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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5699DD it is the complementary color #A96622. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5699DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5699DD shade: #5B99D8, #6CABEB, #7DBDFE, #8ECFFF and #9FE1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5699DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5699DD shade: #5699DD, #4587CA, #3475B7, #2363A4 and #125191

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5699DD shade: #5598DD, #5574DD, #5B55DD, #7F55DD and #A455DD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5699DD shade: #5598DD, #5574DD and #5555DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5699DD shade matches the following richer shades: #5598DD, #4498EE and #3498FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5699DD shade: #5598DD, #6599CD, #7699BC, #8699AC and #97999B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5699DD shade: #55DDD9, #55BDDD, #5599DD, #5575DD and #5955DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5699DD shade: #256FBB, #3284D7, #5598DD, #77ADE4 and #9AC2EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5699DD shade: #5699DD, #B455DD and #D0DD55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5699DD shade: #5699DD, #DD5599 and #99DD55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5699DD shade: #5699DD, #B455DD, #DD9955 and #7EDD55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5699DD shade: #5699DD, #DD55DD, #DD9955 and #55DD55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 31 / 0 / 13

HEX #5699DD

RGB 86 153 221

HSL 210.22, 0.67%, 0.6%

LAB 61.64, -0.85, -40.95

 

Complementary color

CMYK 0 / 40 / 80 / 34

HEX #A96622

RGB 169 102 34

HSL 30.22, 0.67%, 0.4%

LAB 49.56, 21.6, 47.28

 

CMYK 58 / 29 / 0 / 15

HEX #5B99D8

RGB 91 153 216

HSL 210.24, 0.62%, 0.6%

LAB 61.62, -1.49, -38.18

 

CMYK 54 / 27 / 0 / 8

HEX #6CABEB

RGB 108 171 235

HSL 210.24, 0.76%, 0.67%

LAB 68.25, -2.25, -38.25

 

CMYK 51 / 26 / 0 / 0

HEX #7DBDFE

RGB 125 189 254

HSL 210.23, 0.98%, 0.74%

LAB 74.77, -2.87, -38.34

 

CMYK 44 / 19 / 0 / 0

HEX #8ECFFF

RGB 142 207 255

HSL 205.49, 1%, 0.78%

LAB 80.51, -8.34, -29.93

 

CMYK 38 / 12 / 0 / 0

HEX #9FE1FF

RGB 159 225 255

HSL 198.75, 1%, 0.81%

LAB 86.23, -13.45, -21.15

 

CMYK 61 / 31 / 0 / 13

HEX #5699DD

RGB 86 153 221

HSL 210.22, 0.67%, 0.6%

LAB 61.64, -0.85, -40.95

 

CMYK 66 / 33 / 0 / 21

HEX #4587CA

RGB 69 135 202

HSL 210.23, 0.56%, 0.53%

LAB 54.93, 0.25, -40.9

 

CMYK 72 / 36 / 0 / 28

HEX #3475B7

RGB 52 117 183

HSL 210.23, 0.56%, 0.46%

LAB 48.1, 1.65, -40.85

 

CMYK 79 / 40 / 0 / 36

HEX #2363A4

RGB 35 99 164

HSL 210.23, 0.65%, 0.39%

LAB 41.15, 3.47, -40.78

 

CMYK 88 / 44 / 0 / 43

HEX #125191

RGB 18 81 145

HSL 210.24, 0.78%, 0.32%

LAB 34.1, 5.89, -40.66

 

CMYK 62 / 31 / 0 / 13

HEX #5598DD

RGB 85 152 221

HSL 210.44, 0.67%, 0.6%

LAB 61.31, -0.46, -41.46

 

CMYK 62 / 48 / 0 / 13

HEX #5574DD

RGB 85 116 221

HSL 226.32, 0.67%, 0.6%

LAB 51.43, 21.12, -57.16

 

CMYK 59 / 62 / 0 / 13

HEX #5B55DD

RGB 91 85 221

HSL 242.65, 0.67%, 0.6%

LAB 44.15, 41.14, -68.92

 

CMYK 43 / 62 / 0 / 13

HEX #7F55DD

RGB 127 85 221

HSL 258.53, 0.67%, 0.6%

LAB 47.27, 47.85, -63.7

 

CMYK 26 / 62 / 0 / 13

HEX #A455DD

RGB 164 85 221

HSL 274.85, 0.67%, 0.6%

LAB 51.39, 55.93, -56.85

 

CMYK 62 / 31 / 0 / 13

HEX #5598DD

RGB 85 152 221

HSL 210.44, 0.67%, 0.6%

LAB 61.31, -0.46, -41.46

 

CMYK 62 / 48 / 0 / 13

HEX #5574DD

RGB 85 116 221

HSL 226.32, 0.67%, 0.6%

LAB 51.43, 21.12, -57.16

 

CMYK 62 / 62 / 0 / 13

HEX #5555DD

RGB 85 85 221

HSL 240, 0.67%, 0.6%

LAB 43.72, 40.19, -69.63

 

CMYK 62 / 31 / 0 / 13

HEX #5598DD

RGB 85 152 221

HSL 210.44, 0.67%, 0.6%

LAB 61.31, -0.46, -41.46

 

CMYK 71 / 36 / 0 / 7

HEX #4498EE

RGB 68 152 238

HSL 210.35, 0.83%, 0.6%

LAB 61.53, 2.59, -50.57

 

CMYK 80 / 40 / 0 / 0

HEX #3498FE

RGB 52 152 254

HSL 210.3, 0.99%, 0.6%

LAB 61.95, 6.46, -58.72

 

CMYK 62 / 31 / 0 / 13

HEX #5598DD

RGB 85 152 221

HSL 210.44, 0.67%, 0.6%

LAB 61.31, -0.46, -41.46

 

