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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #569ECF it is the complementary color #A96130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #569ECF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #569ECF shade: #5B9ECA, #6CB0DD, #7DC2F0, #8ED4FF and #9FE6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #569ECF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #569ECF shade: #569ECF, #458CBC, #347AA9, #236896 and #125683

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #569ECF shade: #549DCF, #547CCF, #545BCF, #6E54CF and #8F54CF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #569ECF shade: #549DCF, #547CCF, #545BCF and #5454CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #569ECF shade matches the following richer shades: #549DCF, #42A0E0 and #30A4F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #569ECF shade: #549DCF, #669ABD, #7796AB, #89939A and #9B9088

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #569ECF shade: #54CFBE, #54BECF, #549ECF, #547DCF and #545CCF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #569ECF shade: #2E73A2, #378AC3, #549DCF, #74AFD8 and #94C2E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #569ECF shade: #569ECF, #9E54CF and #CFCF54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #569ECF shade: #569ECF, #CF549E and #9ECF54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #569ECF shade: #569ECF, #9E54CF, #CF8554 and #85CF54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #569ECF shade: #569ECF, #C254CF, #CF8554 and #60CF54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 24 / 0 / 19

HEX #569ECF

RGB 86 158 207

HSL 204.3, 0.56%, 0.57%

LAB 62.45, -8.16, -31.89

 

Complementary color

CMYK 0 / 43 / 72 / 34

HEX #A96130

RGB 169 97 48

HSL 24.3, 0.56%, 0.43%

LAB 48.51, 25.03, 39.6

 

CMYK 55 / 22 / 0 / 21

HEX #5B9ECA

RGB 91 158 202

HSL 203.78, 0.51%, 0.57%

LAB 62.46, -8.68, -29.07

 

CMYK 51 / 20 / 0 / 13

HEX #6CB0DD

RGB 108 176 221

HSL 203.89, 0.62%, 0.65%

LAB 69.08, -9.17, -29.3

 

CMYK 48 / 19 / 0 / 6

HEX #7DC2F0

RGB 125 194 240

HSL 204, 0.79%, 0.72%

LAB 75.6, -9.56, -29.53

 

CMYK 44 / 17 / 0 / 0

HEX #8ED4FF

RGB 142 212 255

HSL 202.83, 1%, 0.78%

LAB 81.87, -10.96, -27.86

 

CMYK 38 / 10 / 0 / 0

HEX #9FE6FF

RGB 159 230 255

HSL 195.63, 1%, 0.81%

LAB 87.57, -15.99, -19.11

 

CMYK 58 / 24 / 0 / 19

HEX #569ECF

RGB 86 158 207

HSL 204.3, 0.56%, 0.57%

LAB 62.45, -8.16, -31.89

 

CMYK 63 / 26 / 0 / 26

HEX #458CBC

RGB 69 140 188

HSL 204.2, 0.47%, 0.5%

LAB 55.74, -7.38, -31.68

 

CMYK 69 / 28 / 0 / 34

HEX #347AA9

RGB 52 122 169

HSL 204.1, 0.53%, 0.43%

LAB 48.9, -6.36, -31.46

 

CMYK 77 / 31 / 0 / 41

HEX #236896

RGB 35 104 150

HSL 204, 0.62%, 0.36%

LAB 41.94, -4.98, -31.21

 

CMYK 86 / 34 / 0 / 49

HEX #125683

RGB 18 86 131

HSL 203.89, 0.76%, 0.29%

LAB 34.85, -3.07, -30.91

 

CMYK 59 / 24 / 0 / 19

HEX #549DCF

RGB 84 157 207

HSL 204.39, 0.56%, 0.57%

LAB 62.09, -7.99, -32.46

 

CMYK 59 / 40 / 0 / 19

HEX #547CCF

RGB 84 124 207

HSL 220.49, 0.56%, 0.57%

LAB 52.74, 11.31, -47.15

 

