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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #56A55F it is the complementary color #A95AA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #56A55F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #56A55F shade: #5BA55A, #6CB76D, #7DC980, #8EDB93 and #9FEDA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #56A55F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #56A55F shade: #56A55F, #45934C, #348139, #236F26 and #125D13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #56A55F shade: #56A45F, #62A456, #77A456, #8CA456 and #A1A456

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #56A55F shade: #56A45F, #56A474, #56A489, #56A49E and #5695A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #56A55F shade matches the following richer shades: #56A45F, #42B84F, #2ECC40, #1AE030 and #05F521

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #56A55F shade: #56A45F, #6A8F6F, #7F7B7E, #93678E and #A7539D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #56A55F shade: #78A456, #63A456, #56A45E, #56A473 and #56A487

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #56A55F shade: #3A6E40, #48894F, #56A45F, #70B377 and #8BC291

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #56A55F shade: #56A55F, #568CA4 and #A4566D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #56A55F shade: #56A55F, #5E56A4 and #A45E56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #56A55F shade: #56A55F, #568CA4, #A4569C and #A46D56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #56A55F shade: #56A55F, #5675A4, #A4569C and #A48556

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 42 / 35

HEX #56A55F

RGB 86 165 95

HSL 126.84, 0.31%, 0.49%

LAB 61.41, -39.47, 28.94

 

Complementary color

CMYK 0 / 47 / 5 / 34

HEX #A95AA0

RGB 169 90 160

HSL 306.84, 0.31%, 0.51%

LAB 49.84, 42.29, -24

 

CMYK 45 / 0 / 45 / 35

HEX #5BA55A

RGB 91 165 90

HSL 119.2, 0.29%, 0.5%

LAB 61.54, -38.77, 31.79

 

CMYK 41 / 0 / 40 / 28

HEX #6CB76D

RGB 108 183 109

HSL 120.8, 0.34%, 0.57%

LAB 68.14, -38.6, 30.49

 

CMYK 38 / 0 / 36 / 21

HEX #7DC980

RGB 125 201 128

HSL 122.37, 0.41%, 0.64%

LAB 74.63, -38.37, 29.26

 

CMYK 35 / 0 / 33 / 14

HEX #8EDB93

RGB 142 219 147

HSL 123.9, 0.52%, 0.71%

LAB 81.03, -38.13, 28.1

 

CMYK 33 / 0 / 30 / 7

HEX #9FEDA6

RGB 159 237 166

HSL 125.38, 0.68%, 0.78%

LAB 87.34, -37.88, 27

 

CMYK 48 / 0 / 42 / 35

HEX #56A55F

RGB 86 165 95

HSL 126.84, 0.31%, 0.49%

LAB 61.41, -39.47, 28.94

 

CMYK 53 / 0 / 48 / 42

HEX #45934C

RGB 69 147 76

HSL 125.38, 0.36%, 0.42%

LAB 54.71, -39.54, 30.32

 

CMYK 60 / 0 / 56 / 49

HEX #348139

RGB 52 129 57

HSL 123.9, 0.43%, 0.35%

LAB 47.91, -39.41, 31.74

 

CMYK 68 / 0 / 66 / 56

HEX #236F26

RGB 35 111 38

HSL 122.37, 0.52%, 0.29%

LAB 41, -38.87, 33.1

 

CMYK 81 / 0 / 80 / 64

HEX #125D13

RGB 18 93 19

HSL 120.8, 0.68%, 0.22%

LAB 33.99, -37.58, 34

 

CMYK 48 / 0 / 42 / 36

HEX #56A45F

RGB 86 164 95

HSL 126.92, 0.31%, 0.49%

LAB 61.09, -39.03, 28.53

 

CMYK 40 / 0 / 48 / 36

HEX #62A456

RGB 98 164 86

HSL 110.77, 0.31%, 0.49%

LAB 61.5, -36.69, 33.87

 

CMYK 27 / 0 / 48 / 36

HEX #77A456

RGB 119 164 86

HSL 94.62, 0.31%, 0.49%

LAB 62.63, -29.33, 35.53

 

