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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #56C281 it is the complementary color #A93D7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #56C281. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #56C281 shade: #5BC27C, #6CD48F, #7DE6A2, #8EF8B5 and #9FFFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #56C281. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #56C281 shade: #56C281, #45B06E, #349E5B, #238C48 and #127A35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #56C281 shade: #56C281, #56C264, #66C256, #83C256 and #A0C256

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #56C281 shade: #56C281, #56C29E, #56C2BB, #56ACC2 and #568FC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #56C281 shade matches the following richer shades: #56C281, #44D57D, #31E77A and #1FFA76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #56C281 shade: #56C281, #69B085, #7B9D89, #8E8A8D and #A17890

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #56C281 shade: #66C256, #56C263, #56C280, #56C29C and #56C2B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #56C281 shade: #34925A, #3FB06C, #56C281, #75CD98 and #93D8AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #56C281 shade: #56C281, #5683C2 and #C25658

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #56C281 shade: #56C281, #8056C2 and #C28056

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #56C281 shade: #56C281, #5683C2, #C25699 and #C29556

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #56C281 shade: #56C281, #5663C2, #C25699 and #C2B656

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 34 / 24

HEX #56C281

RGB 86 194 129

HSL 143.89, 0.47%, 0.55%

LAB 70.97, -45.82, 23.57

 

Complementary color

CMYK 0 / 64 / 25 / 34

HEX #A93D7E

RGB 169 61 126

HSL 323.89, 0.47%, 0.45%

LAB 43.18, 50.96, -13.8

 

CMYK 53 / 0 / 36 / 24

HEX #5BC27C

RGB 91 194 124

HSL 139.22, 0.46%, 0.56%

LAB 71.05, -45.55, 26.34

 

CMYK 49 / 0 / 33 / 17

HEX #6CD48F

RGB 108 212 143

HSL 140.19, 0.55%, 0.63%

LAB 77.44, -45.43, 25.08

 

CMYK 46 / 0 / 30 / 10

HEX #7DE6A2

RGB 125 230 162

HSL 141.14, 0.68%, 0.7%

LAB 83.74, -45.25, 23.91

 

CMYK 43 / 0 / 27 / 3

HEX #8EF8B5

RGB 142 248 181

HSL 142.08, 0.88%, 0.76%

LAB 89.96, -45.03, 22.8

 

CMYK 38 / 0 / 22 / 0

HEX #9FFFC8

RGB 159 255 200

HSL 145.63, 1%, 0.81%

LAB 93.04, -39.94, 17.48

 

CMYK 56 / 0 / 34 / 24

HEX #56C281

RGB 86 194 129

HSL 143.89, 0.47%, 0.55%

LAB 70.97, -45.82, 23.57

 

CMYK 61 / 0 / 38 / 31

HEX #45B06E

RGB 69 176 110

HSL 142.99, 0.44%, 0.48%

LAB 64.52, -45.78, 24.92

 

CMYK 67 / 0 / 42 / 38

HEX #349E5B

RGB 52 158 91

HSL 142.08, 0.5%, 0.41%

LAB 57.98, -45.52, 26.4

 

CMYK 75 / 0 / 49 / 45

HEX #238C48

RGB 35 140 72

HSL 141.14, 0.6%, 0.34%

LAB 51.36, -44.92, 28

 

CMYK 85 / 0 / 57 / 52

HEX #127A35

RGB 18 122 53

HSL 140.19, 0.74%, 0.27%

LAB 44.67, -43.74, 29.71

 

CMYK 56 / 0 / 34 / 24

HEX #56C281

RGB 86 194 129

HSL 143.89, 0.47%, 0.55%

LAB 70.97, -45.82, 23.57

 

CMYK 56 / 0 / 48 / 24

HEX #56C264

RGB 86 194 100

HSL 127.78, 0.47%, 0.55%

LAB 70.51, -50.71, 37.94

 

CMYK 47 / 0 / 56 / 24

HEX #66C256

RGB 102 194 86

HSL 111.11, 0.47%, 0.55%

LAB 70.93, -48.24, 45.37

 

