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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #56C87C it is the complementary color #A93783. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #56C87C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #56C87C shade: #5BC877, #6CDA8A, #7DEC9D, #8EFEB0 and #9FFFC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #56C87C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #56C87C shade: #56C87C, #45B669, #34A456, #239243 and #128030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #56C87C shade: #56C87C, #56C85D, #6DC856, #8CC856 and #ABC856

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #56C87C shade: #56C87C, #56C89B, #56C8B9, #56B8C8 and #5699C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #56C87C shade matches the following richer shades: #56C87C, #43DA76, #31EC70 and #1FFE6A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #56C87C shade: #56C87C, #68B682, #7AA488, #8C928E and #9E7F94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #56C87C shade: #6CC856, #56C85D, #56C87C, #56C89A and #56C8B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #56C87C shade: #329954, #3CB865, #56C87C, #75D294 and #94DCAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #56C87C shade: #56C87C, #568BC8 and #C8565D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #56C87C shade: #56C87C, #7C56C8 and #C87C56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #56C87C shade: #56C87C, #568BC8, #C856A2 and #C89356

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #56C87C shade: #56C87C, #5669C8, #C856A2 and #C8B556

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 38 / 22

HEX #56C87C

RGB 86 200 124

HSL 140, 0.51%, 0.56%

LAB 72.72, -49.21, 28.54

 

Complementary color

CMYK 0 / 67 / 22 / 34

HEX #A93783

RGB 169 55 131

HSL 320, 0.51%, 0.44%

LAB 42.47, 54.16, -17.95

 

CMYK 55 / 0 / 41 / 22

HEX #5BC877

RGB 91 200 119

HSL 135.41, 0.5%, 0.57%

LAB 72.8, -48.9, 31.26

 

CMYK 50 / 0 / 37 / 15

HEX #6CDA8A

RGB 108 218 138

HSL 136.36, 0.6%, 0.64%

LAB 79.14, -48.83, 29.95

 

CMYK 47 / 0 / 33 / 7

HEX #7DEC9D

RGB 125 236 157

HSL 137.3, 0.74%, 0.71%

LAB 85.4, -48.69, 28.72

 

CMYK 44 / 0 / 31 / 0

HEX #8EFEB0

RGB 142 254 176

HSL 138.21, 0.98%, 0.78%

LAB 91.58, -48.49, 27.56

 

CMYK 38 / 0 / 24 / 0

HEX #9FFFC3

RGB 159 255 195

HSL 142.5, 1%, 0.81%

LAB 92.94, -40.87, 19.89

 

CMYK 57 / 0 / 38 / 22

HEX #56C87C

RGB 86 200 124

HSL 140, 0.51%, 0.56%

LAB 72.72, -49.21, 28.54

 

CMYK 62 / 0 / 42 / 29

HEX #45B669

RGB 69 182 105

HSL 139.12, 0.45%, 0.49%

LAB 66.32, -49.09, 29.94

 

CMYK 68 / 0 / 48 / 36

HEX #34A456

RGB 52 164 86

HSL 138.21, 0.52%, 0.42%

LAB 59.85, -48.73, 31.44

 

CMYK 76 / 0 / 54 / 43

HEX #239243

RGB 35 146 67

HSL 137.3, 0.61%, 0.35%

LAB 53.3, -47.97, 33.03

 

CMYK 86 / 0 / 63 / 50

HEX #128030

RGB 18 128 48

HSL 136.36, 0.75%, 0.29%

LAB 46.68, -46.58, 34.62

 

CMYK 57 / 0 / 38 / 22

HEX #56C87C

RGB 86 200 124

HSL 140, 0.51%, 0.56%

LAB 72.72, -49.21, 28.54

 

CMYK 57 / 0 / 54 / 22

HEX #56C85D

RGB 86 200 93

HSL 123.68, 0.51%, 0.56%

LAB 72.28, -54.01, 43.53

 

CMYK 46 / 0 / 57 / 22

HEX #6DC856

RGB 109 200 86

HSL 107.89, 0.51%, 0.56%

LAB 73.04, -48.6, 47.93

 

