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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #568DE3 it is the complementary color #A9721C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #568DE3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #568DE3 shade: #5B8DDE, #6C9FF1, #7DB1FF, #8EC3FF and #9FD5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #568DE3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #568DE3 shade: #568DE3, #457BD0, #3469BD, #2357AA and #124597

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #568DE3 shade: #548CE3, #5465E3, #6954E3, #9054E3 and #B754E3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #568DE3 shade: #548CE3, #5465E3 and #5454E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #568DE3 shade matches the following richer shades: #548CE3 and #4488F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #568DE3 shade: #548CE3, #648FD3, #7493C3, #8496B3 and #949AA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #568DE3 shade: #54DAE3, #54B3E3, #548DE3, #5467E3 and #6754E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #568DE3 shade: #2060C5, #3074DD, #548CE3, #77A4E9 and #9BBCEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #568DE3 shade: #568DE3, #C754E3 and #C7E354

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #568DE3 shade: #568DE3, #E3548D and #8DE354

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #568DE3 shade: #568DE3, #C754E3, #E3AA54 and #71E354

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #568DE3 shade: #568DE3, #E354D5, #E3AA54 and #54E362

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 38 / 0 / 11

HEX #568DE3

RGB 86 141 227

HSL 216.6, 0.72%, 0.61%

LAB 58.58, 8.15, -49.11

 

Complementary color

CMYK 0 / 33 / 83 / 34

HEX #A9721C

RGB 169 114 28

HSL 36.6, 0.72%, 0.39%

LAB 52.46, 14.64, 52.24

 

CMYK 59 / 36 / 0 / 13

HEX #5B8DDE

RGB 91 141 222

HSL 217.1, 0.66%, 0.61%

LAB 58.55, 7.43, -46.35

 

CMYK 55 / 34 / 0 / 5

HEX #6C9FF1

RGB 108 159 241

HSL 216.99, 0.83%, 0.68%

LAB 65.23, 6.41, -46.27

 

CMYK 51 / 31 / 0 / 0

HEX #7DB1FF

RGB 125 177 255

HSL 216, 1%, 0.75%

LAB 71.57, 4.07, -43.86

 

CMYK 44 / 24 / 0 / 0

HEX #8EC3FF

RGB 142 195 255

HSL 211.86, 1%, 0.78%

LAB 77.28, -1.92, -34.91

 

CMYK 38 / 16 / 0 / 0

HEX #9FD5FF

RGB 159 213 255

HSL 206.25, 1%, 0.81%

LAB 83.01, -7.24, -26.04

 

CMYK 62 / 38 / 0 / 11

HEX #568DE3

RGB 86 141 227

HSL 216.6, 0.72%, 0.61%

LAB 58.58, 8.15, -49.11

 

CMYK 67 / 41 / 0 / 18

HEX #457BD0

RGB 69 123 208

HSL 216.69, 0.6%, 0.54%

LAB 51.82, 9.57, -49.22

 

CMYK 72 / 44 / 0 / 26

HEX #3469BD

RGB 52 105 189

HSL 216.79, 0.57%, 0.47%

LAB 44.95, 11.34, -49.33

 

CMYK 79 / 49 / 0 / 33

HEX #2357AA

RGB 35 87 170

HSL 216.89, 0.66%, 0.4%

LAB 37.98, 13.6, -49.43

 

CMYK 88 / 54 / 0 / 41

HEX #124597

RGB 18 69 151

HSL 216.99, 0.79%, 0.33%

LAB 30.92, 16.53, -49.44

 

CMYK 63 / 38 / 0 / 11

HEX #548CE3

RGB 84 140 227

HSL 216.5, 0.72%, 0.61%

LAB 58.21, 8.39, -49.7

 

CMYK 63 / 56 / 0 / 11

HEX #5465E3

RGB 84 101 227

HSL 232.87, 0.72%, 0.61%

LAB 47.93, 32.25, -66.2

 

CMYK 54 / 63 / 0 / 11

HEX #6954E3

RGB 105 84 227

HSL 248.81, 0.72%, 0.61%

LAB 45.48, 45.94, -70.11

 

CMYK 37 / 63 / 0 / 11

HEX #9054E3

RGB 144 84 227

HSL 265.17, 0.72%, 0.61%

LAB 49.27, 53.46, -63.78

 

CMYK 19 / 63 / 0 / 11

HEX #B754E3

RGB 183 84 227

HSL 281.54, 0.72%, 0.61%

LAB 53.98, 62.01, -55.96

 

CMYK 63 / 38 / 0 / 11

HEX #548CE3

RGB 84 140 227

HSL 216.5, 0.72%, 0.61%

LAB 58.21, 8.39, -49.7

 

CMYK 63 / 56 / 0 / 11

HEX #5465E3

RGB 84 101 227

HSL 232.87, 0.72%, 0.61%

LAB 47.93, 32.25, -66.2

 

CMYK 63 / 63 / 0 / 11

HEX #5454E3

RGB 84 84 227

HSL 240, 0.72%, 0.61%

LAB 43.9, 42.58, -72.75

 

CMYK 63 / 38 / 0 / 11

HEX #548CE3

RGB 84 140 227

HSL 216.5, 0.72%, 0.61%

LAB 58.21, 8.39, -49.7

 

CMYK 72 / 44 / 0 / 5

HEX #4488F3

RGB 68 136 243

HSL 216.69, 0.88%, 0.61%

LAB 57.37, 13.89, -59.96

 

CMYK 63 / 38 / 0 / 11

HEX #548CE3

RGB 84 140 227

HSL 216.5, 0.72%, 0.61%

LAB 58.21, 8.39, -49.7

 