CMYK 32 / 0 / 56 / 24

HEX #83C256

RGB 131 194 86

HSL 95, 0.47%, 0.55%

LAB 72.28, -38.85, 47.3

 

CMYK 18 / 0 / 56 / 24

HEX #A0C256

RGB 160 194 86

HSL 78.89, 0.47%, 0.55%

LAB 74.02, -28.03, 49.76

 

CMYK 56 / 0 / 34 / 24

HEX #56C281

RGB 86 194 129

HSL 143.89, 0.47%, 0.55%

LAB 70.97, -45.82, 23.57

 

CMYK 56 / 0 / 19 / 24

HEX #56C29E

RGB 86 194 158

HSL 160, 0.47%, 0.55%

LAB 71.58, -39.71, 8.82

 

CMYK 56 / 0 / 4 / 24

HEX #56C2BB

RGB 86 194 187

HSL 176.11, 0.47%, 0.55%

LAB 72.33, -32.53, -5.87

 

CMYK 56 / 11 / 0 / 24

HEX #56ACC2

RGB 86 172 194

HSL 192.22, 0.47%, 0.55%

LAB 66.04, -19.64, -19.14

 

CMYK 56 / 26 / 0 / 24

HEX #568FC2

RGB 86 143 194

HSL 208.33, 0.47%, 0.55%

LAB 57.58, -3.78, -32.16

 

CMYK 56 / 0 / 34 / 24

HEX #56C281

RGB 86 194 129

HSL 143.89, 0.47%, 0.55%

LAB 70.97, -45.82, 23.57

 

CMYK 68 / 0 / 41 / 16

HEX #44D57D

RGB 68 213 125

HSL 143.59, 0.63%, 0.55%

LAB 76.25, -57.66, 32.58

 

CMYK 79 / 0 / 47 / 9

HEX #31E77A

RGB 49 231 122

HSL 144.07, 0.79%, 0.55%

LAB 81.41, -67.18, 40.63

 

CMYK 88 / 0 / 53 / 2

HEX #1FFA76

RGB 31 250 118

HSL 143.84, 0.96%, 0.55%

LAB 86.98, -75.48, 49.41

 

CMYK 56 / 0 / 34 / 24

HEX #56C281

RGB 86 194 129

HSL 143.89, 0.47%, 0.55%

LAB 70.97, -45.82, 23.57

 

CMYK 40 / 0 / 24 / 31

HEX #69B085

RGB 105 176 133

HSL 143.66, 0.31%, 0.55%

LAB 66.33, -32.02, 15.15

 

CMYK 22 / 0 / 13 / 38

HEX #7B9D89

RGB 123 157 137

HSL 144.71, 0.15%, 0.55%

LAB 61.77, -15.96, 6.63

 

CMYK 0 / 3 / 1 / 44

HEX #8E8A8D

RGB 142 138 141

HSL 315, 0.02%, 0.55%

LAB 57.9, 2.07, -1.08

 

CMYK 0 / 25 / 11 / 37

HEX #A17890

RGB 161 120 144

HSL 324.88, 0.18%, 0.55%

LAB 55.1, 19.98, -6.74

 

CMYK 47 / 0 / 56 / 24

HEX #66C256

RGB 102 194 86

HSL 111.11, 0.47%, 0.55%

LAB 70.93, -48.24, 45.37

 

CMYK 56 / 0 / 49 / 24

HEX #56C263

RGB 86 194 99

HSL 127.22, 0.47%, 0.55%

LAB 70.5, -50.86, 38.42

 

CMYK 56 / 0 / 34 / 24

HEX #56C280

RGB 86 194 128

HSL 143.33, 0.47%, 0.55%

LAB 70.95, -46.01, 24.07

 

CMYK 56 / 0 / 20 / 24

HEX #56C29C

RGB 86 194 156

HSL 158.89, 0.47%, 0.55%

LAB 71.53, -40.17, 9.84

 