CMYK 15 / 0 / 48 / 36

HEX #8CA456

RGB 140 164 86

HSL 78.46, 0.31%, 0.49%

LAB 64, -21.2, 37.52

 

CMYK 2 / 0 / 48 / 36

HEX #A1A456

RGB 161 164 86

HSL 62.31, 0.31%, 0.49%

LAB 65.59, -12.58, 39.83

 

CMYK 48 / 0 / 42 / 36

HEX #56A45F

RGB 86 164 95

HSL 126.92, 0.31%, 0.49%

LAB 61.09, -39.03, 28.53

 

CMYK 48 / 0 / 29 / 36

HEX #56A474

RGB 86 164 116

HSL 143.08, 0.31%, 0.49%

LAB 61.47, -35.23, 17.65

 

CMYK 48 / 0 / 16 / 36

HEX #56A489

RGB 86 164 137

HSL 159.23, 0.31%, 0.49%

LAB 61.94, -30.7, 6.62

 

CMYK 48 / 0 / 4 / 36

HEX #56A49E

RGB 86 164 158

HSL 175.38, 0.31%, 0.49%

LAB 62.51, -25.53, -4.34

 

CMYK 48 / 9 / 0 / 36

HEX #5695A4

RGB 86 149 164

HSL 191.54, 0.31%, 0.49%

LAB 58.18, -16.12, -14.19

 

CMYK 48 / 0 / 42 / 36

HEX #56A45F

RGB 86 164 95

HSL 126.92, 0.31%, 0.49%

LAB 61.09, -39.03, 28.53

 

CMYK 64 / 0 / 57 / 28

HEX #42B84F

RGB 66 184 79

HSL 126.61, 0.47%, 0.49%

LAB 66.52, -54.4, 43.17

 

CMYK 77 / 0 / 69 / 20

HEX #2ECC40

RGB 46 204 64

HSL 126.84, 0.63%, 0.49%

LAB 72.32, -66.23, 56.06

 

CMYK 88 / 0 / 79 / 12

HEX #1AE030

RGB 26 224 48

HSL 126.67, 0.79%, 0.49%

LAB 78.31, -75.36, 67.48

 

CMYK 98 / 0 / 87 / 4

HEX #05F521

RGB 5 245 33

HSL 127, 0.96%, 0.49%

LAB 84.71, -82.73, 76.88

 

CMYK 48 / 0 / 42 / 36

HEX #56A45F

RGB 86 164 95

HSL 126.92, 0.31%, 0.49%

LAB 61.09, -39.03, 28.53

 

CMYK 26 / 0 / 22 / 44

HEX #6A8F6F

RGB 106 143 111

HSL 128.11, 0.15%, 0.49%

LAB 55.94, -19.63, 12.95

 

CMYK 0 / 3 / 1 / 50

HEX #7F7B7E

RGB 127 123 126

HSL 315, 0.02%, 0.49%

LAB 52.04, 2.11, -1.1

 

CMYK 0 / 30 / 3 / 42

HEX #93678E

RGB 147 103 142

HSL 306.82, 0.18%, 0.49%

LAB 49.32, 24.34, -14.39

 

CMYK 0 / 50 / 6 / 35

HEX #A7539D

RGB 167 83 157

HSL 307.14, 0.34%, 0.49%

LAB 48.05, 44.76, -25.02

 

CMYK 27 / 0 / 48 / 36

HEX #78A456

RGB 120 164 86

HSL 93.85, 0.31%, 0.49%

LAB 62.69, -28.96, 35.62

 

CMYK 40 / 0 / 48 / 36

HEX #63A456

RGB 99 164 86

HSL 110, 0.31%, 0.49%

LAB 61.55, -36.36, 33.94

 

CMYK 48 / 0 / 43 / 36

HEX #56A45E

RGB 86 164 94

HSL 126.15, 0.31%, 0.49%

LAB 61.08, -39.2, 29.04

 

CMYK 48 / 0 / 30 / 36

HEX #56A473

RGB 86 164 115

HSL 142.31, 0.31%, 0.49%

LAB 61.45, -35.43, 18.17

 