CMYK 30 / 0 / 57 / 22

HEX #8CC856

RGB 140 200 86

HSL 91.58, 0.51%, 0.56%

LAB 74.54, -38.33, 50.05

 

CMYK 15 / 0 / 57 / 22

HEX #ABC856

RGB 171 200 86

HSL 75.26, 0.51%, 0.56%

LAB 76.46, -26.58, 52.75

 

CMYK 57 / 0 / 38 / 22

HEX #56C87C

RGB 86 200 124

HSL 140, 0.51%, 0.56%

LAB 72.72, -49.21, 28.54

 

CMYK 57 / 0 / 23 / 22

HEX #56C89B

RGB 86 200 155

HSL 156.32, 0.51%, 0.56%

LAB 73.32, -43.03, 12.92

 

CMYK 57 / 0 / 8 / 22

HEX #56C8B9

RGB 86 200 185

HSL 172.11, 0.51%, 0.56%

LAB 74.06, -35.87, -2.23

 

CMYK 57 / 8 / 0 / 22

HEX #56B8C8

RGB 86 184 200

HSL 188.42, 0.51%, 0.56%

LAB 69.77, -24.06, -16.8

 

CMYK 57 / 24 / 0 / 22

HEX #5699C8

RGB 86 153 200

HSL 204.74, 0.51%, 0.56%

LAB 60.72, -7.56, -30.66

 

CMYK 57 / 0 / 38 / 22

HEX #56C87C

RGB 86 200 124

HSL 140, 0.51%, 0.56%

LAB 72.72, -49.21, 28.54

 

CMYK 69 / 0 / 46 / 15

HEX #43DA76

RGB 67 218 118

HSL 140.26, 0.67%, 0.56%

LAB 77.66, -60.83, 37.91

 

CMYK 79 / 0 / 53 / 7

HEX #31EC70

RGB 49 236 112

HSL 140.21, 0.83%, 0.56%

LAB 82.81, -70.34, 47.16

 

CMYK 88 / 0 / 58 / 0

HEX #1FFE6A

RGB 31 254 106

HSL 140.18, 0.99%, 0.56%

LAB 88.07, -78.29, 56.09

 

CMYK 57 / 0 / 38 / 22

HEX #56C87C

RGB 86 200 124

HSL 140, 0.51%, 0.56%

LAB 72.72, -49.21, 28.54

 

CMYK 43 / 0 / 29 / 29

HEX #68B682

RGB 104 182 130

HSL 140, 0.35%, 0.56%

LAB 68.03, -35.69, 19.13

 

CMYK 26 / 0 / 17 / 36

HEX #7AA488

RGB 122 164 136

HSL 140, 0.19%, 0.56%

LAB 63.73, -20.14, 9.97

 

CMYK 4 / 0 / 3 / 43

HEX #8C928E

RGB 140 146 142

HSL 140, 0.03%, 0.56%

LAB 59.97, -2.96, 1.35

 

CMYK 0 / 20 / 6 / 38

HEX #9E7F94

RGB 158 127 148

HSL 319.35, 0.14%, 0.56%

LAB 56.67, 15.6, -6.76

 

CMYK 46 / 0 / 57 / 22

HEX #6CC856

RGB 108 200 86

HSL 108.42, 0.51%, 0.56%

LAB 73, -48.9, 47.87

 

CMYK 57 / 0 / 54 / 22

HEX #56C85D

RGB 86 200 93

HSL 123.68, 0.51%, 0.56%

LAB 72.28, -54.01, 43.53

 

CMYK 57 / 0 / 38 / 22

HEX #56C87C

RGB 86 200 124

HSL 140, 0.51%, 0.56%

LAB 72.72, -49.21, 28.54

 

CMYK 57 / 0 / 23 / 22

HEX #56C89A

RGB 86 200 154

HSL 155.79, 0.51%, 0.56%

LAB 73.3, -43.25, 13.42

 

