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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #56CB21 it is the complementary color #A934DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #56CB21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #56CB21 shade: #5BCB1C, #6CDD2F, #7DEF42, #8EFF55 and #9FFF68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #56CB21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #56CB21 shade: #56CB21, #45B90E, #34A700, #239500 and #128300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #56CB21 shade: #56CA21, #83CA21, #B1CA21, #CAB521 and #CA8821

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #56CB21 shade: #56CA21, #28CA21, #21CA47, #21CA75 and #21CAA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #56CB21 shade matches the following richer shades: #56CA21 and #4EDD0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #56CB21 shade: #56CA21, #5DB734, #64A447, #6B915A and #727E6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #56CB21 shade: #B0CA21, #83CA21, #56CA21, #29CA21 and #21CA45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #56CB21 shade: #378315, #46A61B, #56CA21, #6ADE36 and #84E459

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #56CB21 shade: #56CB21, #21CAB6 and #CA219A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #56CB21 shade: #56CB21, #2156CA and #CA2156

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #56CB21 shade: #56CB21, #21CAB6, #9421CA and #CA2135

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #56CB21 shade: #56CB21, #21ABCA, #9421CA and #CA4021

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 84 / 20

HEX #56CB21

RGB 86 203 33

HSL 101.29, 0.72%, 0.46%

LAB 72.76, -60.24, 66.75

 

Complementary color

CMYK 24 / 77 / 0 / 13

HEX #A934DE

RGB 169 52 222

HSL 281.29, 0.72%, 0.54%

LAB 47.19, 70.97, -64.16

 

CMYK 55 / 0 / 86 / 20

HEX #5BCB1C

RGB 91 203 28

HSL 98.4, 0.76%, 0.45%

LAB 72.9, -59.14, 68.06

 

CMYK 51 / 0 / 79 / 13

HEX #6CDD2F

RGB 108 221 47

HSL 98.97, 0.72%, 0.53%

LAB 79.1, -60.09, 69.13

 

CMYK 48 / 0 / 72 / 6

HEX #7DEF42

RGB 125 239 66

HSL 99.54, 0.84%, 0.6%

LAB 85.24, -60.74, 69.32

 

CMYK 44 / 0 / 67 / 0

HEX #8EFF55

RGB 142 255 85

HSL 99.88, 1%, 0.67%

LAB 90.75, -60.41, 68.35

 

CMYK 38 / 0 / 59 / 0

HEX #9FFF68

RGB 159 255 104

HSL 98.15, 1%, 0.7%

LAB 91.64, -53.55, 61.9

 

CMYK 58 / 0 / 84 / 20

HEX #56CB21

RGB 86 203 33

HSL 101.29, 0.72%, 0.46%

LAB 72.76, -60.24, 66.75

 

CMYK 63 / 0 / 92 / 27

HEX #45B90E

RGB 69 185 14

HSL 100.7, 0.86%, 0.39%

LAB 66.52, -58.86, 64.85

 

CMYK 69 / 0 / 100 / 35

HEX #34A700

RGB 52 167 0

HSL 101.32, 1%, 0.33%

LAB 60.22, -56.93, 61.39

 

CMYK 77 / 0 / 100 / 42

HEX #239500

RGB 35 149 0

HSL 105.91, 1%, 0.29%

LAB 53.87, -54.29, 56.19

 

CMYK 86 / 0 / 100 / 49

HEX #128300

RGB 18 131 0

HSL 111.76, 1%, 0.26%

LAB 47.44, -51.06, 50.94

 

CMYK 57 / 0 / 84 / 21

HEX #56CA21

RGB 86 202 33

HSL 101.18, 0.72%, 0.46%

LAB 72.45, -59.89, 66.47

 

CMYK 35 / 0 / 84 / 21

HEX #83CA21

RGB 131 202 33

HSL 85.21, 0.72%, 0.46%

LAB 74.3, -45.97, 68.82

 