CMYK 48 / 0 / 18 / 36

HEX #56A487

RGB 86 164 135

HSL 157.69, 0.31%, 0.49%

LAB 61.89, -31.16, 7.67

 

CMYK 47 / 0 / 42 / 57

HEX #3A6E40

RGB 58 110 64

HSL 126.92, 0.31%, 0.33%

LAB 41.88, -28.13, 20.39

 

CMYK 47 / 0 / 42 / 46

HEX #48894F

RGB 72 137 79

HSL 126.46, 0.31%, 0.41%

LAB 51.65, -33.78, 24.81

 

CMYK 48 / 0 / 42 / 36

HEX #56A45F

RGB 86 164 95

HSL 126.92, 0.31%, 0.49%

LAB 61.09, -39.03, 28.53

 

CMYK 37 / 0 / 34 / 30

HEX #70B377

RGB 112 179 119

HSL 126.27, 0.31%, 0.57%

LAB 67.29, -33.88, 24.11

 

CMYK 28 / 0 / 25 / 24

HEX #8BC291

RGB 139 194 145

HSL 126.55, 0.31%, 0.65%

LAB 73.62, -27.75, 19.04

 

CMYK 48 / 0 / 42 / 35

HEX #56A55F

RGB 86 165 95

HSL 126.84, 0.31%, 0.49%

LAB 61.41, -39.47, 28.94

 

CMYK 48 / 15 / 0 / 36

HEX #568CA4

RGB 86 140 164

HSL 198.46, 0.31%, 0.49%

LAB 55.5, -11.2, -18.27

 

CMYK 0 / 48 / 34 / 36

HEX #A4566D

RGB 164 86 109

HSL 342.31, 0.31%, 0.49%

LAB 46.51, 34.71, 1.46

 

CMYK 48 / 0 / 42 / 35

HEX #56A55F

RGB 86 165 95

HSL 126.84, 0.31%, 0.49%

LAB 61.41, -39.47, 28.94

 

CMYK 43 / 48 / 0 / 36

HEX #5E56A4

RGB 94 86 164

HSL 246.15, 0.31%, 0.49%

LAB 40.76, 23.39, -41.21

 

CMYK 0 / 43 / 48 / 36

HEX #A45E56

RGB 164 94 86

HSL 6.15, 0.31%, 0.49%

LAB 47.71, 27.61, 17

 

CMYK 48 / 0 / 42 / 35

HEX #56A55F

RGB 86 165 95

HSL 126.84, 0.31%, 0.49%

LAB 61.41, -39.47, 28.94

 

CMYK 48 / 15 / 0 / 36

HEX #568CA4

RGB 86 140 164

HSL 198.46, 0.31%, 0.49%

LAB 55.5, -11.2, -18.27

 

CMYK 0 / 48 / 5 / 36

HEX #A4569C

RGB 164 86 156

HSL 306.15, 0.31%, 0.49%

LAB 48.19, 42.1, -24.24

 

CMYK 0 / 34 / 48 / 36

HEX #A46D56

RGB 164 109 86

HSL 17.69, 0.31%, 0.49%

LAB 51.27, 19.16, 21.76

 

CMYK 48 / 0 / 42 / 35

HEX #56A55F

RGB 86 165 95

HSL 126.84, 0.31%, 0.49%

LAB 61.41, -39.47, 28.94

 

CMYK 48 / 29 / 0 / 36

HEX #5675A4

RGB 86 117 164

HSL 216.15, 0.31%, 0.49%

LAB 48.74, 2.12, -28.68

 

CMYK 0 / 48 / 5 / 36

HEX #A4569C

RGB 164 86 156

HSL 306.15, 0.31%, 0.49%

LAB 48.19, 42.1, -24.24

 

CMYK 0 / 19 / 48 / 36

HEX #A48556

RGB 164 133 86

HSL 36.15, 0.31%, 0.49%

LAB 57.4, 5.56, 29.73

 

Description

Color code: HEX #56A55F | qconv.com Color code: HEX #56A55F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 165 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 165 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 42 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 42% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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