CMYK 51 / 25 / 0 / 20

HEX #6599CD

RGB 101 153 205

HSL 210, 0.51%, 0.6%

LAB 61.62, -2.75, -32.02

 

CMYK 37 / 19 / 0 / 26

HEX #7699BC

RGB 118 153 188

HSL 210, 0.34%, 0.6%

LAB 61.88, -3.25, -22

 

CMYK 22 / 11 / 0 / 33

HEX #8699AC

RGB 134 153 172

HSL 210, 0.19%, 0.6%

LAB 62.36, -2.45, -12.16

 

CMYK 3 / 1 / 0 / 39

HEX #97999B

RGB 151 153 155

HSL 210, 0.02%, 0.6%

LAB 63.12, -0.33, -1.31

HEX #97999B

CMYK 62 / 0 / 2 / 13

HEX #55DDD9

RGB 85 221 217

HSL 178.24, 0.67%, 0.6%

LAB 81.1, -37.32, -9.02

 

CMYK 62 / 14 / 0 / 13

HEX #55BDDD

RGB 85 189 221

HSL 194.12, 0.67%, 0.6%

LAB 71.92, -20.62, -25.01

 

CMYK 62 / 31 / 0 / 13

HEX #5599DD

RGB 85 153 221

HSL 210, 0.67%, 0.6%

LAB 61.6, -1.03, -41.02

 

CMYK 62 / 47 / 0 / 13

HEX #5575DD

RGB 85 117 221

HSL 225.88, 0.67%, 0.6%

LAB 51.69, 20.5, -56.73

 

CMYK 60 / 62 / 0 / 13

HEX #5955DD

RGB 89 85 221

HSL 241.76, 0.67%, 0.6%

LAB 44, 40.82, -69.16

 

CMYK 80 / 41 / 0 / 27

HEX #256FBB

RGB 37 111 187

HSL 210.4, 0.67%, 0.44%

LAB 46.11, 4.97, -46.35

 

CMYK 77 / 39 / 0 / 16

HEX #3284D7

RGB 50 132 215

HSL 210.18, 0.67%, 0.52%

LAB 54.12, 3.98, -49.56

 

CMYK 62 / 31 / 0 / 13

HEX #5598DD

RGB 85 152 221

HSL 210.44, 0.67%, 0.6%

LAB 61.31, -0.46, -41.46

 

CMYK 48 / 24 / 0 / 11

HEX #77ADE4

RGB 119 173 228

HSL 210.28, 0.67%, 0.68%

LAB 69.05, -2.97, -33.14

 

CMYK 34 / 17 / 0 / 8

HEX #9AC2EB

RGB 154 194 235

HSL 210.37, 0.67%, 0.76%

LAB 76.95, -3.55, -24.63

 

CMYK 61 / 31 / 0 / 13

HEX #5699DD

RGB 86 153 221

HSL 210.22, 0.67%, 0.6%

LAB 61.64, -0.85, -40.95

 

CMYK 19 / 62 / 0 / 13

HEX #B455DD

RGB 180 85 221

HSL 281.91, 0.67%, 0.6%

LAB 53.41, 59.63, -53.51

 

CMYK 6 / 0 / 62 / 13

HEX #D0DD55

RGB 208 221 85

HSL 65.74, 0.67%, 0.6%

LAB 84.88, -21.99, 63.22

 

CMYK 61 / 31 / 0 / 13

HEX #5699DD

RGB 86 153 221

HSL 210.22, 0.67%, 0.6%

LAB 61.64, -0.85, -40.95

 

CMYK 0 / 62 / 31 / 13

HEX #DD5599

RGB 221 85 153

HSL 330, 0.67%, 0.6%

LAB 56.26, 59.51, -9.43

 

CMYK 31 / 0 / 62 / 13

HEX #99DD55

RGB 153 221 85

HSL 90, 0.67%, 0.6%

LAB 81.37, -43.03, 58.38

 

CMYK 61 / 31 / 0 / 13

HEX #5699DD

RGB 86 153 221

HSL 210.22, 0.67%, 0.6%

LAB 61.64, -0.85, -40.95

 

CMYK 19 / 62 / 0 / 13

HEX #B455DD

RGB 180 85 221

HSL 281.91, 0.67%, 0.6%

LAB 53.41, 59.63, -53.51

 

CMYK 0 / 31 / 62 / 13

HEX #DD9955

RGB 221 153 85

HSL 30, 0.67%, 0.6%

LAB 68.61, 18.67, 45.36

 

CMYK 43 / 0 / 62 / 13

HEX #7EDD55

RGB 126 221 85

HSL 101.91, 0.67%, 0.6%

LAB 80.07, -51.99, 56.57

 

CMYK 61 / 31 / 0 / 13

HEX #5699DD

RGB 86 153 221

HSL 210.22, 0.67%, 0.6%

LAB 61.64, -0.85, -40.95

 

CMYK 0 / 62 / 0 / 13

HEX #DD55DD

RGB 221 85 221

HSL 300, 0.67%, 0.6%

LAB 59.06, 69.38, -44.19

 

CMYK 0 / 31 / 62 / 13

HEX #DD9955

RGB 221 153 85

HSL 30, 0.67%, 0.6%

LAB 68.61, 18.67, 45.36

 

CMYK 62 / 0 / 62 / 13

HEX #55DD55

RGB 85 221 85

HSL 120, 0.67%, 0.6%

LAB 78.64, -62.85, 54.57

 

Description

Color code: HEX #5699DD | qconv.com Color code: HEX #5699DD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 153 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 153 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 31 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 31% 0% 13% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

91% - Robert Kuykendall - ...
Link: http://rkuykendall.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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