212

HSL 190.78, 0.6%, 0.58%

LAB 71.58, -23.47, -20.64

 

CMYK 1 / 60 / 0 / 17

HEX #D254D4

RGB 210 84 212

HSL 299.06, 0.6%, 0.58%

LAB 56.88, 65.6, -42.65

 

CMYK 0 / 50 / 60 / 17

HEX #D46B54

RGB 212 107 84

HSL 10.78, 0.6%, 0.58%

LAB 57.22, 39.35, 31.85

 

CMYK 59 / 0 / 60 / 17

HEX #56D454

RGB 86 212 84

HSL 119.06, 0.6%, 0.58%

LAB 75.89, -59.53, 51.9

 

CMYK 60 / 29 / 0 / 17

HEX #5496D4

RGB 84 150 212

HSL 209.06, 0.6%, 0.58%

LAB 60.29, -2.43, -38.05

 

CMYK 1 / 60 / 0 / 17

HEX #D254D4

RGB 210 84 212

HSL 299.06, 0.6%, 0.58%

LAB 56.88, 65.6, -42.65

 

CMYK 0 / 31 / 60 / 17

HEX #D49254

RGB 212 146 84

HSL 29.06, 0.6%, 0.58%

LAB 65.9, 18.62, 42.41

 

Description

Color code: HEX #56D454 | qconv.com Color code: HEX #56D454 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 212 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 212 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 60 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 60% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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