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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #56982C it is the complementary color #A967D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #56982C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #56982C shade: #5B9827, #6CAA3A, #7DBC4D, #8ECE60 and #9FE073

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #56982C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #56982C shade: #56982C, #458619, #347406, #236200 and #125000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #56982C shade: #55962C, #72962C, #8F962C, #96812C and #96642C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #56982C shade: #55962C, #38962C, #2C963C, #2C9658 and #2C9675

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #56982C shade matches the following richer shades: #55962C, #52A61C and #4EB60C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #56982C shade: #55962C, #59873B, #5C774B, #60675B and #63576A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #56982C shade: #8F962C, #73962C, #56962C, #3A962C and #2C963A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #56982C shade: #315619, #437622, #55962C, #67B635 and #7CCA4A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #56982C shade: #56982C, #2C9681 and #962C81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #56982C shade: #56982C, #2C5696 and #962C56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #56982C shade: #56982C, #2C9681, #6C2C96 and #962C41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #56982C shade: #56982C, #2C8C96, #6C2C96 and #96362C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 71 / 40

HEX #56982C

RGB 86 152 44

HSL 96.67, 0.55%, 0.38%

LAB 56.7, -40.07, 47.92

 

Complementary color

CMYK 20 / 51 / 0 / 17

HEX #A967D3

RGB 169 103 211

HSL 276.67, 0.55%, 0.62%

LAB 54.91, 45.69, -45.54

 

CMYK 40 / 0 / 74 / 40

HEX #5B9827

RGB 91 152 39

HSL 92.39, 0.59%, 0.37%

LAB 56.91, -38.7, 50.13

 

CMYK 36 / 0 / 66 / 33

HEX #6CAA3A

RGB 108 170 58

HSL 93.21, 0.49%, 0.45%

LAB 63.54, -39.05, 49.69

 

CMYK 34 / 0 / 59 / 26

HEX #7DBC4D

RGB 125 188 77

HSL 94.05, 0.45%, 0.52%

LAB 70.08, -39.21, 48.82

 

CMYK 31 / 0 / 53 / 19

HEX #8ECE60

RGB 142 206 96

HSL 94.91, 0.53%, 0.59%

LAB 76.52, -39.26, 47.76

 

CMYK 29 / 0 / 49 / 12

HEX #9FE073

RGB 159 224 115

HSL 95.78, 0.64%, 0.66%

LAB 82.87, -39.24, 46.63

 

CMYK 43 / 0 / 71 / 40

HEX #56982C

RGB 86 152 44

HSL 96.67, 0.55%, 0.38%

LAB 56.7, -40.07, 47.92

 

CMYK 49 / 0 / 81 / 47

HEX #458619

RGB 69 134 25

HSL 95.78, 0.69%, 0.31%

LAB 49.96, -39.51, 47.91

 

CMYK 55 / 0 / 95 / 55

HEX #347406

RGB 52 116 6

HSL 94.91, 0.9%, 0.24%

LAB 43.11, -38.5, 46.46

 

CMYK 64 / 0 / 100 / 62

HEX #236200

RGB 35 98 0

HSL 98.57, 1%, 0.19%

LAB 36.16, -36.73, 42.11

 

CMYK 78 / 0 / 100 / 69

HEX #125000

RGB 18 80 0

HSL 106.5, 1%, 0.16%

LAB 29.07, -34.21, 36.28

 

CMYK 43 / 0 / 71 / 41

HEX #55962C

RGB 85 150 44

HSL 96.79, 0.55%, 0.38%

LAB 56.01, -39.56, 47.2

 

CMYK 24 / 0 / 71 / 41

HEX #72962C

RGB 114 150 44

HSL 80.38, 0.55%, 0.38%

LAB 57.63, -28.64, 49.37

 

CMYK 5 / 0 / 71 / 41

HEX #8F962C

RGB 143 150 44

HSL 63.96, 0.55%, 0.38%

LAB 59.74, -16.29, 52.18

 