CMYK 12 / 0 / 84 / 21

HEX #B1CA21

RGB 177 202 33

HSL 68.88, 0.72%, 0.46%

LAB 77.1, -28.08, 72.33

 

CMYK 0 / 10 / 84 / 21

HEX #CAB521

RGB 202 181 33

HSL 52.54, 0.72%, 0.46%

LAB 73.36, -6.9, 69.98

 

CMYK 0 / 33 / 84 / 21

HEX #CA8821

RGB 202 136 33

HSL 36.57, 0.72%, 0.46%

LAB 61.89, 17.23, 60.27

 

CMYK 57 / 0 / 84 / 21

HEX #56CA21

RGB 86 202 33

HSL 101.18, 0.72%, 0.46%

LAB 72.45, -59.89, 66.47

 

CMYK 80 / 0 / 84 / 21

HEX #28CA21

RGB 40 202 33

HSL 117.51, 0.72%, 0.46%

LAB 71.42, -68.57, 65.16

 

CMYK 84 / 0 / 65 / 21

HEX #21CA47

RGB 33 202 71

HSL 133.49, 0.72%, 0.46%

LAB 71.57, -66.39, 52.35

 

CMYK 84 / 0 / 42 / 21

HEX #21CA75

RGB 33 202 117

HSL 149.82, 0.72%, 0.46%

LAB 72.13, -59.68, 31.17

 

CMYK 84 / 0 / 20 / 21

HEX #21CAA2

RGB 33 202 162

HSL 165.8, 0.72%, 0.46%

LAB 73.01, -49.89, 8.55

 

CMYK 57 / 0 / 84 / 21

HEX #56CA21

RGB 86 202 33

HSL 101.18, 0.72%, 0.46%

LAB 72.45, -59.89, 66.47

 

CMYK 65 / 0 / 94 / 13

HEX #4EDD0E

RGB 78 221 14

HSL 101.45, 0.88%, 0.46%

LAB 78.09, -68.65, 74.51

 

CMYK 57 / 0 / 84 / 21

HEX #56CA21

RGB 86 202 33

HSL 101.18, 0.72%, 0.46%

LAB 72.45, -59.89, 66.47

 

CMYK 49 / 0 / 72 / 28

HEX #5DB734

RGB 93 183 52

HSL 101.22, 0.56%, 0.46%

LAB 66.86, -49.83, 55.35

 

CMYK 39 / 0 / 57 / 36

HEX #64A447

RGB 100 164 71

HSL 101.29, 0.4%, 0.46%

LAB 61.41, -37.91, 41.28

 

CMYK 26 / 0 / 38 / 43

HEX #6B915A

RGB 107 145 90

HSL 101.45, 0.23%, 0.46%

LAB 56.2, -23.9, 25.06

 

CMYK 10 / 0 / 13 / 51

HEX #727E6D

RGB 114 126 109

HSL 102.35, 0.07%, 0.46%

LAB 51.39, -7.86, 7.76

 

CMYK 13 / 0 / 84 / 21

HEX #B0CA21

RGB 176 202 33

HSL 69.23, 0.72%, 0.46%

LAB 77.03, -28.5, 72.24

 

CMYK 35 / 0 / 84 / 21

HEX #83CA21

RGB 131 202 33

HSL 85.21, 0.72%, 0.46%

LAB 74.3, -45.97, 68.82

 

CMYK 57 / 0 / 84 / 21

HEX #56CA21

RGB 86 202 33

HSL 101.18, 0.72%, 0.46%

LAB 72.45, -59.89, 66.47

 

CMYK 80 / 0 / 84 / 21

HEX #29CA21

RGB 41 202 33

HSL 117.16, 0.72%, 0.46%

LAB 71.43, -68.44, 65.18

 

CMYK 84 / 0 / 66 / 21

HEX #21CA45

RGB 33 202 69

HSL 132.78, 0.72%, 0.46%

LAB 71.55, -66.6, 53.16

 