CMYK 59 / 56 / 0 / 19

HEX #545BCF

RGB 84 91 207

HSL 236.59, 0.56%, 0.57%

LAB 44.05, 31.77, -61.09

 

CMYK 47 / 59 / 0 / 19

HEX #6E54CF

RGB 110 84 207

HSL 252.68, 0.56%, 0.57%

LAB 44.46, 41, -60.33

 

CMYK 31 / 59 / 0 / 19

HEX #8F54CF

RGB 143 84 207

HSL 268.78, 0.56%, 0.57%

LAB 47.86, 48.31, -54.67

 

CMYK 59 / 24 / 0 / 19

HEX #549DCF

RGB 84 157 207

HSL 204.39, 0.56%, 0.57%

LAB 62.09, -7.99, -32.46

 

CMYK 59 / 40 / 0 / 19

HEX #547CCF

RGB 84 124 207

HSL 220.49, 0.56%, 0.57%

LAB 52.74, 11.31, -47.15

 

CMYK 59 / 56 / 0 / 19

HEX #545BCF

RGB 84 91 207

HSL 236.59, 0.56%, 0.57%

LAB 44.05, 31.77, -61.09

 

CMYK 59 / 59 / 0 / 19

HEX #5454CF

RGB 84 84 207

HSL 240, 0.56%, 0.57%

LAB 42.35, 36.08, -63.84

 

CMYK 59 / 24 / 0 / 19

HEX #549DCF

RGB 84 157 207

HSL 204.39, 0.56%, 0.57%

LAB 62.09, -7.99, -32.46

 

CMYK 71 / 29 / 0 / 12

HEX #42A0E0

RGB 66 160 224

HSL 204.3, 0.72%, 0.57%

LAB 63.08, -7.09, -40.4

 

CMYK 80 / 32 / 0 / 5

HEX #30A4F2

RGB 48 164 242

HSL 204.12, 0.88%, 0.57%

LAB 64.64, -5.18, -47.89

 

CMYK 59 / 24 / 0 / 19

HEX #549DCF

RGB 84 157 207

HSL 204.39, 0.56%, 0.57%

LAB 62.09, -7.99, -32.46

 

CMYK 46 / 19 / 0 / 26

HEX #669ABD

RGB 102 154 189

HSL 204.14, 0.4%, 0.57%

LAB 61.32, -7.77, -23.5

 

CMYK 30 / 12 / 0 / 33

HEX #7796AB

RGB 119 150 171

HSL 204.23, 0.24%, 0.57%

LAB 60.49, -5.7, -14.51

 

CMYK 11 / 5 / 0 / 40

HEX #89939A

RGB 137 147 154

HSL 204.71, 0.08%, 0.57%

LAB 60.35, -2.13, -4.93

 

CMYK 0 / 7 / 12 / 39

HEX #9B9088

RGB 155 144 136

HSL 25.26, 0.09%, 0.57%

LAB 60.51, 2.65, 5.71

 

CMYK 59 / 0 / 8 / 19

HEX #54CFBE

RGB 84 207 190

HSL 171.71, 0.56%, 0.57%

LAB 76.21, -38.17, -1.78

 

CMYK 59 / 8 / 0 / 19

HEX #54BECF

RGB 84 190 207

HSL 188.29, 0.56%, 0.57%

LAB 71.7, -25.43, -17.72

 

CMYK 59 / 24 / 0 / 19

HEX #549ECF

RGB 84 158 207

HSL 203.9, 0.56%, 0.57%

LAB 62.38, -8.55, -32.01

 

CMYK 59 / 40 / 0 / 19

HEX #547DCF

RGB 84 125 207

HSL 220, 0.56%, 0.57%

LAB 53.01, 10.7, -46.72

 

CMYK 59 / 56 / 0 / 19

HEX #545CCF

RGB 84 92 207

HSL 236.1, 0.56%, 0.57%

LAB 44.3, 31.15, -60.69

 