CMYK 56 / 0 / 5 / 24

HEX #56C2B9

RGB 86 194 185

HSL 175, 0.47%, 0.55%

LAB 72.27, -33.06, -4.86

 

CMYK 64 / 0 / 38 / 43

HEX #34925A

RGB 52 146 90

HSL 144.26, 0.47%, 0.39%

LAB 54.05, -40.82, 21.77

 

CMYK 64 / 0 / 39 / 31

HEX #3FB06C

RGB 63 176 108

HSL 143.89, 0.47%, 0.47%

LAB 64.31, -47.4, 25.69

 

CMYK 56 / 0 / 34 / 24

HEX #56C281

RGB 86 194 129

HSL 143.89, 0.47%, 0.55%

LAB 70.97, -45.82, 23.57

 

CMYK 43 / 0 / 26 / 20

HEX #75CD98

RGB 117 205 152

HSL 143.86, 0.47%, 0.63%

LAB 75.89, -38.27, 18.29

 

CMYK 32 / 0 / 19 / 15

HEX #93D8AE

RGB 147 216 174

HSL 143.48, 0.47%, 0.71%

LAB 80.94, -30.41, 13.9

 

CMYK 56 / 0 / 34 / 24

HEX #56C281

RGB 86 194 129

HSL 143.89, 0.47%, 0.55%

LAB 70.97, -45.82, 23.57

 

CMYK 56 / 32 / 0 / 24

HEX #5683C2

RGB 86 131 194

HSL 215, 0.47%, 0.55%

LAB 54.14, 3.23, -37.54

 

CMYK 0 / 56 / 55 / 24

HEX #C25658

RGB 194 86 88

HSL 358.89, 0.47%, 0.55%

LAB 50.49, 43.46, 20.3

 

CMYK 56 / 0 / 34 / 24

HEX #56C281

RGB 86 194 129

HSL 143.89, 0.47%, 0.55%

LAB 70.97, -45.82, 23.57

 

CMYK 34 / 56 / 0 / 24

HEX #8056C2

RGB 128 86 194

HSL 263.33, 0.47%, 0.55%

LAB 45.83, 40.36, -50.54

 

CMYK 0 / 34 / 56 / 24

HEX #C28056

RGB 194 128 86

HSL 23.33, 0.47%, 0.55%

LAB 59.51, 21.09, 33.09

 

CMYK 56 / 0 / 34 / 24

HEX #56C281

RGB 86 194 129

HSL 143.89, 0.47%, 0.55%

LAB 70.97, -45.82, 23.57

 

CMYK 56 / 32 / 0 / 24

HEX #5683C2

RGB 86 131 194

HSL 215, 0.47%, 0.55%

LAB 54.14, 3.23, -37.54

 

CMYK 0 / 56 / 21 / 24

HEX #C25699

RGB 194 86 153

HSL 322.78, 0.47%, 0.55%

LAB 52.31, 50.92, -15.78

 

CMYK 0 / 23 / 56 / 24

HEX #C29556

RGB 194 149 86

HSL 35, 0.47%, 0.55%

LAB 64.67, 9.54, 39.44

 

CMYK 56 / 0 / 34 / 24

HEX #56C281

RGB 86 194 129

HSL 143.89, 0.47%, 0.55%

LAB 70.97, -45.82, 23.57

 

CMYK 56 / 49 / 0 / 24

HEX #5663C2

RGB 86 99 194

HSL 232.78, 0.47%, 0.55%

LAB 45.36, 22.87, -51.49

 

CMYK 0 / 56 / 21 / 24

HEX #C25699

RGB 194 86 153

HSL 322.78, 0.47%, 0.55%

LAB 52.31, 50.92, -15.78

 

CMYK 0 / 6 / 56 / 24

HEX #C2B656

RGB 194 182 86

HSL 53.33, 0.47%, 0.55%

LAB 73.28, -8.11, 49.59

 

Description

Color code: HEX #56C281 | qconv.com Color code: HEX #56C281 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 194 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 194 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 34 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 34% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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