CMYK 58 / 0 / 84 / 49

HEX #378315

RGB 55 131 21

HSL 101.45, 0.72%, 0.3%

LAB 48.38, -42.84, 47.46

 

CMYK 58 / 0 / 84 / 35

HEX #46A61B

RGB 70 166 27

HSL 101.44, 0.72%, 0.38%

LAB 60.47, -51.5, 57.01

 

CMYK 57 / 0 / 84 / 21

HEX #56CA21

RGB 86 202 33

HSL 101.18, 0.72%, 0.46%

LAB 72.45, -59.89, 66.47

 

CMYK 52 / 0 / 76 / 13

HEX #6ADE36

RGB 106 222 54

HSL 101.43, 0.72%, 0.54%

LAB 79.37, -60.61, 67.25

 

CMYK 42 / 0 / 61 / 11

HEX #84E459

RGB 132 228 89

HSL 101.44, 0.72%, 0.62%

LAB 82.44, -52.57, 57.59

 

CMYK 58 / 0 / 84 / 20

HEX #56CB21

RGB 86 203 33

HSL 101.29, 0.72%, 0.46%

LAB 72.76, -60.24, 66.75

 

CMYK 84 / 0 / 10 / 21

HEX #21CAB6

RGB 33 202 182

HSL 172.9, 0.72%, 0.46%

LAB 73.51, -44.66, -1.54

 

CMYK 0 / 84 / 24 / 21

HEX #CA219A

RGB 202 33 154

HSL 317.04, 0.72%, 0.46%

LAB 46.94, 71.87, -24.5

 

CMYK 58 / 0 / 84 / 20

HEX #56CB21

RGB 86 203 33

HSL 101.29, 0.72%, 0.46%

LAB 72.76, -60.24, 66.75

 

CMYK 84 / 57 / 0 / 21

HEX #2156CA

RGB 33 86 202

HSL 221.18, 0.72%, 0.46%

LAB 39.99, 26.55, -64.92

 

CMYK 0 / 84 / 57 / 21

HEX #CA2156

RGB 202 33 86

HSL 341.18, 0.72%, 0.46%

LAB 44.68, 65.41, 13.89

 

CMYK 58 / 0 / 84 / 20

HEX #56CB21

RGB 86 203 33

HSL 101.29, 0.72%, 0.46%

LAB 72.76, -60.24, 66.75

 

CMYK 84 / 0 / 10 / 21

HEX #21CAB6

RGB 33 202 182

HSL 172.9, 0.72%, 0.46%

LAB 73.51, -44.66, -1.54

 

CMYK 27 / 84 / 0 / 21

HEX #9421CA

RGB 148 33 202

HSL 280.83, 0.72%, 0.46%

LAB 40.65, 69.27, -63.41

 

CMYK 0 / 84 / 74 / 21

HEX #CA2135

RGB 202 33 53

HSL 352.9, 0.72%, 0.46%

LAB 44.09, 63.65, 33.42

 

CMYK 58 / 0 / 84 / 20

HEX #56CB21

RGB 86 203 33

HSL 101.29, 0.72%, 0.46%

LAB 72.76, -60.24, 66.75

 

CMYK 84 / 15 / 0 / 21

HEX #21ABCA

RGB 33 171 202

HSL 191.01, 0.72%, 0.46%

LAB 64.73, -24.04, -25.7

 

CMYK 27 / 84 / 0 / 21

HEX #9421CA

RGB 148 33 202

HSL 280.83, 0.72%, 0.46%

LAB 40.65, 69.27, -63.41

 

CMYK 0 / 68 / 84 / 21

HEX #CA4021

RGB 202 64 33

HSL 11.01, 0.72%, 0.46%

LAB 47.41, 53.19, 47.63

 

Description

Color code: HEX #56CB21 | qconv.com Color code: HEX #56CB21 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 203 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 203 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 84 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 84% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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