CMYK 57 / 0 / 8 / 22

HEX #56C8B9

RGB 86 200 185

HSL 172.11, 0.51%, 0.56%

LAB 74.06, -35.87, -2.23

 

CMYK 67 / 0 / 45 / 40

HEX #329954

RGB 50 153 84

HSL 139.81, 0.51%, 0.4%

LAB 56.19, -45.18, 27.82

 

CMYK 67 / 0 / 45 / 28

HEX #3CB865

RGB 60 184 101

HSL 139.84, 0.51%, 0.48%

LAB 66.66, -52.33, 32.4

 

CMYK 57 / 0 / 38 / 22

HEX #56C87C

RGB 86 200 124

HSL 140, 0.51%, 0.56%

LAB 72.72, -49.21, 28.54

 

CMYK 44 / 0 / 30 / 18

HEX #75D294

RGB 117 210 148

HSL 140, 0.51%, 0.64%

LAB 77.29, -41.26, 22.32

 

CMYK 33 / 0 / 22 / 14

HEX #94DCAC

RGB 148 220 172

HSL 140, 0.51%, 0.72%

LAB 82.09, -32.37, 16.57

 

CMYK 57 / 0 / 38 / 22

HEX #56C87C

RGB 86 200 124

HSL 140, 0.51%, 0.56%

LAB 72.72, -49.21, 28.54

 

CMYK 57 / 31 / 0 / 22

HEX #568BC8

RGB 86 139 200

HSL 212.11, 0.51%, 0.56%

LAB 56.7, 0.45, -36.93

 

CMYK 0 / 57 / 54 / 22

HEX #C8565D

RGB 200 86 93

HSL 356.32, 0.51%, 0.56%

LAB 51.53, 46.03, 18.89

 

CMYK 57 / 0 / 38 / 22

HEX #56C87C

RGB 86 200 124

HSL 140, 0.51%, 0.56%

LAB 72.72, -49.21, 28.54

 

CMYK 38 / 57 / 0 / 22

HEX #7C56C8

RGB 124 86 200

HSL 260, 0.51%, 0.56%

LAB 45.79, 40.98, -54.09

 

CMYK 0 / 38 / 57 / 22

HEX #C87C56

RGB 200 124 86

HSL 20, 0.51%, 0.56%

LAB 59.31, 25.76, 33

 

CMYK 57 / 0 / 38 / 22

HEX #56C87C

RGB 86 200 124

HSL 140, 0.51%, 0.56%

LAB 72.72, -49.21, 28.54

 

CMYK 57 / 31 / 0 / 22

HEX #568BC8

RGB 86 139 200

HSL 212.11, 0.51%, 0.56%

LAB 56.7, 0.45, -36.93

 

CMYK 0 / 57 / 19 / 22

HEX #C856A2

RGB 200 86 162

HSL 320, 0.51%, 0.56%

LAB 53.54, 54.04, -19.12

 

CMYK 0 / 27 / 57 / 22

HEX #C89356

RGB 200 147 86

HSL 32.11, 0.51%, 0.56%

LAB 64.82, 13.18, 39.77

 

CMYK 57 / 0 / 38 / 22

HEX #56C87C

RGB 86 200 124

HSL 140, 0.51%, 0.56%

LAB 72.72, -49.21, 28.54

 

CMYK 57 / 48 / 0 / 22

HEX #5669C8

RGB 86 105 200

HSL 230, 0.51%, 0.56%

LAB 47.3, 21.1, -51.82

 

CMYK 0 / 57 / 19 / 22

HEX #C856A2

RGB 200 86 162

HSL 320, 0.51%, 0.56%

LAB 53.54, 54.04, -19.12

 

CMYK 0 / 10 / 57 / 22

HEX #C8B556

RGB 200 181 86

HSL 50, 0.51%, 0.56%

LAB 73.54, -5.06, 50.03

 

Description

Color code: HEX #56C87C | qconv.com Color code: HEX #56C87C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 200 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 200 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 38 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 38% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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