CMYK 53 / 32 / 0 / 17

HEX #648FD3

RGB 100 143 211

HSL 216.76, 0.56%, 0.61%

LAB 59.03, 4.62, -39.42

 

CMYK 41 / 25 / 0 / 24

HEX #7493C3

RGB 116 147 195

HSL 216.46, 0.4%, 0.61%

LAB 60.36, 1.52, -28.29

 

CMYK 26 / 16 / 0 / 30

HEX #8496B3

RGB 132 150 179

HSL 217.02, 0.24%, 0.61%

LAB 61.63, 0.28, -17.23

 

CMYK 9 / 6 / 0 / 36

HEX #949AA3

RGB 148 154 163

HSL 216, 0.08%, 0.61%

LAB 63.39, -0.32, -5.45

 

CMYK 63 / 4 / 0 / 11

HEX #54DAE3

RGB 84 218 227

HSL 183.78, 0.72%, 0.61%

LAB 80.5, -33.33, -15.24

 

CMYK 63 / 21 / 0 / 11

HEX #54B3E3

RGB 84 179 227

HSL 200.14, 0.72%, 0.61%

LAB 69.23, -13.71, -32.42

 

CMYK 63 / 38 / 0 / 11

HEX #548DE3

RGB 84 141 227

HSL 216.08, 0.72%, 0.61%

LAB 58.49, 7.79, -49.26

 

CMYK 63 / 55 / 0 / 11

HEX #5467E3

RGB 84 103 227

HSL 232.03, 0.72%, 0.61%

LAB 48.43, 31.02, -65.4

 

CMYK 55 / 63 / 0 / 11

HEX #6754E3

RGB 103 84 227

HSL 247.97, 0.72%, 0.61%

LAB 45.32, 45.59, -70.38

 

CMYK 84 / 51 / 0 / 23

HEX #2060C5

RGB 32 96 197

HSL 216.73, 0.72%, 0.45%

LAB 42.31, 17.98, -58.25

 

CMYK 78 / 48 / 0 / 13

HEX #3074DD

RGB 48 116 221

HSL 216.42, 0.72%, 0.53%

LAB 49.91, 15.85, -59.69

 

CMYK 63 / 38 / 0 / 11

HEX #548CE3

RGB 84 140 227

HSL 216.5, 0.72%, 0.61%

LAB 58.21, 8.39, -49.7

 

CMYK 49 / 30 / 0 / 9

HEX #77A4E9

RGB 119 164 233

HSL 216.32, 0.72%, 0.69%

LAB 66.79, 3.53, -39.39

 

CMYK 35 / 21 / 0 / 6

HEX #9BBCEF

RGB 155 188 239

HSL 216.43, 0.72%, 0.77%

LAB 75.56, 0.98, -28.91

 

CMYK 62 / 38 / 0 / 11

HEX #568DE3

RGB 86 141 227

HSL 216.6, 0.72%, 0.61%

LAB 58.58, 8.15, -49.11

 

CMYK 12 / 63 / 0 / 11

HEX #C754E3

RGB 199 84 227

HSL 288.25, 0.72%, 0.61%

LAB 56.12, 65.68, -52.43

 

CMYK 12 / 0 / 63 / 11

HEX #C7E354

RGB 199 227 84

HSL 71.75, 0.72%, 0.61%

LAB 85.87, -28.52, 64.49

 

CMYK 62 / 38 / 0 / 11

HEX #568DE3

RGB 86 141 227

HSL 216.6, 0.72%, 0.61%

LAB 58.58, 8.15, -49.11

 

CMYK 0 / 63 / 38 / 11

HEX #E3548D

RGB 227 84 141

HSL 336.08, 0.72%, 0.61%

LAB 56.68, 60.35, -1.66

 

CMYK 38 / 0 / 63 / 11

HEX #8DE354

RGB 141 227 84

HSL 96.08, 0.72%, 0.61%

LAB 82.51, -49.74, 59.88

 

CMYK 62 / 38 / 0 / 11

HEX #568DE3

RGB 86 141 227

HSL 216.6, 0.72%, 0.61%

LAB 58.58, 8.15, -49.11

 

CMYK 12 / 63 / 0 / 11

HEX #C754E3

RGB 199 84 227

HSL 288.25, 0.72%, 0.61%

LAB 56.12, 65.68, -52.43

 

CMYK 0 / 25 / 63 / 11

HEX #E3AA54

RGB 227 170 84

HSL 36.08, 0.72%, 0.61%

LAB 73.36, 12.02, 51.47

 

CMYK 50 / 0 / 63 / 11

HEX #71E354

RGB 113 227 84

HSL 107.83, 0.72%, 0.61%

LAB 81.34, -58.21, 58.26

 

CMYK 62 / 38 / 0 / 11

HEX #568DE3

RGB 86 141 227

HSL 216.6, 0.72%, 0.61%

LAB 58.58, 8.15, -49.11

 

CMYK 0 / 63 / 6 / 11

HEX #E354D5

RGB 227 84 213

HSL 305.87, 0.72%, 0.61%

LAB 59.41, 69.94, -39.06

 

CMYK 0 / 25 / 63 / 11

HEX #E3AA54

RGB 227 170 84

HSL 36.08, 0.72%, 0.61%

LAB 73.36, 12.02, 51.47

 

CMYK 63 / 0 / 57 / 11

HEX #54E362

RGB 84 227 98

HSL 125.87, 0.72%, 0.61%

LAB 80.57, -63.68, 51.07

 

Description

Color code: HEX #568DE3 | qconv.com Color code: HEX #568DE3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 141 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 141 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 38 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 38% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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