CMYK 0 / 14 / 71 / 41

HEX #96812C

RGB 150 129 44

HSL 48.11, 0.55%, 0.38%

LAB 54.41, -1.8, 47.03

 

CMYK 0 / 33 / 71 / 41

HEX #96642C

RGB 150 100 44

HSL 31.7, 0.55%, 0.38%

LAB 46.68, 14.74, 38.92

 

CMYK 43 / 0 / 71 / 41

HEX #55962C

RGB 85 150 44

HSL 96.79, 0.55%, 0.38%

LAB 56.01, -39.56, 47.2

 

CMYK 63 / 0 / 71 / 41

HEX #38962C

RGB 56 150 44

HSL 113.21, 0.55%, 0.38%

LAB 54.9, -48.05, 45.69

 

CMYK 71 / 0 / 60 / 41

HEX #2C963C

RGB 44 150 60

HSL 129.06, 0.55%, 0.38%

LAB 54.74, -48.87, 38.26

 

CMYK 71 / 0 / 41 / 41

HEX #2C9658

RGB 44 150 88

HSL 144.91, 0.55%, 0.38%

LAB 55.13, -44.38, 24.25

 

CMYK 71 / 0 / 22 / 41

HEX #2C9675

RGB 44 150 117

HSL 161.32, 0.55%, 0.38%

LAB 55.72, -37.99, 8.85

 

CMYK 43 / 0 / 71 / 41

HEX #55962C

RGB 85 150 44

HSL 96.79, 0.55%, 0.38%

LAB 56.01, -39.56, 47.2

 

CMYK 51 / 0 / 83 / 35

HEX #52A61C

RGB 82 166 28

HSL 96.52, 0.71%, 0.38%

LAB 60.91, -48.03, 57.31

 

CMYK 57 / 0 / 93 / 29

HEX #4EB60C

RGB 78 182 12

HSL 96.71, 0.88%, 0.38%

LAB 65.83, -55.63, 64.67

 

CMYK 43 / 0 / 71 / 41

HEX #55962C

RGB 85 150 44

HSL 96.79, 0.55%, 0.38%

LAB 56.01, -39.56, 47.2

 

CMYK 34 / 0 / 56 / 47

HEX #59873B

RGB 89 135 59

HSL 96.32, 0.39%, 0.38%

LAB 51.57, -29.92, 35.49

 

CMYK 23 / 0 / 37 / 53

HEX #5C774B

RGB 92 119 75

HSL 96.82, 0.23%, 0.38%

LAB 46.94, -18.54, 21.1

 

CMYK 7 / 0 / 12 / 60

HEX #60675B

RGB 96 103 91

HSL 95, 0.06%, 0.38%

LAB 42.68, -5.17, 5.85

 

CMYK 7 / 18 / 0 / 58

HEX #63576A

RGB 99 87 106

HSL 277.89, 0.1%, 0.38%

LAB 38.74, 8.85, -9.09

 

CMYK 5 / 0 / 71 / 41

HEX #8F962C

RGB 143 150 44

HSL 63.96, 0.55%, 0.38%

LAB 59.74, -16.29, 52.18

 

CMYK 23 / 0 / 71 / 41

HEX #73962C

RGB 115 150 44

HSL 79.81, 0.55%, 0.38%

LAB 57.69, -28.24, 49.46

 

CMYK 43 / 0 / 71 / 41

HEX #56962C

RGB 86 150 44

HSL 96.23, 0.55%, 0.38%

LAB 56.06, -39.22, 47.26

 

CMYK 61 / 0 / 71 / 41

HEX #3A962C

RGB 58 150 44

HSL 112.08, 0.55%, 0.38%

LAB 54.96, -47.56, 45.78

 

CMYK 71 / 0 / 61 / 41

HEX #2C963A

RGB 44 150 58

HSL 127.92, 0.55%, 0.38%

LAB 54.71, -49.12, 39.19

 