CMYK 72 / 29 / 0 / 36

HEX #2E73A2

RGB 46 115 162

HSL 204.31, 0.56%, 0.41%

LAB 46.25, -5.64, -31.54

 

CMYK 72 / 29 / 0 / 24

HEX #378AC3

RGB 55 138 195

HSL 204.43, 0.56%, 0.49%

LAB 55, -6.11, -36.84

 

CMYK 59 / 24 / 0 / 19

HEX #549DCF

RGB 84 157 207

HSL 204.39, 0.56%, 0.57%

LAB 62.09, -7.99, -32.46

 

CMYK 46 / 19 / 0 / 15

HEX #74AFD8

RGB 116 175 216

HSL 204.6, 0.56%, 0.65%

LAB 68.99, -8.2, -26.67

 

CMYK 34 / 14 / 0 / 12

HEX #94C2E1

RGB 148 194 225

HSL 204.16, 0.56%, 0.73%

LAB 76.26, -7.71, -20.31

 

CMYK 58 / 24 / 0 / 19

HEX #569ECF

RGB 86 158 207

HSL 204.3, 0.56%, 0.57%

LAB 62.45, -8.16, -31.89

 

CMYK 24 / 59 / 0 / 19

HEX #9E54CF

RGB 158 84 207

HSL 276.1, 0.56%, 0.57%

LAB 49.63, 51.88, -51.73

 

CMYK 0 / 0 / 59 / 19

HEX #CFCF54

RGB 207 207 84

HSL 60, 0.56%, 0.57%

LAB 81.03, -15.58, 59.46

 

CMYK 58 / 24 / 0 / 19

HEX #569ECF

RGB 86 158 207

HSL 204.3, 0.56%, 0.57%

LAB 62.45, -8.16, -31.89

 

CMYK 0 / 59 / 24 / 19

HEX #CF549E

RGB 207 84 158

HSL 323.9, 0.56%, 0.57%

LAB 54.11, 56.45, -15.82

 

CMYK 24 / 0 / 59 / 19

HEX #9ECF54

RGB 158 207 84

HSL 83.9, 0.56%, 0.57%

LAB 77.6, -35.06, 54.7

 

CMYK 58 / 24 / 0 / 19

HEX #569ECF

RGB 86 158 207

HSL 204.3, 0.56%, 0.57%

LAB 62.45, -8.16, -31.89

 

CMYK 24 / 59 / 0 / 19

HEX #9E54CF

RGB 158 84 207

HSL 276.1, 0.56%, 0.57%

LAB 49.63, 51.88, -51.73

 

CMYK 0 / 36 / 59 / 19

HEX #CF8554

RGB 207 133 84

HSL 23.9, 0.56%, 0.57%

LAB 62.24, 23.59, 37.88

 

CMYK 36 / 0 / 59 / 19

HEX #85CF54

RGB 133 207 84

HSL 96.1, 0.56%, 0.57%

LAB 76.22, -44.03, 52.77

 

CMYK 58 / 24 / 0 / 19

HEX #569ECF

RGB 86 158 207

HSL 204.3, 0.56%, 0.57%

LAB 62.45, -8.16, -31.89

 

CMYK 6 / 59 / 0 / 19

HEX #C254CF

RGB 194 84 207

HSL 293.66, 0.56%, 0.57%

LAB 54.36, 60.76, -43.93

 

CMYK 0 / 36 / 59 / 19

HEX #CF8554

RGB 207 133 84

HSL 23.9, 0.56%, 0.57%

LAB 62.24, 23.59, 37.88

 

CMYK 54 / 0 / 59 / 19

HEX #60CF54

RGB 96 207 84

HSL 114.15, 0.56%, 0.57%

LAB 74.67, -55.23, 50.59

 

Description

Color code: HEX #569ECF | qconv.com Color code: HEX #569ECF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 158 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 158 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 24 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 24% 0% 19% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

81% - Tim Knapton | UX/...
Link: http://timknapton.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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