CMYK 43 / 0 / 71 / 66

HEX #315619

RGB 49 86 25

HSL 96.39, 0.55%, 0.22%

LAB 32.65, -25.29, 30.31

 

CMYK 43 / 0 / 71 / 54

HEX #437622

RGB 67 118 34

HSL 96.43, 0.55%, 0.3%

LAB 44.61, -32.67, 39.21

 

CMYK 43 / 0 / 71 / 41

HEX #55962C

RGB 85 150 44

HSL 96.79, 0.55%, 0.38%

LAB 56.01, -39.56, 47.2

 

CMYK 43 / 0 / 71 / 29

HEX #67B635

RGB 103 182 53

HSL 96.74, 0.55%, 0.46%

LAB 66.97, -46.23, 55.23

 

CMYK 39 / 0 / 63 / 21

HEX #7CCA4A

RGB 124 202 74

HSL 96.56, 0.55%, 0.54%

LAB 74.2, -45.86, 54.73

 

CMYK 43 / 0 / 71 / 40

HEX #56982C

RGB 86 152 44

HSL 96.67, 0.55%, 0.38%

LAB 56.7, -40.07, 47.92

 

CMYK 71 / 0 / 14 / 41

HEX #2C9681

RGB 44 150 129

HSL 168.11, 0.55%, 0.38%

LAB 56.02, -34.89, 2.44

 

CMYK 0 / 71 / 14 / 41

HEX #962C81

RGB 150 44 129

HSL 311.89, 0.55%, 0.38%

LAB 37.61, 53.05, -24.49

 

CMYK 43 / 0 / 71 / 40

HEX #56982C

RGB 86 152 44

HSL 96.67, 0.55%, 0.38%

LAB 56.7, -40.07, 47.92

 

CMYK 71 / 43 / 0 / 41

HEX #2C5696

RGB 44 86 150

HSL 216.23, 0.55%, 0.38%

LAB 36.73, 7.74, -39.44

 

CMYK 0 / 71 / 43 / 41

HEX #962C56

RGB 150 44 86

HSL 336.23, 0.55%, 0.38%

LAB 35.9, 47.43, 0.06

 

CMYK 43 / 0 / 71 / 40

HEX #56982C

RGB 86 152 44

HSL 96.67, 0.55%, 0.38%

LAB 56.7, -40.07, 47.92

 

CMYK 71 / 0 / 14 / 41

HEX #2C9681

RGB 44 150 129

HSL 168.11, 0.55%, 0.38%

LAB 56.02, -34.89, 2.44

 

CMYK 28 / 71 / 0 / 41

HEX #6C2C96

RGB 108 44 150

HSL 276.23, 0.55%, 0.38%

LAB 32.24, 46.95, -46.36

 

CMYK 0 / 71 / 57 / 41

HEX #962C41

RGB 150 44 65

HSL 348.11, 0.55%, 0.38%

LAB 35.34, 45.48, 12.77

 

CMYK 43 / 0 / 71 / 40

HEX #56982C

RGB 86 152 44

HSL 96.67, 0.55%, 0.38%

LAB 56.7, -40.07, 47.92

 

CMYK 71 / 7 / 0 / 41

HEX #2C8C96

RGB 44 140 150

HSL 185.66, 0.55%, 0.38%

LAB 53.49, -23.88, -13.4

 

CMYK 28 / 71 / 0 / 41

HEX #6C2C96

RGB 108 44 150

HSL 276.23, 0.55%, 0.38%

LAB 32.24, 46.95, -46.36

 

CMYK 0 / 64 / 71 / 41

HEX #96362C

RGB 150 54 44

HSL 5.66, 0.55%, 0.38%

LAB 36.56, 39.68, 27.51

 

Description

Color code: HEX #56982C | qconv.com Color code: HEX #56982C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 152 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 152 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 71 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 71% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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